My Scene Quotes & Sayings

When I do scenes with Alec Baldwin, he just stares at my boobs. That's how good of an actor he is, he finds a way. — Jane Krakowski

It wasn't easy telling my family that I'm gay. I made my carefully worded announcement at Thanksgiving. It was very Norman Rockwell. I said, 'Mom, would you please pass the gravy to a homosexual?' She passed it to my father. A terrible scene followed. — Bob Smith

Dad and I were mixing with a new set of people who had not known much, if anything, about my father. If they had even heard of Dad before he came on the pro-life scene in the mid-to-late seventies, they probably hadn't liked the sound of him. These people included Jerry Falwell, Pat Robertson, James Dobson, James Kennedy, and all the rest of the televangelists, radio hosts, and other self-appointed "Christian leaders" who were bursting on the scene in the 1970s and early '80s. Compared — Frank Schaeffer

The most refined abstractions of logic conduct to a view of life, which, though startling to the apprehension, is, in fact, that which the habitual sense of its repeated combinations has extinguished in us. It strips, as it were, the painted curtain from this scene of things. I confess that I am one of those who are unable to refuse my assent to the conclusions of those philosophers who assert that nothing exists but as it is perceived. — Percy Bysshe Shelley

My dear, dear aunt,' she rapturously cried, what delight! what felicity! You give me fresh life and vigour. Adieu to disappointment and spleen. What are men to rocks and mountains? Oh! what hours of transport we shall spend! And when we do return, it shall not be like other travellers, without being able to give one accurate idea of any thing. We will know where we have gone
we will recollect what we have seen. Lakes, mountains, and rivers shall not be jumbled together in our imaginations; nor, when we attempt to describe any particular scene, will we begin quarrelling about its relative situation. Let our first effusions be less insupportable than those of the generality of travellers. — Jane Austen

It's been me all along," said September slowly. "Me who gave up my shadow, me who went down into Fairyland-Below and Fairyland-Lower-Than-That to wake up the Prince. Me who shot the poor Minotaur. You oughtn't just hand the whole business over the moment a Prince comes on the scene. I've got to see it through, don't you see? The Hollow Queen is hollow because she's missing the part of her that's me. We've got to come together again. And he can't do a thing about that. — Catherynne M Valente

Music is so powerful to me. I had my IPod and headphones, and my sad playlist. I kind of ventured off for just a little bit to get into the scene. — Beverley Mitchell

I was always intrigued with European cinema, and hated most American cinema. I didn't like the one, two, three - boom! style, with a neat and tidy ending. That was never my scene. — Lee Daniels

In my own career, I have always tried to treat my colleagues with respect and kindness, whoever they are, and am proud to have developed and mentored the careers of many excellent young scientists who will be tackling tomorrow's biological problems long after I have left the scene. — Tim Hunt

And the creature run from the cur? There thou mightst behold the great image of authority: a dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand.
Why dost thou lash that whore? Strip thine own back.
Thou hotly lust'st to use her in that kind
For which thou whipp'st her. The usurer hangs the cozener.
Through tattered clothes great vices do appear;
Robes and furred gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks.
Arm it in rags, a pigmy's straw does pierce it.
None does offend - none, I say, none. I'll able 'em.
Take that of me, my friend, who have the power
To seal th' accuser's lips. Get thee glass eyes,
And like a scurvy politician seem
To see the things thou dost not. — William Shakespeare

I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time. — Jake Gyllenhaal

At the end of the day, my sole goal, when I go into any scene, is to try to be as honest as I possibly can, and then everything else is second. The most important thing for me is to just be as honest as I possibly can. — Michael Rapaport

I remember my first scene with Alan Rickman, and I was anxious because he is a slight 'method' actor; as soon as he is in his cloak, he walks and talks like Snape - it is quite terrifying. But I really wanted to talk to him because 'Robin Hood' was one of my favourite films. — Tom Felton

I'm a spoilt brat. I thought I was just going to walk in and make movies. But I'd been my own boss for so long that all of a sudden to be facing a roomful of people who were niggling over every little scene ... I just thought I'd go back and draw my comics and have a happy life. — Frank Miller

My first band was an Argentinian folk group when I was 10. When I was 12 I had my electric guitar, and by the time I was 13, the Beatles came into the scene, and that was over. So I have a mixture of all these traditions, and I think that's who I am, a mixture of everything. — Gustavo Santaolalla

I'm missing my baby's first swim lesson. If I am at my daughter's debut in her school musical, I am missing Sandra Oh's last scene ever being filmed at Grey's Anatomy. If I am succeeding at one, I am inevitably failing at the other. That is the trade-off. That is the Faustian bargain one makes with the devil that comes with being a powerful working woman who is also a powerful mother. You never feel 100 percent okay, you never get your sea legs, you are always a little nauseous. Something is always lost. Something is always missing. And yet. I want my daughters to see me and know me as a woman who works. I want that example set for them. — Shonda Rhimes

I remember this scene because it was embarrassing to live through it, and because remembering it is a way of knowing that I am half-true to my beliefs when the time comes. I sit silently defending them and I don't sell them out, but I put on a face that lets people think I'm on the winning team, that I'm laughing along with them instead of just standing among them. I save the best parts for myself and savor them in silence. Number three, power of flight. Number four, marauder. Enough vision to really see something. A stack of gold coins and a ledger. People want all kinds of things out of life, I knew early on. — John Darnielle

I was never NOT confident about doing scenes without my shirt - and now I'll find any excuse to take my shirt off! — Tyler Posey

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes ... I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page. — Charles Busch

As I see it, in other words, God acts in history and in your and my brief histories not as the puppeteer who sets the scene and works the strings but rather as the great director who no matter what role fate casts us in conveys to us somehow from the wings, if we have our eyes, ears, hearts open and sometimes even if we don't, how we can play those roles in a way to enrich and ennoble and hallow the whole vast drama of things including our own small but crucial parts in it. — Frederick Buechner

It's very frustrating making a picture in Paris. We work hard all day at the studio to get a love scene just right. Then, on my way home, I see couples on every street corner doing it better. — Bob Hope

Feste. Are you ready, sir?

Orsino. Ay; prithee, sing.
[Music] 945
SONG.

Feste. Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away breath;
I am slain by a fair cruel maid. 950
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet 955
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where 960
Sad true lover never find my grave,
To weep there!
Orsino. There's for thy pains.
Feste. No pains, sir: I take pleasure in singing, sir.

Orsino. I'll pay thy pleasure then. 965

Feste. Truly, sir, and pleasure will be paid, one time or another.

From Twelfth Night, Act II, Scene 4. — William Shakespeare

I'm going to have to get an entirely new social scene if I want to avoid him,' she said, hunting for evidence of him amongst her friends' feeds. I made a sympathetic face, but my heart leapt up onto her, beat its fists on her heart, yelled, Me Me Me! — Olivia Sudjic

My parents always instilled in me this feeling of wanting to be a normal person. I never moved out to L.A. as a kid and got into that scene and that whole thing that happens to kid actors that's the reason they go off the deep end. — Joseph Mazzello

I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen. — Dan Chaon

My instinct was that it was Sidney's childhood in the Bahamas that gave him the fearlessness to fight racism. So this documentary was a kind of rounding out of what had begun in that scene in In the Heat of the Night. — Lee Grant

We're shooting the scene where I swallow your heart and you make me
spit it up again. I swallow your heart and it crawls
right out of my mouth.
You swallow my heart and flee, but I want it back now, baby. I want it back. — Richard Siken

I'm sure every film it's going to be like, 'Okay, this is the scene where your shirt gets ripped off.' I'll never be able to keep my shirt on. — Alex Meraz

It was entirely taken for granted that there wasn't any lying in our family, and I was advanced in adolescence before I realized that in plenty of homes where I played with schoolmates, and went to their parties, children lied to their parents and parents lied to their children and to each other. It took me a long time to realize that these very same everyday lies, and the stratagems and jokes and tricks and dares that went with them, were in fact the basis of the scenes I so well loved to hear about and hoped for and treasured in the conversation of adults. My instinct - the dramatic instinct - was to lead me, eventually, on the right track for a storyteller: the scene was full of hints, pointers, suggestions, and promises of things to find out and know about human beings.I had to grow up and learn to listen for the unspoken as well as the spoken - and to know a truth, I also had to recognize a lie. — Eudora Welty

My mother had been an actress and we came from that world in New York, the theater world and the downtown sort of theater scene, and so I guess we didn't really have what you'd call like a Hollywood kind of life at all. — Martha Plimpton

Shelley," I say. "You should've let him win. You know, to be polite." Shelley's response is a shake of her head. Applesauce drips on her chin. "That's the way it's going to be, huh?" I say, hoping the scene doesn't gross Alex out. Maybe I'm testing him, to see if he can handle a glimpse of my home life. If so, he's passing. "Wait until Alex leaves. I'll show you who the checkers champion is."
My sister smiles that sweet, crooked smile of hers. It's like a thousand words put into one expression. For a moment I forget Alex is still watching me. It's so weird having him inside my life and my house. He doesn't belong, yet he doesn't seem to mind being here. — Simone Elkeles

It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right. — Ian McDiarmid

I just wrapped 'Eclipse' yesterday and the last scene we shot is probably my favorite thus far. I finally got to tell my story, in a very gentle yet elaborate way. — Nikki Reed

One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes. — James Wan

Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene. — Elisabeth Moss

One night I dreamed I was walking along the beach with the Lord. Many scenes from my life flashed across the sky.
In each scene I noticed footprints in the sand. Sometimes there were two sets of footprints, other times there was one only.
This bothered me because I noticed that during the low periods of my life, when I was suffering from anguish, sorrow or defeat, I could see only one set of footprints, so I said to the Lord,
You promised me Lord,
that if I followed you, you would walk with me always. But I have noticed that during the most trying periods of my life there has only been one set of footprints in the sand. Why, when I needed you most, have you not been there for me?"
The Lord replied, "The years when you have seen only one set of footprints, my child, is when I carried you. — Mary Stevenson

My little secret before I do every scene is I say a short little prayer. — Justin Baldoni

It's a first for me. It's my first nude scene. — Danny DeVito

She'd stutter all the reasons why she shouldn't, shaking her head adamantly. But her body..her body would grow hot with excitement. She'd get wet at the thrill of it. So fucking wet that i'd smell her, telling me she's not even wearing panties to smother her spicy scent.
When my hand touched hers, still clutched to her chest, she'd flinch but she wouldn't pull away. She'd let me guide it between her swollen breasts and down to her flat belly, brushing the bit of exposed skin where the hem of her shirt rides up. Then I'd let her fingers play with the jewel in her navel, manipulating each digit as if that diamond-studded barbell was her clit. Demonstrating how I would stroke it for her. — S.L. Jennings

One day, my twin sister Sidra and I pranked Tyler Perry on the set of 'For Better or Worse.' I made her dress up as me and do a scene as if she were my character Angela. Tyler says, 'Action!' and my sister starts acting. It was horrible. — Tasha Smith

My worrying, for instance, was a scene in which I looked at myself while I had the sensation of being boxed in. I call that worrying, It has happened to me a number of times after that first time. — Carlos Castaneda

I was impressed by the scene in Apollo 13 where the astronauts request confirmation of their calculations and several people at Mission Control dive for their slide rules. For several months after that, my standard response to statements like "We must implement multi-processor object-oriented Java-based client-server technologies immediately!" was "You know, FORTRAN and slide rules put men on the moon and got them back safely multiple times."
Tended to shut them up, at least for a moment. — Matt Roberts

I enjoy traveling and recording far-away places and people with my camera. But I also find it wonderfully rewarding to see what I can discover outside my own window. You only need to study the scene with the eyes of a photographer. — Alfred Eisenstaedt

I did a film called 'Floating' early on that had a scene which was similar to a real-life situation I was in at the time. It involved me having a conversation with my father, who was dying. It was close to home and it made me realise acting wasn't just making faces for the cameras, it was a real art form. — Norman Reedus

I work a lot; I love to compose, ponder, and take notes when preparing for a role. I cut all the scenes, collate the images, form the character and shape its personality, then I make meticulous notes and transcribe each scene on my notebook. — Julie Gayet

his left shoulder. As Ramirez started in that direction, Jabawski called after him, laughing, "Watch out for the big bad wolf, he's got a mouth on him, too." ### Everything was moving in slow motion. Or at least it appeared to be. Police officers and crime scene technicians swarmed like worker bees from the hive, scouting out their surroundings meticulously, in hope of finding even the most minuscule of clues. I'd spoken to several officers and carefully detailed my actions before finding — Harley Christensen

Hey, did you guys ... " Duncan was saying when he walked into my room. Apparently, since Finn had left the door open, he thought he could waltz on in.
"Sure, everybody just walk on in. It's not like I'm a Princess or anything and this is my private chamber." I sighed.
When Duncan saw the bizarre scene, he stopped and motioned to Loki. "Wait. Why is he here? He didn't spend the night with you two, did he?"
"Wendy is into some very kinky things that you wouldn't understand," Loki told him with a wink.
"Why are you here?" Finn demanded, and his eyes blazed.
"Will somebody please tell us what the hell is going on?"
"I would, but this is a private conversation." Finn kept his icy gaze locked on Loki, who looked completely unabashed.
"Come, now, Finn, there are no secrets between us." Loki grinned and gestured widely to Tove and me. — Amanda Hocking

When I was on Broadway, my most recent Broadway show was 'Spring Awakening,' and every night I did a topless scene. — Lea Michele

My favorite scene that I ever filmed was singing "Don't Cry For Me Argentina" from the balcony of the Casa Rosada in Argentina [where the real Eva Peron once stood] during Evita. That was amazing. SO real and surreal. Bizarre. — Madonna Ciccone

A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window-seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I — Charlotte Bronte

As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. — Luis Bunuel

When I still lived in Manhattan, people-watching was my hobby, and I spent many Sunday afternoons eating up the scene from a window seat at a Starbucks on Broadway. — Susan Orlean

When you suddenly appear on the scene and you are the new face, everything centers on you. I experienced this in my mid-20s and I found it rather hard. — Jude Law

I was enjoying myself now. I had taken two finger bowls of champagne and the scene had changed before my eyes into something significant, elemental and profound. — F Scott Fitzgerald

At first, I didn't hang out with celebrity kids. That wasn't the way I was brought up. I went to a run-of-the-mill Catholic primary school when we first moved to L.A. But then I went to a high school where there were lots of 'industry' children. Those weren't my best friends and I've never set out to make myself a part of that scene. — Lily Collins

I sometimes fancy," said Hilda, on whose susceptibility the scene always made a strong impression, "that Rome
mere Rome
will crowd everything else out of my heart. — Nathaniel Hawthorne

In the middle of Beaches there's a scene from the "Laverne & Shirley" TV show so they see some history of my work in each film. — Garry Marshall

My one big regret was that there were no scenes that I could play with Eva Marie Saint. I hounded them. I said figure out some way, I just want to play a scene with this woman. But there was no way to make it work. — Jessica Lange

A uniform cordoned off the area with crime scene tape. The M.E. pulled in and parked. There were two EMT trucks idling at the edge of the lot. I'd stayed close to the back door, and one of the Rangeman guys had taken a position two feet from me, standing at parade rest. No doubt in my mind he'd take a bullet for me rather than face Ranger over a dead Stephanie. — Janet Evanovich

I contempleted the lake; the waters were placid, all around was calm and the snowy mountains ... the calm and heavenly scene restored me and I continued my journey toward Geneva. — Mary Shelley

My greatest fear is feeling like a professional novelist. Somebody who creates characters, who sits down and has pieces of paper taped to the wall - what's going to happen in this scene, or this act. What I like is for it to be a much more scary, sloppy reflection of who I am. — Jonathan Safran Foer

I'm not really into gothic music, it's not really my type of scene but each to their own. I listen to pretty much anything. — Richard Fleeshman

And in the middle of one of those scenes, I suddenly felt my heart just open: it was overwhelming, to the point where I got teary-eyed. Never would I have thought anything like that could happen in a love scene. — Sheryl Lee

Talk - half-talk, phrases that had no need to be finished, abstractions, Chinese bells played on with cotton-tipped sticks, mock orange blossoms painted on porcelain. The muffled, close, half-talk of soft-fleshed women. The men she had embraced, and the women, all washing against the resonance of my memory. Sound within sound, scene within scene, woman within woman - like acid revealing an invisible script. One woman within another eternally, in a far-reaching procession, shattering my mind into fragments, into quarter tones which no orchestral baton can ever make whole again. — Anais Nin

I'm not attached to a certain scene. There was certain music - and techno was a part of it - that really formulated something for me, that really was a direct connection to what I experienced in my life. Going to parties and listening to techno at home helped form my musical identity. And that changed throughout my life. — Pantha Du Prince

The sad truth is that what I could recall in five seconds all too soon needed ten, then thirty, then a full minute - like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand - ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time it appears, it delivers a kick to some part of my mind. "Wake up," it says. "I'm still here. Wake up and think about it. Think about why I'm still here." The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. — Haruki Murakami

In the interests of friendship, I hope you'll forgive me what I'm about to do."
"Forgive you wha - "
My sentence was cut off as he clamped his mouth over mine, kissing me deeply.

...

"Ready to make a scene?"
He raised an eyebrow. "Do I have a choice?"
"Not really. To quote something someone said to me recently, in the interests of friendship, I hope you'll forgive what I'm about to do." I drew back my hand and slapped him across the face. The smack of flesh striking flesh echoed through the hall. Conversations stopped as people whipped around to stare at us. Raising my voice to something just below a shout, I snarled, "You asshole! — Seanan McGuire

I'm working on a snow scene right now, and it's summer. It's hot, and I will get chilly. I'll have to turn on the heat. My wife walks in, and it's 95 degrees in the studio. I know it's nutty, but it's a projection you have where you step into the painting. — Thomas Kinkade

Out of perverseness, I jumped on the subway and went down to a sound stage on Fourth Street to watch the shooting of Kay Doubleday's big strip scene in Mad Dog Coll, a gangster film that can still, to my embarrassment, be seen occasionally on late-night TV... Kay Doubleday was in my class at Lee Strasberg's; it was in the interest of art, I told myself, to watch her prance down a ramp, singing and stripping her heart out. — Brooke Hayward

I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it. — William Friedkin

As for my identity within the context of New York nightlife? I left in the '90s, so I'm not part of the scene anymore. I'll always be interested in what's happening downtown, and I try and keep up with the changing faces on social media. — James St. James

I had given myself a sort of early retirement when I left the scene in 1985. All of the people in my family worked until they dropped, including my father. I decided to take a little time to enjoy life. I traveled, built my dream house, rescued a few dogs. My return to music, and acting, was deliberate, part of my musical arc. — J. D. Souther

When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little. — Anita Ekberg

So I was hugely thrilled that my first scene ever on camera was with Hal Holbrook. — Anthony Edwards

When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears. — Jeffrey Eugenides

The actor always must be in the scene, not above the scene. To communicate any larger ideas is my problem; it's how the narrative is constructed and directed that hopefully does it. — James Gray

I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life. — Ryan Gosling

When I work, I like to just kind of stay quiet, stay to myself. I like to walk around a lot and figure out what's gonna happen in the scene and try to get my head straight. — Kenneth Choi

I missed my entrance in a production of 'Blade to the Heat' at Thick Description in San Francisco. I came into the scene very late and hugged the punching bag. I had no idea what to do! Unfortunately, that mishap was recorded for archives at UC Berkeley. It goes down in history. — Colman Domingo

[Act 5, Scene 4, ROSALIND] If I were a woman I would kiss as many of you as had beards that pleased me, complexions that liked me and breaths that I defied not: and, I am sure, as many as have good beards or good faces or sweet breaths will, for my kind offer, when I make curtsy, bid me farewell. — William Shakespeare

I do well to interpret scripts to the best of my ability so even if I'm given a monster to play a love scene with, I will. — Majid Michel

Sometimes, I'll craft a scene that's so poignant; on the last keystroke I'll raise my hands high overhead and scream "Yes!" at the top of my lungs. I have yet to experience an orgasm so powerful and fulfilling. — Max Hawthorne

I make every movie and every scene like it could be my last. That's the only way I know how to make cinema that stands on its feet. I have to treat it like that. It has to be life and death stakes. — David O. Russell

I write on a visual canvas, 'seeing' a scene in my thoughts before translating it into language, so I'm a visual junkie. — Marianne Wiggins

Is the scene always visual? It can be aural, the frame can be linguistic: I can fall in love with a sentence spoken to me: and not only because it says something which manages to touch my desire, but because of its syntactical turn (framing), which will inhabit me like a memory. — Roland Barthes

I always begin with a source of inspiration that comes from nature. The story comes from my research, volunteering, and meeting the people involved in that story world. I am an intuitive writer and an image, sound, experience can all inspire a scene or a plot twist! — Mary Alice Monroe

My parents played by parents, in the second season [of Suits]. We had a Skype scene and they were my real parents. My parents are cartoons. When they come up and visit, they're hilarious. My mother somehow finds a way to get in the way of everything. — Rick Hoffman

As opposed to putting too much confidence in myself, or in an image or a scene or a set of brushes, I really want to allow the oil paint to perform, to show me the things that it wants to do, beyond my imagination. — Dan Colen

I remember in 'Pride and Prejudice' I had to do a scene where I broke down. And before we filmed I spent like three hours imagining my mum's funeral. Actually, she's very much alive, happy and healthy. It was really horrible. — Carey Mulligan

Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, What's the matter? You haven't been yourself lately. — Haruki Murakami

Probably my favorite thing about watching a movie that I'm in the first time is to see all the things I didn't know were happening in a scene around me. — Ed Helms

As a writer myself, my job has very often been to also write on the job. So you get the script and a vague idea of how the scene might work, and you then add funny words or change the script. I'm not the world's best writer or the world's best actor, but I can do that thing where I can fix - or ruin - fix-slash-ruin, add quirk, add value. — Sally Phillips

Opening the door quietly, I slipped in without switching on the light. From the entrance hall, I
could see the dining room at the end of the corridor, the table still decked out for the party. The cake was there, untouched, and the crockery still waited for the meal. I could make out the motionless silhouette of my father in his armchair, as he observed the scene from the window. He was awake and still wearing his best suit. Wreaths of smoke rose lazily from a cigarette he held between his index and ring
fingers, as if it were a pen. I hadn't seen my father smoke for years. — Carlos Ruiz Zafon

I'd rather fake my own fog, than fake a steamy love scene. Can I interest you in some mist? It's homemade. — Jarod Kintz

My country is still in chains of bloody and terrorist fundamentalists. The situation in Afghanistan and conditions of its ill-fated women will never change positively, as long as the warlords are not disarmed and BOTH the pro-US and anti-US terrorists are removed from the political scene of Afghanistan — Malalai Joya

If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer. — Mary Oliver

Here I am once more in this scene of dissipation and vice, and I begin already to find my morals corrupted.
Jane Austen's Letters August 1796 — Jane Austen

I've been told, and I think I recognize it, that there's a cinematic quality to my writing, with a sense of image and place and scene - and, some would say, my tendency to finish my books the way Hollywood finishes its films. — Khaled Hosseini

It would have been so easy to believe every word he said and drive off with him into the moonlight like a scene from a fairy tale. But I wasn't meant for happily ever after in my past life, and it was starting to seem like this one wouldn't be any different. — Michelle Madow

I remember one time that I was filming a scene in whych my character rides through Troy on a chariot. I just looked around at this incredible set thinking 'This is the life'. — Orlando Bloom