Night Point Of View Quotes & Sayings

You may remember that the Lord God appeared to His people at Mount Sinai. That encounter was His great theo-phany, His foundational appearance to the children of Israel. Yet it happened in a strange way. His glory, His visible gracious presence, was veiled in a cloud that was dark by day and bright at night. He concealed Himself in that deep dark cloud so that He could reveal Himself safely while speaking. So, from a human point of view, the closer they came to Him, the deeper they came into the darkness. Thus in Exodus 20:21 we read that "the people stood far off, while Moses drew near to the thick darkness where God was." The — John W. Kleinig

I'll tell you what I really think about politicians. The other night I watched some politicians on television talking about Vietnam. I wanted very much to burst through the screen with a flame thrower and burn their eyes out and their balls off and then inquire from them how they would assess the action from a political point of view. — Harold Pinter

My feeling is that an observer needs to see four hundred and fifty stars to get that feeling of infinitude, and be swept away ... and I didn't make that number up arbitrarily, that's the number of stars that are available once you get dimmer than third magnitude. So in the city, you see a dozen stars, a handful, and it's attractive to no one. And if there's a hundred stars in the sky it still doesn't do it. There's a certain tipping point where people will look and there will be that planetarium view. And now you're touching that ancient core, whether it's collective memories or genetic memories, or something else form way back before we were even human ... astronomer Bob Berman quoted in The End of Night — Paul Bogard

Actually, since I'm gay I think I should count for two guys instead of just one. I mean, in me you get the male point of view and you don't have to worry about me wanting to touch your boobies. — P.C. Cast

One of the things I tell the writers with whom I work is, man, when you finish a draft of a poem, or short story or novel, you make sure you go out and celebrate all night long because whether the world ever notices or not, whether you get it published or not, you did something most people never do: You started, stuck with, and finished a creative work. And that is a triumph. That is something to celebrate. All the stuff that I'm talking about is really from the point of view of trying to create art - and I don't mean to sound highfalutin when I bring the word "art" in. All I mean is, a work that seeks to illuminate truth in whatever way possible. — Andre Dubus III

Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night ... Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands. — Ernest Gold

If I regarded my life from the point of view of the pessimist, I should be undone. I should seek in vain for the light that does not visit my eyes and the music that does not ring in my ears. I should beg night and day and never be satisfied. I should sit apart in awful solitude, a prey to fear and despair. But since I consider it a duty to myself and to others to be happy, I escape a misery worse than any physical deprivation. — Helen Keller

I have a really interesting political point of view, and its not always something I say too loud at dinner tables here, but you cant go from a $2,000-a-night suite at La Mirage to a penitentiary and really understand it and come out a liberal. You cant. I wouldnt wish that experience on anyone else, but it was very, very, very educational for me and has informed my proclivities and politics every since. — Robert Downey Jr.

There, at a depth to which divers would find it difficult to descend, are caverns, haunts, and dusky mazes, where monstrous creatures multiply and destroy each other. Huge crabs devour fish and are devoured in their turn. Hideous shapes of living things, not created to be seen by human eyes wander in this twilight. Vague forms of antennae, tentacles, fins, open jaws, scales, and claws, float about there, quivering, growing larger, or decomposing and perishing in the gloom, while horrible swarms of swimming things prowl about seeking their prey.
To gaze into the depths of the sea is, in the imagination, like beholding the vast unknown, and from its most terrible point of view. The submarine gulf is analogous to the realm of night and dreams. There also is sleep, unconsciousness, or at least apparent unconsciousness, of creation. There in the awful silence and darkness, the rude first forms of life, phantomlike, demoniacal, pursue their horrible instincts. — Victor Hugo

Overhead, an enemy plane had been dragging, drumming slowly round in the pool of night, drawing up bursts of gunfire
nosing, pausing, turning, fascinated to the point for its intent. The barrage banged, coughed, retched; in here the lights in the mirrors rocked. Now down a shaft of anticipating silence the bomb swung whistling. With the shock of detonation, still to be heard, four walls of in here yawped in then bellied out; bottles danced on glass; a distortion ran through the view. The detonation dulled off into the cataracting roar of a split building:
direct hit,
somewhere else. — Elizabeth Bowen

There's no staying where you were. If you're not doing anything, your skills and point of view are atrophying. — M. Night Shyamalan

My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe? — Maurice Blanchot

You're no man." "No," said Coyote. "I am his unflattering reflection." He shook his head. "I have outlived billions of gallons of blood, and you think I somehow delight in the spilling of a few more pints. You see my hand in the affairs of a few mortals and you think that I've but wound them up so I can watch them bounce off one another in the night. Never have you asked yourself why I might do such a thing--to what end this bloodshed might serve. The trouble with human beings is that when examining the actions of others, they always apply their own ethics and point of view., hoping to understand them in the context of what they might do and why they might do such a thing. When no answer lies in that examination, they always ascribe malice. Malice, you see, is the only thing people understand without explanation. You are born with it and thus come to expect it. — C. Robert Cargill

Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life. — Matt Groening

So long as there shall exist, by reason of law and custom, a social condemnation which, in the midst of civilization, artificially creates a hell on earth, and complicates with human fatality a destiny that is divine; so long as the three problems of the century - the degradation of man by the exploitation of his labour, the ruin of women by starvation and the atrophy of childhood by physical and spiritual night are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words and from a still broader point of view, so long as ignorance and misery remain on earth, there should be a need for books such as this. — Victor Hugo

In August of 1998, I completed Seize the Night, the sequel to my novel Fear Nothing, one of many of my books in which a dog is among the cast of principal characters. Every time I wrote a story that included a canine, my yearning for a dog grew. Readers and critics alike said I had an uncanny knack for writing convincingly about dogs and even for writing from a dog's point of view. When a story contained a canine character, I always felt especially inspired, as if some angel watching over me was trying to tell me that dogs were a fundamental part of my destiny if only I would listen. — Dean Koontz

One of the things in the Mary Shelley [Frankenstein] is that the creature tells his story, so this begins with the creature's point of view. So, it literally starts with the creature opening his eyes and is born - but is obviously in his 30s. But because they're the creator and the created we thought it would be really interesting if they could look at each other every other night and play each other's roles. — Danny Boyle