On My Own Picture Quotes & Sayings

I mean to tell you, the Law's notion of justice is more cold-blooded than any outlaw I ever knew. And I mean 'outlaw,' not criminal. 'Criminal' doesn't distinguish between guys like men and the guys who own the banks and insurance companies and stock markets, who own the factories and coal mines and oil fields, who own the goddamn Law. I once said to John that being an outlaw was about the only way left for a man to hold on to his self-respect, and he said Ain't that the sad truth. The girls laughed along with us because they knew it wasn't a joke ... John got the publicity because he loved it ... he carried on like the whole thing was an adventure movie and he was Douglas Fairbanks. He wanted to to be a 'star.' That's how he was. Not me. I never even liked having my picture taken. All I ever wanted was to show the bastards who own the law that it didn't mean they owned me. — James Carlos Blake

In my own research when I'm working with equations, I never feel like I really understand what I'm doing if I'm solely relying on the mathematics for my understanding. I need to have a visual picture in my mind. I'm constantly translating from the math to some intuitive mind's-eye picture. — Brian Greene

My work is awfully labored just now. Sometimes it has the most wondrous life of its own, it fairly pulls me along - rather like wind surfing! At other times, it drags and mopes, so that I despair of ever writing another word or drawing another picture. I've found that if one keeps pushing along during the mopes, out will flash the most exhilarating thought or idea - a way of doing something that I had never seen before - and then, one is off again, and hold on to your hat! — Jan Karon

On the last day of January 1915, under the sign of the Water Bearer, in a year of a great war, and down in the shadow of some French mountains on the borders of Spain, I came into the world. Free by nature, in the image of God, I was nevertheless the prisoner of my own violence and my own selfishness, in the image of the world into which I was born. That world was the picture of Hell, full of men like myself, loving God and yet hating Him; born to love Him, living instead in fear and hopeless self-contradictory hungers. — Thomas Merton

He finds he cannot think of the dying men at all. Into his mind instead strays the picture of More on the scaffold, seen through the veil of rain: his body, already dead, folding back neatly from the impact of the axe. The cardinal when he fell had no persecutor more relentless than Thomas More. Yet, he thinks, I did not hate him. I exercised my skills to the utmost to persuade him to reconcile with the king. And I thought I would win him, I really thought I would, for he was tenacious of the world, tenacious of his person, and had a good deal to live for. In the end he was his own murderer. He wrote and wrote and he talked and talked, then suddenly at a stroke he cancelled himself. If ever a man came close to beheading himself, Thomas More was that man. — Hilary Mantel

MEET MR. HIV," writes an 11-year-old child, over a diamond-shaped face from which six scaly legs extend. "He invades your body. This is what he looks like when he does," another child writes over a scary-looking monster that resembles a tarantula. An HIV-infected 12-year-old draws a transparent yellow picture of his body filled with hairy, bloblike creatures that resemble paramecia and amoebae. "I hate you because you do bad things to my body," writes another boy. "Go pick on someone your own size. — Jonathan Kozol

Harry," said Basil Hallward, looking him straight in the face, "every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my own soul. — Oscar Wilde

They are more real than the books on the shelves, books that are sketched with the barest hint of a line here and there, fading in places to a ghostly nothingness. Why recall the picture now, you must be wondering. The reason I remember it so well is that it seems to be an image of the way I have lived my own life. I have closed my study door on the world and shut myself away with people of my imagination. — Diane Setterfield

But against sandfly fever one could be inoculated, and I have another, hideously vivid picture of a great menacing brute of a doctor sticking a Thing that ended in a vicious needle into my mother's arm. Mad to defend my own, I scrambled off my father's knee, and flew to her rescue. I fixed my teeth in the doctor's horrible hairy wrist and hung on like a terrier, until my father succeeded in prising me away. Afterwards, everybody said how wonderful the doctor had been, because he continued calmly giving the inoculation while I was prised off him, instead of breaking the needle in my mother's arm. But nobody said how brave it was of me, only three years old, when all is said and done, and gone in the legs at that, to take on such fearful odds for the sake of love. — Rosemary Sutcliff

When I look at you, I still see the son I love more than my own life. But I also see a man who has become so far removed from what matters that his perception is skewed. Family is real, son. A home to settle into - that's real. People who love you and care about you. You've had a phenomenal career, and I'm proud of you. But it's time to stop basing your worth on championships and endorsement deals. You can't buy happiness. You can't earn it. God isn't counting all the deals you're racking up - and neither is your family." He lifted his brow. "And neither is Lucy. For the first time someone's looking at the person inside - and you have to decide if you're going to let her in and be the man she needs you to be." His father turned his head toward a family picture on the mantel. "It's a risk. But one I've never regretted. — Jenny B. Jones

And David and Goliath I have done before, but this time there is a difference. David holds the head at arm's length and looks disgusted. And onto Goliath's severed head, I put my own features. The head hangs in darkness so that the black hair and beard framing the face blend off into the shadows, and there are four thin ropes of dark blood trailing down into space from the neck. And in one eye of the freshly severed head, there is still the faint glimmer of life.
That's me and that's the last painting I ever did.
Spectator, viewer, audience, however you care to call yourself; I address you here, with this, my final picture.
Cast a cold eye on it all, and on my work. I am still alive. — Christopher Peachment

I've been lucky enough to have had the luxury of being able to make the picture I've wanted to make each time on my own terms and without compromise. — Dario Argento

Anyone can take a picture of poverty; it's easy to focus on the dirt and hurt of the poor. It's much harder - and much more needful - to pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy. — David DuChemin

It was never meant to be this way. All other dreams were meant to be subservient to God's dream. Yet in the pursuit of my "essential" dream, I have been slowly building my own personal tower to my own personal heaven. It has me. It defines me. It motivates me. It guides and directs me. It gives me a reason to get up in the morning and a reason to press on. Every day I get out my mortar and trowel and put another few courses of bricks on my personal tower to the sky. I'm still going to church, and I haven't forsaken the faith, but in a profound and practical way, God is out of the picture. I am not in a place of overt rebellion to him, yet I am not serving him. I don't have time for the Lord because all of my daily time and energy is invested in my dream. I was given the capacity to imagine so that everyday my "eyes" would be filled with him, yet now another dream — Paul David Tripp

Obviously, a rigid, blinkered, absolutist world view is the easiest to keep hold of, whereas the fluid, uncertain, metamorphic picture I've always carried about is rather more vulnerable. Yet I must cling with all my might to ... my own soul; must hold on to its mischievous, iconoclastic, out-of-step clown-instincts, no matter how great the storm. And if that plunges me into contradiction and paradox, so be it; I've lived in that messy ocean all my life. I've fished in it for my art. This turbulent sea was the sea outside my bedroom window in Bombay. It is the sea by which I was born, and which I carry within me wherever I go. — Salman Rushdie

I know that on my own sites, a picture of me with my mom or me with my dog does well, but when I put up a picture of myself shirtless, it does get a little crazy. — Shemar Moore

I was in Sarasota, Florida, on a spring-break trip with my friends Bruce and Karen Moore. Bruce and I were waiting on the beach for the rest of our crew when and a man and his grown kids came strolling up the sand. They looked at me for a minute, sort of hesitating, and then asked, "Would you mind taking a picture?" "Sure," I said, and quickly arranged all of us in a line, putting myself in the middle and motioning to Bruce to come snap the photo. Right about that time, the father said, "Actually, we were wondering if you could take a picture just of us." An understandable mistake on my part, but really embarrassing. Bruce has had a field day reminding me of that one ever since.

Lesson learned: Never assume anything about your own importance. It's a great big world, and all of us are busy living our lives. None of us knows all the time and effort that another person puts into his or her passion. — Amy Grant

For all the pain you suffered, my mama. For all the torment of your past and future years, my mama. For all the anguish this picture of pain will cause you. For the unspeakable mystery that brings good fathers and sons into the world and lets a mother watch them tear at each other's throats. For the Master of the Universe, whose suffering world I do not comprehend. For dreams of horror, for nights of waiting, for memories of death, for the love I have for you, for all the things I remember, and for all the things I should remember but have forgotten, for all these I created this painting - an observant Jew working on a crucifixion because there was no aesthetic mold in his own religious tradition into which he could pour a painting of ultimate anguish and torment. — Chaim Potok

I can't fathom the day when I'll be able to figure out how to independently maneuver my way into my bra, like I used to, every day since I was thirteen. The left arm through the left loop, the left boob into the left cup. Never mind the clasp in the back. My poor injured brain gets all twisted up like some circus contortionist even trying to imagine how this procedure would work. I'm supposed to at least try every step of getting dressed on my own, but when it comes to the bra, I no longer bother. My mother just does it for me, and we don't tell the therapists.She holds up one of my white Victoria's Secret Miracle Bras. I close my eyes, shutting out the humiliating image of my mother manhandling my boobs. But even with my eyes closed, I can feel her cold fingers against my bare skin, and as I can't help but picture what she's doing, humiliation saunters right in, takes a seat, and puts its feet up. Like it does every day now. — Lisa Genova

In recalling my childhood I like to picture myself as a beehive to which various simple obscure people brought the honey of their knowledge and thoughts on life, generously enriching my character with their own experience. Often this honey was dirty and bitter, but every scrap of knowledge was honey all the same. — Maxim Gorky

Still I should paint my own places best; painting is with me but another word for feeling, and I associate "my careless boyhood" with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful; that is, I had often thought of pictures of them before ever I touched a pencil, and your picture ['The White Horse'] is one of the strongest instance I can recollect of it. — John Constable

The Simi has needs. Lots of needs. I need akri's plastic card, for one thing. It very nice. People give me lots of stuff when I hand it to them. Ooo, I really like the new plastic card he gave me with my own name on it. It blue and all sparkly and it says Simi Parthenopaeus. Doesn't that have a nice ring to it? I have to say it again. Simi Parthenopaeus. I like that a lot. It even has my picture in the corner and I am a very attractive demon if I do say so myself. Akri says it, too. 'Simi, you are beautiful.' I like it when he tells me that. (Simi) — Sherrilyn Kenyon

From a practical angle this factor reveals itself in that an individual who follows his dreams for a considerable time will find that they are often concerned with his relationships with other people. His dreams my warn him against trusting a certain person too much, or he may dream about a favorable and agreeable meeting with someone whom he may previously have never consciously noticed. If a dream does pick up the image of another person for us in some such fashion, there are two possible interpretations. First, the figure may be a projection, which means that the dream-image of this person is a symbol for an inner aspect of the dreamer himself. One dreams, for instance of a dishonest neighbor, but the neighbor is used by the dream as a picture of one's own dishonesty. It is the task of dream interpretation to find out in which special areas one's own dishonesty comes into play. (This is called dream interpretation on the subjective level.) — C. G. Jung

Looking at a human being or even a picture of a human being is different from looking at an object. Newborn babies, only hours old, copy the expressions of adults. They pucker up, try to grin, look surprised, and stick out their tongues. The photographs of imitating infants are both funny and touching. They do not know they are doing it; this response is in them from the beginning. Later, people learn to suppress the imitation mechanism; it would not be good if we went on forever copying every facial expression we saw. Nevertheless, we human beings love to look at faces because we find ourselves there. When you smile at me, I feel a smile form on my own face before I am aware it is happening, and I smile because I am seeing me in your eyes and know that you like what you see. — Siri Hustvedt

Well, yeah! Now they're considered golden oldies, which is awesome. I was watching Little Women recently, and I didn't want to get up for fear of missing something. And Heathers is like my own Rocky Horror Picture Show; I recite the lines when it's on. It may seem odd, but I think it's because they're really good movies. — Winona Ryder

Sound has a profound effect on the senses. It can be both herd and felt. It can even be seen with the mind's eye. It can almost be tasted and smelled. Sound can evoke responses of the five senses. Sound can paint a picture, produce a mood, trigger the senses to remember another time and place. From infancy we hear sound with our entire bodies. When I hear my own name, I have as much a sense of it entering my body through my back or my hand or my chest as through my ears. Sound speaks to the sensorium; the entire system of nerves that stimulates sensual responce. — Louis Colaianni

Whatever gave you the idea I had any intention of fitting anyone's picture? I plan on creating my own. — Pippa Croft

Whenever I may be tempted to slack up and let the business run for awhile on its own impetus, I picture my competitor sitting at a desk in his opposition house, thinking and thinking with the most devilish intensity and clearness, and I ask myself what I can do to be prepared for his next brilliant move. — Harry Gordon Selfridge

Did you really think I might have drawn that picture?" Emma swallowed a self-conscious lump in her throat, then lifted her chin. "I own the notion did cross my mind. But can you blame me? After all, you knew what the piece looked like and you gave me prodigious cause to suspect you in the past." He inhaled deeply. "I suppose you are right. But that was a long time ago. I have no interest in tricking you now. Nor in frightening you, nor any other dishonorable motive, I assure you." The warm tenor of his voice did odd things to Emma's stomach. She blinked, unable to meet his gaze. "Emma, look at me." She forced herself to meet his remarkable green eyes and saw the sincerity burning there. He said, "You have my word, Emma. I did not do this." He had called her Emma. She liked the sound of her name on his lips. Nodding, she said, "I believe you. — Julie Klassen

A brief hush fell over the table when the guy from the bar approached. After he finished depositing their drinks in the center of the table, Lynn jumped on the opportunity to flirt, winking and smiling prettily at him. "Thanks, cowboy."
"Cowboy?" Reaching for her appletini, Piper laughed.
Lynn shrugged. "When I picture him in my bed, I see a Stetson and a saddle."
Something well-known among their group, ever since she watched John Travolta in Urban Cowboy, she was on a mission to secure herself her very own cowboy.
"I bet you see a branding iron too," Jules snickered.
Lynn's thoughtful gaze trailed after him as the bartender returned to making drinks. — J.C. Valentine

Late-Flowering Lust

My head is bald, my breath is bad,
Unshaven is my chin,
I have not now the joys I had
When I was young in sin.
I run my fingers down your dress
With brandy-certain aim
And you respond to my caress
And maybe feel the same.
But I've a picture of my own
On this reunion night,
Wherein two skeletons are shewn
To hold each other tight;
Dark sockets look on emptiness
Which once was loving-eyed,
The mouth that opens for a kiss
Has got no tongue inside.
I cling to you inflamed with fear
As now you cling to me,
I feel how frail you are my dear
And wonder what will be--
A week? or twenty years remain?
And then--what kind of death?
A losing fight with frightful pain
Or a gasping fight for breath?
Too long we let our bodies cling,
We cannot hide disgust
At all the thoughts that in us spring
From this late-flowering lust. — John Betjeman

The only time I go on the set is when I have a cameo to do in the picture. I go to the set and I do my little cameo and I meet all the people. It's a great way to spend the day. And then I go back to my own world. — Stan Lee

Actually, no. I won't ever go digital. I work with thirty-five or large format. I like the hand-jobs, you know. And I still do most of my own printing. I've developed such a profound distaste for touch-up and modern artifice - comes from snapping too many derelicts and detritus, perhaps, but I love it. Photo bloody Shop can go stuff it. A picture should be honest, even if the subject is contrived on the ground, you know; not dolled-up for advertising punch or sex appeal. — Pansy Schneider-Horst

As I focus on diligent joy, I also keep remembering a simple idea my friend Darcey told me once
that all the sorrow and trouble of this world is caused by unhappy people. Not only in the big global Hitler-'n'-Stalin picture, but also on the smallest personal level. Even in my own life, I can see exactly where my episodes of unhappiness have brought suffering or distress or (at the very least) inconvenience to those around me. The search for contentment is, therefore, not merely a self-preserving and self-benefiting act, but also a generous gift to the world. Clearing out all your misery gets you out of the way. You cease being an obstacle, not only to yourself but to anyone else. Only then are you free to serve and enjoy other people. — Elizabeth Gilbert