Quotes & Sayings About Perception Of Art

Laying out grounds ... may be considered as a liberal art, in some sort like poetry and painting ... it is to assist Nature in moving the affections ... the affections of those who have the deepest perception of the beauty of Nature ... — William Wordsworth

Art is not a pleasure, a solace, or an amusement; art is a great matter. Art is an organ of human life, transmitting man's reasonable perception into feeling. — Leo Tolstoy

True science investigates and brings to human perception such truths and such knowledge as the people of a given time and society consider most important. Art transmits these truths from the region of perception to the region of emotion. — Leo Tolstoy

Abstraction allows man to see with his mind what he cannot see physically with his eyes ... Abstract art enables the artist to perceive beyond the tangible, to extract the infinite out of the finite. It is the emancipation of the mind. It is an exploration into unknown areas. — Arshile Gorky

Art. Its definitions are legion, its meanings multitudinous, its importance often debated. But amid the many contradictory definitions of art, one has always stood the test of time, from the Upanishads in the East, to Michelangelo in the West: art is the perception and depiction of the sublime, the transcendent, the beautiful, the spiritual. — Ken Wilber

The art of watching has become mere skill at rapid apperception and understanding of continuously changing visual images. The younger generation has acquired this cinematic perception to an amazing degree. — Johan Huizinga

I don't create my images as visual equations to be solved, but rather, i create them as internal landscapes that the viewer can explore. I enjoy sharing the why behind the what, of my creations ... but my way, isn't the only way, to experience them. There is no correct way to interpret them. Perception is reality and yours may be different from mine and that's okay. — Jaeda DeWalt

There is something about the act of studying an unclothed body, as an artist does, that allows a person to appreciate it as pure form, regardless of the kinds of traits traditionally regarded as imperfections. In a figure drawing class, an obese woman's folds of flesh take on a kind of beauty. You can look at a man's shrunken chest or legs or buttocks with tenderness. Age is not ugly, just poignant. — Joyce Maynard

All thinking is indeed Art. Where the logician draws the line, where the premises stop which are the result of cognition - where judgment begins, there Art begins. But more than this even the perception of the mind is judgment again, and consequently Art; and at last, even the perception by the senses as well. — Carl Von Clausewitz

Unlike art, the consumption of fashion is not based primarily on knowledge or education but functions through visual awareness, a type of sensuality and perception of the corporeal self. — Valerie Steele

The function of criticism is the reeducation of perception of works of art? The conception that its business is to appraise, to judge in the legal and moral sense, arrests the perception of those who are influenced by the criticism that assumes this task. — John Dewey

The simple act of having a camera, not a cell phone, but a camera-camera, there's a kind of a heightened perceptional awareness that occurs. Like, I could walk from here to the highway in two minutes, but if I had a camera, that walk could take me two hours. — Jerry N. Uelsmann

It's not the medium, but the quality of perception and expression, that determines the significance of art. — Bill Watterson

I think that a good deal of poetry and art gives us some sense of access to another's voice, perception, texture of thought, imagination. Sometimes it gives us better access to the strangeness in ourselves. — Mary Szybist

Ultimately, the salon, Steffens noted, helped change the public perception of Greenwich Village, although hardly in the manner Dodge had hoped. What had been a neighborhood better known for cheap rents and no shortage of decrepit apartments was becoming almost chic, a kind of Latin Quarter in Manhattan. Small theaters and art galleries sprang up, and midtown shoppers and tourists took the time to cruise through the Village for a look at the new trendsetters. Steffens did not recall it as being exceptionally fashionable back in 1911, judging his own lifestyle to be "Bohemian, but not the fake sort." If it was not fake, it was hardly genuine, either. Steffens was not about to starve in Greenwich Village. — Peter Hartshorn

Habitualization devours objects, clothes, furniture, one's wife, and the fear of war. If all the complex lives of many people go on unconsciously, then such lives are as if they had never been.

Art exists to help us recover the sensation of life; it exists to make us feel things, to make the stone stony. The end of art is to give a sensation of the object seen, not as recognized. The technique of art is to make things 'unfamiliar,' to make forms obscure, so as to increase the difficulty and the duration of perception. The act of perception in art is an end in itself and must be prolonged. In art, it is our experience of the process of construction that counts, not the finished product. — Victor Shklovsky

Every time it's the same. It's easy to prove to myself that good pictures are elusive, but I can never quite believe they're also inevitable. It would be a lot easier for me to believe they were if I also believed that they came as a result of my obvious talent, that I was extraordinary in some way. Artists go out of their way to reinforce the perception that good art is made by singular people, people with an exceptional gift. But I don't believe I am that exceptional, so what is this that I'm making? — Sally Mann

Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his conscious reflection, his progressive steps, mysterious even to himself, should enter so swiftly into the work that he is unable to recognize them in the moment of transition. — Rainer Maria Rilke

The spaces between the perceiver and the thing perceived can [ ... ] be closed with a shout of recognition. — Timothy Findley

Shklovsky, "Art as Technique" (1917)
Art exists that one may recover the sensation of life; it exists to make one feel things, to
make the stone
stony
. The purpose of art is to impart the sensation of things as they are
perceived and not as they are known. The technique of art is to make objects
"unfamiliar," to make forms difficult, to increase the difficulty and length of perception
because the process of perception is an aesthetic end in itself and must be prolonged.
Art
is a way of experiencing the artfulness of an object; the object is not important. — Elizabeth Bishop

In art, as in science, reductionism does not trivialize our perception - of color, light, and perspective - but allows us to see each of these components in a new way. — Eric Kandel

Tolstoy's definition of art is the inverse of the truth; the task of art is to transform not perception into feeling, but feeling into perception. — Raphael Soyer

Promotion and perception are synonymous twins of art marketing. — Jack White

Most people don't like to be confronted with an actual fact-of-life because it's difficult to metabolize. A painting of a bowl of fruit is much easier. It's for the same reason why we don't like going to the doctor. The diagnosis and x-rays are too honest. This is what creates the perception that contemporary art is shocking or suspicious. — Adamo Macri

Pyramids, cathedrals, and rockets exist not because of geometry, theories of structures, or thermodynamics, but because they were first a picture- literally a vision-in the minds of those who built them. Society is where it is today because people had the perception; the images and the imagination; the creativity that the Arts provide, to make the world the place we live in today. — Eugene S. Ferguson

Every creative act involves a new innocence or perception, liberated from the cataract of accepted belief. — Arthur Koestler

Art and morality are, with certain provisos ... one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. Love is the extremely difficult realization that something other than oneself is real. Love, and so art and morals, is the discovery of reality. — Iris Murdoch

Dream delivers us to dream, and there is no end to illusion. Life is like a train of moods like a string of beads, and, as we pass through them, they prove to be many-colored lenses which paint the world their own hue ... — Ralph Waldo Emerson

Critical art is an art that aims to produce a new perception of the world, and therefore to create a commitment to its transformation. This schema, very simple in appearance, is actually the conjunction of three processes: first, the production of a sensory form of 'strangeness'; second, the development of an awareness of the reason for that strangeness and third, a mobilization of individuals as a result of that awareness. — Jacques Ranciere

For art to exist, for any sort of aesthetic activity or perception to exist, a certain physiological precondition is indispensable: intoxication. — Friedrich Nietzsche

The modern tendency towards increasing specialization in all branches of research and scholarship has discouraged comparative studies of the arts; and what we seldom do we generally distrust. But our distrust of analogies was not shared by the sixteenth century, which inherited from antiquity a habit of drawing parallels as a matter of course. — John Shearman

In the common perception, there is something unseemly about young people getting rich. Getting rich is supposed to be the reward for hard work, preferably arriving when you are too old to enjoy it. And the spectacle of young millionaires who made their bundle not from business or crime but from avant-garde art is particularly offensive. The avant-garde is supposed to be the conscience of the culture, not its id. — Janet Malcolm

Art then becomes a safety valve for the expression of individual and collective neuroses originating in the inability of coping with the environment. Its products serve as a retarded correction of perception braked by the system of conventions and stereotypes that stabilize society. They create a slightly updated system which, eventually assimilated by history, will require a new system and so on without end. Art objects serve as points of identification alienated from the consumer, requiring more sympathy than empathy. — Luis Camnitzer

What? We feel aesthetic pleasure at a sonata by Beethoven and not at one with the same style and charm if it comes from one of our own contemporaries? Isn't that the height of hypocrisy? So then the sensation of beauty is not spontaneous, spurred by our sensibility, but instead is cerebral, conditioned by our knowing a date?
No way around it: historical consciousness is so thoroughly inherent in our perception of art that this anachronism (a Beethoven piece written today) would be spontaneously (that is, without the least hypocrisy) felt to be ridiculous, false, incongruous, even monstrous. Our feeling for continuity is so strong that it enters into the perception of any work of art. — Milan Kundera

A storyteller who provided us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearing us out with repetition, misleading emphases and inconsequential plot lines. It insists on showing us Bardak Electronics, the saftey handle in the car, a stray dog, a Christmas card and a fly that lands first on the rim and then in the centre of the ashtray.
Which explains how the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting wooliness of the present. — Alain De Botton

Art grows out of modes of perception that make you feel and think ... that hooks on to something deep-running in our natures. — Robert Hughes

A turning point in the public's perception of the building art came with the publication of Frank Lloyd Wright's 'An Autobiography' of 1932, a picaresque narrative that captivated many who hadn't the slightest inkling of what architects actually did. — Martin Filler

The only way to teach focus is to present the eye with opportunities for steady perception - best supplied by the contemplation of art. Looking at art requires stillness and receptivity, which realign our senses and produce a magical tranquillity. — Camille Paglia

It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it. — Anais Nin

When it repudiates a past paradigm, a scientific community simultaneously renounces, as a fit subject for professional scrutiny, most of the books and articles in which that paradigm had been embodied. Scientific education makes use of no equivalent for the art museum or the library of classics, and the result is a sometimes drastic distortion in the scientist's perception of his discipline's past. More than the practitioners of other creative fields, he comes to see it as leading in a straight line to the discipline's present vantage. In short, he comes to see it as progress. No alternative is available to him while he remains in the field. — Thomas S. Kuhn

To a synthetic chemist, the complex molecules of nature are as beautiful as any of her other creations. The perception of that beauty depends on the understanding of chemical structures and their transformations, and, as with a treasured work of art, deepens as the subject is studied, perhaps even to a level approaching romance. — Elias James Corey

Form is what transforms the content of a work into its essence. Do you understand? The character of music arises out of its form like steam from water,' Yury Andreevich said. 'With solid understanding of the general laws of form, which encompass all that is amenable to formulation, one can, by groping further, perceive the individual, the particular. Then, subtracting the general, one can sense a residue where wonder lurks in its purest, most undiluted form. Herein lies the goal of theory: the more fully one grasps what is available for comprehension, the more intensely the ineffable shines. — Lyudmila Ulitskaya

Happiness, thou art naught but an illusion. Thy enchantments are cast upon my eyes, my mind, my spellbound heart. Dependent upon nothing but thy victim's perception of thee, souls soar at thy artful hand! I have fallen in love with thy illusions, Happiness. Thou hast made me a part of them, and I am left delirious. — Richelle E. Goodrich

We shall never know what Rubens' children "really looked like," but this need not mean we are forever barred from examining the influence which acquired patterns or schema have on the organization of our perception. It would be interesting to examine this question in an experimental setting. but every student of art who has intensely occupied himself with a family of forms has experienced examples of such influence. In fact I vividly remember the shock I had while I was studying these formulas for chubby children: I never thought they could exist, but all of a sudden I saw such children everywhere. — E.H. Gombrich

But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art. — Robert Barry

It is that faculty by which we discover and enjoy the beautiful, the picturesque, and the sublime in literature, art, and nature; which recognizes a noble thought, as a virtuous mind welcomes a pure sentiment by a involuntary glow of satisfaction. But while the principle of perception is inherent in the soul, it requires a certain amount of knowledge to draw out and direct it. — Robert Aris Willmott

The same diversity in their ways of formation and the same rules for its solution hold good also for the innumerable medley of dream contents, examples of which I need scarcely adduce. Their strangeness quite disappears when we resolve not to place them on a level with the objects of perception as known to us when awake, but to remember that they represent the art of dream condensation by an exclusion of unnecessary detail. — Sigmund Freud

A work of art doesn't exist outside the perception of the audience. — Abbas Kiarostami

All civilization in a sense exists only in the mind. Gunpowder, textile arts, machinery, laws, telephones are not themselves transmitted from man to man or from generation to generation, at least not permanently. It is the perception, the knowledge and understanding of them, their ideas in the Platonic sense, that are passed along. Everything social can have existence only through mentality. — Alfred L. Kroeber

For me with art and all that stuff - I like abstraction. I like contortion. I mean, it's still truth. But it's truth through the center of the individual. It doesn't necessarily mean that it's fallacies or falsehoods. It just happens to be one perception of what's happening. — Q-Tip

Music, this complex and mysterious act, precise as algebra and vague as a dream, this art made out of mathematics and air, is simply the result of the strange properties of a little membrane. If that membrane did not exist, sound would not exist either, since in itself it is merely vibration. Would we be able to detect music without the ear? Of course not. Well, we are surrounded by things whose existence we never suspect, because we lack the organs that would reveal them to us. [Was He Mad?] — Guy De Maupassant

A primary function of art and thought is to liberate the individual from the tyranny of his culture in the environmental sense and to permit him to stand beyond it in an autonomy of perception and judgment. — Beverly Sills

Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while "beauty" is generic, boring, and inert. While culture works out moral dilemmas, "beauty" is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence
but it is not a moral act. From the "beauties" in male culture, women learn a bitter amoral lesson
that the moral lessons of their culture exclude them. — Naomi Wolf

This is a perfectly good picture. And if I didn't know you, I would be impressed and charmed. But I do know you."
He thought some more, wondering whether he dared say precisely what he felt, for he knew he could never explain exactly why the idea came to him. "It's the painting of a dutiful daughter," he said eventually, looking at her cautiously to see her reaction. "You want to please. You are always aware of what the person looking at this picture will think of it. Because of that you've missed something important. Does that make sense?"
She thought, then nodded. "All right," she said grudgingly and with just a touch of despair in her voice. "You win."
Julien grunted. "Have another go, then. I shall come back and come back until you figure it out."
"And you'll know?"
"You'll know. I will merely get the benefit of it. — Iain Pears

A work of art is finished, from the point of view of the artist, when feeling and perception have resulted in a spiritual synthesis. — Hans Hofmann

Ever since childhood, I've been interested in history and myth. Not just the facts and figures of the past, but everything that contributes to shape our perception of an age: architecture, art, literature and so forth. — Anne Fortier

In real life, however, you don't react to what someone did; you react only to what you think she did, and the gap between action and perception is bridged by the art of impression management. If life itself is but what you deem it, then why not focus your efforts on persuading others to believe that you are a virtuous and trustworthy cooperator? — Jonathan Haidt

We will simply say here that, as a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer art. Rubens so understood it, doubtless, when it pleased him to introduce the hideous features of a court dwarf amid his exhibitions of royal magnificence, coronations and splendid ceremonial.
The universal beauty which the ancients solemnly laid upon everything, is not without monotony; the same impression repeated again and again may prove fatiguing at last. Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful.
On the other hand, the grotesque seems to be a halting-place, a mean term, a starting-point whence one rises toward the beautiful with a fresher and keener perception. The salamander gives relief to the water-sprite; the gnome heightens the charm of the sylph. — Victor Hugo

The industrialisation of England had quickened during Hardy's life and in the novel he places great importance on rural culture and the need of man to interact with, and understand the natural world, however indifferent it may be to human survival. The author does not sketch a portrait of an idyllic rural scene, but highlights and details the devastating consequences and brute force of the natural world. Hardy uses these disasters to underline the prominence of chance or luck in life, rather than benevolent design by a creator and how this might impact moral decisions. Impressionist art also influences Hardy's perception of reality and what knowledge each individual is capable of attaining in any situation. — Thomas Hardy

In our age the common religious perception of men is the consciousness of the brotherhood of man - we know that the well-being of man lies in the union with his fellow men. True science should indicate the various methods of applying this consciousness to life. Art should transform this perception into feeling. — Leo Tolstoy

Revolutionary art need not be overtly political in content; what is more important is that it demand a new means of perception on the part of its spectators. The subject in process/on trial can thus be fundamentally transformed. Change here, at the level of individual consciousness, is a necessary element of social change. Seen in this way, the arts are not merely reflective of social relations but are productive of social relations. — Ann Daly

And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music. — Karlheinz Stockhausen

A hundred francs! Oh, dear me! It is worth millions of francs, my child. But my
dealer
here tells me that in fact a picture is worth only what someone will give for it. How much money do you have?"
Julia took out her purse and counted. "Four francs and twenty sous," she said, looking up at him sadly.
"Is that all the money you have in the world?"
She nodded.
"Then four francs and twenty sous it is. — Iain Pears

In my art, I deconstruct and then I reconstruct, so visual perception is one of my primary interests. — Chuck Close

Through the experience of art, the powers of perception and transformation can be awakened, in both those who create it and those who re-perceive it. — John Paul Caponigro

What is important is not so much what people see in the gallery or the museum, but what people see after looking at these things, how they confront reality again. Really great art regenerates the perception of reality; the reality becomes richer, better or not, just different. — Gabriel Orozco

I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I'm in constant movement. I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth. I fall and rise with the falling and rising bodies. This is I, the machine, manoeuvring in the chaotic movements, recording one movement after another in the most complex combinations.
Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. — Dziga Vertov

In addition to giving comfort and joy, art also has the miraculous ability to let us live in other men's skins, to test our perceptions and beliefs against theirs, and perhaps to be changed as a result. It does this by portraying the world creatively, heightening our perception and enriching our understanding of things as they are. — Terry Teachout

Neither camera, nor lens, nor film determine the quality of pictures; it is the visual perception of the man behind the mechanism which brings them to life. Art contains the allied ideas of making and begetting, of being master of one's craft and able to create. Without these properties no art exists and no photographic art can come into being — Helmut Gernsheim

Remember first, last and always, that before you can remember, or recollect, you must first perceive; and that perception is possible only through attention, and responds in degree to the latter. Therefore, it has truly been said that: "The great Art of Memory is Attention. — William Walker Atkinson

The Beautiful is the expression of the absolute Spirit, which is truth itself. This region of Divine truth as artistically presented to perception and feeling, forms the center of the whole world of Art. It is a self-contained, free, divine formation which has completely appropriated the elements of external form as material, and which employs them only as the means of manifesting itself. — Georg Wilhelm Friedrich Hegel

Education, learning by heart, may come to one but not knowledge in the deepest sense until the master pleases to transmit it to you. It is done as a favor. When your learning merges into real comprehension then the world takes on a different look. It is only then that one can see beyond vision, perceive beyond perception and the art of feeling the pulse-beat becomes true knowledge. You can even sense the presence of death in the midst of life. — Tarashankar Bandyopadhyay

I'm often painted as the bad guy, and the artistic part of me wants to hand out the brush. — Criss Jami

To read a novel is a difficult and complex art. You must be capable not only of great fineness of perception, but of great boldness of imagination. — Virginia Woolf

A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution. — Jay Maisel

To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and the inner world, not as they appear to an animal obsessed with words and notions, but as they are apprehended, directly and unconditionally, by Mind at Large-This is the experience of inestimable value to everyone. — Aldous Huxley

Duchamp had taken art to its logical conclusion.
Every act of perception is art.
So everything that perceives is an artist. — Chris F. Westbury

One of the ultimate challenges of biology is to understand how the brain becomes consciously aware of perception, experience and emotion. But it is equally conceivable that the exchange would be useful for the beholders of art, for people who enjoy art, for historians, and for the artists themselves. — Eric Kandel

When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them - without distortion which would mar their exact significances - into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn't what he says that counts as a work of art, it's what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity. — William Carlos Williams

The mind is the seat of perception of the things we see, hear, and feel. It is through the mind that we see the beauties of the earth and sky, or music, of art, in fact, of everything. That silent shuttle of thought working in and out through cell and nerve weaves into one harmonious whole the myriad moods of mind, and we call it life. — Charles Fillmore

The locus of the human mystery is perception of this world. From it proceeds every thought, every art. — Marilynne Robinson

Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul. — Ralph Waldo Emerson

But perhaps it is always so, that men form their conceptions from fictitious, conventional types, and then - all the combinations made - they are tired of the fictitious figures and begin to invent more natural, true figures. — Leo Tolstoy

The artistic image is not intended to represent the thing itself, but, rather, the reality of the force the thing contains. — James Baldwin

Art's effect is due to the tension resulting from the clash of the collocation of elements of two (or more) systems of interpretation. This conflict has the function of breaking down automatism of perception and occurs simultaneously on the many levels of a work of art ... All levels may carry meaning. — Yuri Lotman

One can re-create what was in the mind of a mathematician a thousand years ago, recapture the truth of the intellect wherever it may have once come to light; but the image of art, that infinite variable of perception and expression in the individual, - that is not easily re-created, at least, not with certainty and in its original fulness. — George Edward Woodberry

There is an art of seeing things as they are: without naming, without being caught in a network of words, without thinking interfering with perception. — Jiddu Krishnamurti

It is great good health to believe as the Hindus do that there are 33 million gods and goddesses in the world. It is great good health to want to understand one s dreams. It is great good health to desire the ambiguous and paradoxical. It is sickness of the profoundest kind to believe that there is one reality. There is sickness in any piece of work or any piece of art seriously attempting to suggest that the idea that there is more than one reality is somehow redundant. — Clive Barker

Sometimes we do grip the concert in a human head, and so hold it that in a way we get a record of it into paint, but the vision and expressing of one day will not do for the next. — Robert Henri

Art has been wrecked by a complete consciousness of the universe which shews that the world is to each man only a rubbish-heap limned by his individual perception. It will be saved, if at all, by the next and last step of disillusion; the realisation that complete consciousness and truth are themselves valueless, and that to acquire any genuine artistic titillation we must artificially invent limitations of consciousness and feign a pattern of life common to all mankind
most naturally the simple old pattern which ancient and groping tradition first gave us. — H.P. Lovecraft

As long as a man knows very well the strength and weaknesses of his teaching, his art, his religion, its power is still slight. The pupil and apostle who, blinded by the authority of the master and by the piety he feels toward him, pays no attention to the weaknesses of a teaching, a religion, and soon usually has for that reason more power than the master. The influence of a man has never yet grown great without his blind pupils. To help a perception to achieve victory often means merely to unite it with stupidity so intimately that the weight of the latter also enforces the victory of the former. — Friedrich Nietzsche

The artist's mission is to make the soul perceptible. Our scientific, materialist culture trains us to develop the eyes of outer perception. Visionary art encourages the development of our inner sight. To find the visionary realm, we use the intuitive inner eye: the eye of contemplation, the eye of the soul. All the inspiring ideas we have as artists originate here. — Alex Grey

Art is an expression of inner perception as an outer reality. — Debasish Mridha

Mature art, I think, emerges when there's a certain balance
of tensions, when there's neither neurotic prostration nor
cold rationality, but an aura of energy and a drive to grasp
personal "truths" still emerging into perception.
To grasp and to shape them. — Earle Birney

I wondered whether systems in the brain concerned with the perception (or projection) of meaning, significance, and intentionality, systems underlying a sense of wonder and mysteriousness, systems for appreciation of the beauty of art and science, had lost their balance in schizophrenia, producing a mental world overcharged with intense emotion and distortions of reality. These systems had lost their middle ground, it seemed, so that any attempt to titrate them, damp them down, could tip the person from a pathologically heightened state to one of great dullness, a sort of mental death. — Oliver Sacks

Beauty surrounds us, but oftentimes it takes a person with a poetic perception, an artist's way of looking at the world, to first notice the sublime, and then stagecraft the splendor of nature so that other people can perceive their synoptic vision. The spirit and aesthetic intention behind the work is what assigns the work its artistic quality. Great works of poetry and writing, for instance, express not simply a criticism of life, but also encompass a philosophy for living. — Kilroy J. Oldster