Painting Images Quotes & Sayings

When you set aside the mantle of control in the painting process, images arise from ancient layers of the psyche. — Michele Cassou

Photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world to which it refers in a manner parallel to fingerprints or footprints or the rings of water that cold glasses leave on tables. The photograph is thus generically distinct from painting or sculpture or drawing. On the family tree of images it is closer to palm prints, death masks, the Shroud of Turin, or the tracks of gulls on beaches. — Rosalind E. Krauss

In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it's a loss that has done a great deal of damage to modern art. Painting is a return to origins. — Antoni Tapies

From being a young kid I was always drawing and painting, usually stuff like private parts or bloody images but always with a comedy twist to it. — Tom Six

The glory that is given to God by the works of his creation is what we call an "external glory." It is something outside of God. It doesn't actually add anything to God. It is very much like an artist who has a great talent for painting and a mind full of beautiful images. If the artist puts some of those images on canvas for people to look at and admire, it still hasn't added anything to the artist himself. It hasn't made him any better or more wonderful than he was before (p. 5). — Leo J. Trese

The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world ofits own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited. — Walter Pater

I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time. — Agnes Varda

I shall not find a painting more beautiful because the artist has painted a hawthorn in the foreground, though I know of nothing more beautiful than the hawthorn, for I wish to remain sincere and because I know that the beauty of a painting does not depend on the things represented in it. I shall not collect images of hawthorn. I do not venerate hawthorn, I go to see and smell it. — Marcel Proust

Ah, to build, to build! That is the noblest art of all the arts. Painting and sculpture are but images, Are merely shadows cast by outward things On stone or canvas, having in themselves No separate existence. Architecture, Existing in itself, and not in seeming A something it is not, surpasses them As substance shadow. — Henry Wadsworth Longfellow

Representational painters: loosen the grip of inflexibility! Abstract painters: tighten your hold on crafting your images! In both types of painting students need to unlearn what one has acquired. — Joshua L. Goldberg

Everything I do, it's a bit painterly. I like being surrounded by objects, mostly on paper. I like the images. I like the painting. I like good photography. It's something that makes me an emotional connection, and I feel comfortable around it. — Mikhail Baryshnikov

Paintings invariably sum up; photographs usually do not. Photographic images are pieces of evidence in an ongoing biography or history. And one photograph, unlike one painting, implies that there will be others. — Susan Sontag

[When] I am taking a photograph, I am conscious that I am constructing images rather than taking snapshots. Since I do not take rapid photographs it is in this respect like a painting which takes a long time where you are very aware of what you are doing in the process. Exposure is only the final act of making the image as a photograph. — Thomas Struth

We share a huge visual memory bank, mostly through painting and other images in history. I think when a modern photograph taps into those, sometimes very subliminally, it makes people respond. — Chris Hondros

Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe. — Hiroshi Sugimoto

One of the reasons I work serially, but also one of the reasons that I try to claim space in painting, is I'm desperately interested in asking: How can a group of images, or even two images, have meaning together? — Cynthia Daignault

When realistic images or patterns are seen in an abstract painting, they are often parallels brought about by processes in painting which echo processes in nature. — Walter Darby Bannard

Painting several comparative images is a profitable way to begin to understand the concept of content. — Gerald Brommer

My painting is visible images that conceal nothing ... they evoke mystery. Mystery means nothing. It is unknowable. — Rene Magritte

Her hand jerked, leaving an angry slash in the middle of the canvas. A headache drummed to life in the back of her skull. It's not going to happen today. She ignored the shiver that skipped down her spine. This is a normal day. I'm painting a normal composition. But it was too late. It was happening already. She squeezed her eyes shut against the images flooding her brain, but no resistance would help now. She couldn't escape. — Dana Marton

Painting is the chance to create a different space, or different way of picturing a literal stream of images. — Cynthia Daignault

I'm interested in painting the most beautifully compelling pictures and images and metaphors and stories and explanations possible that will put Jesus in language for a world that desperately needs to hear it. — Rob Bell

In every form of art, you really want the experience of the images to transcend the medium, for the medium to disappear into the greater experience of viewing the work. So that you forget you are looking at a painting, or a photograph. — Bill Henson

I had painted a lot of landscapes, had stood before many while they burned their remote beauty into my skin, but had never done both at the same time. Don't know why. I was comfortable painting indoors and I liked best to retrieve those images from memory where they might be stained by awe and jumbled together with other things I loved. Now that I had tried the other, I wanted to do more. — Peter Heller

It's weird making a drawing of painting. I start to realize that charcoal is this incredibly fragile material. I'm making images of paintings out of dust. — Robert Longo

My hands are flowing like sunlight. The shapes and colors are astounding. I don't understand these images that are empowering me. My brush touches the canvas like photons to the earth, and a new world develops, free from my control, yet intrinsically dependent upon me. I am sweating with elation. I have no idea what I am doing, or what it is my hands are trying to see. There is so much strength in this clarity I am overpowered by the independence of it. — Daniel J. Rice

Art is a distinct form of human communication. Art interprets experience, sensation, and feelings. An artistic work translates our mental images and allows other people to understand what we feel; art conveys our happiness, sadness, hopes, doubts, anxieties, fears, desires, and ineffable longings. — Kilroy J. Oldster

Again, we can see the importance of imaginal practices such as journals, dream work, poetry, painting, and therapy aimed at exploring images in dream and life. These methods keep us actively engaged in the mythologies that are the stuff of our own lives. The — Thomas Moore

My painting is visible images which conceal nothing ... they evoke mystery and indeed when one sees one of my pictures, one asks oneself this simple question 'What does that mean'? It does not mean anything, because mystery means nothing either, it is unknowable. — Rene Magritte

Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat ... American craft is like that too
the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence ... — Margaret Kilgallen

I've dreamed landscapes for years, and my dreams play an enormous role in my work. In fact, when I first started doing landscapes I felt insecure about painting in this style, and the dreams were like positive omens for me, and I've done a few paintings that were exact replicas of images that came to me in dreams. — April Gornik

Paintings. Or the collapse of time in images. — Paul Auster

I think everything can be painted because painting can change reality; but everything cannot be photographed and the photographer often comes home empty-handed, with images which (often) have a documentary interest, but which rarely go further than that. One has to be completely available, very tenacious and admit that many subjects won't give any results ... and a miracle sometimes happens, without warning. — Martine Franck

I use printers to make prints of the images that I am creating. And I try to have that surface kind of replicated in the painting. — Jeff Koons

There are moments when clear images finally begin to emerge within the abstract painting of your life. — Renee Carlino

It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'
He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole? — Milorad Pavic

Why not spend that time on art: painting, sculpting, charcoal, pastel, oils? Are words or numbers more important than images? Who decides this? Does algebra move you to tears? Can plural possessives express the feelings in your heart? If you don't learn art now, you will never learn to breathe! — Laurie Halse Anderson

That autumn, I kept coming back to Hopper's images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as "our most poignant, ceaselessly replicated romantic image of American loneliness" ...
Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs. — Olivia Laing

I came to painting through sculpture, to images through objects. I think that images sit in the middle, somewhere between objects and words. — Michael Craig-Martin