Quotes & Sayings About Local Artists
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Top Local Artists Quotes
I believe that, artistically and culturally, the free radio air should be able to support local artists of whatever genre. Play 40 percent of your local artists; don't suck up to major labels to the point where you neglect your own locale. — Chuck D
We have to support our local artists. It's just that simple. Otherwise, we will have no art. — Al Jourgensen
There's a tolerance and this is a really big thing when it comes to really increasing the whole sense of getting something done and boosting the economy. Obviously not everything is going to be a bonanza, some things are going to be awful, but wouldn't it be great if we had a fantastic window dresser to do something with those windows on Fairfield green and those Victoria's Secret windows. I love girls in bras in panties, but these are just mannequins. Wouldn't it be great if some local artists got together and said, "Hey, Victoria's Secret, let's do something!" We need that. — Tina Weymouth
How I love Bangkok! It's so teeming with everything that should be forbidden. I'm not just talking about the sex trade. I also mean the ways of driving, the ways of putting up buildings, environmental management arrangements, the continual attention of con artists and snatch-thieves, and the quaint local custom of peeing in side-streets. — John Dolan
Local television shows do not, in general, supply make-up artists. The exception to this is Los Angeles, an unusually generous city in this regard, since they also provide this service for radio appearances. — Fran Lebowitz
At the time, the only options were playing the local county fair. Now with American Idol and younger recording artists that have come out, there is more of an opportunity. — Marla Sokoloff
The Nazis hated culture itself, because it is essentially international and therefore subversive of nationalism. What they called Nazi culture was a local, perverted, nationalistic cult, by which a few major artists and many minor ones were honored for their Germanness, not their talent. — Christopher Isherwood
It was just me in my basement honing my skills, hearing songs on the radio and trying to manipulate them and then writing over those, and I started with local artists in Boston, writing records for them. — Clinton Sparks
I have found that we need to maintain relationships with all spheres of society: the local community, politicians from all parties, business leaders, artists, and farmers....We don't favor one kind of person over another, or one political party over another...My goal is for them to use the method and concept of Chan practice to benefit their work and their organizations....That is our duty. — Sheng Yen
Any local music scene at any point in time can be referred to as derivative of more well-known acts. The line separating influence from imitation is a blurry one. Very few artists are completely original; even great artists build upon what has occurred before, and add their personality and talent to create their own original expression. — Stephen Tow
To do exciting, empowering research and leave it in academic journals and university libraries is like manufacturing unaffordable medicines for deadly diseases. We need to share our work in ways that people can assimilate, not in the private languages and forms of scholars...Those who are hungriest for what we dig up don't read scholarly journals and shouldn't have to. As historians we need to either be artists and community educations or find people who are and figure out how to collaborate with them. We can work with community groups to create original public history projects that really involved people. We can see to it that our work gets into at least the local popular culture through theater, murals, historical novels, posters, films, children's books, or a hundred other art forms. We can work with elementary and high school teachers to create curricula. Medicinal history is a form of healing and its purposes are conscious and overt. — Aurora Levins Morales
I graduated in June 1948 and then went in the fall to the art school. I stayed with my cousins on Seventeenth Street in the beginning, and later had my own apartment very near there and was able to walk to the Art Institute on Elmwood Avenue. The school had a faculty of local artists - Jeanette and Robert Blair, James Vullo who were well known in the area. It was a school that I think thrived on returning GIs, as many schools did at that time. It was a very informal program - but it was professional. — Paul Smith
There was very little art in my childhood. I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds. — Jasper Johns
The gallery was a neat, pale square of white paint and glossy windows among the colorful shops of the street. The glare of the sun kept her from seeing anything of the art on display behind the glass, but the work listed on the website was nicely curated. A couple of local artists mixed in with more expensive pieces. — Victoria Helen Stone
My tastes range all over the place, from vocal standards to Motown to 70s funk & soul to 80s pop to film scores to artists like R.E.M., Ben Folds, Prince, Annie Lennox, the Police, Elvis Costello, Cat Stevens, the Ditty Bops, local bands that friends of mine are in, and the list goes on ... I have no single favorite genre or artist. — Stephanie D'Abruzzo
The local painters were my idols ... These artists, too, were grown-ups, but they were grown-ups who could still see! Their eye was still in love! Like mine! — Frederick Franck
Many countries in the Middle East are artificial creations. European colonialists drew their national borders in the nineteenth or twentieth century, often with little regard for local history and tradition, and their leaders have had to concoct outlandish myths in order to give citizens a sense of nationhood. Just the opposite is true of Iran. This is one of the world's oldest nations, heir to a tradition that reaches back thousands of years, to periods when great conquerors extended their rule across continents, poets and artists created works of exquisite beauty, and one of the world's most extraordinary religious traditions took root and flowered. — Stephen Kinzer
All events and experiences are local, somewhere. And all human enhancements of events and experiences
all the arts
are regional in the sense that they derive from immediate relation to felt life.
It is this immediacy that distinguishes art. And paradoxically the more local the feeling in art, the more all people can share it; for that vivid encounter with the stuff of the world is our common ground.
Artists, knowing this mutual enrichment that extends everywhere, can act, and praise, and criticize, as insiders
the means of art is the life of all people. And that life grows and improves by being shared. Hence, it is good to welcome any region you live in or come to, or think of, for that is where life happens to be, right where you are. — William Stafford