Out Of Focus Photography Quotes & Sayings

I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera. — Edward Weston

Anyone can take a picture of poverty; it's easy to focus on the dirt and hurt of the poor. It's much harder - and much more needful - to pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy. — David DuChemin

The camera has always been a guide, and it's allowed me to see things and focus on things that maybe an average person wouldn't even notice. — Don Chadwick

Writing, photography...art. It's all about what's in focus. — Kelly E. Lindner

Don' t focus on NEW - focus on authent ic. Being or iginal isn' t being new - i t 's being
you. — Scott Bourne

Photography is a medium of formidable contradictions. It is both ridiculously easy and almost impossibly difficult. It is easy because its technical rudiments can readily be mastered by anyonwith a few simple instructions. It is difficult because, while while the artist working in any other medium begins with a blank surface and gradually brings his conception into being, the photographer is the only imagemaker who begins with the picture completed. His emotions, his knowledge, and his native talent are brought into focus and fixed beyond recall the moment the shutter of his camera has closed. — Edward Steichen

If it is not an interesting picture when in focus, it is not going to be a better picture out of focus. — Bill Jay

When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don't experience a scene visually at F32. It's more like F1.4. — Keith Carter

The instant before something comes into focus is more exciting than any sharp certainty. Photography, child, is about the passing of time. Capturing is the goal of literature. Timelessness is the task of music and painting. But a good photograph holds time just as a vase holds water. The water will evaporate and the vase becomes a memorial to it. What separates a snapshot from a masterpiece is that the latter is a metaphor of patience ... — Miguel Syjuco

Seeing God is all about getting in touch with reality. If you want to photograph God, focus your lens on Hamakom, The Place, anyplace where you see divine light illuminating reality. Let your camera collect the light reflecting from the reality shaping your everyday life and you will find yourself photographing God in action." (From the Introduction to the book Photograph God) — Mel Alexenberg

Maybe that's why I love photography, which is, when you think about it, the ability to sinfke out a detail and focus on it. — Emily O'Beirne

Photography is inherently an analytic discipline. Where a painter starts with a blank canvas and builds a picture, a photographer starts with the messiness of the world and selects a picture. A photographer standing before houses and streets and people and trees and artifacts of a culture imposes an order on the scene - simplifies the jumble by giving it structure. He or she imposes this order by choosing a vantage point, choosing a frame, choosing a moment of exposure, and by selecting a plane of focus. — Stephen Shore

His Holiness [the Dalai Lama] has told me, urgently and repeatedly, that he thinks my photographs are crap. His exact words were, 'These photos are of poor quality. Why is there no sharp focus? There is no clarity!' I said, 'But your Holiness, it's Goyaesque.' And he said, 'No! It's out of focus!' — Richard Gere

When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence. — Ansel Adams

My focus is anything that allows me to express myself. Rap, dance, photography. Those are my forms of expression. — Keith Stanfield

The way men are seen in photography, in fashion, and the way that men look at pictures of themselves has changed in recent years. It is a subject that has come into focus: The masculine image, a man's personal style, changing attitudes to the male face and body, — Mario Testino

Photography is unlike any other art form. In the other arts there is always a continuous interplay between the artist and his art. He has the painting or sculpture before him. What we have tried to do is to provide a medium for "artistic expression" to anyone with only a reasonable amount of time. By giving him a camera system with which he need only control his selection of focus, composition and lighting, we free him to select the moment and to criticize immediately what he has done. We enable him to see what else he wants to do on the basis of what he has just learned. — Edwin Land

for instance, the theories and practices of art and photography with anthropological theory and practice (e.g. Edwards 1997a; da Silva and Pink 2004; Grimshaw and Ravetz 2004; Schneider and Wright 2005). The interdisciplinary focus in visual methods has also been represented in Theo van Leeuwen and Carey Jewitt's Handbook of Social Research (2000) and Chris Pole's Seeing is Believing (2004) both of which combine case studies in visual research from across disciplines. The idea that visual research as a field of interdisciplinary practice is also central to Advances in Visual Methodology (Pink 2012a) and is demonstrated by the work of the volume's contributors, as well as by the recent SAGE Handbook of Visual Research Methods (Margolis and Pauwels 2011). Likewise the interdisciplinary journal Visual Studies (formerly Visual Sociology) provides an excellent series of examples of visual research, practice, theory and methodology. — Sarah Pink