Quotes & Sayings About Mozart By Haydn

I tell you before God, and as an honest man, your son is the greatest composer known to me by person and repute, he has taste and what is more the greatest skill in composition. (Said to Leopold Mozart) — Joseph Haydn

Mozart is the incarnation of music. — Joseph Haydn

On the other hand, for years I did not listen to Mozart after I was assaulted by the perverse idea that Mozart does not exist, because when he is good he is Beethoven and when he is bad he is Haydn. — Gabriel Garcia Marquez

If you look back, Mozart, Haydn and Beethoven were mixing music and humor all the time. — Richard Hyung-ki Joo

So is fighting incompleteness the source of artistic neurosis? I doubt it. At most, this would apply to artists who deal with particular kinds of problems. I don't think we should think of Haydn or Mozart or Dickens or George Eliot in these terms. — Philip Kitcher

Haydn, Beethoven, Mozart, none of them were born in Vienna. They all moved there. It became a magnet, but what made it magnetized in the first place? There has to be a seed there. In the case of Vienna of about 1780, it was this deep-seated love of music. — Eric Weiner

Beethoven I take twice a week, Haydn four times, and Mozart every day. — Gioachino Rossini

You need some reason why Beethoven, Mozart and Haydn in the 18th century all flocked to Vienna. What was it about Vienna? They must have known on some level that that is where they would flourish. It's what biologists call "selective migration." — Eric Weiner

How did Haydn and Mozart produce such vast quantities of formally perfect art? They worked from a perfect formula. In music, Beethoven was the Great Emancipator. — Edward Abbey

Composers most identified with the chamber music form are Corelli, Vivaldi, Haydn, Mozart, Beethoven, Schubert and, of course, Bach. Of course, Bach. If there is any one composer who gives us reason and emotion, it is Bach. — Karen DeCrow

With a piece of classical music by Haydn, Mozart, or Beethoven, on first listening I'm referencing it with other pieces by them that I know. I think that most people do this - they listen to pieces through the filter of pieces they already know. — Paul Lansky

There is a striking feature of the twentieth century ... the musical creation of the 20th century is qualitatively different from the 18th century, in that it lacks that immediate access or short-term access that was true of the past ... I have no doubt that if we took two children of today two groups and taught one of them Mozart Haydn & Beethoven and the other Schoenberg and post Schoenbergian music, that there would be very substantial difference in their capacity to comprehend and deal with it, and that may reflect, and in fact if that's correct it would reflect, something about our innate musical capacities. — Noam Chomsky