Quotes & Sayings About Power Plays

The King plays a most important part in the endgame, and gains in power and activity as the number of pieces on the board diminishes. Acting in eight different directions, he becomes, instead of the weakest piece, one of the most formidable units. — Eugene Znosko-Borovsky

[New Orleans.] Katrina changed everything. Life here is different, every face altered. Yet we feel and sense the landscape not only in its hurricane-leveled, sodden depressions but - perhaps even more so now in the strangely comforting depths of our shared history. Even in the worst hit areas, not all is dissipated. Dense intricate attachments burrow too deep to underestimate or overlook. This is no featureless town to be rubbed off the map and cast aside. Here the band plays on.

Our kindred colors speak to the values of justice, faith and power; to curious combinations of passion, openness, irreverence and loyalty, to the values of individuality, sharing and compassion. Not least, we still enjoy the sounds of music and respond to succulent foods, to the magnificent flowering gardens, to the elements of grace and dreamy escape, and to the languid Southern charm typical of faded days gone by. — T.J. Fisher

Most of us, most of the time, act within plays the lines of which were written long ago, the images of which require recognition, not invention. — Sidney W. Mintz

Entertainment in its broadest sense- popular ballads, vaudeville, films, sculptures, plays, paintings, pornography, pulp novels-- has not only been a primary mode of expression of LGBT identity, but one of the most effective means of social change. Ironically, the enormous political power of these forms was often understood by the people who wanted to ban them, not by the people who were simply enjoying them. — Michael Bronski

It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakespeare with practical axioms and domestick wisdom. It was said of Euripides, that every verse was a precept and it may be said of Shakespeare, that from his works may be collected a system of civil and oeconomical prudence. Yet his real power is not shown in the splendour of particular passages, but by the progress of his fable, and the tenour of his dialogue; and he that tries to recommend him by select quotations, will succeed like the pedant in Hierocles, who, when he offered his house to sale, carried a brick in his pocket as a specimen. — Samuel Johnson

OTHERBOUND is a web of spells and counterspells, but Corinne Duyvis never loses sight of the bodies, minds and all-too-human emotions that absorb the impact of the magical power-plays. It's an action-packed tale of passion, possession and hair-raising leaps from world to world. As you read it, remember to keep breathing. — Margo Lanagan

There's no faster way or surer way to consolidate power and disenfranchise critics than to operate in secret. So this plays squarely into the promotion of the unitary executive. That's one factor. — Ted Gup

Thinking is a personalized activity that can lead us into a state of happiness or cause us to be sad. Who we are becomes a product of how we think. What we think about and how we integrate knowledge into a comprehensive schema regulates our evolving self-identity. The precision of the human mind and the interplay between cognitive thinking and reactive emotions plays a central role in self-identity. — Kilroy J. Oldster

In this world, this life, "flow" [the times when our work or play so absorbs and attunes our energies that we lose track of time] comes to an end. The canvas is dry, the fugue is complete, the band plays the tag one more time and then resolves on the final chord. And, too, the book is finished, the service is over, the lights go up in the darkened theater and we emerge blinking into the bright lights of the "real world." But what if the timeless, creative world we had glimpsed is really the real world -- and it is precisely its reality that gave it such power to captivate us for a while? What if our ultimate destiny is that moment of enjoyment and engagement we glimpse in the artist's studio? — Andy Crouch

The key to such power is ambiguity. In a society where the roles everyone plays are obvious, the refusal to conform to any standard will excite interest. Be both masculine and feminine, impudent and charming, subtle and outrageous. Let other people worry about being socially acceptable; those types are a dime a dozen, and you are after a power greater than they can imagine. — Robert Greene

She knows what she wants but won't compromise herself to get it. But she's feminine, like "Steel Magnolia"
flowery on the outside, steel on the inside. She uses this very femininity to her own advantage. It isn't that she takes undue advantage of men, because she plays fair. She has one thing the nice girl doesn't: a presence of mind because she isn't swept away by a romantic fantasy. This presence of mind enables her to wield her power when it is necessary. — Sherry Argov

All day long because it's what you've been trained to do. But if, in your heart, you believe that the pain you're feeling is real and if you believe it's connected to some underlying condition, it is unlikely that the pain or the spirit will leave. Demons are more sensitive to what you think than what you say. Your belief in the legitimacy of the symptoms plays into the agenda of the evil spirit and what you believe can allow it to remain there. What we believe about the afflicting spirit can either empower it or remove its power over us. The degree to which any spirit can influence us is determined by how much we believe what it says. — Praying Medic

When it comes to explaining human thought and behavior, the possibility that heredity plays any role at all still has the power to shock. To acknowledge human nature, many think, is to endorse racism, sexism, war, greed, genocide, nihilism, reactionary politics, and neglect of children and the disadvantaged. Any claim that the mind has an innate organization strikes people not as a hypothesis that might be incorrect but as a thought it is immoral to think. — Steven Pinker

Books have power to bring you glory or doom, it all depends on perception. — Nikita Dudani

If the media were honest, they would say, Look, here are the interests we represent and this is the framework within which we look at things. This is our set of beliefs and commitments. That's what they would say, very much as their critics say. For example, I don't try to hide my commitments, and the Washington Post and New York Times shouldn't do it either. However, they must do it, because this mask of balance and objectivity is a crucial part of the propaganda function. In fact, they actually go beyond that. They try to present themselves as adversarial to power, as subversive, digging away at powerful institutions and undermining them. The academic profession plays along with this game. — Noam Chomsky

To love without role, without power plays, is revolution. — Rita Mae Brown

And do you know why we have not the power to attain this Stoic ideal? It is because we refuse to believe in our power. Nay, of a surety, there is something else which plays a part: it is because we are in love with our vices; we uphold them and prefer to make excuses for them rather than shake them off. We mortals have been endowed with sufficient strength by nature, if only we use this strength, if only we concentrate our powers and rouse them all to help us or at least not to hinder us. The reason is unwillingness, the excuse, inability. — Seneca.

I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another. — Adam Rapp

Because a man plays a king superbly well does not mean that he would make a good king. — Louis L'Amour

Satan is an eternal being, like God. He may not know all things as God does or have God's power, but he knows our weaknesses even better than we do. He knows us intimately. He knows the evil desires of our heart and mind. He knows where and when to attack to gain the best advantage. Satan schemes and plays upon those things in order to separate us from God and bring about our destruction. Never underestimate him. Without our armor, we're vulnerable. Atretes — Francine Rivers

Because mothers make us, because they map our emotional terrain before we even know we are capable of having an emotional terrain, they know just where to stick the dynamite. With a few small power plays - a skeptical comment, the withholding of approval or praise - a mother can devastate a daughter. Decades of subtle undermining can stunt a daughter, or so monopolize her energy that she in effect stunts herself. Muted, fearful, riddled with self-doubt, she can remain trapped in daughterhood forever, the one place she feels confident she knows the rules. — Rebecca Walker

The power of a positive self-image plays a vital role in experiencing perfect health. — Deepak Chopra

The young man, who does not know the future, sees life as a kind of epic adventure, an Odyssey through strange seas and unknown islands, where he will test and prove his powers, and thereby discover his immortality. The man of middle years, who has lived the future that he once dreamed, sees life as a tragedy; for he has learned that his power, however great, will not prevail against those forces of accident and nature to which he gives the names of gods, and has learned that he is mortal. But the man of age, if he plays his assigned role properly, must see life as a comedy. For his triumphs and his failures merge, and one is no more the occasion for pride or shame than the other; and he is neither the hero who proves himself against those forces, nor the protagonist who is destroyed by them. Like any poor, pitiable shell of an actor, he comes to see that he has played so many parts that there no longer is himself. — John Edward Williams

As we have more women in power, so the plays and the TV dramas are reflecting what's happening. — Felicity Kendal

[Talking about Rosalind in As You Like It] She disguises herself as a boy, drops all the covering inhibitions of "femininity", and really searches for her true self (...) Her disguise gives her the ability to find out about herself, what she really thinks and feels (...). And she can do all this freely, without having anyone in power tell her how women should or should not behave.(...) — Tina Packer

I'm sick of all these knights in shining armor parts, I want to do something worthwhile like plays and films that have something to say. — Tyrone Power

I do believe that when we face challenges in life that are far beyond our own power, it's an opportunity to build on our faith, inner strength, and courage. I've learned that how we face challenges plays a big role in the outcome of them. — Sasha Azevedo

When Nietzsche made his famous definition of tragic pleasure he fixed his eyes, like all the other philosophers in like case, not on the Muse herself but on a single tragedian. His "reaffirmation of the will to live in the face of death, and the joy of its inexhaustibility when so reaffirmed" is not the tragedy of Sophocles nor the tragedy of Euripides, but it is the very essence of the tragedy of Aeschylus. The strange power tragedy has to present suffering and death in such a way as to exalt and not depress is to be felt in Aeschylus' plays as in those of no other tragic poet. He was the first tragedian; tragedy was his creation, and he set upon it the stamp of his own spirit. It was a soldier-spirit. Aeschylus was a Marathon-warrior, the title given to each of the little band who had beaten back the earlier tremendous Persian onslaught. — Edith Hamilton

A stunning meditation on the power of escape, and on the cat-and-mouse contest the self plays to deflect its own guilt. — Ethan Gilsdorf

It is in the dark quietness the mind likes to play. The weak and tired body looses it's battle for power while the minds plays it's wild adventures for you to explore. — E.A.G.

I do think that deep down, a lot of my work is about people trying to make reasonable accommodations of situations that are insane or absurd ... At first I thought the events had power in themselves, that I would just present them. I really wasn't aware of the things that finally became central issues to me - the shifting alliances, the way people hardly even know they've shifted. That part of [A QUESTION OF MERCY] is very familiar to me in terms of my other plays. — David Rabe

It was only since the turn of the century that one returned to the immense role that abstraction plays in the human mind by its power of concentration upon absolute essentials. — Sigfried Giedion

An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way. An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience. — Rob Minkoff

I had no idea what humans were capable of. I heard they were crafty, but how are they able to do such things?
You mean harness light and water? Speedy asked. Change the weather?
Yes.
It's only the beginning, Speedy said. There are more marvels waiting. Some not so marvelous.
Such as?
Be not in haste, said the tortoise.
There is nothing here but time.
If you live long enough, you will see.
Of course, though, you will see them from your cage.
Live long enough? I asked. Are there mortal dangers here?
The tortoise chuckled.
The boy doesn't always take very good care of his prisoners, Rex the lizard chimed in.
What do you mean? He doesn't feed us enough?
Sometimes he doesn't understand what we need to survive, Rex answered. Sometimes he plays too rough.
How can a creature able to bend the laws of nature be so cruel? I asked. — Patrick Jennings

The power and appeal of Documentary is the way it alters and plays with the way the viewer relates to and understands the subject. — Ben Edwards

American power confers benefits on most inhabitants of the planet, even on many who dislike it and some who actively oppose it, because the United States plays a major, constructive, and historically unprecedented role in the world. — Michael Mandelbaum

In my 20s, I could just power through stuff and be fine, but now, in your 40s? It's kind of like Kobe Bryant. He plays basketball a little bit differently than he did when he first started out. — Daniel Wu

I recently had the opportunity to participate in Inc.'s first-ever 'Hire Power Awards' event in Washington, D.C. The event was a testament to the power of American entrepreneurship and the role that it plays in driving job creation and innovation in a wide array of industries. — Karen Mills

to investigate the faltering and uneven spread of globalising capital in one small corner of the world, attempting to appreciate the meanings this has for everyday lives, whether via neoliberal techniques of control and governance, shifts in the relative access of different groups to resources, or complex and localised power plays. The wider context: of national contestations over natural resources, the shape of economic development and the relationship between Bangladesh and foreign interests is ever present. — Katy Gardner

Here you have an incredibly ambitious, accomplished woman who comes up against some of the same problems that women in power come up against today. Cleopatra plays an oddly pivotal role in world history as well; in her lifetime, Alexandria is the center of the universe, Rome is still a backwater. — Stacy Schiff

The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of today, were all emanations of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends. — Henry Adams

Even as he wanted to master her, he hated the idea of her as acquiescent. He needed her to struggle against him, to give as good as she got. He craved power plays between them, mental games. But ultimately he did want to dominate her. — Kresley Cole

Critical analysis tells us not just that injustice exists, but how and why power plays take place historically and specifically, not simply as the general order of things: how injustice exists changeably rather than inevitably, politically rather than metaphysically - how our lives could have been different. Critical analysis tells us, colloquially speaking, not just what's wrong but also what we can do practically to respond. Complaint, in contrast, tells us what's wrong - unjust, racist, manipulated, sexist, and so on - but tells us nothing new about how the world can be otherwise, how we can change the world, resist injustice, do justice. — John Forester

Because women are such potent ingredients of men's imaginations, we see how much power men feel women have over them, and how women must be suppressed, defanged, or idealized in one way or another. How, with Eve, they are often thought to be the root of the evil in the world -which says more about the man or men who wrote that story than about Eve herself. Eve is curious and wants knowledge, not power over others. [...] Both onstage and offstage, women have two levels of understanding concerning how to behave -one, to behave the way men want them to behave and forget that what they want might be different; two, to find out how they really feel and decide whether or not they are going to act on it! — Tina Packer

The histories and tragedies of Shakespeare that Lincoln loved most dealt with themes that would resonate to a president in the midst of civil war: political intrigue, the burdens of power, the nature of ambition, the relationship of leaders to those they governed. The plays illuminated with stark beauty the dire consequences of civil strife, the evils wrought by jealousy and disloyalty, the emotions evoked by the death of a child, the sundering of family ties or love of country. — Doris Kearns Goodwin

A real subjection is born mechanically from a fictitious relation [ ... ] He who is subjected to a field of visibility, and who knows it, assumes responsibility for the constraints of power; he makes them play spontaneously upon himself; he inscribed in himself the power relation in which he simultaneously plays both roles; he becomes the principle of his own subjection. — Michel Foucault

Denial is not a solution. Governments naturally lie to maintain power. Eventually the deception perpetrated is believed by the government officials themselves. This encourages them to continue a failed policy until it's too late. Ego plays a large part in it as well. It's highly likely that our policy of foreign intervention will not be reversed and that world chaos will result as a new world order sets in - and it won't be the New World Order that interventionists have promoted for so many years. — Ron Paul

That public men publish falsehoods
Is nothing new. That America must accept
Like the historical republics corruption and empire
Has been known for years.

Be angry at the sun for setting
If these things anger you. Watch the wheel slope and tum.
They are all bound on the wheel, these people, those warriors,
This republic, Europe, Asia.

Observe them gesticulating,
Observe them going down. The gang serves lies, the passionate
Man plays his part; the cold passion for truth
Hunts in no pack.

You are not CatulIus, you know,
To lampoon these crude sketches of Caesar. You are far
From Dante's feet, but even farther from his dirty
Political hatredS.

Let boys want pleasure, and men
Struggle for power, and women perhaps for fame,
And the servile to serve a Leader and the dupes to be duped.
Yours is not theirs. — Robinson Jeffers

For another thing, the devil uses special diligence to destroy the souls of young men, and they seem not to know it. Satan knows well that you will make up the next generation, and therefore he employs every art betimes to make you his own. I would not have you ignorant of his devices. You are those on whom he plays off all his choicest temptations. He spreads his net with the most watchful carefulness, to entangle your hearts. He baits his traps with the sweetest morsels, to get you into his power. He displays his wares before your eyes with his utmost ingenuity, in order to make you buy his sugared poisons, and eat his accursed dainties. You are the grand object of his attack. — J.C. Ryle

The unforeseen, that strange, haughty power which plays with man, had seized Gauvain and held him fast. — Victor Hugo

In the power and splendor of the universe, inspiration waits for the millions to come. Man has only to strive for it. Poems greater than the Iliad, plays greater than Macbeth, stories more engaging than Don Quixote await their seeker and finder. — John Masefield

Around the world, we see the results of exploitation which destroys much without taking future generations into account. Protecting the world's forests; stemming desertification and erosion; avoiding the spread of toxic substances harmful to man, animals and plants; protecting the atmosphere; all these can be accomplished only through active and wise cooperation, without borders or political power plays. — Pope John Paul II

It worries me a little bit the reach and power of TV. More people saw me in 'The Practice' than will ever see me in all the stage plays I ever do. Which is sort of humbling. Or troubling. Or both. — Michael Emerson

On the boardwalk the arcade jukebox plays all night surrounded by teenagers
sometimes twenty bodies deep, bare-skinned and full of energy for the music, for one another, for life, for the little bit of freedom they taste in the salt air and their skin. My father finds his place in this crowd. They are a force together. They don't do drugs. They don't drink. But they do music, and their power comes from their numbers and the thrill of being young on the beach at night. — Laura Schenone

But one of the saddest, most deprecating misuses of power is the withholding of love, affirmation, and delight from other people. Few things keep people in line with our wishes more than an attitude of reserve or aloofness. It is paradoxical that in the power struggle of relationships, the one who loves and encourages the least, gains the most power. This puts people on edge, keeps them guessing, and plays on their need for assurance about their worth. — Lloyd John Ogilvie

By what judgment am I judged? What is the accusation against me? Am I to be accused of my own betrayal? Am I to blame because you are my enemies? Yours is the responsibility, the knowledge, the power. I trusted you, you played with me as a cat plays with a mouse, and now you accuse me. I had no weapon against you, not realizing that there was need for weapons until too late. This is your place; you are at home here. I came as a stranger, alone, without a gun in my hand, bringing only a present that I wanted to give you. Am I to blame because the gift was unwelcome? Am I accused of the untranslated indictment against myself? Is it my fault that a charge has been laid against me in a different language? Is my offense that I stood too long on your threshold, holding a present that was unsuitable? Am I accused because you, wanting a victim and not a friend, threw away the only thing which I had to give? — Anna Kavan

If you spend a hundred bucks, or more, to go to the theatre, something should happen to you. Maybe somebody should be asking you some questions about your values, or about the way you think about things. Maybe you should come out of the theatre, something having happened to you. Maybe you should be changing, or thinking about changing. But if you just go there, and the only thing you worry about is where you left the damn car, then you wasted a hundred bucks. — Edward Albee

With domineering hand she moves the turning wheel,
Like currents in a treacherous bay swept to and fro:
Her ruthless will has just deposed once fearful kings
While trustless still, from low she lifts a conquered head;
No cries of misery she hears, no tears she heeds,
But steely hearted laughs at groans her deeds have wrung.
Such is a game she plays, and so she tests her strength;
Of mighty power she makes parade when one short hour
Sees happiness from utter desolation grow.
(A Consolation of Philosophy, Book II, translated by V.E. Watts) — Boethius - Queen Elizabeth I Translation