Looking Behind You Quotes & Sayings

Me own mam saw things," he said, looking at the fire as if she might be there behind it. "And they always came true. She didn't say anything about spirits. She just called it the Second Sight. Said it was hereditary and dangerous sometimes,if you didn't take care."
"Do you have it? Do you see things?"
He shook his head.
"Colin." If he thought I was going to be fobbed off with a vague reply, the day's events had clearly addled his wits. He had to know I had no intention of letting this lie.
"She told me about a girl with violet eyes," he said quietly, rising to his feet.
I looked up at him, startled. "She did?"
"Aye." He nodded. "I should go." He stalked toward the door, opening it slightly to make sure the hallway was deserted. His hair was still damp, tousled. I couldn't help but remember the weight of his body pressing me into the grass.
"Colin?" I said quietly.
"I have to go." He didn't turn around.
The door closed behind him. — Alyxandra Harvey

Clary shut her eyes. You didn't say no to an angel, no matter what it had in mind. Her heart pounding, she sat floating in the darkness behind her eyelids, resolutely trying not to think of Jace. But his face appear against the blank screen of her closed eyelids anyway - not smiling at her but looking sidelong, and she could see the scar at his temple, the uneven curl at the corner of his mouth, and the silver line on his throat where Simon had bitten him - all the marks and flaws and imperfections that made up the person she loved most in the world. Jace. A bright light lit her vision to scarlet, and she fell back against the sand, wondering if she was going to pass out - or maybe she was dying - but she didn't want to die, not now that she could see Jace's face so clearly in front of her. She could almost hear his voice, too, saying her name, the way he'd whispered it at Renwick's, over and over again. Clary. Clary. Clary.
"Clary," Jace said. "Open your eyes. — Cassandra Clare

Opening the door, he nearly did a double take into the mirror behind
him.
Hooch. Hooch, pushing his shades back up onto his head, and re-shouldering the bergan. Hooch, standing in the doorway.
"Been thinking."
Two words, more than usual.
"Been around a bit."
Six, speech worthy of a national holiday.
"Looking for a station now."
Eleven, whole fucking fireworks.
"Central station."
Thirteen, and the heavens came down for Matt.
"You still offering?"
Sixteen, and the world stopped spinning.
Matt stood thinking for a while, not a muscle in his face twitched. Then
stepped aside, gestured the other man to follow him. Closed the door.
"One condition."
Hooch's brows rose for a split second.
Matt broke into a grin at last, which threatened to split his face. "Promise
not to talk too much. — Marquesate

It sounds like a lot when you summarize it, but I don't do all of it every day. If you want to know the truth, most days I feel like I'm miserably behind and only doing about half of what I should be doing. But when you look back you can see that you're building something. I think people who say 'Don't look back' are crazy. I wouldn't survive if I weren't looking back and patting myself on the back all the time for making it this far. — Charity Shumway

We were moving off now. From each other. As cannot be. Helped. I didn't want it from that time on. You know. All that. When you said sit with me on the school bus. I said no. That inside world had caught alight and what I wanted. To be left alone. To look at it. To swing the torch into every corner of what he'd we'd done. Know it and wonder what does it mean. I learned to turn it off, the world that was not my own. Stop up my ears and everything. Who are you? You and me were never this. This boy and girl that do not speak. But somehow I've left you behind and you're just looking on. — Eimear McBride

You can't let your past define your future. Once you get that figured out, you begin to understand the joy of living in the present. And the present is full of tiny gifts that we can only see when we stop looking behind and ahead of us. Sometimes, these gifts land right at our feet. Sometimes, it's our feet that carry us toward them, running at full-speed until our hearts nearly give out. Either way, never stop noticing them, and never stop wishing. — Cassia Leo

As we reached the turning of the hall, Randall spoke behind us. "Jamie," he said. The voice was hoarse with shock, and held a note halfway between disbelief and pleading. Jamie stopped then, and turned to look at him. Randall's face was a ghastly white, with a small red patch livid on each cheekbone. He had taken off his wig, clenched in his hands, and sweat pasted the fine dark hair to his temples. "No." The voice that spoke above me was soft, almost expressionless. Looking up, I could see that the face still matched it, but a quick, hot pulse beat in his neck, and the small, triangular scar above his collar flushed red with heat. "I am called Lord Broch Tuarach for formality's sake," the soft Scottish voice above me said. "And beyond the requirements of formality, you will never speak to me again - until you beg for your life at the point of my sword. Then, you may use my name, for it will be the last word you ever speak. — Diana Gabaldon

I think behind closed doors people behave differently no matter what period we're looking at, because people have to stand up straight in public but can slouch behind closed doors - can you imagine wearing those corsets? — Brenda Blethyn

Can o'Beans was to remark that a comparison between the American Cowpoke and, say, the Japanese samurai, left the cowboy looking rather shoddy. 'Before a samurai went into battle,' Can o' Beans was to say, 'he would burn incense in his helmet so that if his enemy took his head, he would find it pleasant to his nose. Cowboys, on the other hand, hardly ever bathed or changed their crusty clothing. If a samurai's enemy lost his sword, the samurai gave him his extra one so that the fight might continue in a manner honorable and fair. The cowboy's specialty was to shoot enemies in the back from behind a bush. Do you begin to see the difference?' Spoon and Dirty Sock would wonder how Can o' Beans knew so much about samurai. 'Oh, I sat on the shelf next to a box of imported rice crackers for over a month,' Can o' Beans would explain. 'One can learn a lot conversing with foreigners. — Tom Robbins

The sadness in your heart is a yesterday you can no longer see, so put it behind you and walk always forward.
Swift Antelope to Amy in Comanche Heart — Catherine Anderson

The best I ever got was that woman who kept having me come up to fix her TV. There was a lot of bending involved. I felt used and dirty.
It's the price you pay for being one of those weedy but good-looking types, Scarlett said.
Weedy? You hurt me. I prefer tall and scrawny. Unlike my partner, who's right behind you. — Maureen Johnson

I think about Ruth walking down the street on East End and wonder how many other residents questioned what she was doing there, even if they never said it to her face. How incredibly easy it is to hide behind white skin, I think, looking at these probable supremacists. The benefit of the doubt is in your favor. You're not suspicious. — Jodi Picoult

Decoding (a child's difficult) behavior is like looking at a rain wrapped tornado crossing the road in front of you. You see the fury of rain, hail, wind and debris, but you have to look real hard to see the driving force behind it. — Deborah A. Beasley

You can't tell what a man is like or what he is thinking when you are looking at him. You must get around behind him and see what he has been looking at. — Will Rogers

But we gotta stop by the office real quick. I need my new knife and God wants you to have your earpiece." Tech messing with his ear again. Steele hid his smile behind his fist. His morning was looking better and better. — A.E. Via

Hey, sexy. Why haven't you called?" The cooing sound came from behind me, and I glanced back over my shoulder to see a familiar-looking brunette. "Because I'm the asshole who never calls," I replied with a wink. — Abbi Glines

One of the others bore away Nessaren's clothes, and the third opened a door for me and bowed; and I walked through, feeling like a real fool. I was afraid I'd forget about the train dragging behind me, trip, and go rolling down the stairs, so I grabbed fistfuls of skirt at either side and walked carefully after her.
"Ho, Mel! You look like you're treading on knives." Branaric's voice came from behind me.
"Well, I don't want to ruin this gown. Isn't mine," I said.
He just grinned, and we were led down another level to an elegant room with a fire at one end and windows looking out over the valley. — Sherwood Smith

You think the only thing looking at you is this steel thing, but behind the camera is this living, breathing person operating the camera whose job it is to watch you. — Uzo Aduba

Sometimes, with autobiographies, it turns into a bit of score-settling. And looking back, I don't feel the way I did then, and you kind of grow up and let it go behind you. — Marc Almond

I blame what happened next on the door. The one right across the hall from me, a mere three feet away. I love doors. All of them, without exception. Doors lead to things and I've never met one I haven't wanted to open. All the same, if that door hadn't been so old and decorative, so decidedly closed, if a thread of light hadn't positioned itself with such wretched temptation across its middle, highlighting the keyhole and its intriguing key, perhaps I might have stood a chance; remained twiddling my thumbs until Percy came to collect me. But it was and I didn't; I maintain that I simply couldn't. Sometimes, you can tell just by looking at a door there's something interesting behind it. — Kate Morton

...sometimes what you go looking for isn't as important as what you leave behind. — Ilona Andrews

He was looking at her from behind the smiling that wasn't smiling but was something you were not supposed to see beyond. — William Faulkner

You okay?" "Fine." "Your heart's beating really fast." "Gee, thanks. That's very comforting that you can hear it." He smiled, and it was the old Michael, the one she'd first met before all the vamp stuff. "Yeah, I know it is. Sorry. Just stay behind me if there's trouble." "You sound like Shane." "Well, he did say he'd kill me if I got you hurt. I'm just looking after my own neck." "Liar. — Rachel Caine

I never look at my watch if I'm talking with someone. I think that's such an insulting gesture! It suggests you're trying to gauge whether you think what they're saying is worth your time. Rushing is no way to bring out what's best in people, and I'm always looking for the best. That's what's ultimately behind my determination to take my time. — Frances Hesselbein

He pulled away abruptly - self-preservation required it - and pressed his brow to hers, breathing deep. "You remember one thing. You decide you want to get married, it's going to be me."
Briony watched him stalk outside, slamming the kitchen door behind him. Both eyebrows raised, she turned to Ken.
Close your mouth, honey. That's just Jack trying to be romantic and failing miserably. Don't let him get away with that shit either. If he's going to ask you, make him do it all they way. You know - down on one knee, looking stupid."
Briony nearly choked. "That's just mean, Ken."
He leaned close to her. "If you do it, Briony, tell me first so I can videotape it. I could blackmail him for the rest of his life. — Christine Feehan

How's it going today, Riot?" I said. "I'm Gideon."

Nice. Two sentences and I'd already managed to embarrass myself. In front of Daryn and a horse. I hadn't even realized the last part was possible. I continued speaking as I stepped closer. "I'm sure we have a lot in common. You're clearly a stallion in top physical condition. Extremely dangerous. Badass. Impressive looking."

"Wow," Daryn said behind me.

That made me smile, which I needed. I was nervous as all get-out. The muscles in Riot's legs were twitching. His breath lifted in puffs of steam. He had gold eyes - and they hadn't unlocked from mine. He looked like he wanted to eat my head.

"Keep going," Daryn said. "And maybe try to be positive and nice? I think he can sense what you're saying."

Positive, check. Nice, check. Wait - nice?

Shit. Okay. — Veronica Rossi

Behind Nat someone chuckled. Nat turned. Dr. Bentley was looking at him with a twinkle. "Is this a political argument?"
Nat shrugged. "No argument at all. Ben's got an article there that talks against the President. I said I didn't want to hear it. I said that sort of thing ought to be stopped."
To Nat's amazement, Dr. Bentley shook his head. "No, Nat. We can't have freedom - unless we have freedom."
Nat stiffened. "Does that mean right to tell lies?"
Dr. Bentley smiled. "It means the right to have our own opinions. Human problems aren't like mathematics, Nat. Every problem doesn't have just one answer; sometimes you get several answers - and you don't know which is the right one. — Jean Lee Latham

We shall see. You have been long away from our people. Your skills may have grown rusty."
"What skills?" I asked.
"His sexual ones. That is how we court among our kind," Vlad explained.
"Oh, well, I'm not sure about the charm, Gordane may have to practice on that," I said, making Gordane growl.
"But I can vouch for his sexual skills. He's had plenty of practice." A low growl, two low growls behind me, suddenly made me realize how my words could be taken.
"I meant plenty of practice on other women," I hastened to add, looking exasperatedly at Gryphon and Halcyon-where the growls were coming from. "He has an entire harem of at least eighty women, for Pete's sake."
Thankfully the menacing growls subsided. — Sunny

What you'll have of me after I journey to that great Death Star in the sky is an extremely accomplished daughter, a few books, and a picture of a stern-looking girl wearing some kind of metal bikini lounging on a giant drooling squid, behind a newscaster informing you of the passing of Princess Leia after a long battle with her head. — Carrie Fisher

She realized she'd been staring only when he said, his voice lower and huskier, "Who are you looking for?"
His words snapped her out of her terrible trance. "I ... I ... " she thought furiously and said the only thing that came to mind. "For you. I was looking for you."
Suspicion flashed in his sea-blue eyes. "In the rigging?"
"Yes. Why not?"
"Either you're very ignorant about what a captain does, or you're lying. Why is it?"
Ignoring the plummeting sensation in her stomach, she forced a smile to her face. "Really, Gideon, you are so suspicious. Last night you accused me of plotting behind your back, and this morning you accuse me of lying. Who else would I be looking for but you? — Sabrina Jeffries

The men are walking. They are fifty feet apart, for dispersal. Their walk is slow, for they are dead weary, as you can tell even when looking at them from behind. Every line and sag of their bodies speaks their inhuman exhaustion. — Ernie Pyle

This is what nibbling your ear sounds like." Blake created a soundtrack for his teeth.
"This is what looking into your eyes sounds like." The notes were deep and beckoning.
"This is what my mind hears when my tongue is in your mouth." The kiss sounded steamy and delicate. The rhythm was her heartbeat as he sampled her mouth.
"But when you smile. When you smile it's ... "
Blake scooted the keyboard around behind her. He needed both hands.
She put her hands on his face and smiled in amazement as the music exploded. She couldn't imagine how her simple facial gesture could inspire such a majestic sound.
He smiled back. "One thousand nine hundred and ten."
"So many? Really?"
"Yes, really. And it's not nearly enough. I want to lose count, Livia. Make me lose count." His hands left the beautiful music and grabbed handfuls of her hair. — Debra Anastasia

I learned that sometimes what you go looking for isn't as important as what you leave behind." My — Ilona Andrews

You had to wonder who all these people in their cars were leaving behind and who they were driving toward, and if they knew that in the distance, the echo of their tires on the asphalt sounded like a river, and that to someone like me, it could seem like the miracle I'd been looking for. — Alice Hoffman

What is the scariest thing that can happen? A child can disappear without a trace. A man could follow you at night. Someone could hide behind your bedroom door. There is a small throw rug in the room. There is a wooden chair by the darkening window. There is someone hiding behind my bedroom door. Anything solid in my neck snaps, and I'm screaming, looking into this hideous face, like some dark mold, a toxic messy thing. There — Samantha Hunt

like licorice strips. Nate links his fingers with mine. His bad arm is still strapped up. The forecast from the doctors hasn't improved, but Nate's demeanor has. He's come to a certain peace with the whole thing. The windshield's cold behind my back, the sky endless ahead. "Lucy," he says, looking down at his arm, "thanks, and I mean it. I can't get through this without you. I know that now." I remember that day, the fight that stripped us both bare, — Teagan Kade

The past is called the past for a reason. If you are constantly looking behind you, your eyes aren't on the road ahead. You don't drive the car that way, so why should you live your life that way? — Rachel Van Dyken

These people, last seen referring to themselves as the 'Pentagon,' could be anywhere and anyone," the reporter said, looking behind her shoulder and seeming very confused. "It seems to be a huge group, and..." The woman ducked instinctively when she heard someone shout. "As I was saying, the 'Pentagon' is becoming worldwide news, and they are crazy, driven by something called a, 'Ditto?' No one is quite sure what they are planning on doing, or what their intentions are. Everyone is confused, and many are locking themselves in their houses. The Pentagon could be anywhere, anyone, and-"
Jayden turned off the TV. "You know what this means, don't you?"
I sat down, trying to keep my hands from shaking, and nodded. "They're not secret anymore. The Pentagon's gone public. — Embee

Romeo appeared in front of us, crossed his arms over his wide chest, and stared at me and Braeden. Braeden didn't seem to mind the death glare he was receiving. "You're looking awful cozy over here with my girl."
"I was just schooling our girl here on the ways of the world," Braeden replied smoothly.
"Our girl?" Romeo repeated.
"Don't get your panties in a twist." Braeden grinned.
I interrupted their macho talk with some talk of my own. "He was asking about Missy."
Romeo grinned.
Braeden dropped his arm from around me and gave me a look of betrayal. "What happened to brother-sister confidentiality?"
I laughed.
"Dude, there's a hot girl in line over there," Romeo said, motioning with his chin. "Go get in line behind her."
Braeden turned and a slow smile spread across his stubbled jaw. "Day-um," he said. "Good looking out, Rome." He held up his fist and Romeo pounded his against it.
"Tutor girl," Braeden said, and then he was gone. — Cambria Hebert

Adam miserably wondered which of the neighbors were coming to his father's defense.
In an hour, this will be over. You will never have to do it again. All you have to do is survive.
The door cracked open. Adam didn't want to look, but he did anyway. In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world.
Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in.
Humiliation and joy warred furiously inside Adam. — Maggie Stiefvater

Is it my birthday again? Already? Where does the time go?"
"Behind us
or in front. It depends on which way you are looking. — David Eddings

We simply can't drop everything and run away, can we?'
A warm wind kicked up, ruffling through his thick, dark hair. Very softly, he said, 'I see. Is this where you preach to me of how English civilization will save the savages?'
She hated this, *hated* the way he was suddenly looking at her - as though she were some unfamiliar specimen whose novelty was rapidly losing interest. 'Be fair, sir! All I meant was that we've created a society here. Laws, a justice system, a - postal service ... ' The argument sounded weak even to her own ears. 'I simply mean that to leave those things behind would hardly be simple. — Meredith Duran

Start a daily routine of looking at yourself in the mirror through a lens of unconditional love, appreciation, admiration and respect....Connect with the soul behind the image of you in the mirror. Look upon yourself with complete adoration, acceptance and non- judgement. — Miya Yamanouchi

You can tell by looking at me that I've got more miles behind me than I've got in front of me. When you reach that point, if you've got some good years left, you want to make sure that you use them wisely. — Tom Osborne

There's already a marriage clock, a career clock, a biological clock. Sometimes being a woman feels like standing in the lobby of a hotel, looking at the dials depicting every time zone in the world behind the front desk - except they all apply to you, and all at once. — Sloane Crosley

What nobody tells you about getting engaged is he asks you and you're delirious for about 2 days and then it tapers. He asks you and you're running around telling grocery clerks and ordering subscriptions to bride magazines and discussing prong settings, and then after 2 days this ebullience passes. And instead of looking ahead you are suddenly struck by everything you are leaving behind. — Suzanne Finnamore

The Prime Minister seems now to be basing his re-election campaign on this plot line. He is saying to the Australian people, look out, the baddies behind you - hiss, boo and whatever you do, don't vote Labor. This political parody of pantomime is looking and sounding desperate. — Julia Gillard

Our work and educational institutions reinforce this preference for later over now throughout our lives. In school we focus on the ends - passing the semester, making the grade, or otherwise getting it all behind us - rather than the present-moment experience of actually learning. As employees, we want the work to be over as soon as it begins. Work culture is driven by quotas, billable hours, budgets, and Gantt charts - bottom lines of any sort. The value is always somewhere ahead of you, rather than here right now, in the room with you. We're perpetually looking ahead to a payday or a weekend or some other kind of finish line. Virtually every day of our lives, we're trained to lean towards something we don't have, which essentially trains us to be dissatisfied with where we already are. — David Cain

She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living? — Daphne Du Maurier

Everyone, this is the new girl. Elder knows her. New girl, this is everyone." A few people look up politely; some actually smile. Most, however, look wary at best, disgusted at worse. The nurse closest to me jabs her finger behind her ear and starts whispering to nobody.
"What's wrong with her?" I ask Harley as he leads me to the table he was sitting at.
"Oh, don't worry, we're all mad here."
I giggle, mostly from nerves. "It's a good thing I read Alice in Wonder-land . I definitely think I've fallen into the rabbit hole."
"Read what?" Harley asks.
"Never mind." All around me, eyes follow my every move.
"Look," I say loudly. "I know I look different. But I'm just a person, like you." I hold my head up high, looking them all in the eyes, trying to hold their stares for as long as possible.
"You tell 'em," says Harley with another Cheshire grin. — Beth Revis

While waiting for Brenna to prepare the drink he did as directed and worked through their conversation. It would've gone faster had he not kept getting distracted by the sight of her moving with feminine efficiency mere meters away. The sway of her hips were-"Don't I ever want to lick a woman all up?"
She squeaked, then swivelled to face him, bracing her hands on the counter behind her. "Not quite how I would've put it." Her tone was higher than normal.
"But yeah."
"You," he said quietly, no longer able to lie, "You tempt me."
"Oh." Her breasts rose up as she took a deep, shuddering breath. "You've never let on."
Yes, he had. If she ever saw the way he watched her when she wasn't looking, she'd be in no doubt as to the strength of his unacceptable reaction to her. — Nalini Singh

People never explain to you exactly what they think and feel and how their thoughts and feelings work, do they? They don't have time. Or the right words. But that's what books do. It's as though your daily life is a film in the cinema. It can be fun, looking at those pictures. But if you want to know what lies behind the flat screen you have to read a book. That explains it all. — Sebastian Faulks

Bags were shoved on all of our heads once more. Hands grabbed me and spurred me forward. "Rick," Zach said behind us. The hands guiding me stopped. The bag was ripped off my head again, and I found myself looking into Zach's eyes. "Bring the girl tomorrow night," he said.
The last thing I wanted to do was bring Rimmel into a room full of these assholes. "What the fuck for?"
He smiled. It looked more like a sneer. "I'd like to meet the nerd. I hear you've become quite smitten."
The more he talked about her, the more he implied he knew her, the more pissed off I got. I lunged forward and shoved my face right up in his. Satisfaction speared me when his eyes widened just a fraction. He wasn't as tough as he thought he was.
"Well, since you seem to know everything," I said, dead calm, "then you must also know that I take care of what's mine. You might be president of this frat, but I own the campus. Do. Not. Push. Me."
- Zach & Romeo — Cambria Hebert

The guy just stood there. Hello. There're zombies everywhere. Try looking behind you, douche canoe. — Jennifer L. Armentrout

The car drives through, stops while the man closes and fastens the prickly gate behind it. The bell shuts off; the stillness is deafening by contrast. The car goes on until the outline of a house suddenly uptilts the searching headlight-beams, log-built, sprawling, resembling a hunting-lodge. But there's no friendliness to it. There is something ominous and forbidding about its look, so dark, so forgotten, so secretive-looking. The kind of a house that has a maw to swallow with - a one-way house, that you feel will never disgorge any living thing that enters it. Leprous in the moonlight festering on its roof. And the two round sworls of light played by the heads of the car against its side, intersecting, form a pear-shaped oval that resembles a gleaming skull. ("Jane Brown's Body") — Cornell Woolrich

Independence isn't all it's cracked up to be, you know. What country could be more independent than Russia? And in Russia now there isn't a squeak or a pinpoint of light. I have nowhere to publish. The Contemporary has stuck its head up out of harm's way. So I've stopped quarrelling with the world. I sat in this chair the first morning I woke up in this house ... and for the first time ... for a long time, there was silence. I didn't have to talk or think or move, nothing was expected of me, I knew nobody and nobody knew where i was, everything was behind me, all the moving from place to place, the quarrels and celebrations, the desperate concerns of health and happiness, love, death, printer's errors, picnics ruined by rain, the endless tumult of life ... and I just sat quiet and alone all day, looking at the tops of trees on Primrose Hill through the mist. — Tom Stoppard

Whose truth do you want to know, Dr. Amin Jaafari? The truth of a Bedouin who thinks he's free and clear because he's got an Israeli passport? The truth of a serviceable Arab per excellence who's honored wherever he goes, who gets invited to fancy parties by people who want to show how tolerant and considerate they are? The truth of someone who thinks he can change sides like changing a shirt, with no trace left behind? Is that the truth you're looking for, or is it the one you're running away from? What planet do you live on, sir? ... Our cities are being buried by machines on caterpillar tracks, our patron saints don't know which way to turn, and you, simply because you're nice and warm in your golden cage, refuse to see the inferno consuming us. — Yasmina Khadra

But if I had to choose between where I live and you, I'd rip up everything I own because the only landscape worth looking is the landscape of the human body. I kiss your Blue Ridge Mountains of Virginia. I kiss your Missouri and Monongahela and Susquehanna and Shenandoah and Rio Grande. I kiss the confluence of all those rivers. I kiss your amber waves of grain. I kiss your spacious skies, your rocket's red glare, your hand I love, your purple mountain'd majesty. But most of all I kiss your head. I kiss the place where we make our decisions. I kiss the place where we keep our resolves. The place where we do our dreams. I kiss the place behind the eyes where we store up secrets and knowledge to save us if we're caught in a corridor on a dark, wintry evening. — John Guare

Ty removed his fingers from Zane's back as he saw the shiver run through him, and he pressed his lips tightly together, looking up and away in disgust as he resigned himself to what he was about to do. Broaching the subject could possibly cost him his job if Zane went tattling to the higher-ups about sexual harassment or some shit, but Ty was going to do it anyway. "Anything you need to say to me?"
...
The visual of Ty's nude body flashed behind Zane's eyelids, and he spoke before he thought better of it. "Nothing you want to hear," he murmured as he faced the mirror, hoping to diffuse the situation. "Thanks for the help," he added, wanting desperately to get away from this tension.
...
"You sure about that?" Ty asked as his stomach fluttered nervously. His voice finally betrayed the nerves. "Trying to be a real partner to you here, Zane. If you need to tell me something, then here's your chance. — Abigail Roux

She was probably my age, maybe a couple of inches taller, and a whole lot more athletic looking. With her deep tan and her curly blond hair, she was almost exactly what I thought a stereotypical California girl would look like, except her eyes ruined the image. They were startling gray,like storm clouds; pretty, but intimidating, too, as if she were analyzing the best way to take me down in a fight.
She glanced at the minotaur horn in my hand, then back at me. I imagined she was going to say, You killed a Minotaur! or Wow you're so awesome! or something like that.
Instead she said, "you drool when you sleep."
Then she sprinted off down the lawn, her blond hair flying behind her. — Rick Riordan

A lot of times you see really good-looking guys on TV and you sort of assume that maybe there's some sort of vacuity behind them. — Misha Collins

That wasn't so bad," I decided, after downing the shot. Maybe I was getting my rhythm.
"Because you threw it over your shoulder," Scarface told me, looking smug.
"Did not." I looked behind me, only to see an outraged vamp with fey wine dripping down his face. "Oops."
"It was for luck," Ray said defensively, wrapping both my hands around a glass.
"Drink!"
I drank. — Karen Chance

There comes a time when you don't know what your capable of anymore. Looking back, you can remember what you were capable of then, how you thought, what you did, who you loved, who people said you were. Then something happens and takes all that away, the basket of good intentions you've been toting around, the trunk of dreams you've been pulling behind you, all of its gone in an instant, and its just you, naked, bare, exposed. — Donna VanLiere

Sometimes, when you are reading a book you are enjoying very much, you begin thinking so hard about the characters and the story that you might forget all about the author, even if he is in grave danger and would very much appreciate your help. The same thing can happen if you are looking at a photograph. You might think so hard about whatever is in the photograph that you forget all about the person behind the camera. — Lemony Snicket

How do you feel?" Ceony asked, her pulse still thundering in her ears. It made her hands shake as she peeled and cut the cucumber. She forced herself to slow down so she wouldn't slice open a finger.
"Like someone has been tromping around in my chest, looking at things they shouldn't be looking at."
Her knife froze mid-slice. She met his eyes and saw knowledge behind their amusement. — Charlie N. Holmberg

When, on their twenty-fifth wedding anniversary, Jerome had played his parents an ethereal, far more beautiful version of 'Hallelujah' by a kid called Buckley, Kiki had thought yes, that's right, our memories are getting more beautiful and less real every day. And then the kid drowned in the Mississippi, recalled Kiki now, looking up from her knees to the colourful painting that hung behind Carlene's empty chair. Jerome had wept: the tears you cry for someone whom you never met who made something beautiful that you loved. Seventeen years earlier, when Lennon died, Kiki had dragged Howard to Central Park and wept while the crowd sang 'All You Need is Love' and Howard ranted bitterly about Milgram and mass psychosis. — Zadie Smith

Don't wear anything under this. I want to be on that stage, looking down at you, and knowing that you're bare underneath. Knowing that I could walk up behind you if I wanted and within just a matter of seconds, be lodged deep inside you. — Sawyer Bennett

When you would be looking somewhere maybe standing near a window and looking outside, I will come slowly towards you. And first I will inhale your sublime fragrance that emanates from your soft and tender body. Then slowly inching towards you I would hug you from behind and take you in my arms. — Avijeet Das

Morgan glanced over his shoulder to where Dougie walked behind him. "Dougie, you're lookin' a bit worn. Are you needin' to stop and, um, rest a bit?"
Dougie looked at him as if he'd lost his mind. "Rest? Are you daft?"
Morgan glared at him and gave a jerk of his head toward Amalie, who struggled on determinedly before him.
Dougie winked. "Och, aye, I am a bit weary."
In no time, word had gotten up and down the line that Amalie needed to rest but was being too stubborn to admit it. And suddenly Morgan was besieged with whispered pleas to stop, his men whining of sore feet, headaches, and aching backs.
Then Connor appeared at his side, looking fashed.
"What in God's name has come over the men? They're complainin' like old wom - — Pamela Clare

Dominic reached behind his head and tugged on his T-shirt. The rising fabric revealed his abdomen. And yeah, he liked the way her gaze followed the hemline. But his arm stilled, his bicep taut and his T-shirt covering his hair. If he kept going, she'd see the damaged skin on his chest from where the bullet had entered.

"Are you sure about this?" he asked. "My scars aren't pretty."

"I promise to focus on your abs," she murmured without looking up. "And lower. — Sara Jane Stone

What did the others give to each other?
Nothingness.
Granger stood looking back with Montag. Everyone must leave something behind
when he dies, my grandfather said. A child or a book or a painting or a house or a
wall built or a pair of shoes made. Or a garden planted. Something your hand
touched some way so your soul has somewhere to go when you die, and when
people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The
difference between the man who just cuts lawns and a real gardener is in the
touching, he said. The lawn-cutter might just as well not have been there at all; the
gardener will be there a lifetime. — Ray Bradbury

You know how you feel somebody looking at you, and you turn, and somebody actually is? It's the same at an art gallery. You're looking at one portrait, turn around, and there is a work of art directly behind you. Because it's all energy. Every single thing has energy. — Marina Abramovic

She honestly wondered sometimes which fate was worse, death or standing behind a curtain and looking out at the street at all the things you felt you could no longer have. — Elizabeth Berg

Missing someone is like hearing
a name sung quietly from somewhere
behind you. Even after you know
no one is there, you keep looking back. — Tim Seibles

I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated with me. — Bruce Springsteen

Suddenly a ragged man wearing a hairnet and flip-flops walks toward us, holding a stack of pamphlets. Sophie, scared, hides behind her mother's chair. "My brother," the vagrant asks me, "have you found the Lord Jesus Christ?"
"I didn't know he was looking for me."
"Is He your personal savior?"
"You know," I say, "I'm still kind of hoping to rescue myself."
"The man shakes his head, dreadlocks like snakes. "None of us are strong enough for that," he replies, and moves on. — Jodi Picoult

For John was running, and this was terrible. Because if you ran, time ran. You yelled and screamed and raced and rolled and tumbled and all of a sudden the sun was gone and the whistle was blowing and you were on your long way home to supper. When you weren't looking, the sun got around behind you! The only way to keep things slow was to watch everything and do nothing! You could stretch a day to three days, sure, just by watching! — Ray Bradbury

I heard a choking sound behind me. When I looked back, Cannoli was hanging from the backpack harness with her hind legs circling frantically in the air. She looked like she was riding a bike just above ground level.
"Cannoli," I yelled. I unhooked her and made sure she was breathing on her own. When I tried to get her back in the backpack, she whimpered. I talked to her soothingly yet firmly, then tried again. This time she started howling like I was hurting her.
People turned and stared as they walked by. "What are you looking at?" I said to one couple. I suddenly felt true remorse for every time I'd stared at a parent with a toddler throwing a tantrum. I made a vow to be a better aunt to Tulia's kids if I ever made it out of this parking garage. I pleaded with Cannoli one more time. — Claire Cook

As for their houses, it is no use looking for them, because they are the exact opposite of our houses. You can see our houses by day but you can't see them by dark. Well, you can see their houses by dark, but you can't see them by day, for they are the colour of night, and I never heard of anyone yet who could see night in the daytime. This does not mean that they are black, for night has its colours just as day has, but ever so much brighter. Their blues and reds and greens are like ours with a light behind them. The palace is entirely built of many-coloured glasses, and is quite the loveliest of all royal residences, — J.M. Barrie

YOU WEREN'T born choking on no silver spoon, you know how it goes when you go looking for a job and you need one: You wait in the first indifferent room, ink in the forms, apply in another room with linoleum that's waxy and squeaks and overhead lights that don't miss a thing; then there's the desk and the person behind it who thinks he's an admiral, or it's a she and she thinks she's now in line for the throne to somewhere, and next you're kissing ass and aw-shucksing toward the desk, telling how bad all your life you've been wanting to be night janitor in a chemical plant, or hog wrangler in a slaughterhouse, or pizza delivery boy, how you've laid awake in bed gettin' goose bumps just from imagining how high and wide your life might someday be lived if ever you could average five dollars and forty cents an hour. But — Daniel Woodrell

I scurry out to the three-way mirror. With an extra-large sweatshirt over the top, you can hardly tell that they are Effert's jeans. Still no Mom. I adjust the mirror so I can see reflections of reflections, miles and miles of me and my new jeans. I hook my hair behind my ears. I should have washed it. My face is dirty. I lean into the mirror. Eyes after eyes after eyes stare back at me. Am I in there somewhere? A thousand eyes blink. No makeup. Dark circles. I pull the side flaps of the mirror in closer, folding myself into the looking glass and blocking out the rest of the store. My face becomes a Picasso sketch, my body slicing into dissecting cubes. I saw a movie once where a woman was burned over eighty percent of her body and they had to wash all the dead skin off. They wrapped her in bandages, kept her drugged, and waited for skin grafts. They actually sewed her into a new skin. — Laurie Halse Anderson

Keep up," said an irritable voice in her ear. It was Jace, who had dropped back to walk beside her. "I don't want to have to keep looking behind me to make sure nothing's happened to you."
"So don't bother."
"Last time I left you alone, a demon attacked you," he pointed out.
"Well, I'd certainly hate to interrupt your pleasant night stroll with my sudden death."
He blinked. "There is a fine line between sarcasm and outright hostility, and you seem to have crossed it. — Cassandra Clare

And while you bring all countries with you, you come with a purpose of leaving all other countries behind you - bringing what is best of their spirit, but not looking over your shoulders and seeking to perpetuate what you intended to leave behind in them. — Woodrow Wilson

Now I see how many wolf characteristics you had. You were wary, didn't really trust anyone or anything. You were elusive and secretive. You paced out behind the trees, watching everything and waiting for the moment when it was safe to come in and rest by the fire. But you weren't happy there -- no, I take that back, you were happy there, but you weren't comfortable. It wasn't what you knew. It wasn't what you trusted. You trusted meanness, not kindness. Kindness spooked you -- you were always looking for the trap in it. You trusted in a scrappy existence where you had to fight for your survival. — Helen Humphreys

Your best days are still out in front of you. So stop looking behind you and keep your focus on your roads ahead! — Timothy Pina

Josie tucked a loose strand of hair behind her ear as she glanced up the hall. "You ready?"
I nodded and we started down the hall and we made it halfway before I did something totally cheesy. I reached between us, found her hand without looking, and threaded my fingers through her.
She looked up, surprise flickering over her expression, but then she smiled, and yeah, that smile was worth it. — Jennifer L. Armentrout

I'm sorry, really, to be taking it all from you. Don't be silly. His eyes, large, liquid, remote, were - were whatever is the opposite of silly. She felt no anger at him, and not envy; she did want him to have her house; only - for a wild moment - wanted desperately not to lose it either. She wanted to share it, share it all; she wanted ... He went on looking at her, fixedly and unashamedly as a cat; and there came a flaw in time, a doubling of this moment, a shadow scene behind this scene, in which he asked her to come now, come to stay, stay now, stay always, yield it all to him and yet have it all ... . As instantly as she perceived it, the flaw healed, and No, no, she said, blinking, turning back to the kitchen door, shaken, as though, unaware, she had found herself walking out on ice. — John Crowley

"Andrew's a nice guy, but ... too nice, you know?"
"Like me?"
"You're a different kind of nice. I know Andrew's trying to help, but I really wish he had more ... " She shrugged for a word.
"Backbone?" I blurted, then felt my cheeks heat. "I - I don't mean - "
"See, there's your version of 'too nice.' You don't want to hurt anyone's feelings, even behind their back. Backbone is exactly right." She reclined on her bed. "Anyway, enough of that. Simon's looking for you, as usual. Go play, Chloe. I'll keep your brooding spot warm." — Kelley Armstrong

Tell me, was I the sort of person who took your elbow when cars passed on the street, touched your cheek while you talked, combed your wet hair, stopped by the side of the road in the country to point out certain constellations, standing behind you so that you had the advantage of leaning and looking up? — Nicole Krauss

The twins stopped and stared in surprise at the two vampires guarding a door on their right. The vampires returned their look of surprise.
"What are you doing here?" One of the vampires hissed.
"We're looking for Taco Bell." Luther said cheerfully as he and Tyrone reached behind their backs.
"Left or right, Tyrone?"
"I'll take the one on the left." Tyrone replied. — Elizabeth Kelly

A face stared up at her from the mirror beside her hand. Was that really what she looked like? Was that really what she looked like, all sharp lines and huge silver-grey eyes? Certainly, no one would ever call those features beautiful, Jame thought ruefully; but were they really enough like a boy's to have fooled that old man the alley? Well, maybe with that long black hair out of sight under a cap. It was a very young face and a defiant one, she thought with a odd sense of detachment, but frightened, too. And those extraordinary eyes ... what memories lived in them that she could not share? Stranger, where have you been she asked silently. What have you seen? The thin lips locked in their secrets.
"Ahhh!" Jame said in sudden disgust, tossing away the mirror. Fool, to be obsessed with a past she couldn't even remember. But it was all behind her now. — P.C. Hodgell

I pulled back and stared up into his eyes. "You're gettin' very deep on me."
Alec's hands gripped my behind. "I'll be getting very deep in you if you keep looking at me like that — L.A. Casey

I wouldn't give you two cents for all your fancy rules if, behind them, they didn't have a little bit of plain, ordinary, everyday kindness and a little looking out for the other fella too. — James Stewart

[T.J.] I pulled my arms out from underneath her body and tucked her hair behind her ears. "I love you, Anna."
The surprised look on her face told me she hadn't seen that coming.
"You weren't supposed to fall in love," she whispered.
"Well, I did," I said, looking into her eyes. "I've been in love with you for months. I'm telling you now because I think you love me too, Anna. You just don't think you're supposed to. You'll tell me when you're ready. I can wait." I pulled her mouth down to mine and kissed her and when it ended, I smiled and said, "Happy birthday. — Tracey Garvis-Graves

And they got there in an instant. So basically, whenever you're looking for a solution, you are feeling positive emotion - and whenever you're looking at a problem, you're feeling negative emotion, which, as you know, never gets us anywhere. But once you take the focus off yourself and your wants, and instead turn it toward how getting what you want might also benefit someone else, well then, you can't help but succeed," she says, voice soft and sweet. "That's the key behind any success. — Alyson Noel

Daemon's gaze dipped again, and I shivered under his intense
scrutiny. Why, oh why, did Blake need to bail early, leaving me behind
with Daemon? "Where did you get this dress?" he asked.
"Your sister," I told him blandly.
He frowned, looking half disgusted. "I don't even know what to say
about that. — Jennifer L. Armentrout

When I am behind and I am looking ahead and there is that line in front of you, of that guy, of winning and losing, then I really hang it out there and take big risks to make the speed up, and then I'm pretty good at passing. — Nate Holland

She got out and shut the door without looking back, picking her way through the snow to the black wooden door in the college wall. At least she hadn't told him not to follow. He watched as she carefully brushed the snow off the latch with her rolled umbrella before touching it with her suede gloves. She left the door half open behind her. He followed. When he reached the door he saw she had paused on the garden path leading to her hall and was doing something in the snow with the tip of her umbrella. Still not looking back, she moved on without waiting for him. When he reached the spot he saw that she had written 'I love you' in the snow. It was that night, he believed ever after, that she became pregnant. — Alan Judd

A man is a fool who sits looking backward from himself in the past. Ah, what shallow, vain conceit there is in man! Forget the things that are behind. That is not where you live. Your roots are not there. They are in the present; and you should reach up into the other life. — Henry Ward Beecher

Oh, please could you spare us a little water?" "Certainly," replied the old gentleman; "take as much as you want, and leave the rest." "Thank you so much," murmured George, looking about him. "Where - where do you keep it?" "It's always in the same place my boy," was the stolid reply: "just behind you. — Jerome K. Jerome