Present To An Audience Quotes & Sayings

My experience of great storytelling, working with classics, is just finding a way to present it simply but let the story do its own work, or be an invite to the audience's imagination. — Kenneth Branagh

I'm sitting at the bar, rearranging the order of my jokes. I'm under the delusion that I'm having bad shows because of some cosmic misalignment of words, phrases, and ideas. I may as well have cast runes into a spirit bowl, hoping that the collective heart of the audience would open to my necromantic call. Maybe that's how jugglers do it. Those guys never have shitty sets. — Patton Oswalt

The audience, upon learning that the real Buffalo Bill was present, gave several cheers between the acts. — Buffalo Bill

As actors, you do have to be aware of your audience. You can't act in a vacuum, even if that audience isn't exactly present with you. — Tom Irwin

Painting, by its nature, cannot provide an object of simultaneous collective reception ... as film is able to do today ... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism. — Walter Benjamin

The Gorilla Foundation, like a tree or cloud or other thing from nature, seems to mostly present itself only to an ideal, abstract, fully internalized audience - one that does not question sincerity or intent, that does not require justification or meaning, that would rather The Gorilla Foundation not pause (to defend itself, to allow others time to comprehend it) but to continue always with what it's already doing. In this manner The Gorilla Foundation exists more in actualization of itself than in opposition to something else, which implies, to some degree, that it doesn't earnestly believe it - or anything - "needs" to exist or is "right" or "wrong," rather that its "mission" is a temporary concept, created by itself to directionalize itself, that without which [The Gorilla Foundation] wouldn't exist. — Tao Lin

What I remember best from those times is the music itself. When it succeded, we took hold of the audience's attention, working it from a distracted, unshaped mass into spun beauty, passing the fine strands back and forth until we wove together something grander, not only music but memory, too-the particulars of past and present, stretched taut across a loom of timeless ideals. Harmony. Symmetry. Order. — Andromeda Romano-Lax

Television is so influential that when an audience sees you day-in and day-out there's a certain acceptance that sets in; you're no longer a threatening personality. They become more willing to accept whatever you present. — Doc Severinsen

That was what he wanted to tell his audience at Cambridge. He divided classical satirists into two classes - fierce men starving in garrets, and renouncing popularity and circulation to dwell in tubs, and calm good-livers "who tell amusingly the kind of truth that no one has ever denied." But for the present century the right spirit, he believed, was self-satire, the ability to see humor in the constant small defeats of life, and "the power to be startled by nothing, however extravagant." The subject, in the end, turned out to be more relevant than it had seemed, as anyone could have told who had heard Eddie and Wilfred laughing together. — Penelope Fitzgerald

When you're doing those operation scenes, you not only have to be on top of the dialogue and the rhythm of the dialogue and what's happening dramatically, but you've got to technically get the rhythm right, so that everything is fitting with the dialogue at the right time. And you're performing the operation to the audience that's watching it. Thackery has to present it, as well. In some ways, that's the most challenging. — Clive Owen

This is for you." i pressed the stone in Kerwyn's hand.
Kerwyn turned it over in his hands, unimpressed. "imatator's gold? It's worthless."
"No, it's real gold. I am real Kerwyn."
...
He pulled a creased and worn paper from his pocket and unfolded it. His hands shook increasingly as he read it. Then he turned to the audience and said,
"This note was given to me by King Eckbert
...
to read it only if someone ever came forward claiming to be the prince. This is what it says." He read aloud,
"'Many may one day claim to be the lost prince of Carthya.
...
You will know the Prince Jaron by one sign alone. He will give you the humblest of rocks and tell you it's gold.'"
...
"Lords and ladies of Carthya, I present to you the son of King Eckbert and Queen Erin. He is the lost royal of Carthya, who lives and stands before you. Hail, Prince Jaron. — Jennifer A. Nielsen

Elections are a kind of business. I have to present myself: 'I can do this and that for this area so please give me your vote'. People vote for the politicians who can best understand and contribute to their region or country. In a business you can choose your clients, and the message is targeted to them only. But politics is universal; no matter what age the audience, you have to send the same message to everyone. — Takafumi Horie

We must recognize the eloquence of our passions and refuse to be taken in. Instead of saying, 'That false friend always did despise me,' say: 'In my present state of agitation, I can't see clearly, I can't judge clearly; I am only a tragic actor who is declaiming for his own ears.' Then you will see the lights in the theater go out for lack of an audience, and the brilliant sets will be nothing more than painted cardboard. — Emile Chartier

Good storytelling lets the audience relive events in the present so they can understand the forces, choices, and emotions that led the character to do what he did. — John Truby

I always like to have faith that an audience will suspend their disbelief, if you present it to them in the right way. I find it peculiar when people scoff at one bold idea, and yet they'll then turn over and watch a man travel through time in a police phone box. I think it's just how you present the idea. — Tom Mison

As an actor and an audience member, it's important to remember that the future will further define the meaning of the present with a show like 'Once Upon A Time.' Sometimes we're just collecting dots, and other times we're connecting them, but you know that the dots that are collected will eventually get connected. — Michael Raymond-James

IN ALL MY FILMS, IT SEEMED IMPORTANT TO ME TO REMIND THE AUDIENCE TO THE FACT THAT THEY ARE NOT ALONE, LOST IN AN EMPTY UNIVERSE, BUT THAT THEY ARE CONNECTED BY INNUMERABLE THREADS WITH THEIR PAST AND PRESENT, THAT THROUGH CERTAIN MYSTICAL WAYS, EVERY HUMAN BEING REALIZES THE RAPPORT WITH THE WORLD AND THE LIFE OF HUMANITY. — Andrei Tarkovsky

It's difficult to get an audience to want to keep up with you, stay present tense. But there's never been a big lag in my career between product. I've constantly tried to pull my audience up into what I'm doing present tense, and they've been usually happy to go there with me. — Kenny Loggins

Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand. — Caridad Svich

The Seeking of the Master. Musa Najib was asked why he charged a fee from those who came to his sessions; and why he often did not even address his audience. He said: 'I charge for this object lesson: people believe that knowledge must be given freely, and consequently mistake everything which is free for knowledge. I do not always lecture because, among Sufis, "The Master finds the pupil." The pupil has to be physically present: but he may be absent in every other sense. When I discern that a pupil is "present" then I "find" him, for then his inner call is audible to me, even if it is silent to him.' 'Seek and you will be found. — Idries Shah

A revolutionary age is an age of action; ours is the age of advertisement and publicity. Nothing ever happens but there is immediate publicity everywhere. In the present age a rebellion is, of all things, the most unthinkable. Such an expression of strength would seem ridiculous to the calculating intelligence of our times. On the other hand a political virtuoso might bring off a feat almost as remarkable. He might write a manifesto suggesting a general assembly at which people should decide upon a rebellion, and it would be so carefully worded that even the censor would let it pass. At the meeting itself he would be able to create the impression that his audience had rebelled, after which they would all go quietly home
having spent a very pleasant evening. — Soren Kierkegaard

The rhythm of editing, the length of a frame- these are not merely dictated by the professional need to establish a link with the audience (as they are thought to be). They express the character and the originality of the author of the film. At the present time cineastes use editing rhythm to gild the pill that has to be swallowed by the unfortunate audience. According to me, entirely in order to make money. — Andrei Tarkovsky

For Christopher, the Cosy Corner was now no longer the mysterious temple of initiation in which he had met Bubi; Berlin was no longer the fantasy city in which their affair had taken place. Their affair had been essentially a private performance which could only continue as long as Wystan was present to be its audience. Now the performance was over. Berlin had become a real city and the Cosy Corner a real bar. He didn't for one moment regret this. For now his adventures here were real, too; less magical but far more interesting. The — Christopher Isherwood

I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind. — Malgorzata Szumowska

The slightest deviation from the line of clear conviction - the least turning to left or right in order to cocker a prejudice or please an audience or flatter a class, showed a want of delicacy - a preference of present popularity to permanent self-respect - which he could never have indulged in himself, and with difficulty tolerated in others. He had nothing but contempt for philosophical politicians with a turn for swimming with the stream, and philosophical divines with the same turn. — Matthew Arnold

A lone walker is both present and detached, more than an audience but less than a participant. Walking assuages or legitimizes this alienation. — Rebecca Solnit

It's true that laptop performances can be boring for the audience. The problem is, the organizers of events are still putting us on the classic "rock stage," instead of trying to find new ways to present the music. — Christian Fennesz

One of the awful things about writing when you are a Christian is that for you the ultimate reality is the Incarnation, the present reality is the Incarnation, and nobody believes in the Incarnation; that is, nobody in your audience. My audience are the people who think God is dead. At least these are the people I am conscious of writing for. — Flannery O'Connor

Being a little nervous when you present means that you really care about what you have to say. Audience members see this as a signal that you are solicitous of their esteem - there is a graceful humility this - and that you care enough to want to do a great job. Caring for your audience almost always has a boomerang effect. — Bruna Martinuzzi

THOMAS JEFFERSON LEFT POSTERITY an immense correspondence, and I am particularly indebted to The Papers of Thomas Jefferson, published by Princeton University Press and first edited by Julian P. Boyd. I am, moreover, grateful to the incumbent editors of the Papers, especially general editor Barbara B. Oberg, for sharing unpublished transcripts of letters gathered for future volumes. The goal of the Princeton edition was, and continues to be, "to present as accurate a text as possible and to preserve as many of Jefferson's distinctive mannerisms of writing as can be done." To provide clarity and readability for a modern audience, however, I have taken the liberty of regularizing much of the quoted language from Jefferson and from his contemporaries. I have, for instance, silently corrected Jefferson's frequent use of "it's" for "its" and "recieve" for "receive," and have, in most cases, expanded contractions and abbreviations and followed generally accepted practices of capitalization. — Jon Meacham

In the hands of good writers, you have the opportunity to present both sides of an opinion equally and that you leave it to the audience to listen and then make up their own minds. — Mandy Patinkin

When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening. — D. A. Pennebaker

The trick for business professionals, and for educators, is to present bodies of information so compelling that the audience does this (encoding) on their own, spontaneously engaging in deep and elaborate encoding. — John Medina

I think the most important thing really was that you could take very personal ideas and present them to an audience in entertaining ways. — Ron Howard

Neither man spoke of the past. Darcy could not rid himself of its power but Wickham lived for the moment, was sanguine about the future and reinvented the past to suit his audience, and Darcy could almost believe that, for the present, he had put the worst of it completely out of his mind. p.172 — P.D. James

This is the same establishment that all those who want, or rather aspire to, to be literary figures of the century, artists, painters and sculptors want acceptance from and approval. They want to be looked up to. Young and upcoming poets must approach their craft with an almost angelic perspective. So many writers are missing a condensed fusion in their writing, they condescend to their audience, the truth is not spoken in their work, they gabble, their words seem to make a hot fuss on the page. What do they gain? They gain this, simply nothing. Poets must assemble and present their work accordingly to how they see fit and should be careful of advice from other writers and editors. Sometimes there can be too much going on in the words that are meant to be given with the best of intentions. — Abigail George

The way that you present yourself visually totally dictates your audience and everything that anyone thinks about you. — Grimes

Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with the audience. — Adam Jones

We don't present our voices to the audience, we resonate our souls. — Thomas Hampson

The audience wants you present, not perfect. — Darren LaCroix

A propaganda model has a certain initial plausibility on guided free-market assumptions that are not particularly controversial. In essence, the private media are major corporations selling a product (readers and audiences) to other businesses (advertisers). The national media typically target and serve elite opinion, groups that, on the one hand, provide an optimal "profile" for advertising purposes, and, on the other, play a role in decision-making in the private and public spheres. The national media would be failing to meet their elite audience's needs if they did not present a tolerably realistic portrayal of the world. But their "societal purpose" also requires that the media's interpretation of the world reflect the interests and concerns of the sellers, the buyers, and the governmental and private institutions dominated by these groups. — Noam Chomsky

A lot of those old ideas are dying with the people who created them, and there's this new generation of filmmaker that's saying, "We're in this together, these are issues that we all deal with, let's just present issues to screen without bias and figure out what the audience has to say about them." — Nate Parker

I think if you're too embroiled in the need to relate too closely to the character, then you start to judge the character for the audience rather than to present it to the audience for their enjoyment and them to mull over the questions that the characters present. — Cate Blanchett

I'm very aware we are the first generation ever to have such incredible opportunities to express ourselves publicly to a worldwide audience. — Sara Sheridan

I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do. — Tommy Lee Jones

The audience's expectations are ever-present. — Ian McKellen

I find a lot of up-and-coming musicians I enjoy, present them to my viewers - and hopefully inflate the growth of these artists by putting them in front an audience that wouldn't have been aware of them. — Connor Franta

My goal with everything that I do is to present things in a way that I would want to see if I was in the audience or buying the record. — Moby

Love affairs have always greatly interested me, but I do not greatly care for them in books or moving pictures. In a love affair, I wish to be the hero, with no audience present. — E.W. Howe

With the explosion of technology over the last 15+ years, we are in the process of a complete paradigm shift in regards to how we communicate in our marketing, public relations and advertising. Social Media has forever changed the way businesses and customers communicate and the beauty of it is that, through your channels, you can reach your audience directly and at lightning speed. Social Media has also changed the way customers make their buying decisions. Pinterest, Google+, Twitter, YouTube, and Facebook, have made it easy to find and connect with others who share similar interests, to read product reviews and to connect with potential clients. Within these networks there is an amazing and wide open space for your unique voice to be heard. As the web interacts with us in more personal ways and with greater portability, there is no time better than the present to engage with and rally your community. — Kytka Hilmar-Jezek

(Five) thinkers since Galileo, each informing his successor of what discoveries his own lifetime had seen achieved, might have passed the torch of science into our hands as we sit here in this room. Indeed, for the matter of that, an audience much smaller than the present one, an audience of some 5 or 6 score people, if each person in it could speak for his own generation, would carry us away to the black unknown of the human species, to days without a document or monument to tell their tale. — William James