Over Scene Quotes & Sayings

Nature has many scenes to exhibit, and constantly draws a curtain over this part or that. She is constantly repainting the landscape and all surfaces, dressing up some scene for our entertainment. Lately we had a leafy wilderness; now bare twigs begin to prevail, and soon she will surprise us with a mantle of snow. Some green she thinks so good for our eyes that, like blue, she never banishes it entirely from our eyes, but has created evergreens. — Henry David Thoreau

I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both. — Nick Swardson

I think drugs played a big role in the Taboo scene. People were taking copious amounts of ecstasy, which had filtered over from New York, and at a certain point you were more likely to spend most of the night in the toilets at the club. — Boy George

As the prospect gradually revealed itself and disclosed the scene over which the wind had wandered in the dark, like my memory over my life, I had a pleasure in discovering the unknown objects that had been around me in my sleep. At first they were faintly discernible in the mist, and above them the later stars still glimmered. That pale interval over, the picture began to enlarge and fill up so fast that at every new peep I could have found enough to look at for an hour. Imperceptibly my candles became the only incongruous part of the morning, the dark places in my room all melted away, and the day shone bright upon a cheerful landscape, prominent in which the old Abbey Church, with its massive tower, threw a softer train of shadow on the view than seemed compatible with its rugged character. — Charles Dickens

It suddenly occurred to me just how absurd this scene was: a guy wearing a suit of armor, standing next to an undead king, both hunched over the controls of a classic arcade game. — Ernest Cline

The House of Lords, architecturally, is a magnificent room, and the dignity, quiet, and repose of the scene made me unwillingly acknowledge that the Senate of the United States might possibly improve its manners. Perhaps in our desire for simplicity, absence of title, or badge of office we may have thrown over too much. — M. E. W. Sherwood

Think!" cried the Professor. "This prodigious bowl was filled with ice to a depth of three hundred feet. And when we and our children are dead, seeds will have sprouted in the silt, and a young forest will nod over these stones. Here before you is one scene of a geological drama, past and future implicit in the present you perceive, and all within the span of a single human generation, and a human memory. — Oliver Sacks

They are doodlehums."
"Doodlehums?"
"Antisocial individuals, intentional circumventors of statutes."
"Oh, hoodlums. Yes I guessed that much on my own. What can you tell me about them?"
"Morton Zeemeister," he said, indulges in many such activities. He is the heavy one with the pale fur. Normally, he remains away far from the scene of his hoodling, employing agents to execute it for him. The other, Jamie Buckler, is one such. He has hoodled well for Zeemeister over the years and was recently promoted by him to guard his body. — Roger Zelazny

It's been me all along," said September slowly. "Me who gave up my shadow, me who went down into Fairyland-Below and Fairyland-Lower-Than-That to wake up the Prince. Me who shot the poor Minotaur. You oughtn't just hand the whole business over the moment a Prince comes on the scene. I've got to see it through, don't you see? The Hollow Queen is hollow because she's missing the part of her that's me. We've got to come together again. And he can't do a thing about that. — Catherynne M Valente

You need me, just whistle," he said as he arranged his ball cap over his eyes against the sun leaking through the frost-emptied branches. "You're not coming?" Lifting the brim of his cap, he eyed me, "You want me to?" he asked blandly. "Not really, no." He dropped the brim and laced his hands over his middle. "Then why are you bitching? It's a crime scene, not a grocery store. — Kim Harrison

The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great. — Greg Ginn

She wanted his touch, wanted him to find that spot where her need left her begging and hungry. Anxious and half mad.
And when he touched her, teased her open, slid his finger over the wetness and inside her, her hips arched up, welcoming his touch.
"Oooh," she gasped, as his finger slid over her again, swirling in a circle and then pressing down right where it was the tightest and vibrating against her until she was nearly at her peak. "Please- — Elizabeth Boyle

Yet Byron never made tea as you do, who fill the pot so that when you put the lid on the tea spills over. There is a brown pool on the table
it is running among your books and papers. Now you mop it up, clumsily, with your pocket-hankerchief. You then stuff your hankerchief back into your pocket
that is not Byron; that is so essentially you that if I think of you in twenty years' time, when we are both famous, gouty and intolerable, it will be by that scene: and if you are dead, I shall weep. — Virginia Woolf

Tshikona is lwa-ha-masia-khali-i-tshi-vhila, "the time when people rush to the scene of the dance and leave their pots to boil over." Tshikona "makes sick people feel better and old men throw away their sticks and dance." Tshikona "brings peace to the countryside ... " It is an example of the production of the maximum of available human energy in a situation that generates the highest degree of individuality in the largest possible community of individuals. — John Blacking

How many ages hence
Shall this our lofty scene be acted over,
In states unborn and accents yet unknown! — William Shakespeare

The gravel road widened into a large turnaround where three similar looking and designed brothels sat waiting for customers. They were called Sheila's Front Porch, Tawny's High Five Ranch and Miss Delilah's House of Holies.
"Nice," Rachel said as we surveyed the scene. "why are these places always named after women
as if women actually own them?"
"You got me. I guess Mister Dave's House of Holies wouldn't go over so well with the guys."
Rachel smiled.
"You're right. I guess it's a shrewd move. Name a place of female degradation and slavery after a female and it doesn't sound so bad, does it? It's packaging. — Michael Connelly

Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. — David Foster Wallace

The novel was born with the Modern Era, which made man, to quote Heidegger, the "only real subject," the ground for everything. It is largely through the novel that man as an individual was established on the European scene. Away from the novel, in our real lives, we know very little about our parents as they were before our birth; we have only fragmentary knowledge of the people close to us: we see them come and go and scarcely have they vanished than their place is taken over by others: they form a long line of replaceable beings. Only the novel separates out an individual, trains a light on his biography, his ideas, his feelings, makes him irreplaceable: makes him the center of everything. — Milan Kundera

A latecomer on the scene, Germany had only been able to pick up the scraps and crumbs left over by European colonial powers that had enjoyed a head start on them. — Richard J. Evans

We all know that a winter scene, though it may be covered over one day, with even the trees dressed in shawls of snow, will be unrecognizable the following spring. Yet I never imagined such a thing could occur within our very selves. — Arthur Golden

When the movie's done, you talk about either the score or source music over a particular scene, what might work. You just throw a piece of music over the scene, and we both listen to it. — Ethan Coen

I'm a spoilt brat. I thought I was just going to walk in and make movies. But I'd been my own boss for so long that all of a sudden to be facing a roomful of people who were niggling over every little scene ... I just thought I'd go back and draw my comics and have a happy life. — Frank Miller

A Belgian journalist, struggling to describe the scene, had said that it resembled a cross between a permanent mass wake, an ongoing grad night for at least a dozen subcultures unheard of before the disaster, the black market cafes of occupied Paris, and Goya's idea of a dance party (assuming Goya had been Japanese and smoked freebase methamphetamine, which along with endless quantities of alcohol was clearly the Western World's substance of choice). It was, the Belgian said, as though the city, in its convolsion and grief, had spontaneously and necessarily generated this hidden pocket universe of the soul, its few unbroken windows painted over with black rubber aquarium paint. There would be no view of the ruptured city. As the reconstruction began around it, it had already become a benchmark in Tokyo's psychic history, an open secret, an urban legend. — William Gibson

My first band was an Argentinian folk group when I was 10. When I was 12 I had my electric guitar, and by the time I was 13, the Beatles came into the scene, and that was over. So I have a mixture of all these traditions, and I think that's who I am, a mixture of everything. — Gustavo Santaolalla

She cried the first time she was pulled over by a cop. I explained to her that there is no reason to cry when getting pulled over
unless you're coming directly from from a crime scene. — Chelsea Handler

In 1973, I was offered a professorship at the University of California, San Diego. Although I was certainly not unhappy at Nottingham, I had been there over twenty years from starting undergraduate studies to Professor of Applied Statistics and Econometrics, and I thought that a change of scene was worth considering. — Clive Granger

The rather blurred background to the face that formed over the vid plate seemed faintly familiar - ah yes, the Security Ops room at Ryoval Biologicals. Baron Ryoval had arrived personally on that scene as promised. It took only one glance at the dusky, contorted expression on Ryoval's youthful face to fill in the rest of the scenario. Miles folded his hands and smiled innocently. "Good morning, Baron. What can I do for you?" "Die, you little mutant!" Ryoval spat. "You! There isn't going to be a bunker deep enough for you to burrow in. I'll put a price on your head that will have every bounty hunter in the galaxy all over you like a second skin - you'll not eat or sleep - I'll have you - " Yes, — Lois McMaster Bujold

Facing the sagging middle when writing a novel, while inevitable, may be
overcome by pre-planning. I divide my collection of proposed scenes into three acts, each scene inciting tension that builds toward the final crisis in Act Three. If by Act Two the emotional river isn't spilling over the banks, I reassess the plot so that once the writing is flowing I don't slide into a dry creek. The central character should be struggling to navigate life well into the end of Act One, even if her fiercest antagonist is only from within. — Patricia Hickman

Well, my intention is to make work about being uncomfortable. About being in a world that isn't always the world you want to be part of. I talk a lot about the free fall, the moment in the scene where gravity takes over, and the beautiful awkwardness when gravity wins. Gravity is hilarious. Gravity always wins. — Laurel Nakadate

They went along a balcony that looked down over the dining room and the dance floor. The lisp of hot jazz came up to them from the lithe, swaying bodies of a high-yaller band. With the lisp of jazz came the smell of food and cigarette smoke and perspiration. The balcony was high and the scene down below had a patterned look, like an overhead camera shot. (Nevada Gas) — Raymond Chandler

A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders.
She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring. — Lisa Kleypas

As long as I'm around the cats in the hip hop scene, they'll throw me a track and I'll write a rap over it. — Ice-T

My fingers curl through the holes in the wicker, through the wet grass beneath it, trying to hold tight to the sharp blades of the present. Somewhere in my brain a sinkhole is bubbling over, and each bubble contains a scene from a tiny sunken world ... I have never been the prophet of my own past before. It makes me wonder how the healthy dreamers can bear to sleep at all, if sleep means that you have to peer into that sinkhole by yourself ... I had almost forgotten this occipital sorrow, the way you are so alone with the things you see in dreams. — Karen Russell

I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen. — Dan Chaon

And just as you are exiting the party with your tearful, screaming, prediabetic child over your shoulder, you are handed exactly what you need for the way home. The treat bag filled with candy. I am pretty sure this is the formula that was used to prepare the young Linda Blair for filming the bed scene in The Exorcist. — Jim Gaffigan

Emotion will always win over coolness and cleverness. It's when a scene works emotionally and it's cool and clever, then it's great. That's what you want. — Quentin Tarantino

Another form of bargaining, which many people do, and she did too, is to replay the final painful moments over and over in her head as if by doing so she could eventually create a different outcome.
It is natural to replay in your mind the details. Deep in your heart you know what is true. Your mouth speaks the words, "My cat has died," but you still don't really want to believe it. You go over and over and over it in your mind. Your heart replays the scene for you for the express purpose of teaching you to accept what has happened. While your heart tries to "rewire" your mind to accept it, your mind keeps looking for a different answer. It doesn't like the truth. Like anything else, when you hear it enough, you finally accept that it is true. — Kate McGahan

I tried so hard to fight the endless sobbing. I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, "Is there anything about this scene you can change, Liz?" And all I could think to do was stand up, while still sobbing, and try to balance on one foot in the middle of my living room. Just to prove that - while I couldn't stop the tears or change my dismal interior dialogue - I was not yet totally out of control. At least I could cry hysterically while balanced on one foot. Hey, it was a start. — Elizabeth Gilbert

Ever since he repented of religion and shaved off his clerical beard and mustache, he has had the constant feeling that he has taken off his trousers, and that his nose protrudes altogether indecently and must at all cost be covered. It's sheer torment!
With one hand over his nose, the deacon knocks again and again. No one responds. And yet Martha is home; the gate is locked from within. And that means - what? It means that she is with someone else ... The deacon punctuates the scene inwardly with the three dots we have graphically depicted just above, and, tripping over them at every second step, he proceeds to Rosa Luxemburg Street. ("X") — Yevgeny Zamyatin

He closed his eyes. Swiftly like a predator, the vision of his death struck. This time it would not be denied.
The white ground, black rocks, and red drops of his heart's blood growing on the ground like blooming roses. He lost himself in the sensation of liquid warmth flowing between his fingers.
When he could finally see again, he found himself kneeling on the floor, shoulders hunched. That damned scene hung like an albatross around his neck, until he almost wished it would go ahead and happen, just so that he could get it the fuck over with.
He had carried that albatross for almost two hundred damn years - exactly from the moment when he had responded to a damsel in distress and had embroiled himself in another man's curse. — Thea Harrison

Then Frank said, 'Have you ever heard that when five o'clock comes, it's martini time? We could be right in the middle of a scene, but it's over for me, because it's martini time. Did you ever hear that? — James Kaplan

I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something. — Rod Steiger

The day was warm and clear. Kids were playing soccer in the parking lots and women were sunning their babies and having their tea all over the lawns. The scene was entirely too cheery for journalism. — P. J. O'Rourke

He imagined the scene at the gates of heaven to be not unlike that at the finish line of a long and grueling marathon: everyone high-fiving, hugging, collapsing, elated that it's over, yes, it's finally over, pouring cups of water over one another's heads and saying, Holy shit, dude, that was fucking brutal. I am never doing that again. — Shalom Auslander

But you like to cry over stories?" "Oh, yes, in the middle of them. But I like everything to come right at last." "I must have one pathetic scene in it," said Anne thoughtfully. "I might let ROBERT RAY be injured in an accident and have a death scene." "No, you mustn't kill BOBBY off," declared Diana, laughing. "He belongs to me and I want him to live and flourish. Kill somebody else if you have to." For — L.M. Montgomery

A great diving scene. Worth the read just for that:

"Randy! You have the best eyes for bubbles. Find my missing diver."
Paul leaned over the boat and yelled at the people waiting in the water. "Hey! Where's . . ." He examined the faces. It didn't take long to figure out who was missing. His heart spiraled to his feet.
"Oh, no, no, no!" He didn't hesitate to jump to action. He yelled out orders as he put his gear on in record time. "Get back on the boat. Now!"
"I see bubbles! Over there, 'bout fifteen meters," Randy called before anyone had a chance to do anything.
Paul stood on the back of the boat, all geared up and holding an extra tank with a regulator already attached. He looked to see where Randy pointed and took a giant stride into the water. He didn't bother to surface before starting the fastest descent he'd ever made. — S. Jackson Rivera

Arms wrapped around [Darcy's] abdomen from the back. Fingers felt for the spot above his navel. Two fists pushed in and upward. Darcy felt a violent squeezing sensation. The offending prawn shot out of his gullet, flew across the table, and knocked Tate's wine glass over...Tate looked down at the partially chewed shrimp in disgust and covered it with his napkin. — Donna Warner & Gloria Ferris

Since we're being honest, Thursday, you really should know that before this night is over, I am going to fuck you. Hard, and long, and nasty. Just so we're square. — Mercy Celeste

Suppose I put polka dots all over my body and then cover my background completely with polka dots. The polka dots on my body, merging with those in the background, create an optically strange scene. — Yayoi Kusama

The only solution is to kill 600 people in one night. Let the UN and Bill Clinton and everyone else make a scene - and it is over for 20 years. — Alan Clark

The crumpled butcherpaper mountains lay in sharp shadowfold under the long blue dusk and in the middle distance the glazed bed of a dry lake lay shimmering like the mare imbrium and herds of deer were moving north in the last of the twilight, harried over the plain by wolves who were themselves the color of the desert floor. Glanton sat his horse and looked long out upon this scene. Sparse on the mesa the dry weeds lashed in the wind like the earth's long echo of lance and spear in old encounters forever unrecorded. All the sky seemed troubled and night came quickly over the evening land and small gray birds flew crying softly after the fled sun. He chucked up the horse. He passed and so passed all into the problematical destruction of darkness. — Cormac McCarthy

I hope this scene isn't playing out all over the nation. People like me struggling to grab what they can. Whole families, even. Grasping at the leftover shards of their lives. — Daniel H. Wilson

There's no continuity in videos ... you can jump around all over the place. In features, you can't throw in a close-up of a musician stomping on a guitar - you have to film a scene. — Tamra Davis

Nashville had gotten schizophrenic over the past decades. The reputation as Little Atlanta was well deserved - while the country music scene still ran the show, there were many more avenues for pleasure. The stunning Schermerhorn Symphony Hall and the First Art Center drew a more refined crowd downtown, and esoteric restaurants and sophisticated bars had opened to provide succor to the cultivated set. Taylor liked these places; they were a retreat, a way to get away from her sometimes mundane world. They — J.T. Ellison

Xhex couldn't stop herself from torturing them both. She sent him a mental scene, drilling the image right into his head : the two of them in a private bathroom, him up on the sink and leaning back, her with one foot planted on the counter, his sex deep in hers, the two of them panting. While he stared accross the crowded room, John's mouth parted, and the flush on his cheeks had nothing to do with embarrassment and everything to do with the orgasm that was no doubt pounding up his shaft. God, she wanted him. His buddy, the readhead, snapped her out of the madness. Blaylock came back to the table with three beers hanging from their necks, and as he took a look at John's hard, sexep-up face, he stopped short and glanced over at her in surprise.
Shit.
Xhex waved off the bouncers who were coming up to her and walked out of the VIP section so fast, she nearly bowling-pinned a waitress. Her office was the only place that was safe, and she headed there at a dead run. — J.R. Ward

It was a stern night landscape. The sound of the freezing of snow over the land seemed to roar deep into the earth. There was no moon. The stars, almost too many of them to be true, came forward so brightly that it was as if they were falling with the swiftness of the void. As the stars came nearer, the sky retreated deeper and deeper into the night clolour. The layers of the Border Range, indistinguishable one from another, cast their heaviness at the skirt of the starry sky in a blackness grave and somber enough to communicate their mass. The whole of the night scene came together in a clear, tranquil harmony. — Yasunari Kawabata

Dark draperies hung upon the walls. The general furniture was profuse, comfortless, antique, and tattered. Many books and musical instruments lay scattered about, but failed to give any vitality to the scene. I felt that I breathed an atmosphere of sorrow. An air of stern, deep, and irredeemable gloom hung over and pervaded all. — Edgar Allan Poe

Yes, take a little time to play And look at life the other way. God rested when the world was made: Rest now, old friend; be not afraid. But think not that your work is over, That you are now a foot-free rover, A rambler upon idle ways, Whittling away the golden days. For in the road climb to the goal There's no long furlough for a soul. There's no long pause: on every height Another summit swims in sight. The long road rises, scene by scene, With little restings in between. — Edwin Markham

Alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is not unknown. Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right. Yet it is certain that the power to produce this delight, does not reside in nature, but in man, or in a harmony of both. It is necessary to use these pleasures with great temperance. For, nature is not always tricked in holiday attire, but the same scene which yesterday — Ralph Waldo Emerson

As actors we always say that once the person in a scene gets what they want, the scene is over. It's resolved. But life is never resolved - you're always in the process. — Lauren Graham

Duiri Tal, a small lake, lies cradled on the hill above Okhimath, at a height of 8,000 feet. It was a favourite spot of one of Garhwal's earliest British Commissioners, J.H. Batten, whose administration continued for twenty years (1836-56). He wrote: The day I reached there, it was snowing and young trees were laid prostrate under the weight of snow; the lake was frozen over to a depth of about two inches. There was no human habitation, and the place looked a veritable wilderness. The next morning when the sun appeared, the Chaukhamba and many other peaks extending as far as Kedarnath seemed covered with a new quilt of snow, as if close at hand. The whole scene was so exquisite that one could not tire of gazing at it for hours. I think a person who has a subdued settled despair in his mind would all of a sudden feel a kind of bounding and exalting cheerfulness which will be imparted to his frame by the atmosphere of Duiri Tal. This — Ruskin Bond

A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I — Charlotte Bronte

Inside him, twenty years dissolved and mixed into one complex, swirling whole. Everything that had accumulated over the years
all he had seen, all the words he has spoken, all the values he had held
all of it coalesced into one solid, thick pillar in his heart, the core of which was spinning like a potter's wheel. Wordlessly, Tengo observed the scene, as if watching the destruction and rebirth of a planet. — Haruki Murakami

Logan's donating a sculpture to the town. He didn't want to make a big deal about it--wanted it on the down low, so they're doing a small unveiling."

"Down low, Gwen?"

"I know, aren't I cool?"

We all turn back to the scene across the street. I ask, "What do you think it is?"

"I hope it's a self-portrait, a nude one." Josh sighs.

Gwen and I eye him, but he has the faraway dreamy look about him. Clearly he's envisioning Logan naked. I lean over and whisper, "Whatever you're thinking, it's better."

His eyes narrow at me. "You are a hateful woman. — L.A. Fiore

As a director, try to be humble and not to overdo it, not overcoverage and over-covering the scene. — Jean-Marc Vallee

As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. — Luis Bunuel

By the time we were done I was exhausted. I don't know how movie stars do the same scene over and over like that. It takes a lot out of you. — Michael Thomas Ford

The sky peeled back for a moment, and a weak ray of sunset spilled over the scene like the diseased eye of some forgetful god
the light bearing with it cold in place of heat. — Luis Alberto Urrea

During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some of my peers. — Dionne Warwick

But there's no such darkness between the Christian and his Lord. That's not our story. In fact, it's the reverse. Rather than 450 prophets with wounds all over their bodies and their blood gushing out, we see our God hanging on a cross with wounds all over his body, his blood gushing out. Rather than the horrific scene of fools seeking to hear from a false god, we see the most preeminent display of love when the real God spoke to a world of fools. — Jonathan Parnell

The wind was picking up off the ocean now and the whole coastal scene had a bleak, abandoned look, as though Maine in November really belonged to the ragged gulls who wheeled over the sun-worn pier, and the humans had just gotten the news and taken a powder. — Jonathan Lethem

When Andy Carroll first appeared on the scene he was a tall skinny kid and his coordination was all over the place. He reminded me of a giraffe. — Glenn Roeder

Feral beauty tangled up and over every surface. Enormous vines and flourishing blooms swathed the area creating a shadowy, organic cathedral. A faint whiff of perfume breezed to her, like jasmine, but sweeter, more delicate - if jasmine could be more delicate without losing its scent entirely. The buzzing of alien insects reminded her of the sticky, summer days of her childhood in the South, and cicadas filled her memory with their incessant mating calls. Here, however, the insects grew louder as it grew darker. It seemed even they understood the dangers of daylight. — Jacqueline Patricks

Many people think voice over artists just read, there's much more to it. Without acting beats, scene study and improving skills, you won't make it. — Tara Strong

Very few things are totally devoid of any possibility of humor. If you are aware of that possibility and alive to the scene becoming that way, then it just happens naturally. That's what I feel living is like, too. I find a lot of things that make me smile or make me laugh over the course of the day. — Tom Drury

This is a throwback to the Aristotelian conception of nature, banished from the scene at the birth of modern science. But I have been persuaded that the idea of teleological laws is coherent, and quite different from the idea of explanation of the intentions of a purposive being who produces the means to his ends by choice. In spite of the exclusion of teleology from contemporary science, it certainly shouldn't be ruled out a priori. Formally, the possibility of principles of change over time tending toward certain types of outcome is coherent, in a world in which the nonteleological laws are not fully deterministic. — Thomas Nagel

In the interests of friendship, I hope you'll forgive me what I'm about to do."
"Forgive you wha - "
My sentence was cut off as he clamped his mouth over mine, kissing me deeply.

...

"Ready to make a scene?"
He raised an eyebrow. "Do I have a choice?"
"Not really. To quote something someone said to me recently, in the interests of friendship, I hope you'll forgive what I'm about to do." I drew back my hand and slapped him across the face. The smack of flesh striking flesh echoed through the hall. Conversations stopped as people whipped around to stare at us. Raising my voice to something just below a shout, I snarled, "You asshole! — Seanan McGuire

Back at the scene of the rollover they had brought in the dogs, who got one snootful of all the guts and gore scattered all over the place and, after a whispered conference, expressed their regrets and respectfully declined to participate. — Carsten Stroud

A uniform cordoned off the area with crime scene tape. The M.E. pulled in and parked. There were two EMT trucks idling at the edge of the lot. I'd stayed close to the back door, and one of the Rangeman guys had taken a position two feet from me, standing at parade rest. No doubt in my mind he'd take a bullet for me rather than face Ranger over a dead Stephanie. — Janet Evanovich

As I was deciding on what to select, George motioned me over to a shelf of merchandise. He held up an unusual Nativity scene. Placed between the Holy Family and the Wise Men was a barrier, a thin block of wood. The owner explained, "That is the wall that blocks off the Palestinian territories. Jesus was a Palestinian, just like us. — James Martin

Perhaps I feel about you as the artist does about the scene over which his soul has brooded with love: he would tremble to see it confided to other hands; he would never believe that it could bear for another all the meaning and the beauty it bears for him. — George Eliot

The mighty edifice of Government science dominated the scene in the middle of the 20th century as a Gothic cathedral dominated a 13th century landscape. The work of many hands over many years, it universally inspired admiration, wonder and fear. — A. Hunter Dupree

When it comes to the whole debate today over evolution versus creation, Jesus affirmed the early chapters of Genesis were accurate when He said, "Have you not read, that He who created them from the beginning made them male and female" (Matthew 19:4). Adam and Eve didn't come on the scene after billions of years of mutations and evolution. No. God created them all the way back in the beginning-just like Moses reported in the Book of Genesis. — Charlie Campbell

Olympia was a town crawling with music. I was new to the whole punk scene. The culture shock continued; Olympia had bagels! We didn't have bagels in Arkansas. You could order vegetarian food all over town! It was so crazy to me - a place with so many vegetarians, the restaurants made special dishes for them? — Beth Ditto

I was not surprised. Indeed, my only wonder was that he had not already been mixed up in this extraordinary case, which was the one topic of conversation through the length and breadth of England. For a whole day my companion had rambled about the room with his chin upon his chest and his brows knitted, charging and recharging his pipe with the strongest black tobacco, and absolutely deaf to any of my questions or remarks. Fresh editions of every paper had been sent up by our news agent, only to be glanced over and tossed down into a corner. Yet, silent as he was, I knew perfectly well what it was over which he was brooding. There was but one problem before the public which could challenge his powers of analysis, and that was the singular disappearance of the favorite for the Wessex Cup, and the tragic murder of its trainer. When, therefore, he suddenly announced his intention of setting out for the scene of the drama it was only what I had both expected and hoped for. — Arthur Conan Doyle

This was the affair which had ended quietly and decently, without fuss or scenes or hysteria. When you were nineteen, and it was the first time you had been let down, you did not make scenes. You felt as if your back was broken, as if you would never move again. But you did not make a scene. That started later on, when the same thing had happened five or six times over, and you were supposed to be getting used to it. — Jean Rhys

But Thomas didn't have time to finish his thought. Gally reached behind himself, pulled something long and shiny from his back pocket. The lights of the chamber flashed off the silvery surface - a wicked-looking dagger, gripped tightly in his fingers. With unexpected speed, he reared back and threw the knife at Thomas. As he did so, Thomas heard a shout to his right, sensed movement. Toward him. The blade windmilled, its every turn visible to Thomas, as if the world had turned to slow motion. As if it did so for the sole purpose of allowing him to feel the terror of seeing such a thing. On the knife came, flipping over and over, straight at him. A strangled cry was forming in his throat; he urged himself to move but he couldn't. Then, inexplicably, Chuck was there, diving in front of him. Thomas felt as if his feet had been frozen in blocks of ice; he could only stare at the scene of horror unfolding before him, completely helpless. — James Dashner

There are some movies I can watch over and over, never get sick of. I'll put one of those on and be puttering around the house. Then a certain scene will come on and I'll just have to go over and watch. — David Fincher

You're over there in the corner either thinking about the dead dog or whatever, you're bringing up your personal life and you need the space, and then somebody throws you a joke. Especially if it's an emotional scene, you don't want the joke. — Marcia Gay Harden

To be honest, I was unaware of the huge frat-rap scene that was taking over the blogosphere until I found myself right in the middle of it. But there are really a ton of talented dudes out there doing this, and I'm just having a great time making music and being a part of it all. — Mike Stud

I only know myself as a human entity; the scene, so to speak, of thoughts and affections; and I'm sensible of a certain doubleness by which I can stand as remote from myself as another. However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but spectator, sharing no experience, but taking note of it; and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only.. — Henry David Thoreau

Jaron stood on top of a hill, staring blankly into the distance and taking in every detail of the scene unfolding below him. To his back the sun was setting, casting its last rays over the field below and painting the sky around him in a vast array of red and gold. He shuddered slightly as a cool breeze blew gently through the tall grass of the field, nipping sharply at his cheeks which had gone numb from standing exposed to the elements for too long. It was a seemingly perfect fall day, and he couldn't help but feel that it was somewhat ironic that it was on this day life as he knew it was coming to an end. — K.R. Fajardo

But the thing I remember most about the screening in October twenty years ago was the moment Julian grasped my hand that had gone numb on the armrest separating our seats. He did this because in the book Julian Wells lived but in the movie's new scenario he had to die. He had to be punished for all of his sins. That's what the movie demanded. (Later, as a screenwriter, I learned it's what all movies demanded.) When this scene occurred, in the last ten minutes, Julian looked at me in the darkness, stunned. "I died," he whispered. "They killed me off." I waited a bit before sighing, "But you're still here." Julian turned back to the screen and soon the movie ended, the credits rolling over the palm trees as I (improbably) take Blair back to my college while Roy Orbison wails a song about how life fades away. — Bret Easton Ellis

And, Bruce and I are pretty close as well. We're both from Texas and we both understand each other. When I'm having trouble with a scene, I'll just go over to him and be like, "I have no idea what's happening here. What are we doing?" He's just been such a wonderful sounding board and, obviously, he's a tremendously talented actor. — Angie Harmon

Half happy. We wander among Mayflowers, among the lonely paths in the woods. We hover over gatherings of people, over the scene of accidents, gardens, festivals. We cower in chimneys of dwelling places and behind the bed curtains. Give me your hand. We don't associate with each other, but we see and hear everything that is going on in the world. We know that everything is stupidity, everything that men do and contend for, and we laugh at it. — Frank Wedekind

Over analyse, paralyse, you mustn't over analyse ... Do you wake up at four in the morning and wonder who should be playing left-back? Four? I would love to sleep that long. If you want a really long career you have to find a way of switching off. I do it when I'm out walking my dog, Alex Ferguson got into horses, others get into wine. Some players like going shopping, which is not my scene. A lot of them turn to golf. I tried it, didn't like it. I have to walk. If I couldn't I'd be in a padded cell by now. — Roy Keane

A bright haze seemed to lie over everything, and she had a feeling of unreality, but the scene itself looked almost unbelievably wholesome, like something out of a commercial. Just your average family sitting down to eat turkey, she thought. One slightly flustered aunt, worried that the peas will be mushy and the rolls burnt, one comfortable uncle-to-be, one golden-haired teenage niece and her baby sister. One blue-eyed boy-next-door type, one spritely girlfriend, one gorgeous vampire passing the vegetables. A typical American household. — L.J.Smith

Interrupting what promised to be a long spate of fatherly advice, St. Vincent said in a clipped voice, "It's not a love match. It's a marriage of convenience, and there's not enough warmth between us to light a birthday candle. Get on with it, if you please. Neither of us has had a proper sleep in two days."
Silence fell over the scene, with MacPhee and his two daughters appearing shocked by the brusque remarks. Then the blacksmith's heavy brows lowered over his eyes in a scowl. "I don't like ye," he announced.
St. Vincent regarded him with exasperation. "Neither does my bride-to-be. But since that's not going to stop her from marrying me, it shouldn't stop you either. Go on. — Lisa Kleypas

His throne is the pulpit. He stands in Christ's stead. His message is the Word of God. Around him are immortal souls. The Savior, unseen, is beside him. The Holy Spirit broods over the congregation. Angels gaze upon the scene, and heaven and hell await the issue. What associations and what vast responsibility! — Matthew Simpson

New inventions, new machines, new methods of transportation and intercourse are making over the whole scene of action year by year. It is an absolute impossibility to educate the child for any fixed station in life. — John Dewey