One Act Play Quotes & Sayings

Looking back, I guess I used to play-act all the time. For one thing, it meant I could live in a more interesting world than the one around me. — Marilyn Monroe

I worked, long ago, in New York City, in construction, like many young men of the Mohawk Nation. I found that whites were often like us, and I could not hate them one at a time. But they do not know the earth or love it. They do not speak from the heart, usually. They do not act from the heart. They are more like the actors on the movie screen. They play roles. And their leaders are not like our leaders. They are not chosen for virtue, but for their skill at playing roles. Whites have told me this, in plain words. They do not trust their leaders, and yet they follow them. When we do not trust a leader, he is finished. Then, also, the leaders of the whites have too much power. It is bad for a man to be obeyed too often. But the worst thing is what I have said about the heart. Their leaders have lost it and they have lost mercy. They speak from somewhere else. They act from somewhere else. But from where? Like you, I do not know. It is, I think, a kind of insanity. — Robert Anton Wilson

Failure is built into creativity ... the creative act involves this element of 'newness' and 'experimentalism,' then one must expect and accept the possibility of failure. — Saul Bass

I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another. — Steve Martin

One of the most astounding dynamics in human relationships is how the unconscious intuition of our brain's right hemisphere is able to act as radar to find us just the right person to provoke and recreate our childhood attachment relationship ... I've given much thought to the question of why we are designed to be drawn -like a moth to a flame- to the very person who is most likely to resurrect all our childhood anguish. It seems like a cruel hoax to play on two wounded souls. — Charlette Mikulka

The beauty of this idea is that my decision to keep Peeta alive at the expense of my own life is itself an act of defiance. A refusal to play the Hunger Games by the Capitol's rules. My private agenda dovetails completely with my public one. And if I really could save Peeta ... in terms of a revolution, this would be ideal. Because I will be more valuable dead. They can turn me into some kind of martyr for the cause and paint my face on banners, and it will do more to rally people than anything I could do if I was living. But Peeta would be more valuable alive, and tragic, because he will be able to turn his pain into words that will transform people. — Suzanne Collins

As the leaves randomly fell, she contemplated how they sacrificially gave up their essence to sustain new life. Or was it the tree's sacrifice? Each leaf was a part of Gaia's play. Their final act: to decompose so a new level of soil could be made, an earthen writing tablet for the next layer of history to be recorded. One generation became the groundwork for the next. Ashes to ashes, dust to dust. Nothing was exempt, not even the leaves. — Jesikah Sundin

Around eighteen, Dinah suddenly became interested in acting. I worked with her on This Property Is Condemned, a Tennessee Williams one-act, for her audition for the Actors Studio. Then came Marty Maraschino in Grease, then a running part in Soap, a hot TV series. Then the lead in Neil Simon's play I Ought to Be in Pictures. She was accepted by the Studio and quickly hired by Robert Redford as the girl in Ordinary People who commits suicide. — Lee Grant

The Girlfriend 911 Cheat Sheet:
1) Change your behavior, and you'll change his.
2) Create a high standard for yourself.
3) Create a boundary for yourself and for him.
4) Allow him to take the lead every step of the way. It's a chess game. He makes his move, then you make yours.
5) Don't contact him unless he contacts you first. Don't play games or lead him on if you're not interested. Always be honest and up-front with your intentions.
6) Pay close attention to signs and red flags. Don't ignore them. When you see one, figure out what it means and act accordingly.
7) If you want a long-term relationship, postpone sleeping with him. Wait until a good amount of time has gone by, both of you are on the same page, and you both want to be in a committed relationship. If there's any doubt on his part, don't sleep with him. If he tells you he doesn't want to be in a relationship, take him at his word and move on. — Jacquee Kahn

I'm not an actor who consciously accesses bits of my life, in order to play parts. Obviously, you don't need to have been a father to play one, otherwise everyone who's been a father would be able to act. — Bill Nighy

This is where I go, when I go:
It's a room with no windows and no doors, and walls that are thin enough for me to see and hear everything but too thick to break through.
I'm there, but I'm not there.
I am pounding to be let out, but nobody can hear me.
This is where I go, when I go:
To a country where everyone's face looks different from mine, and the language is the act of not speaking, and noise is everywhere in the air we breathe. I am doing what the Romans do in Rome; I am trying to communicate, but no one has bothered to tell me that these people cannot hear.
This is where I go, when I go:
Somewhere completely, unutterably orange.
This is where I go, when I go:
To the place where my body becomes a piano full of black keys only - the sharps and the flats, when everyone know that to play a song other people want to hear, you need some white keys.
This is why I come back:
To find those white keys. — Jodi Picoult

Rarely did events play out as imagined, in any case. The order of future events was transient. In the same way that the past was reconfigured by selective memory, future events, too, were moving targets. One could only act on instinct, grab hold of an intuited perfect moment, and spring into action. — James Luceno

We do not feel that ordinarily, do we? What we feel, instead, is an identification of ourselves with our ideas of ourselves - I would rather say, with our image of ourselves. That is the person, or the ego. You play a role; you identify with that role. I play a role called Alan Watts. And I know very well that it is a big act. I can play some other roles besides Alan Watts if necessary, but I find this one is best for making a living. But I assure you that is a mask and I do not take it seriously. The idea of my being a kind of guru, or savior of the world just breaks me up, because I know me. Besides, it is very difficult to be holy, in the ordinary sense. — Alan W. Watts

The science-fictional motif of lethal, infectious information - bad memes - is a fascinating one, with an extended history. One of the earliest instances is Robert W. Chambers's 'The King in Yellow' from 1895. Chambers's conceit is a malevolent play: read beyond Act II, and you go mad. — Paul Di Filippo

I wrote a one-act play - I can't remember the name of it, but it was really about the way women are perceived as leaders. In the play, Catherine the Great would say things like, "You know, John F. Kennedy had extramarital affairs and no one says anything. But I bang one horse and now I'm a horse banger for all eternity? That's it? That's what I am?" — Tina Fey

In the heat of leadership, with the adrenaline pumping, it is easy to convince yourself that you are not subject to the normal human frailties that can defeat ordinary mortals. You begin to act as if you are indestructible. But the intellectual, physical, and emotional challenges of leadership are fierce. So, in addition to getting on the being and assess the tolls those changes are taking. If you don't, your seemingly indestructible self can self-destruct. This, by the way, is an ideal outcome for your foes-and even friends who oppose your initiative- because no one has to feel responsible for your downfall.
_
When you take "personal" attacks personally, you unwittingly conspire in one of the common ways you can be taken out of action-you make yourself the issue.
Attacks may be personal, understand that they are basically attacks on positions you represent and the role you are seeking to play — Ronald A. Heifetz

He did not want to play. He wanted to meet in the real world the unsubstantial image which his soul so constantly beheld. He did not know where to seek it or how, but a premonition which led him on told him that this image would, without any overt act of his, encounter him. They would meet quietly as if they had known each other and had made their tryst, perhaps at one of the gates or in some more secret place. They would be alone, surrounded by darkness and silence: and in that moment of supreme tenderness he would be transfigured.
He would fade into something impalpable under her eyes and then in a moment he would be transfigured. Weakness and timidity and inexperience would fall from him in that magic moment. — James Joyce

Life is not a one act play — Alex M. Smith

Catch my eye,tell me what you see
Wonder if they could guess it about me
Here i'm standing in a double life
One with love,one with strife
Try to act normal,and play it cool
So afraid of breaking a rule
But now i'm falling to hard to stop
Can't help but take the next drop — Alexandra Monir

This [climate change] is potentially so dangerous that we have to act strongly. Do we want to play Russian roulette with two bullets or one? — Nicholas Stern

Most playwrights go wrong on the fifth word. When you start a play and you type 'Act one, scene one,' your writing is every bit as good as Arthur Miller or Eugene O'Neill or anyone. It's that fifth word where amateurs start to go wrong. — Meredith Willson

I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can. — Richard Coyle

Democracy is like a great play. It lasts more than one act. You must be patient, — Michael Dobbs

If the business were a play, Act One is: Woohoo, bright and bushy-tailed. We're going to make something great! Act Two is: We're six months behind on back-end development. We're trying to raise venture capital. We're trying to figure out what furniture we should sell to make payroll. — Caterina Fake

The longer I love, the more I realize the impact of attitude on life. Attitude, to me, is more important than facts. It is more important than the past, than education, than money, than circumstances, than failures, than successes, than what other people think or say or do. It is more important than appearance, giftedness or skill. It will make or break a company ... a church ... a home. The remarkable thing is we have a choice every day regarding the attitude we will embrace for that day. We cannot change our past ... we cannot change the fact that people will act in a certain way. We cannot change the inevitable. The only thing we can do is play on the one string we have, and that is our attitude ... I am convinced that life is 10% what happens to me and 90% how I react to it. And so it is with you ... we are in charge of our attitudes. — Charles R. Swindoll

I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play. — Sam Shepard

My silence knot is tied up in my hair; as if to keep my love out of my eyes. I cannot speak to one for whom i care. A hatpin serves as part of my disguise.
In the play, my role is baticeer; a word which here means "person who trains bats." The audience may feel a prick of fear, as if sharp pins are hidden in thier hats.
My co-star lives on what we call a brae. His solitude might not be just an act. A piece of mail fails to arrive one day. This poignant melodrama's based on fact.
The curtain falls just as the knot unties; the silence is broken by the one who dies. — Lemony Snicket

Our Victrola stood in the diningroom. I was allowed to climb onto the seat of a diningroom chair to wind it, start the record turning, and set the needle playing. In a second I'd jumped to the floor, to spin or march around the room as the music called for - now there were all the other records I could play too. I skinned back onto the chair just in time to lift the needle at the end, stop the record and turn it over, then change the needle. Winding up, dancing, being cocked to start and stop the record, was of course, all in one the act of listening. Movement must be at the very heart of listening. — Eudora Welty

What propels an embryo from one stage to the next-and makes one species different from another-is not a blueprint but rather an enormous autonomous library of the instructions contained within its genome. Each gene does double duty, specifying both a recipe for a protein and a set of regulatory conditions for when and where it should be built. Taken together suites of these IF-THEN genes give cells the power to act as parts of complicated improvisational orchestras. Like real musicians, what they play depends on both their own artistic impulses and what the other members of the orchestra are playing. As we will see in the next chapter, every bit of this process-from the Cellular Big 4 to the combination of regulatory cues-holds as much for development of the brain as it does for the body. — Gary F. Marcus

I think everybody should act! I would encourage everybody to do one thing, join a theater class or something. It's so good to take a character that you think is wildly different from who you are, and to try to relate to that person and become that person is very helpful. It's hard to articulate what you learn, but you can feel the effect of these characters that you play and take with you. — Ryan Gosling

I learned that the Canadian government is very supportive of their native artists. As a rule, at least half of the play list played on Canadian radio stations must be of national origin and any non-Canadian headlining artists must include at least one national act on their bill. This kind of support has established Canada as a creatively fertile ground for some of music's greatest artists. The — Rudy Sarzo

THE THINGS POETS & WRITERS DO THAT I LOVE
Listen to the Ancestors
Acknowledge their influences
Trust their gut-feelings and act on them
Maintain openness.
Play
Dance with languages
Be bold
Refuse servility
Avoid arrogance
Embrace the unknown
Love the journey
Respect one's fellow journeyers — Billy Marshall Stoneking

Creating video games is an especially important act. To me, video games are something I both play and create, so they're "special." If I lost one half, the balance would crumble. I need to be able to both play and create games. — Hidetaka Suehiro

The foreign press seems obsessed with the Freedom Tower, as if it was the only thing going on here. In fact, we're trying to keep a huge juggling act in balance, with the tower as just one of the many balls in play. — Daniel Libeskind

I was raised in the theater and, as it turned out, a TV show was like performing a new one-act play. So, it was really no different. — Bea Arthur

In grammar school I read 'Act One' by Moss Hart, and being a playwright struck me as the most magical and romantic career anyone could have ... But I never did write a play. — Alice McDermott

I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided. — Elvis Costello

To play is to act out and be willful, exultant and committed, as if one is assured of one's prospects. — Brian Sutton-Smith

My first life fled without a fight and left nothing behind, so I doubt it was a loss worth mourning. A man I don't remember mixed genes with a woman I can't recall, and I was called to the stage. I stumbled through the curtain, squinting into the blinding light of the birth canal, and after a brief and banal performance, I died.
This is the arc of the average life - unexamined, unremarked, unremarkable - and it should have ended there. In simpler times, life was a one-act play, and when it was over we took our bows and caught our roses and enjoyed any applause we earned, then the spotlight faded and we shuffled backstage to nibble crackers in the greenroom of eternity. — Isaac Marion

I play Sun-Hi, a Korean-American girl who is a social media expert and dreams of becoming a worldwide star. Being on Make It Pop is so much fun because we get to sing dance and act all in one production which is a dream come true! Working with the cast and crew is also a blast! — Megan Lee

What most of us must be involved in
whether we teach or write, make films, write films, direct films, play music, act, whatever we do
has to not only make people feel good and inspired and at one with other people around them, but also has to educate a new generation to do this very modest thing: change the world. — Howard Zinn

I wanted to just do a one-act play for 26 minutes, with commercials at the beginning and end. For years, I couldn't get my way. They wanted to interrupt three times. — Norman Lear

Freud has said in Totem and Taboo that acts that are illegal for the individual can be justified in another way: the one who initiates the act takes upon himself both the risk and the guilt. The result is truly magic: each member of the group can repeat the act without guilt. They are not responsible, only the leader is. Redl calls this, aptly, "priority magic." But it does something even more than relieve guilt: it actually transforms the fact of murder. This crucial point initiates us directly into the phenomenology of group transformation of the everyday world. If one murders without guilt, and in imitation of the hero who runs the risk, why then it is no longer murder: it is "holy aggression. For the first one it was not." In other words, participation in the group redistills everyday reality and gives it the aura of the sacred-just as, in childhood, play created a heightened reality. — Ernest Becker

So you are tired of your life, young man! All the more reason have you to live. Anyone can die. A murderer has moral force enough to jeer at his hangman. It is very easy to draw the last breath. It can be accomplished successfully by a child or a warrior. One pang of far less anguish than the toothache, and all is over. There is nothing heroic about it, I assure you! It is as common as going to bed; it is almost prosy. Life is heroism, if you like; but death is a mere cessation of business. And to make a rapid and rude exit off the stage before the prompter gives the sign is always, to say the least of it, ungraceful. Act the part out, no matter how bad the play. What say you? — Marie Corelli

Admit it: you live in a straitjacket called society that's chillingly adroit at forcing you to behave. You do what's expected, right? You rarely, if ever, cross that line. You play your part because you're a liar and an actor just like all those people around you are liars and actors. That's why alcohol is such a revealing drug: it removes the straitjacket. Drunks don't act. No one controls them. Suddenly they're showing who they are, what's really inside. Why do you think they make us feel so uncomfortable as we stare at them with our Oscar-worthy poise? — Dave Franklin

Characters in a novel or a play who act all the way through exactly as one expects them to ... This consistency of theirs, which is held up to our admiration, is on the contrary the very thing which makes us recognise that they are artificially composed. — Andre Gide

Did Muddy Waters play an acoustic? Well of course he did. But did he turn his back on being able to plug it in and play louder? No, he plugged in and turned it up and got miles and miles ahead of the game in one fateful act of just plugging in. — Billy Gibbons

Every time I do a play, it's as if I've never done one before. I'm always confused. I always am convinced I'm going to be fired. I'm like, 'I don't remember how to act. I don't know how to do this.' And, it's just a very slow process, and then, all of a sudden, it's just there one day. I still don't understand how it happens. — Cristin Milioti

Our story is never written in isolation. We do not act in a one-man play. We can do nothing that does not affect other people, no matter how loudly we say, It's my own business. — Madeleine L'Engle

We must consider what is the time for singing, what the time for play, and in whose presence: what will be unsuited to the occasion; whether our companions are to despise us, or we to despise ourselves: when to jest, and whom to mock at: and on what occasion to be conciliatory and to whom: in a word, how one ought to maintain one's character in society. Wherever you swerve from any of these principles, you suffer loss at once; not loss from without, but issuing from the very act itself. — Epictetus

Generations of British writers would look up to Roget as a kindred soul who could offer both emotional as well as intellectual sustenance. In the stage directions to Peter Pan, J.M. Barrie includes an homage to Roget: The night nursery of the Darling family, which is the scene of our opening Act, is at the top of a rather depressed street in Bloomsbury. We might have a right to place it where we will, and the reason Bloomsbury is chosen is that Mr. Roget once lived there. So did we in the days when his Thesaurus was our only companion in London; and we whom he has helped to wend our way through life have always wanted to pay him a little compliment. For Barrie, Roget's masterpiece was synonymous with virtue itself. To describe the one saving grace of the play's villain, Captain Hook, Barrie adds, "The man is not wholly evil--he has a Thesaurus in his cabin. — Joshua Kendall

The one charm of the past is that it is the past. But women never know when the curtain has fallen. They always want a sixth act, and as soon as the interest of the play is entirely over, they propose to continue it. If they were allowed their own way, every comedy would have a tragic ending, and every tragedy would culminate in a farce. They are charmingly artificial, but they have no sense of art. — Oscar Wilde

Life. It's your birthday present. Open it up and play with it. Act like you like it. (The One who gave it to you is watching, after all. Don't want to hurt his feelings.) And if you don't like your life, CHANGE IT. It is all yours. — Jill Conner Browne

it is again: that Hindu belief that all of life is maya, illusion. Once we see life as a game, no more consequential than a game of chess, then the world seems a lot lighter, a lot happier. Personal failure becomes "as small a cause for concern as playing the role of loser in a summer theater performance," writes Huston Smith in his book The World's Religions. If it's all theater, it doesn't matter which role you play, as long as you realize it's only a role. Or, as Alan Watts said: "A genuine person is one who knows he is a big act and does it with complete zip. — Eric Weiner

I did a thing called 24 Hour Plays, a thing they do every year on Broadway. A bunch of playwrights and actors get together, you write a play and you act it out in 24 hours, literally. People pay and the money goes to charity. So I did one - I was horrible. I was bad. I was terrified. And I was like, "Oh, I gotta do this again." Because I know I can do it. — Scott Raab

The Law waits for you to stumble on a mode of being, a soul different from the FDA-approved purple-stamped standard dead meat - & as soon as you begin to act in harmony with nature the Law garottes & strangles you - so don't play the blessed liberal middleclass martyr - accept the fact that you're a criminal & be prepared to act like one. — Hakim Bey

Spirituality is something that makes you who you are on and off the field. It's something you try and live by. The way you play is one thing, but the way you act is a little different. You're just trying to be a good person, the best you can be, on and off the field. — Bryce Harper

Tis ten to one this play can never please
All that are here. Some come to take their ease
And sleep an act or two; but those, we fear,
W' have frighted with our trumpets. — William Shakespeare

If I run into someone on the street, that's one thing. But answering mail for a living? I like a job where you can play and act kind of goofy and have some fun. — Bill Murray

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches. — Tatiana Maslany

One of the best ways to change is to act as if you are the person you want to become. When you behave as if you are a different person, you change on a very basic level - even your physiology changes. When actors and actresses perform, their body chemistry is altered by the roles they play. — Bernie Siegel

Storytelling is an ancient and honorable act. An essential role to play in the community or tribe. It's one that I embrace wholeheartedly and have been fortunate enough to be rewarded for. — Russell Banks

It's like a pistol in a stage play: when someone waves a pistol during the first act, you can bet your bottom dollar that someone will be shot with it before the curtain falls. That's the law of drama. The law that says no pistol must appear if no one's going to fire it. — Herman Koch

Each of us has a role to play, and we all need to contribute to making the world a better place. You cannot sit back and do nothing and hope for change; one person can make the biggest difference. Throughout history people have tried to say that we need love and we need to work together, which we do, but you cannot truly love anything unless you learn to love yourself. It all boils down to you, the individual.
When individuals accept themselves, they are liberated from their suffering, and are capable of fully embracing the world around them. You are the only one who can change your life. When the people recognize this, real change will come. Do not wait around for someone else to save the world. You are unique and you have knowledge from your own experience that no one else has. You have ideas and passions that nobody else can claim. You could be the one to help us out of the dreadful situation that we are in, but if you do not act on your ambition the world will never know. — Joseph P. Kauffman

My introduction to Woody Allen and to Ethan Coen was at the same time. On Broadway, I starred in a play called 'Relatively Speaking,' which was three one-act comedies, one of which was written by Ethan and one of which was by Woody. — Max Casella

The minute I was bored with a book or a subject I moved to another one, instead of giving up on reading altogether - when you are limited to the school material and you get bored, you have a tendency to give up and do nothing or play hooky out of discouragement.
The trick is to be bored with a specific book, rather than with the act of reading. So the number of the pages absorbed could grow faster than otherwise. And you find gold, so to speak, effortlessly, just as in rational but undirected trial-and-error-based research. It is exactly like options, trial and error, not getting stuck, bifurcating when necessary but keeping a sense of broad freedom and opportunism.
Trial and error is freedom. — Nassim Nicholas Taleb

What worked in war would likewise work in the place of peace. God's principle of power never altered because of circumstances. It takes as much faith to produce a crop of corn as it does to storm and seize an enemy stronghold. One must act in confidence, sure that
God will play His part, whether in a cornfield or on a battlefield. — W. Phillip Keller

They play it safe, are quick to assassinate what they do not understand. They move in packs ingesting more and more fear with every act of hate on one another. They feel most comfortable in groups, less guilt to swallow. They are us. This is what we have become. Afraid to respect the individual. A single person within a circumstance can move one to change. To love herself. To evolve — Erykah Badu

Bear in mind, now, that most of this work was done by men who had no intention whatever, when they enlisted, of making war to end slavery. Slavery was killed by the act of war itself. It was the one human institution on all the earth which could not possibly be defended by force of arms, because that force, once called into play, was bound to destroy it. The Union armies which ended slavery were led by men like Grant and Sherman, who had profound sympathies with the South and who had never in their lives shown the slightest sympathies with the abolitionists. But they were also men who believed in the one great, fearful fact about modern war
that when you get into it, the guiding rule is that you have to win it. — Bruce Catton

If one partner gives himself completely, he breaks down the barriers of the other, however strong they may be. Because the act of giving means: "I trust you". The other, who to begin with may feel rather intimidated, wanting to prove things which aren't even under discussion, is unarmed by the spontaneity of such an attitude, and relaxes. At that moment, true sexual energy comes into play. — Paulo Coelho

Something like the alleyway scene, where it's like a mini one-act play and you run the whole 18 pages of it, it's so much easier to get lost in it. That's why actors love doing theater so much, I guarantee you. It's refreshing to be able to do something where you don't have to be stopped every two seconds, and you can just play it out and it's done. — Dylan O'Brien

We go to the opening arguments or the closing arguments of a case, and we'd see which actor got the big one. I had a seven-page one once which just about killed me, and I thought, 'Oh, I'm going to get fired, that's it, I can't do it.' It was like a one-act play, and I had a few weeks to learn it, luckily. But it's terrifying. — Kelli Williams

It is characteristic of mature love that it calls into play all man's potentialities; it engages the whole man, so to speak. Contact with the visible manifestations of God's love can awaken within us a feeling of joy born of the experience of being loved. But this encounter also engages our will and our intellect. Acknowledgment of the living God is one path towards love, and the "yes" of our will to his will unites our intellect, will and sentiments in the all- embracing act of love. But this process is always open-ended; love is never "finished" and complete; throughout life, it changes and matures, and thus remains faithful to itself. — Pope Benedict XVI

On the one hand we are called to play the good Samaritan on life's roadside; but that will be only an initial act. One day we must come to see that the whole Jericho road must be transformed so that men and women will not be constantly beaten and robbed as they make their journey on life's highway. True compassion is more than flinging a coin to a beggar; it is not haphazard and superficial. It comes to see that an edifice which produces beggars needs restructuring.
"A Time to Break Silence," at Riverside Church — Martin Luther King Jr.

I really enjoyed multicamera comedy. You film in front of a live audience, and it's kind of the best of both worlds. It's like doing a one-act play every week, but if you screw your lines up, you get to do it over. — Alan Ruck

The first thing I wrote was a one-act play that got accepted at a one-act play festival, and I was in it along with Nathan Lane and a couple of other very good actors. — Aaron Sorkin

I think that every one whom you may ask how to write a play will reply, if he really can write one, that he doesn't know how it is done. It is a little as if you were to ask Romeo what he did to fall in love with Juliet and to make her love him; he would reply that he did not know, that it simply happened.
Well, my dear friend, if you want me to be quite frank, I'll own up that I don't know how to write a play. One day a long time ago, when I was scarcely out of school, I asked my father the same question. He answered: It's very simple; the first act clear, the last act short, and all the acts interesting. — Alexandre Dumas-fils

A true soldier does not argue as he marches, how success is going to be ultimately achieved. But he is confident that if he only plays his humble part well, somehow or other the battle will be won. In is that spirit that every one of us should act. It is not given to us to know the future. But it is given to everyone of us to know how to do our own part well. — Mahatma Gandhi

We cannot change our past. We can not change the fact that people act in a certain way. We can not change the inevitable. The only thing we can do is play on the one string we have, and that is our attitude. — Charles R. Swindoll

That is what is marvelous about school, she realized: when you are in school, your talents are without number, and your promise is boundless. You ace a math test: you will one day work for NASA. The choir director asks you to sing a solo at the holiday concert: you are the next Mariah Carey. You score a goal, you win a poetry contest, you act in a play. And you are everything at once: actor, astronomer, gymnast, star. But at a certain point, you begin to feel your talents dropping away, like feathers from a molting bird. Cello lessons conflict with soccer practice. There aren't enough spots on the debating team. Calculus remains elusive. Until the day you realize that you cannot think of a single thing you are wonderful at. — Sarah Shun-lien Bynum