New Story Begins Quotes & Sayings

I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader's mind so that the mind, like the author's, begins to create. Thus sf is creative and it
inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness. — Philip K. Dick

Alafair Burke's first standalone is a must read! You'll lose yourself in this riveting story of Alice Humphrey, a woman whose nightmare begins when she goes to work at her new gallery job, only to find everything gone - and a murdered man on the floor. You can't guess the plot twists that follow, as Alice's whole word turns upside down and she has to question everyone and everything she thought was real. And the ending is a shocker you'll never see coming. — Lisa Scottoline

I expect to see the coming decades transform the planet into an art form; the new man, linked in a cosmic harmony that transcends time and space, will sensuously caress and mold and pattern every facet of the terrestrial artifact as if it were a work of art, and man himself will become an organic art form. There is a long road ahead, and the stars are only way stations, but we have begun the journey. To be born in this age is a precious gift, and I regret the prospect of my own death only because I will leave so many pages of man's destiny - if you will excuse the Gutenbergian image - tantalizingly unread. But perhaps, as I've tried to demonstrate in my examination of the postliterate culture, the story begins only when the book closes. — Marshall McLuhan

Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is - sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes. — John Gardner

After Jesus showed up, the Old Testament basically became a way for Bible publishers to keep their word count up.
Of course, just because Jesus replaces the Old Testament doesn't mean that you should necessarily skip it. That would be like skipping Batman and Robin just because the story starts over in Batman Begins. The important thing to realize is that both the old and new stories are about an all-powerful being trying to rid the world of evildoers, only in the new one The Batman can eat pork. — Stephen Colbert

Stepping back and connecting reconciliation to God's story also helps us move away from dramatic visions of fixing the world, as if our job were to provide solutions to problems outside us. If Christians believe anything, it is that no one - including ourselves and the church - is separate from the brokenness as an untainted solution to the problems of our world. The new creation contends with the old. The dividing line between good and evil runs straight through each one of us. So the journey of reconciliation begins with a transformation of the human person. — Chris Rice

For me, where genre ends and literature begins doesn't matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I've ever met, revealed truths I've somehow always known and insights that rock my brain. It's filled me with awe, which is to say it's made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art. — Donald Maass

It seems odd that a story about a gift-the possibility of a new life in a new and prosperous country-begins with a thief, but in some ways this one does. — Kimball Taylor

In liminal space, one meets the unknown, the marginalized, the synchronistic, the other, the unconscious edge of one's former narratives. At this point, the possibility to try out new narratives, to reframe one's story, becomes critical. Through narratives of participation the center of gravity shifts from fear and defensiveness to curiosity, creativity, and celebration. One begins to take a stand to validate one own's affects and doubts while at the same time interrogating them. The effect of such a shift is that the area of questioning about the self, the world, and the use of narrative language begins to widen noticeably. We can no longer assume there will be an outcome of homogeneous accounts through dialogue. The frames of narratives of participation anticipate heterogeneity rather than accord. — Helene Shulman

I read because one life isn't enough, and in the page of a book I can be anybody;
I read because the words that build the story become mine, to build my life;
I read not for happy endings but for new beginnings; I'm just beginning myself, and I wouldn't mind a map;
I read because I have friends who don't, and young though they are, they're beginning to run out of material;
I read because every journey begins at the library, and it's time for me to start packing;
I read because one of these days I'm going to get out of this town, and I'm going to go everywhere and meet everybody, and I want to be ready. — Richard Peck

Words, rolling on. Sometimes the Harbinger of Death hears these words, words of house prices and commutes and the price of pasta and the new washing machine and the difficulty of finding a place to dry your wet clothes, and they make him indescribably sad.

Tonight, for some reason, as he listens to a story of a life still being built, and speaks of the ending of all things, he is not afraid, and this world, which seemed to be only ashes, begins again to give him an extraordinary joy. — Claire North

Horchow's daughter, Sally, told me a story of how she once took her father to a new Japanese restaurant where a friend of hers was a chef. Horchow liked the food, and so when he went home he turned on his computer, pulled up the names of acquaintances who lived nearby, and faxed them notes telling them of a wonderful new restaurant he had discovered and that they should try it. This is, in a nutshell, what word of mouth is. It's not me telling you about a new restaurant with great food, and you telling a friend and that friend telling a friend. Word of mouth begins when somewhere along that chain, someone tells a person like Roger Horchow. — Malcolm Gladwell

Unconscious of your story, you are in its grasp; but with consciousness, an alchemical process begins: The solidity of the complex dissolves and you can open up to the arrival of a new archetype, the birth of a new cycle of life. In the shadow, then, lies our myth and our fate. — Connie Zweig