Quotes & Sayings About Paragraph Writing

Time passes, as the novelist says. The single most useful trick of fiction for our repair and refreshment: the defeat of time. A century of family saga and a ride up an escalator can take the same number of pages. Fiction sets any conversion rate, then changes it in a syllable. The narrator's mother carries her child up the stairs and the reader follows, for days. But World War I passes in a paragraph. I needed 125 pages to get from Labor Day to Christmas vacation. In six more words, here's spring. — Richard Powers

Longhand isn't well suited to my way of writing. I tend to end up with dozens of pages of crossings-out and margin scribbles just to find one good paragraph, and it's easy to lose your train of thought, working like that. — Steven Hall

Life is a cracked surface at best. Fiction is a nice edifice. / every word/sentence/paragraph gives a writer an opportunity to reinforce or deliberately crack the edifice by screwing with meaning, structure, grammar, the fourth wall, etc. / different types and degrees of cracking produce different arrangements of order and chaos. — K.J. Bishop

The two keys to success as a sportswriter are: 1) A blind willingness to believe anything you're told by the coaches, flacks, hustlers and other "official spokesmen" for the team-owners who provide the free booze ... and: 2) A Roget's Thesaurus, in order to avoid using the same verbs and adjectives twice in the same paragraph.
Even a sports editor, for instance, might notice something wrong with a lead that said: "The precision-jack-hammer attack of the Miami Dolphins stomped the balls off the Washington Redskins today by stomping and hammering with one precise jack-thrust after another up the middle, mixed with pinpoint-precision passes into the flat and numerous hammer-jack stomps around both ends ... — Hunter S. Thompson

To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself ... Anybody can have ideas
the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph. — Mark Twain

You can tell a paragraph is slipping out of control when there's a runaway use of the word 'hence. — Alain De Botton

One thing I'd do was put a great writer's book beside the typewriter and ... type out a beautiful and moving paragraph ... and see those sentences rising up ... and ... think, 'Someday maybe I can write like that ... ' It was like a dream of possibilities for my own self. And maybe I began to know that there was no other way for the sentence ... to ... arouse the same feeling. The someone writing whose words were rising from the typewriter became like a mentor for me ... You shouldn't do it more than a few times because you must get on with your own work. — Gina Berriault

You can write a 1st paragraph that continues the same thought you expressed in your headline. If you stop a reader with a headline about house paint, you can be sure of at least one thing about that reader: He wants more info about house paint. You will not lose him as long as you continue to give him what he wants. — John Caples

Often they [writers on the study of management] have a point of view based upon intuition and experience. They then offer a cadence of two-paragraph examples carefully selected to "prove" their theory, and then they write "one size fits all" books. The message is, "If you'd do what these companies did, you'd be successful too." — Clayton Christensen

Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history. — Ishmael Reed

I wasted a lot of years working on my writing and very grandly saying, 'And now ... My Novel!,' which would soon be reduced to a short story, then to a paragraph. — George Saunders

Every paragraph should accomplish two goals: advance the story, and develop your characters as complex human beings. — Nancy Kress

If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work. — James Patterson

Personally, it's changed my game - it's how I think now. Can't imagine writing more than a paragraph in anything that doesn't do MMD. — Merlin Mann

I never quite know when I'm not writing. Sometimes my wife comes up to me at a party and says, "Dammit, Thurber, stop writing." She usually catches me in the middle of a paragraph. — James Thurber

Vonnegut along with critically acclaimed novelists like Lawrence Durrell and Iris Murdoch, Scholes explained that Vonnegut uses the rhetorical potential of the short sentence and short paragraph better than anyone now writing, often getting a rich comic or dramatic effect by isolating a single sentence in a separate paragraph or excerpting a phrase from context for a bizarre chapter-heading. The apparent simplicity and ordinariness of his writing mask its efficient power ... — Kurt Vonnegut

I start with an idea that is no more than a paragraph long, and expand it slowly into an outline. But I'm always surprised by the directions things take when I actually start writing. — Barry Schwartz

All your clear and pleasing sentences will fall apart if you don't keep remembering that writing is linear and sequential, that logic is the glue that holds it together, that tension must be maintained from one sentence to the next and from one paragraph to the next and from one section to the next, and that narrative - good old-fashioned storytelling - is what should pull your readers along without their noticing the tug. — William Zinsser

In my office I have a sign that says, 'Don't think. Just write!' and that's how I work. I try not to worry about each word, or even each sentence or paragraph. For me, stories evolve. Writing is a process. I rewrite each sentence, each manuscript, many times. — David A. Adler

If you're afraid you can't write, the answer is to write. Every sentence you construct adds weight to the balance pan. If you're afraid of what other people will think of your efforts, don't show them until you write your way beyond your fear. If writing a book is impossible, write a chapter. If writing a chapter is impossible, write a page. If writing a page is impossible, write a paragraph. If writing a paragraph is impossible, write a sentence. If writing even a sentence is impossible, write a word and teach yourself everything there is to know about that word and then write another, connected word and see where their connection leads. — Richard Rhodes

Since the road to publication is usually so arduous, meandering and fraught with unexpected twists, writers have ample time to compose (in their heads or on fettuccini-stained restaurant napkins) dissertation-length monologues befitting that of a Shakespearean lead character, during which they describe - in complex, paragraph-long sentences - how exceedingly indebted they are to everyone they've ever met, read a book by or chatted about "Motivation" with online (in their entire lives) for the help given in the writing, acquisition, printing and distribution of their debut novels. — Marilyn Brant

Isn't one of the first lessons of good elocution that there's nothing one can say in any rambling, sprawling rant that can't, through some effort, be said shorter and better with a little careful editing? Or that, in writing, there's nothing you can describe in any page-filling paragraph that can't be captured better in just a sentence or two? Perhaps even nothing in any sentence which cannot better be refined in a single, spot-on word? Does it not follow, then, that there's likely nothing one can say in any word - in saying anything at all - that, ultimately, isn't better left unsaid?
(attrib: F.L. Vanderson) — Mort W. Lumsden

I read a piece of writing and within a paragraph or two I know whether it is by a woman or not. — V.S. Naipaul

Once I got started, I wanted the life of a writer so fiercely that nothing could stop me. I wanted the intensity, the sense of aliveness that came from writing fiction. I'm still that way. My life is worth living when I've completed a good paragraph. — Lynne Sharon Schwartz

Upon learning that her cancer had spread to her spine, Paula prepared her thirteen year-old son for her death by writing him a letter of farewell that moved me to years. In her final paragraph she reminded him that the lungs in the human fetus do not breathe, nor do it's eyes see. Thus, the embryo is being prepared for an existence it cannot yet imagine — Irvin D. Yalom

There's this great Ron Carlson story, "A Note on the Type," and it's about this guy who keeps escaping from prison. He's really good at escaping, but he gets caught all the time, because he can't stop writing his name on underpasses where he's running from the law. And there's this whole beautiful paragraph about how to run is to write. And, you know, it's obviously about the writer's life. — Pam Houston

Everyone my age had written a novel and I was still having difficulty writing a paragraph. — Ernest Hemingway,

At one time I thought the most important thing was talent. I think now that - the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.
[Press conference, University of Virginia, May 20, 1957] — William Faulkner

Writing is a form of herding. I herd words into little paragraph-like clusters. — Larry McMurtry

Words and sentences are subjects of revision; paragraphs and whole compositions are subjects of prevision. — Barrett Wendell

When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up. — Billy Collins

Never be boring, not for one scene, paragraph, sentence, or word. — James V. Smith Jr.

The amount of meaning you get into a sentence, the dimensions and intensity of the impression you make a paragraph carry, are most extraordinary.... You once told me you were not a natural writer - my God! You have plainly mastered the craft, of course; but you needed far more than craftsmanship for this. [about The Great Gatsby] — Maxwell Perkins

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. — William Strunk Jr.

I sometimes get up at night when I can't sleep and walk down into my library and open one of my books and read a paragraph and say, 'My God, did I write that? — Ray Bradbury

I'm never going to write a whole paragraph describing what a living room looks like. — Steven Amsterdam

Elizabeth Hay has intelligence coming out of her fingertips - integrity, insight, and wonder in every paragraph of her writing.She connects. She stirs and provokes. — Timothy Findley

Start with a word. A word leads to a sentence, which leads to a paragraph, which leads to a chapter, which leads to a manuscript, which leads to a book ... just start with a word! — Mark Pettinger

I count it a high honor to belong to a profession in which the good men write every paragraph, every sentence, every line, as lovingly as any Addison or Steele, and do so in full regard that by tomorrow it will have been burned, or used, if at all, to line a shelf. — Alexander Woollcott

Good writing has an aliveness that keeps the reader reading from one paragraph to the next, and it's not a question of gimmicks to "personalize" the author. — William Zinsser

In the world of opinion writing, there's something called the 'to be sure' paragraph. A sort of rhetorical antibiotic, it seeks to defend against critics by injecting a tiny bit of counter-argument before moving on with the main point. — Meghan Daum

Read! Read! Read! And then read some more. When you find something that thrills you, take it apart paragraph by paragraph, line by line, word by word, to see what made it so wonderful. Then use those tricks next time you write. — W.P. Kinsella

When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what you're doing is not any kind of public show, until you're ready for it. — Irvine Welsh

If I didn't know the ending of a story, I wouldn't begin. I always write my last lines, my last paragraph first, and then I go back and work towards it. I know where I'm going. I know what my goal is. And how I get there is God's grace. — Katherine Anne Porter

I write every paragraph four times - once to get my meaning down, once to put in anything I have left out, once to take out anything that seems unnecessary, and once to make the whole thing sound as if I had only just thought of it. — Margery Allingham

The books we enjoy as children stay with us forever
they have a special impact. Paragraph after paragraph and page after page, the author must deliver his or her best work. — Sid Fleischman

No woman will ever satisfy me. I know that now, and I would never try to deny it. But this is actually okay, because I will never satisfy a woman, either. Should I be writing such thoughts? Perhaps not. Perhaps it's a bad idea. I can definitely foresee a scenario where that first paragraph could come back to haunt me, especially if I somehow became marginally famous. — Chuck Klosterman

A few days after I began my short story, I returned to his desk and handed him my updates. He pushed his wire-rimmed reading glasses way down on his nose and focused on the two pages. "Okay, you got a beginning; you got yourself a middle and an end. You got a wing-dinger opening line. But you don't have an establishing paragraph. Do you know what that is?"
He didn't wait for me to answer.
"It's kinda like an outdated road map for the reader," he said. "It gives the reader a general idea of where you're taking him, but doesn't tell him exactly how you intend to get there, which is all he needs to know. — John William Tuohy

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil. Then I went back to writing and I entered far into the story and was lost in it. I was writing it now and it was not writing itself and I did not look up nor know anything about the time nor think where I was nor order any more rum St. James. I was tired of rum St. James without thinking about it. Then the story was finished and I was very tired. I read the last paragraph and then I looked up and looked for the girl and she had gone. I hope she's gone with a good man, I thought. But I felt sad. — Ernest Hemingway,

Oh God how subtle he would have to be, how cunning ... No paragraph, no phrase even of the thousands the book must contain could strike a discordant note, be less than fully imagined, an entire novel's worth of thought would have to be expended on each one. His attention had only to lapse for a moment, between preposition and object, colophon and chapter heading, for dead spots to appear like gangrene that would rot the whole. Silkworms didn't work as finely or as patiently as he must, and yet boldness was all, the large stroke, the end contained in and prophesied by the beginning, the stains of his clouds infinitely various but all signifying sunrise. Unity in diversity, all that guff. An enormous weariness flew over him. The trouble with drink, he had long known, wasn't that it started up these large things but that it belittled the awful difficulties of their execution. ("Novelty") — John Crowley

They left. Among the many dumb rules of paragraphing foisted on students in composition courses is the one that says that a paragraph may not consist of a single sentence. Wilkerson ends a richly descriptive introductory chapter with a paragraph composed of exactly two syllables. The abrupt ending and the expanse of blankness at the bottom of the page mirror the finality of the decision to move and the uncertainty of the life that lay ahead. Good writing finishes strong. — Steven Pinker

They couldn't talk. They were not good talkers, either of them. And once, long ago now, she had bought a notebook for a course. It lay empty and forgotten on the kitchen table until one afternoon, when she had gone out to the shops and he was worried that she would be killed by a bus or by lightning, he opened the notebook and he wrote lines about how he loved her, the way he loved her, about his fucking heart and crap like that, about his body brimful and his scrambled head. All that. She came back from the shops. He left the notebook where it was, and he didn't mention it. And it wasn't until about a week later that he noticed it again, and he flicked it open, and he saw his lines followed by lines from her. She'd written words that she had never said. He sat down. He read them over and over for a long time. Then he wrote a paragraph for her to find. — Keith Ridgway

He who could write so easily, who could spend a thousand words down along his plunging fingers on the green-rubber keyboard of his machine, had stumbled like a first-grader over this single paragraph. A dozen times he had begun it and written into it a naked desperation; a dozen times he had begun it and written into it the frosted mathematics of logic. Finally he'd written out quickly the sentences that kept cropping up in all the versions. Those must be, to whatever censor there was in him, the most acceptable ones. He sealed it without rereading it and went out to mail it. An hour later he despised himself for having sent it. — Laura Z. Hobson

I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible. — Rabih Alameddine

A terrific exercise is to take a paragraph of someone's writing who has a really strong style, and using their structure, substitute your own words for theirs, and see how they achieved their effects. — Janet Fitch

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about. — Michael Chabon

What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow. — G. M. Trevelyan

I know that if I have been working on one paragraph and I have written it three times, it goes in the bin. Unless it comes straight out, it is wrong, it is awkward, it does not fit. — Robert Rankin

One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily. In the first paragraph you solve most of the problems with your book. The theme is defined, the style, the tone. At least in my case, the first paragraph is a kind of sample of what the rest of the book is going to be. That's why writing a book of short stories is much more difficult than writing a novel. Every time you write a short story, you have to begin all over again. — Gabriel Garcia Marquez

The commas are the most useful and usable of all the stops. It is highly important to put them in place as you go along. If you try to come back after doing a paragraph and stick them in the various spots that tempt you you will discover that they tend to swarm like minnows into sorts of crevices whose existence you hadn't realized and before you know it the whole long sentence becomes immobilized and lashed up squirming in commas. Better to use them sparingly, and with affection, precisely when the need for each one arises, nicely, by itself. — Lewis Thomas

Some people write by day, others by night. Some people need silence, others turn on the radio. Some write by hand, some by typewriter or word processor, some by talking into a tape recorder. Some people write their first draft in one long burst and the revise; others can't write the second paragraph until they have fiddled endlessly with the first.

But all of them are vulnerable and all of them are tense. — William Zinsser

I find it helpful when I stop for the day to leave the last sentence unfinished or the last paragraph only lightly sketched out, so that when I start again I can pick up where I left off the day before. — Julia Bell

The more fiction you read and write, the more you'll find your paragraphs forming on their own. — Stephen King

I don't have problems starting writing. I have problems stopping. I'm one of the last dads to arrive at school to collect the kids, because I want to get this paragraph just right. — David Mitchell

Most writers write too much. I have the exact opposite problem. I feel I could write almost anything in a paragraph. I have a natural ability to condense, and so I often think, "Are you kidding me? Five thousand words? How am I gonna make 5,000 words out of that?" — Fran Lebowitz

To one who has enjoyed the full life of any scene, of any hour, what thoughts can be recorded about it seem like the commas and semicolons in the paragraph-mere stops. — Margaret Fuller

Whenever I teach writing I tell them to never revise as you go. Finish the first draft. This is my writing advice. I can't do that myself. I'm lying to everybody. I write a paragraph, and then I rewrite that paragraph. I want to feel like I'm standing on firm ground before I move on to the next paragraph. Mentally, I have to do that. — Matt De La Pena

You write down a paragraph or two describing several different subjects creating a kind of story ingredients-list, I suppose, and then cut the sentences into four or five-word sections; mix em up and reconnect them. You can get some pretty interesting idea combinations like this. You can use them as is or, if you have a craven need to not lose control, bounce off these ideas and write whole new sections. — David Bowie

The most we can hope for when we write anything is dazzling imperfection. The least we can hope for is accolades from one or two people who don't know us. Spending all afternoon on "the right word" is probably foolish (though I've done it many times), but then again, it may not be. There may be people out there who'll read that nearly-perfect sentence (or paragraph), with its "right word," and they'll nod and smile and say to themselves, "Hey, that's not too bad. — T.M. Wright

My experience as a writer is that you really do write seven and eight pages to find the paragraph you were after all along. — Anne Lamott

If my brain were surgically divided by callosotomy tomorrow, this would create at least two independent conscious minds, both of which would be psychologically continuous with the person who is now writing this paragraph. If my linguistic abilities happened to be distributed across both hemispheres, each of these minds might remember having written this sentence. The question of whether I would land in the left hemisphere or the right doesn't make sense - being based, as it is, on the illusion that there is a self bobbing on the stream of consciousness — Sam Harris

I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph-each sentence, even-as I go along. — William Styron

My favorite "trick" is to stop writing at a point where I know that I can pick up easily the next day. I'll stop in mid-paragraph, often in midsentence. It makes getting out of bed so much easier, because I know that all I'll have to do to be productive is complete the sentence. And by then I'll be seated at my desk, coffee and Oreo cookie at hand, the morning's inertia overcome. There's an added advantage: The human brain hates incomplete sentences. All night my mind will have secretly worked on the passage and likely mapped out the remainder of the page, even the chapter, while simultaneously sending me on a dinner date with Cate Blanchett. — Erik Larson

Writing for children is murder. A chapter has to be boiled down to a paragraph. Every word has to count. — Dr. Seuss

What makes me want to keep reading a nonfiction text is the encounter with a surprising, well-stocked mind as it takes on the challenge of the next sentence, paragraph, — Phillip Lopate

I often have to write a hundred pages or more before there's a paragraph that's alive. — Philip Roth

In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,
can go far and live long. — Ralph Waldo Emerson

THE GREAT NEED of our world, our nation, and our churches is people who know how to prevail in prayer. Moments of pious wishes blandly expressed to God once or twice a day will bring little change on earth or among the people. Kind thoughts expressed to Him in five or six sentences, after reading a paragraph or two of mildly religious sentiments once a day from some devotional writing, will not bring the kingdom of God to earth or shake the gates of hell and repel the attacks of evil on our culture and our civilization. — Wesley L. Duewel

It's easy to write a sentence, paragraph, or book. What's difficult is writing the best sentence, paragraph, or book you can write. — Mokokoma Mokhonoana