Quotes & Sayings About Paris Ernest Hemingway

He had a face that reminded me of a frog, not a bullfrog but just any frog, and Paris was too big a puddle for him. — Ernest Hemingway,

First, there must be talent, much talent. Talent such as Kipling had. Then there must be discipline. The discipline of Flaubert. Then there must be the conception of what it can be and an absolute conscience as unchanging as the standard meter in Paris, to prevent faking. Then the writer must be intelligent and disinterested and above all he must survive. Try to get all these things in one person and have him come through all the influences that press on a writer. The hardest thing, because time is so short, is for him to survive and get his work done. — Ernest Hemingway,

When we came back to Paris it was clear and cold and lovely. — Ernest Hemingway,

With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason.
In those days, though, the spring always came finally but it was frightening that it had nearly failed. — Ernest Hemingway,

After he and this girl split up in Paris, Roger was on the town; really on the town. He joked about it and made fun of himself; but he was very angry inside for having made such a profound fool of himself and he took his talent for being faithful to people, which was the best one he had, next to the ones for painting and writing and his various good human and animal traits, and beat and belaboured that talent miserably. He was no good to anyone when he was on the town, especially to himself, and he knew it and hated it and he took pleasure in pulling down the pillars of the temple. It was a very good and strongly built temple and when it is constructed inside yourself it is not so easy to pull down. But he did as good a job as he could. — Ernest Hemingway,

I do not know what I thought Paris would be like, but it was not that way. It rained nearly every day. — Ernest Hemingway,

No one you love is ever truly lost. — Ernest Hemingway,

For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by the wear. The claws scratched in the lining of your pocket and you knew your luck was still there. — Ernest Hemingway,

They love me like a pack of wolves.


Ernest — Paula McLain

Sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that I knew or had seen or had heard someone say. If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written. — Ernest Hemingway,

The one who is doing his work and getting satisfaction from it is not the one the poverty is hard on. — Ernest Hemingway,

I knew how severe I had been and how bad things had been. The one who is doing his work and getting satisfaction from it is not the one who poverty bothers. — Ernest Hemingway,

But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there. — Ernest Hemingway,

Well, I want to go to South America."
"Listen, Robert, going to another country doesn't make any difference. I've tried all that. You can't get away from yourself by moving from one place to another. There's nothing to that."
"But you've never been to South America."
"South America hell! If you went there the way you feel now it would be exactly the same. This is a good town. Why don't you start living your life in Paris? — Ernest Hemingway,

There never was another part of Paris that he loved like that, — Ernest Hemingway,

For all of us who lived in Paris; we will never forget it because Paris is a moveable feast — Ernest Hemingway,

Below Les Avants there was a chalet where the pension was wonderful and where we would be together and have our books and at night be warm in bed together with the windows open and the stars bright. That was where we could go. Traveling third class on the train was not expensive. The pension cost very little more than we spent in Paris. — Ernest Hemingway,

That was the end of the first part of Paris. Paris was never to be the same again although it was always Paris and you changed as it changed. We never went back to the Vorarlberg and neither did the rich. — Ernest Hemingway,

We knew what we had and what it meant, and though so much had happened since for both of us, there was nothing like those years in Paris, after the war. Life was painfully pure and simple and good, and I believed Ernest was his best self then. I got the very best of him. We got the best of each other. — Paula McLain

It was necessary that I leave Schruns and go to New York to rearrange publishers. I did my business in
New York and when I got back to Paris I should have caught the first train from the Gare de 1'Est that would take me down to Austria. But the girl I was in love with was in Paris then, and I did not take the first train, or the second or the third. — Ernest Hemingway,

The people that I liked and had not met went to the big cafes because they were lost in them and no one noticed them and they could be alone in them and be together. — Ernest Hemingway,

But Paris was a very old city and we were young and nothing was simple there, not even poverty, nor sudden money, nor the moonlight, nor right and wrong nor the breathing of someone who lay beside you in the moonlight. — Ernest Hemingway,

Hem, you know I don't think that owner's wife where you live likes me. She wouldn't let me wait upstairs for you.'
'I'll tell her,' I said.
'Don't bother. I can always wait here. It's very pleasant in the sun now, isn't it?'
'It's fall now,' I said. 'I don't think you dress warmly enough.'
'It's only cool in the evening,' Evan said. 'I'll wear my coat.'
'Do you know where it is?'
'No. But it's somewhere safe.'
'How do you know?'
'Because I left the poem in it. — Ernest Hemingway,

There is never any ending to Paris, and the memory of each person who has lived in it differs from that of any other. Paris was always worth it, and you received return for whatever you brought to it ... — Ernest Hemingway,

Paris is so very beautiful that it satisfies something in you that is always hungry in America. — Ernest Hemingway,

There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story.
(Interview with Paris Review, 1958) — Ernest Hemingway,

To have come on all this new world of writing, with time to read in a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you. You could take your treasure with you when you traveled too, and in the mountains where we lived in Switzerland and Italy, until we found Schruns in the high valley in the Vorarlberg in Austria, there were always the books, so that you lived in the new world you had found, the snow and the forests and the glaciers and their winter problems and your high shelter in the Hotel Taube in the village in the day time, and at night you could live in the other wonderful world the Russian writers were giving you. — Ernest Hemingway,

It was wonderful to walk down the long flights of stairs knowing that I'd had good luck working. I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day. But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that you knew or had seen or had heard someone say. — Ernest Hemingway,

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil. Then I went back to writing and I entered far into the story and was lost in it. I was writing it now and it was not writing itself and I did not look up nor know anything about the time nor think where I was nor order any more rum St. James. I was tired of rum St. James without thinking about it. Then the story was finished and I was very tired. I read the last paragraph and then I looked up and looked for the girl and she had gone. I hope she's gone with a good man, I thought. But I felt sad. — Ernest Hemingway,

You belong to me and all Paris belongs to me and I belong to this notebook and this pencil. — Ernest Hemingway,

If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast. — Ernest Hemingway,

Tis true what Hemingway says--if we're lucky enough to live our dreams in youth, as Ernest Hemingway did in 1920's Paris and I did with the Beat poets, then youth's dreams become a moveable feast you take wherever you go--youthful love remains the repast plentiful; exquisite, substantive and good. You can live on happy memories. Eat of them forever. — Alison Winfield Burns

It was in that room too that I learned not to think about anything that I was writing from the time I stopped writing until I started again the next day. That way my subconscious would be working on it and at the same time I would be listening to other people and noticing everything, I hoped; learning, I hoped; and I would read so that I would not think about my work and make myself impotent to do it. Going down the stairs when you had worked well, and that needed luck as well as discipline, was a wonderful feeling and I was free then to walk anywhere in Paris. — Ernest Hemingway,

I loved her and I loved no one else and we had a lovely magic time while we were alone. I worked well and we made great trips, and I thought we were invulnerable again, and it wasn't until we were out of the mountains in late spring, and back in Paris, that the other thing started again. — Ernest Hemingway,

There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing ... It's a Gap application.' — Marc Maron

We ate dinner at Madame Lecomte's restaurant on the far side of the island. It was crowded with Americans and we had to stand up and wait for a place. Some one had put it in the American Women's Club list as a quaint restaurant on the Paris quais as yet untouched by Americans, so we had to wait forty-five minutes for a table. — Ernest Hemingway,

I wondered where Cohn got that incapacity to enjoy Paris. Possibly from Mencken. Mencken hates Paris, I believe. So many young men get their likes and dislikes from Mencken. — Ernest Hemingway,