Quotes & Sayings About Narration

You should author the narration of your life and organization. If you don't, someone will, and you may not like it. — Assegid Habtewold

I wasn't aware I'd write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering. — Ben Lerner

I'm working 2 days a week right now, narration usually on Wed., and host on camera on Friday. — Robert Stack

Many men have been praised as vividly imaginative on the strength of their profuseness in indifferent drawing or cheap narration: - reports of very poor talk going on in distant orbs; or portraits of Lucifer coming down on his bad errands as a large ugly man with bat's wings and spurts of phosphorescence; or exaggerations of wantonness that seem to reflect life in a diseased dream. But these kinds of inspirations Lydgate regarded as rather vulgar and vinous compared with the imagination that reveals subtle actions inaccessible by any sort of lens, but tracked in that outer darkness through long pathways of necessary sequence by the inward light which is the last refinement of Energy, capable of bathing even the ethereal atoms in its ideally illuminated space. — George Eliot

The great majority of modern third-person narration is "I" narration very thinly disguised. — John Fowles

I've always hated quotation marks: they're ugly on the page and they classify the text for you, putting dialogue in one box and narration in another. — Catherine Brady

As with instant replay, NFL Films' use of slow motion, camera angles and the narration of Facenda was not just a technical breakthrough but a conceptual breakthrough. — Tony Verna

My sister and I had jointly heard the narration of 'Revolver Rani' in Tigmanshu Dhulia's office. After hearing the narration, my sister was very scared and adamant that I should not do this film, as my character was twisted, neurotic, violent and abusive. — Kangana Ranaut

The rules say that to tell a story you need first of all a measuring stick, a calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated. — Elena Ferrante

I regard sports first and foremost as entertainment, so dry documentary narration is not for me. — Jack Brickhouse

For a moment she could have sworn she was standing in one of those history-comes-alive museums
the kind that feature animatronic robots, the narration stylings of James Earl Jones, and the sort of exhibits that invade children's nightmares for years to come. But instead of a cyborgish John Wilkes Booth discharging his deadly bullet into the back of a plastic Lincoln's head, a very real version of the assassin was engaged in a furious arm-wrestling match with Elvis Presley.
Lincoln was watching the tussle, amused. "Come on, John," he said. "You can do better than that."
"He's all talk," Elvis whispered back.
"Silence!" roared Booth. "I'm trying to concentrate!"
Lincoln rolled his eyes. — Gina Damico

Suppose that which is taking place here and now is not reality, but only a tale, a tale of some higher order that contains within it the tale of the machine: a reader might well wonder why you and your companions are shaped like spheres, inasmuch as that sphericality serves no purpose in the narration and would appear to be a wholly superfluous embellishment ... — Stanislaw Lem

Sometimes we need to step back and understand the power of video games. 'Dear Esther' does just that. Through visuals, audio, and narration, this title weaves a story around the player as they explore different areas in the game. — Rob Manuel

There are three types of actions: purposeful, habitual, and gratuitous. Characters, to be immediate and apprehensible, must be presented by all three.' Katin looked toward the front of the car.
The captain gazed through the curving plate that lapped the roof. His yellow eyes fixed Her consumptive light that pulsed fire-spots in a giant cinder. The light was so weak he did not squint at all.
I am confounded, Katin admitted to his jeweled box, 'nevertheless. The mirror of my observation turns and what first seemed gratuitous I see enough times to realize it is a habit. What I suspected as habit now seems part of a great design. While what I originally took as purpose explodes into gratuitousness. The mirror turns again, and the character I thought obsessed by purpose reveals his obsession is only habit; his habits are gratuitously meaningless; while those actions i construed as gratuitous now reveal a most demonic end. — Samuel R. Delany

This land has brought forth numerous children, favouring both the bad and the good ones. It is not the land that is responsible for the people's hardships, it is the people themselves. Pg.8 — Obehi Peter Ewanfoh

The human race has always defined itself through narration. That isn't going to change just because we've gone electronic. What is changing is that now we're allowing corporations to tell our stories for us. — Tom Robbins

We each have our own language.
Our own way of thinking, of talking to ourselves, of making sense of the world and putting it in order. A narration style that is ours and ours alone.
That's why some of us connect and some of us don't.
Because even though we can only live in our own heads, sometimes - every now and then - we meet a person we can talk to without speaking at all: whose story we can read, without even trying. — Holly Smale

The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices - to be found only in the minds of men. For the record, prejudices can kill and suspicion can destroy, and a thoughtless, frightened search for a scapegoat has a fallout all its own - for the children and the children yet unborn. And the pity of it is that these things cannot be confined to The Twilight Zone.
[closing narration: "The Monsters Are Due on Maple Street", Twilight Zone episode aired March 4, 1960 — Rod Serling

The admirers and followers of the Al Koran insist on the excellent moral precepts interspersed throughout that wild and absurd performance ... Would we know, whether the pretended prophet had really attained a just sentiment of morality, let us attend to his narration, and we shall soon find, that he bestows praise upon such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilised society. No steady rule of right conduct seems there to be attended to: and every action is blamed or praised, so far only as it is beneficial or harmful to the true believers. — David Hume

[On school uniforms] Don't these schools do enough damage making all these kids think alike, now they have to make them look alike too? It's not a new idea, either. I first saw it in old newsreels from the 1930s, but it was hard to understand because the narration was in German. — George Carlin

It is commonly supposed that the uniformity of a studious life affords no matter for narration: but the truth is, that of the most studious life a great part passes without study. An author partakes of the common condition of humanity; he is born and married like another man; he has hopes and fears, expectations and disappointments, griefs and joys, and friends and enemies, like a courtier or a statesman; nor can I conceive why his affairs shuld not excite curiosity as much as the whisper of a drawing-room, or the factions of a camp. — Samuel Johnson

Sad, slow music in the small hours of the morning isn't just sad and slow music. It's a narration. And through the myriad of morning dew, we are the twinkling stars that fade with the rising sun. — Dave Matthes

In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer. — Stuart Dybek

The strange thing about Christianity was that it adopted an entirely different method. It transformed the lives of men not by appealing to the human will, but by telling a story; not by exhortation, but by the narration of an event. — J. Gresham Machen

It's a fairly simple rhetorical trick, the comic laundry list of the traveler's experiences, but it also calls attention to the writer's powers of observation and establishes that the writer's voice, rather than the subject matter, will be the star of the show. But it brings with it the risk of seducing the reader into loving the narrator and loathing the people described. Wallace called this 'the Asshole Problem. — Christian Lorentzen

The narration of the facts is history; the narration of the facts with the meaning of the facts is doctrine. "Suffered under Pontius Pilate, was crucified, dead and buried"
that is history. "He loved me and gave Himself for me"
that is doctrine. Such was the Christianity of the primitive Church. — J. Gresham Machen

Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That's a supreme joy. And why the characters keep showing up. — Barry Hannah

This is the squalid, or moving, part of the story, and the scene changes. The people change, too. I'm still around, but from here on in, for reasons I'm not at liberty to disclose, I've disguised myself so cunningly that even the cleverest reader will fail to recognize me. — J.D. Salinger

Language is therefore "both the medium and the object of representation" (Fludernik 2009:64), and while we have direct access to the medium (i.e. the language(s) on the level of text), the latter (i.e. the language(s) on the level of narration and on the level of story) can only be constructed from the former. As pointed out in the introduction, this distinction between language as medium and language as object and the relationship between the two has so far not been awarded a significant role in scholarly writing about the linguistic hybridity typical for cross-cultural writing. Differentiating between the language(s) as medium and the language(s) as object becomes necessary, as the relation between medium and object is not one-to-one. The same medium can represent different objects. Two short — Susanne Klinger

Let the cut tell the story. Otherwise you have not got dramatic action, you've got narration. — David Mamet

THE HABIT OF NARRATION, of crafting something miraculous out of the commonplace, was hard to break. Narration came naturally after a time spent in the company of talking scarecrows or disappearing cats; it was, in its own way, a method of keeping oneself grounded, connected to the thin thread of continuity that ran through all lives, no matter how strange they might become. Narrate the impossible things, turn them into a story, and they could be controlled. — Seanan McGuire

Time is the nervous system of narration, whether factual or fictive. If it gets confused some of the minutiae of human nature are certain not to work, not to glow, not to strike home. — Glenway Wescott

Skaz is a rather appealing Russian word (suggesting "jazz" and "scat", as in "scat-singing", to the English ear) used to designate a type of first-person narration that has the characteristics of the spoken rather than the written word. — David Lodge

A central principle underlying Mrs Quinty's Rules for Writing is that you have to have a Beginning Middle and End. If you don't have these your Reader is lost. But what if Lost is exactly where the writer is? I asked her. Ruth, the writer can't be lost, she said, and then knew she'd said it too quickly and bit her lip knowing I was going to say something about Dad. She pressed her knees together and diverted into a fit of dry coughing. This, Dear Reader, is a river narrative. My chosen style is The Meander. I know that in The Brothers Karamazov (Book 1,777, Penguin Classics, London) Ippolit Kirillovich chose the historical form of narration because Dostoevsky says it checked his own exuberant rhetoric. Beginnings middles and ends force you into that place where you have to Stick to the Story as Maeve Mulvey said the night the Junior Certs were supposed to be going to the cinema in Ennis but were buying cans in Dunnes and drinking — Niall Williams

People, they think that animation is a style. Animation is just a technique. It's like, people, they think that comics is a style, like comics is a superhero story. Comic is just a narration, and is a medium, you can say any kind of story in comics and you can say of any kind of story in animation. — Marjane Satrapi

The starting point to freedom is to begin questioning the cultural narrative you have been sold. — Bryant McGill

Trying to get the sentences right and the structure of the narration right is about as big a job as I can handle. But I also know that if you handle that job properly, everything else just clicks into place. — Bob Shacochis

For Lewis, the narration of his own story was about the identification of a pattern of meaning. This enabled him to grasp the "big picture" and discern the "grand story" of all things, so that the snapshots and stories of his own life could assume a deeper meaning. — Alister E. McGrath

The narration, in fact, doubles the drama with a commentary without which no mise en scene would be possible. — Jacques Lacan

Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare ... As if it was the best way to tell the truth about characters or narration, instead of realism. — Arnaud Desplechin

I think one is naturally impressed by anything having a beginning a middle and an ending when one is beginning writing and that it is a natural thing because when one is emerging from adolescence, which is really when one first begins writing one feels that one would not have been one emerging from adolescence if there had not been a beginning and a middle and an ending to anything. — Gertrude Stein

We believed - and I personally still believe - that the so called Voice of God narration, ubiquitous in documentaries destined for PBS, is insulting to the audience. If you believe in the intelligence of your audience, you don't need to tell them what to think and how to process the material they're seeing. — Jayne Loader

In fact, our bodies are never the same--each minute, they undergo changes, even if imperceptible. Eisenstein (2001, 40-41) points out that we have many bodies, which influence our accounts of reality: 'Writing from the body, my body, my different bodies, I have different stories to tell. They are all all of a piece although they are also fragmentary as through each body experience has its own narration (13). — Barbara Sutton

It is, as I say, easy enough to describe Holden's style of narration; but more difficult to explain how it holds our attention and gives us pleasure for the length of a whole novel. For, make no mistake, it's the style that makes the book interesting. The story it tells is episodic, inconclusive and largely made up of trivial events. Yet the language is, by normal literary criteria, very impoverished. Salinger, the invisible ventriloquist who speaks to us through Holden, must say everything he has to say about life and death and ultimate values within the limitations of a seventeen-year-old New Yorker's argot, eschewing poetic metaphors, periodic cadences, fine writing of any kind. — David Lodge

In narration he affects a disproportionate pomp of diction and a wearisome train of circumlocution, and tells the incident imperfectly in many words, which might have been more plainly delivered in few. — Samuel Johnson

A page of Addison or of Irving will teach more of style than a whole manual of rules, whilst a story of Poe's will impress upon the mind a more vivid notion of powerful and correct description and narration than will ten dry chapters of a bulky textbook. — H.P. Lovecraft

It all began when ... they're funny, those words. Everyone uses them, without thinking what they mean. When does anything begin? With everyone it begins when you're born. Or before that, when your parents got married. Or before that, when your parents were born. Or when your ancestors colonised the place. Or when humans came squishing out of the mud and slime, dropped off their flippers and fins, and started to walk. But all the same, all that aside, for what's happened to us there was quite a definite beginning — John Marsden

Understand and challenge your personal narrative. Narratives become choices and actions - which become your life. — Bryant McGill

It is good for everyone to know how to forget. — Ernest Renan

I had never done a Director's Cut narration on Beaches so I did in time for the release of the DVD. It was a great visit and I do a whole-behind-the-scenes thing and I tell stories about Bette [Mudler] and Barbara Hershey and everybody and that was fun. It made me cry again. — Garry Marshall

time of World War II. The narration, — BookMarked

Gimmerton chapel bells were still ringing and the full, mellow flow of the beck in the valley came soothingly on the ear. It was a sweet substitute for the yet absent murmur of the summer foliage, which drowned that music about the Grange when the trees were in leaf. — Emily Bronte

There was still something unfinished around her eyes; she wasn't done yet. She was a story, not an epilogue. And if she chose to narrate her own life one word at a time as she descended the stairs to meet her newest arrival, that wasn't hurting anyone. Narration was a hard habit to break, after all.
Sometimes it was all a body had. — Seanan McGuire

When writers are self-conscious about themselves as writers they often keep a great distance from their characters, sounding as if they were writing encyclopedia entries instead of stories. Their hesitancy about physical and psychological intimacy can be a barrier to vital fiction. Conversely, a narration that makes readers hear the characters' heavy breathing and smell their emotional anguish diminishes distance. Readers feel so close to the characters that, for those magical moments, they become those characters. — Jerome Stern

It can stand in the way of narration in cases where we want the protagonist to actually go through some kind of catharsis while our own (non-fictional) experiences and stories lead to something banal or completely uninteresting. — Sasa Stanisic

It's not the subject of narration that interests me, but the structure. That's why I stay in touch with my old works, which I reread regularly. I don't hesitate to take up previously used images or even whole scenes. — Dumitru Tepeneag

There was still a bit of sunshine in the sky, not that it mattered. High treetops and reaching branches entombed us from above in a dark coffin. It was still in the afternoon. We had time to gather things together for camp, but the choked rays that permeated the living casket were sputtering their last bits of life.

- Tyrus Savage narration from ORRLETH, Volume One of the Orrleth Young Adult Fantasy Paranormal Series — Thomas McClellan

You can tell me via straight narration that your main character, Mistuh Butts, never did well in school, never even went much to school, but you can convey the same thing, and much more vividly, by his speech . . . . and one of the cardinal rules of good fiction is never tell us a thing if you can show us, — Stephen King

If you find that a point cannot be made without narration, it is virtually certain that the point is unimportant to the story (which is to say, to the audience). — David Mamet

So it became in my mind a nine-carol service; an oratorio and orchestral concert all in one, but with narration. That's something I've learned about, because it's the story that keeps you in there. I wrote a libretto and I gave it to John [Du Prez, Idle's co-writer of many years]. We normally don't work in this fashion but I said off you go, and he went off for about three months. He brought me back this demo which blew my mind. — Eric Idle

It is the human habit to think in centuries from a grandparent to a grandchild because it just does take about a hundred years for things to cease to have the same meaning as they did before, — Gertrude Stein

Never yet could I find that a black had uttered a thought above the level of plain narration; never saw even an elemental trait of painting or sculpture. — Thomas Jefferson

As a young girl, I loved having stories read to me. There is something magical about narration and voiceovers. Recording a voiceover is an art form in itself. — Michelle Phan

WAKE
Dealing with an alcoholic single mother and endless hours of working at Heather Nursing Home to raise money for college, high-school senior Janie Hannagan doesn't need more problems. But inexplicably, since she was eight years old, she has been pulled in to people's dreams, witnessing their recurring fears, fantasies and secrets. Through Miss Stubin at Heather Home, Janie discovers that she is a dream catcher with the ability to help others resolve their haunting dreams. After taking an interest in former bad boy Cabel, she must distinguish between the monster she sees in his nightmares and her romantic feelings for him. And when she learns more about Cabel's covert identity, Janie just may be able to use her special dream powers to help solve crimes in a suspense-building ending with potential for a sequel. McMann lures teens in by piquing their interest in the mysteries of the unknown, and keeps them with quick-paced, gripping narration and supportive characters. — Lisa McMann

The desire for narration keeps on reasserting itself, so that since modernism and fiction brought narration to an end, it is sought in memoirs. — Vivian Gornick

Effective stream-of-consciousness narration is the product of verbal precision, not just of literal documentation. It is decidedly not a matter of unedited free-association. — Albert Murray

This progressive effacement of human relationships is not without certain problems for the novel. How, in point of fact, would one handle the narration of those unbridled passions, stretching over many years, and at times making their effect felt on several generations? We're a long way from Wuthering Heights, to say the least. The novel form is not conceived for depicting indifference or nothingness; a flatter, more terse, and dreary discourse would need to be invented. — Michel Houellebecq

[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers
namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out
don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy
when in fact the responsibility of showing should be assumed by the energetic and specific use of language. — Francine Prose

I enjoy dramatic narration, of course, because I'm an actor and I started as an actor. But I love things that are a challenge, and I look forward to more work with that in the future. So there's always a sun coming up the following day for me. — Peter Cullen

The writer must face the fact that ordinary lives are what most people live most of the time, and that the novel as a narration of the fantastic and the adventurous is really an escapist plot; that aesthetically, the ordinary, the banal, is what you must deal with. — John Updike

The narration had lasted for the better part of an hour despite Markus's increasingly frequent and obvious glances at his Swiss watch, and left all the others in a strange combination of spellbound, bored, horrified, and bemused. — Neal Stephenson

If I so do my best, may this story be recorded and printed and zipped and zapped into hands and eyes and ears and minds and hearts everywhere, and may it no longer be my story but belong to each reader who drinks it in, to make them bigger or smaller as needed; to fill in those tiny holes and smooth over the rough places; to make them sigh and laugh and dream and wonder; to pass a lonely afternoon or enliven a dull evening; to in every regard do just what a story is supposed to do, which is become whatever each reader needs most at that moment. — Shannon Hale

When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer. — Paul Auster

Should a traveler, returning from a far country, bring us an account of men wholly different from any with whom we were ever acquainted, men who were entirely divested of avarice, ambition, or revenge, who knew no pleasure but friendship, generosity, and public spirit, we should immediately, from these circumstances, detect the falsehood and prove him a liar with the same certainty as if he had stuffed his narration with stories of centaurs and dragons, miracles and prodigies. — David Hume

But would we know, whether the pretended prophet had really attained a just sentiment of morals? Let us attend to his narration; and we shall soon find, that he bestows praise on such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilized society. No steady rule of right seems there to be attended to; and every action is blamed or praised, so far only as it is beneficial or hurtful to the true believers. — David Hume

History is principally the inaccurate narration of events which ought not to have happened. — Earnest Hooton

Another indulgence...by Mo Ali, is the most complex writing of the magazine. The narration and dialogue is obscure and tangential while remaining utterly modern..."
"...The opening piece...by Mo Ali, is a lyrical account of a surreal apocalypse and is some of the most beautiful writing of the issue." - Miranda Siemienowicz, HorrorScope — Miranda Siemienowicz

I have often perplexed myself over what I saw in Nelle Snyder's aged face at that moment. It was no look of paranoia. It was a look of waiting. Perpetual waiting. That look was to come back to me sixteen years later when I heard Rose's narration at the end of James Cameron's Titanic, with its line about survivors "waiting for an absolution that never came." Yet the waiting I saw in Nelle Snyder's face seemed larger even than a waiting for absolution. It seemed vaster even than Titanic herself. Call it the waiting of the Mother of all Perished Vessels. Or of a Ship of Honeymoon Dreams perchance, with a passenger list spanning all humanity, that once proudly sailed but was lost, aeons ago, and sank to a dark, unreachable abode where nothing whatsoever can be grasped about her except her perplexing power still to haunt us. — James Glaeg

He was ashamed of baiting the man, realizing that the absurdity of the story rested in the immaturity of the attitude combined with the sophisticated method of its narration. — F Scott Fitzgerald

Quite the narration in your head, even for a moment, and see for yourself that life is life, and not one minute of it is a retelling or a foretelling. Some things happen; some things don't. That's what makes it all worth seeing, no matter where it goes or how it ends. There is no spinmeister steering it all to a forgone conclusion. — Karen Maezen Miller

If I write nothing but fiction for some time I begin to get stupid, and to feel rather as if it had been a long meal of sweets; then history is a rest, for research or narration brings a different part of the mind into play. — Charlotte Mary Yonge

If the religious spirit be ever mentioned in any historical narration, we are sure to meet afterwards with a detail of the miseries which attend it. And no period of time can be happier or more prosperous, than those in which it is never regarded or heard of. — David Hume

These stories have a dark side. Outsiders and eccentrics are regarded with suspicion, tortured, even killed. The major theme that emerges is of families diminished by conflict; almost a generation of adult males appears to be missing. Their absence is balanced by a number of strong female presences. This also reflects the dominance of women in the Acehnese household.

Azhari is a master of suspense. He wastes no words; his narration is sparse. The overall atmosphere of the stories in Nutmeg Woman is tense and anxious. If there is a message, it is a plea for peace and tolerance and an end to bloodshed and oppression. — Heather Curnow

When Veronica Mars was canceled, the following season of pilots for The CW had been announced, and one was Gossip Girl. I read it, and I knew I was sort of old to play any of the kids. I called Dawn Ostroff
who was the head of The CW at the time
and said, 'Hey, I did so much narration on Veronica Mars, can I narrate this show? And she said, 'Hey, that's a very good idea.' They knew I had a younger voice, they liked me and they knew I'd show up for work, and I guess that was all I really needed. It was so clear to me how sassy and catty she needed to be. — Kristen Bell

The true historian, therefore, seeking to compose a true picture of the thing acted, must collect facts and combine facts. Methods will differ, styles will differ. Nobody ever does anything like anybody else; but the end in view is generally the same, and the historian's end is truthful narration. Maxims he will have, if he is wise, never a one; and as for a moral, if he tell his story well, it will need none; if he tell it ill, it will deserve none. — Augustine Birrell

Narration is as much a part of human nature as breath and the circulation of the blood. — A.S. Byatt

World events can shape culture. Music is either a soundtrack for or a narration of changing times. And who knows how that's going to go? — L.A. Reid

With narration, you have to be very accurate with your voice. It's a good exercise to do. — Ben Kingsley

To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat - some because they use visible and hence vital formulas, others because they live from human life itself.
This isn't the case with literature. Literature stimulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse. — Fernando Pessoa

I don't know'," he said. "Those three words from a willing soul are the start of a grand and magnificent voyage." And with that he began a discourse that lasted for several weeks, covering scene-setting, establishing conflict, plot twists, and first- and third-person narration. [ I learned in these rapid-fire mini-dissertations that like most literature lovers I would come to know, Henry was a book snob. He assumed that if a current author was popular and widely enjoyed, then he or she had no merit. He made a few exceptions, such as Kurt Vonnegut, although that was mostly because Vonnegut lived on Cape Cod and so he probably had some merits as a human being, if not as a writer.
I think that the way Henry saw it was that he was not being a snob. In fact I would venture that in his view of things, snobbery had nothing to do with it. Rather, it was a matter of standards. It was bout quality in the author's craftsmanship. — John William Tuohy

I wrote the chorus specifically for 'Same Love' as a narration of my story. I decided to release 'She Keeps Me Warm' as an extension of the chorus because I felt like there was more that needed to be said. — Mary Lambert

I like to blow up this notion that all we have to do as writers and artists is represent reality, which is presumably solid and self-evident, with no negotiation of the gap between myself and the world, between this body and this space, which needs narration to close it. — Aleksandar Hemon

We object not to the narration of the deeds of our unregenerate condition, but to the mode in which it is too often done. Let sin have its monument, but let it be a heap of stones cast by the hands of execration - not a mausoleum erected by the hands of affection. — Charles Spurgeon

Landscape, that vast still life, invites description, not narration. It is lyric. It has no story: it is the beloved, and asks only to be contemplated. — Patricia Hampl

In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking. — Robert Morgan

There are, occasionally, writers who are able to combine both story and style. They are, of course, the best. You get a spectacular view and you also get to look at it from the backseat of a chauffeur-driven Cadillac. In the field of fantasy, those writers able to combine story-as-narration with story-as-style are even rarer. But there are a few ... the late Theodore Sturgeon, the early Ray Bradbury ... and Richard Christian Matheson. A brilliant chip off the old block. — Stephen King

Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact. — Griffin Dunne

Stories and novels consist of three parts: narration, which moves the story from point A to point B and finally to point Z; description, which creates a sensory reality for the reader; and dialogue, which brings characters to life through their speech. — Stephen King

Education is suffering from narration sickness. — Paulo Freire

Bonhoeffer hears the narration that is the revealing of the boy's humanity by embracing the boy and taking him to his knee, giving him his person in the midst of his suffering, being close enough to hear the boy, awaiting the deep theological questions the boy has, which are tied to his very concrete lived experience, to the deep questions of childhood, questions Bonhoeffer himself remembers from his own childhood. — Andrew Root