Literature The American Quotes & Sayings

Athenaeum, or Jonathan Edwards at thirteen entering Yale College, and while yet of a tender age shining in the horizon of American literature; while the same age finds H. W. Longfellow writing for the Portland Gazette. At fourteen John Quincy Adams was private secretary to Francis H. Dana, American Minister to Russia; at fifteen Benjamin Franklin was writing for the New England Courant, and at an early age became a noted journalist. Benjamin West at sixteen had painted "The Death of Socrates," at seventeen George Bancroft had won a degree in history, Washington Irving had gained — Charles Stewart Given

The American, who up to the present day, has evinced, in Literature, the largest brain with the largest heart, that man is Nathaniel Hawthorne. — Herman Melville

These self-appointed deacons in the Church of Latter-Day American Literature seem to regard generosity (of words) with suspicion, texture with dislike, and any broad literary stroke with outright hate. The result is a strange and arid literary climate where a meaningless little fingernail paring like Nicholson Baker's Vox becomes an object of fascinated debate and dissection, and a truly ambitious American novel like Matthew's Heart of the Country is all but ignored. — Stephen King

As a young writer, I was on guard against the Latina in me, the Spanish in me because as far as I could see the models that were presented to me did not include my world. In fact, 'I was told by one teacher in college that one could only write poetry in the language in which one first said Mother. That left me out of American literature, for sure. — Julia Alvarez

I believe no satirist could breathe this air. If another Juvenal or Swift could rise up among us tomorrow, he would be hunted down. If you have any knowledge of our literature, and can give me the name of any man, American born and bred, who has anatomised our follies as a people, and not as this or that party; and who has escaped the foulest and most brutal slander, the most inveterate hatred and intolerant pursuit; it will be a strange name in my ears, believe me. — Charles Dickens

Nothing could be more inappropriate to American literature than its English source since the Americans are not British in sensibility. — Wallace Stevens

like many families, everyone wandered around like children in a funhouse - they could hardly see one another around the corners, and what they could see was completely distorted. — James Hannaham

It's worth pointing out that [Herman Melville] worked in [the New York Custom House] as a deputy customs inspector between 1866 and 1885. Nineteen years, and he never got a raise - four dollars a day, six days a week. He was by then a washed-up writer, forgotten and poor. I used to find this subject heartbreaking, a waste: the greatest living American author was forced to spend his days writing tariff reports instead of novels. But now, knowing what I know about the sleaze of the New York Custom House, and the honorable if bitter decency with which Melville did his job, I have come to regard literature's loss as the republic's gain. Great writers are a dime a dozen in New York. But an honest customs inspector in the Gilded Age? Unheard of. — Sarah Vowell

You might like that one. But I'll tell you the same thing I tell my students when they complain about the depressing nature of American literature: life is not a PG feel-good movie. Real life often ends badly ( ... ) — Matthew Quick

Faced with the numbering logic of neoliberal regimes, literature offers an intervention in order to consider identity and voice, to consider representation in both the political and artistic sense of the term... [Literature and art] cultivate tension between an unresolved past and present, between invisibility and exposure, showing the dualities of face and mask that leave their trace on identitarian struggles today. — Francine Masiello

When I returned home soon afterwards, it was with a newly awakened sense of what Australian literature was good for: helping us define ourselves in relation to an Anglo past and American present, for example, or airing the wounds suffered by indigenous Australia, or inhabiting those new frictions that result from our expanding cultural pluralism. Above all, it could teach us to dwell more easily in a landscape that did not accord with the metaphors and myth-kitty that was our northern inheritance. — George Williamson

The great writers, Conrad, Maugham and Melville, spent only a few years in the South Seas, but their memory of those waters was indestructible; for the nature of life in the islands commands attention to the vivid world and its even more vivid inhabitants. — James A. Michener

He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and the lions on the beach. They played like young cats in the dusk and he loved them as he loved the boy. He never dreamed about the boy. He simply woke, looked out the open door at the moon and unrolled his trousers and put them on. — Ernest Hemingway,

For me the poem and the poetry open mic isn't about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too. — R.M. Engelhardt

Don Raimondo tells me what he can't tell them. "The emptiness on the surface of a wall left by a sold bookshelf is the deepest I know. I take away with me the banished books, I give them a second life. Like the second coat in painting, used for finishing, a book's second life is its best." He's rescued the library of a lover of American literature. — Erri De Luca

The Astonishment Tapes will now take its place within the growing field of international research about postwar American poetry's important contribution to world literature. Miriam Nichols has once again done exceptional scholarship. — Peter Gizzi

I held Angie Luna in that room for hours, and I remember the different times we made love like epochs in a civilization, each movement and every touch, apex upon abyss. In the luxury of our bed, we tried every position and every angle. I explored the curves on her body and delighted in seeing the freedom of her ecstasy. Her desperate whispers and pleas. I told her I loved her, and she said she loved me too. We lay in bed with our limbs entangled, in a pacific silence that reminded me of existing on a beach just for the sake of such an existence. I couldn't imagine the world ever becoming better, and for some strange reason the thought slipped into my head that I had suddenly grown to be an old man because I could only hope to repeat, but never improve on, a night like this. I finally took her home sometime when the interstate was empty, and the bridges seemed to lead to nowhere, for they were desolate too. — Sergio Troncoso

They do not like to hear such expressions as "Negro literature," "Negro poetry," "African art," or "thinking black"; and, roughly speaking, we must concede that such things do not exist. These things did not figure in the courses which they pursued in school, and why should they? "Aren't we all Americans? Then, whatever is American is as much the heritage of the Negro as of any other group in — Carter G. Woodson

When I came to America, I was already a writer, already published in Bosnia. I was planning to go back, but I had no choice but to stay here after the civil war, so I enrolled at Northwestern in a master's program and studied American literature. — Aleksandar Hemon

So she sat on the porch and watched the moon rise. Soon its amber fluid was drenching the earth, and quenching the thirst of the day. — Zora Neale Hurston

She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. — Zora Neale Hurston

In America there is really very little knowledge of the literature of the rest of the world. Of the literature of Latin America, yes, But that's not all that different in inspiration from that of America, or of Europe. One must go further. You don't even have to go too far in terms of geography - you can start with the Native Americans and listen to their poetry. — Chinua Achebe

You can handcuff my wrists, and Shackle my feet. You can bind me in chains, throw me in your deepest darkest dungeon...but you can't enslave my thinking...for it is free like the wind. — Jaye Swift

Baseball was rooted not just in the past but in the culture of the country; it was celebrated in the nation's literature and songs. When a poor American boy dreamed of escaping his grim life, his fantasy probably involved becoming a professional baseball player. It was not so much the national sport as the binding national myth. — David Halberstam

Literature is indispensable to the world. The world changes according to the way people see it, and if you alter, even by a millimeter, the way a person looks at reality, then you can change it. — James Baldwin

Esther loses her virginity, hemorrhages during the process, and almost bleeds to death - like Catherine in A Farewell to Arms - and I do wonder why women are always hemorrhaging in American literature. — Matthew Quick

My dad doesn't have an iota of the depressive in him. He just depresses other people. Nothing brings him down. But this can't be true. I think it just comes out when absolutely no one else is around. It always seemed that while I knew he loved us a lot, my father actually needed nothing to be happy except books. There was enough in literature to challenge, entertain, amuse and inspire a man for a lifetime. Books and music were simply enough to sustain anyone was what he radiated. Humor, love, tragedy, it was all contained therein. And if all he needed was books, then he probably wouldn't mind if he lost the house and the wife and the whole life. Because the story was more important than the family. The story being that he was going to write the Great American Novel and finally be important, and in being important, he would be loved. Willing to lose his family to be loved by his family. Oh, the tragic blunder of this. It could almost drive someone mad. Wait, it did drive someone mad. — Jeanne Darst

Harper: You, the one part of
the real world I wasn't allergic to. — Tony Kushner

I have for myself no conceivable complaint to make, and yet for American literature in general, and its standing in a country where industrialism and finance and science flourish and the only arts that are vital and respected are architecture and the film, I have a considerable complaint. — Sinclair Lewis

There are no backwaters where things can breed - our connectivity is so high and so global that there are no more Seattles and no more Haight-Ashburys. We've arrived at a level of commodification that may have negated the concept of counterculture. — William Gibson

Sentimentality was used because other political avenues were closed, and authors hoped that through it they could bring about a political change that would fulfill the egalitarian promises of the Revolution. Real political venues were unavailable, so fiction became a medium for authors to appeal to audiences for change. — Todd M. Brenneman

Still, it strikes me that, taken together, they do make an argument, and it is this: the rise of American democracy is bound up with the history of reading and writing, which is one of the reasons the study of American history is inseparable from the study of American literature. In the early United States, literacy rates rose and the price of books and magazines and newspapers fell during the same decades that suffrage was being extended. With everything from constitutions and ballots to almanacs and novels, American wrote and read their way into a political culture inked and stamped and pressed in print. — Jill Lepore

Christians are the salt of the earth ... Nothing grows where they've been. — Donald Hays

The main vehicle for nineteenth-century socialization was the leading textbook used in elementary school. They were so widely used that sections in them became part of the national language. Theodore Roosevelt, scion of an elite New York family, schooled by private tutors, had been raised on the same textbooks as the children of Ohio farmers, Chicago tradesman, and New England fishermen. If you want to know what constituted being a good American from the mid-nineteenth century to World War I, spend a few hours browsing through the sections in the McGuffey Readers. — Charles Murray

Theatre for a New Audience is one of America's most admirable and exciting theatre companites ... some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way. — Tony Kushner

To put it in a nutshell, the Central and South American high cultures of antiquity were entirely worthy of comparison with what the Old World had achieved by the time of the Han, the Gupta, and the Hellenistic age. The fact is that the Amerindian high cultures were a human modality of their own, and those Spaniards who came among them first would have had the sensation, if they had ever heard of such literature, of treading in a world of imaginative science fiction. But it was real, and the Amerindian achievements deserve all our sympathy and praise. — Joseph Needham

Mr Rutger cornet de Groot. Never read any American poetry or any other foreign poetry, which is why he always mentions 2 poets as a reffering point, either Lucebert or Tonnus Oosterhoff. The guy started reading when he was 48 years old with a few library books and was turned instantly in one of the most important critics hired by the fund of literature. Oh well. — Martijn Benders

Esperanza leaned around the side of the truck. As they rounded a curve, it appeared as if the mountains pulled away from each other, like a curtain opening on stage, revealing the San Joaquin Valley beyond. Flat and spacious, it spread out like a blanket of patchwork fields. Esperanza could see no end to the plots of yellow, brown, and shades of green. The road finally leveled out on the valley floor, and she gazed back at the mountains from where they'd come. They looked like monstrous lions' paws resting at the edge of ridge. — Pam Munoz Ryan

Because my dad's Chinese-American, and they're very concrete, he said, 'There's no money to be made in literature.' So he told me to go into the sciences. And I was a good girl. And I did what Daddy said. And that's how I ended up being a doctor. But you know, you just can't stamp out that desire to tell stories. — Tess Gerritsen

American literature isn't anybody phoning to anybody or anybody writing about anybody. American literature is the woman in the courtroom who, finding herself undefended on a charge, asked, 'Isn't anybody on my side?' It's also the phrase I used that was once used in court of a kid who, on being sentenced to death, said, 'I knew I'd never get to be twenty-one anyhow. — Nelson Algren

It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave. — Anatole Broyard

One of the great themes in American literature is the individual's confrontation with the vast open spaces of the continent. — Justin Cronin

In my view, madness is a place. You go. You come back. And I think we all take turns being the mental patient. Without a touch of crazy, literature can be a desolate place. In the current climate of careful speech, even fearful speech, smoke-free film scripts, thought-free songs, and child-proof locks on American minds, the oft-repeated lament of the arts is "Where have all those wonderful madmen gone?" — Carol O'Connell

He believed something that he could hardly explain, even to himself. He thought it was a tragedy that would have to be played out, in the sense that water always seeks its own level. In some ultimate sense, there was no one at the controls. The war ran on its own motion...But the thing would not be stopped, because to stop it, simply to end it, would be to repudiate too much. Too many words to eat, too many unforeseen consequences, too much shame, too many unrequited dead. So the war was a force of nature, a wand of the gods... — Ward Just

Modern American literature was born in protest, born in rebellion, born out of the sense of loss and indirection which was imposed upon the new generations out of the realization that the old formal culture-the "New England idea"-could no longer serve. — Alfred Kazin

The CIA funded literary fiction because people at the CIA believed that American literature was excellent propaganda and would help fight the Russians. People at the CIA believed that literary fiction would celebrate the delights of a middle class existence produced by American dynamism.
The people who took the CIA's money were happy to help out. — Jarett Kobek

I am interested in Scripture and theology. This is an interest that I can assume I would share with a pastor, so that makes me a little bit prone to use that kind of character, perhaps, just at the moment. Then there is also the fact that, having been a church member for many years, I am very aware of how much pastors enrich people's experience, people for whom they are significant. I know that it's a kind of custom of American literature and culture to slang them. I don't think there is any reason why that needs to be persisted in. — Marilynne Robinson

There is real hope for a culture that makes it as easy to buy a book as it does a pack of cigarettes."--a civic leader quoted in a New American Library ad (1951) American Pulp tells the story of the midcentury golden age of pulp paperbacks and how they brought modernism to Main Street, democratized literature and ideas, spurred social mobility, and helped readers fashion new identities. — Paula Rabinowitz

It does not follow because many books are written by persons born in America that there exists an American literature. Books which imitate or represent the thoughts and life of Europe do not constitute an American literature. Before such can exist, an original idea must animate this nation and fresh currents of life must call into life fresh thoughts along the shore. — Margaret Fuller

I've translated a lot of American literature into Japanese, and I think that what makes a good translator is, above all, a feel for language and also a great affection for the work you're translating. If one of those elements is missing the translation won't be worth much. — Haruki Murakami

Where are they, the American fiction writers whose works are interested in the question "What do these people have to do with us?" and "What are we doing out there in the world? — Kamila Shamsie

Indian misery is when somebody takes your land.
Indian misery is when somebody kills your friends.
Indian misery is when your people turn against you.
Indian misery is being slaves to people.
Indian misery is being locked up in jail.
Indian misery is people killing your food for money.
Indian misery is fighting. Indian misery is no peace.
Indian misery is when you get killed. Indian misery is if you lose the fight.

(Andrew Herman, student) — Timothy P. McLaughlin

I am the penny whistle of American literature. — Nelson Algren

A Pulitzer Prize is awaiting the journalist who can find an American who dies of hunger, and probably the Nobel Prize for literature as well. — Tom Bethell

The main differences between contemporary English and American literature is that the baleful pseudo-professionalism imparted by all those crap M.F.A. writing programs has yet to settle like a miasma of standardization on the English literary scene. But it's beginning to happen. — Will Self

Everybody black knows how to react to a tragedy. Just bring out a wheelbarrow full of the Same Old Anger, dump it all over the Usual Frustration, and water it with Somebody Oughtas, all of which Bethella did. Then quietly set some globs of Genuine Awe in a circle around the mixture, but don't call too much attention to that. Mention the Holy Spirit whenever possible. — James Hannaham

I have often been mildly amused when I think that the great American novel was not written about New England or Chicago. It was written about a white whale in the South Pacific. — James A. Michener

The American classicist Edith Hamilton once described the great works of literature, the strong fortresses of the spirit which men have built through the ages. — Edith Hamilton

No sovereign, no court, no personal loyalty, no aristocracy, no church, no clergy, no army, no diplomatic service, no country gentlemen, no palaces, no castles, nor manors, nor old country-houses, nor parsonages, nor thatched cottages nor ivied ruins no cathedrals, nor abbeys, nor little Norman churches no great Universities nor public schools
no Oxford, nor Eton, nor Harrow no literature, no novels, no museums, no pictures, no political society, no sporting class
no Epsom nor Ascot Some such list as that might be drawn up of the absent things in American life. — Henry James

And that's the beginning of the primary conversation in African American literature, right there: the African descendant explaining to the European descendant about how white people's actions are affecting the lives of black people.* In — Mat Johnson

. . . what I told Malory happened next is that when he looked over at her then it was like he'd been waiting a hundred years to see her, and this crazy ass Ledfeather girl all the way from Standing Rock, she looked off after the elk and then back at Doby through her hair, like she'd maybe been waiting for him too, but was scared a little, wanted to be sure, so Doby opened his mouth and said her name across the backseat of Junior's cab, Claire, like a flower opening in his mouth, and she held her lips together and nodded thank you to him, yes, thank you, and then swallowed what was in her throat and just let the sides of their hands touch together again some like it didn't really matter.
But it did. — Stephen Graham Jones

When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson. — Marilynne Robinson

We are not native. We have no generations of Americans behind us. We have roots elsewhere. We are looking in from the outside. To me, that seems to be perfectly natural. — Don DeLillo

Playdate. (n) A Date arranged by adults in which young children are brought together, usually at the home of one of them, for the premeditated purpose of "playing". A feature of contemporary American upscale suburban life in which "neighborhoods" have ceased to exist, and children no longer trail in and out of "neighbor childrens" houses or play in "backyards". In the absence of sidewalks in newer "gated" coummunities, children cannot "walk" to playdates but must be driven by adults, usually mothers. A "playdate" is never initiated by the players (i.e., children), but only by their mothers.
In American-suburban social climbing through playdating, this is the chapter you've been awaiting. — Joyce Carol Oates

An intellectual can work at the university, or, better, go to work for an American university, where the literature departments are just as bad as in Mexico, but that doesn't mean they won't get a late-night call from someone speaking in the name of the state, someone who offers them a better job, better pay, something the intellectual thinks he deserves, and intellectuals always think they deserve better. — Roberto Bolano

He Said...

Your garden at dusk
Is the soul of love
Blurred in its beauty
And softly caressing;
I, gently daring
This sweetest confessing,
Say your garden at dusk
Is your soul, My Love. — Anne Spencer

I think if German literature could survive the '40s and Russian literature could survive Sovietism, American literature can survive Google. — Joshua Cohen

I like contemporary American literature and I like biographies and I like jazz and I like baseball and I like writers who write about the human condition and sci-fi is just something that I happened into. — Jonathan Frakes

The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass — Virginia Woolf

This book is dedicated to every woman who has ever felt self-conscious about her size. Outer beauty comes in all sizes, shapes, heights, ages, and colors. And inner beauty will always shine through, no matter what the packaging. — Raynetta Manees

I don't aspire at present to be king of the hill in American literature. — Mark Helprin

You've clearly been charged with hiring a jack-of-all-trades. And Dr. Auden is that mythical creature you seek: fully qualified to teach British and American literature, women's studies, composition, creative writing, intermediate parasailing, advanced sword swallowing, and subcategories and permutations of the above. — Julie Schumacher

The American critic Dale Peck, author of Hatchet Jobs (2004), argues that reviewing finds its true character in critical GBH such as Fischer's [review of Martin Amis's Yellow Dog]. It represents a return to the prehistoric origins of reviewing in Zoilism - a kind of pelting of pretentious literature with dung, lest the writers get above themselves; it is to the novelist what the gown of humiliation was to the Roman politician - a salutary ordeal. Less grandly, bad reviews are fun, so long as you are not the author. There is, it must be admitted, a kind of furtive blood sport pleasure in seeing a novelist suffer. You read on. Whereas most of us stop reading at the first use of the word 'splendid' or 'marvellous' in a review. — John Sutherland

Some people might be surprised that 'Rambo's creator has a doctorate in American literature. One of my influences is Henry James, whose major theme is awareness. Whether I'm writing about military personnel, law enforcement, or De Quincey, the persistent theme is paying attention in a hostile world. — David Morrell

I read every one of the books on the shelf marked American Negro Literature. I became a nationalist, a colour nationalist, through the writings of men and women who lived a world away from me. — Peter Abrahams

The American's literature is all about being hot and sexy, inspiring a girl and going to bed with her. It focuses on being a hero, saving lives and surviving last, but it has nothing to do with dignity, serenity. — M.F. Moonzajer

That's the biggest purpose of religious gathering: permission to look terrible in public. We used to go to church to confess our worst behaviour, to be heard and forgiven, then to be redeemed and accepted back into our community
Chuck Palahniuk in interview with TMO — Chuck Palahniuk

American literature was enriched with Men Who Loved Allison ... Of the actual and eventual worth of this romance I cannot pretend to be an unprejudiced judge. The tale seems to me one of those many books which have profited, very dubiously indeed, by having obtained, in one way of another, the repute of being indecent. — James Branch Cabell

What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.' — James Wolcott

If you want to communicate with the American public, the literature tells you you've got to be talking at about a sixth-grade, seventh-grade level. — Richard Carmona

I prayed. He was going home, and I wanted to pray. Look out for me, I said; look out each day and listen for me. And we were going together on horses to the hills. We were going to ride out in the first light to the hills. We were going to see how it was, and always was, how the sun came up with a little wind and the light ran out upon the land. We were going to get drunk, I said. We were going to be all alone, and we were going to get drunk and sing. We were going to sing about the way it always was. And it was going to be right and beautiful. It was going to be the last time. And he was going home. — N. Scott Momaday

American literature has never been content to be just one among the many literatures of the Western World. It has always aspired to be the literature not only of a new continent but of a New World. — Christopher Dawson

American literature has, since the time of the Puritans, featured the jeremiad as a prolonged complaint, a prophet's indictment of his society characteristic of work such as the muckrakers' novels or Allan Ginsberg's "Howl." Doctorow struggles to accommodate this form to his artistry (as successful practitioners of the work have always done). To this end, he has repeatedly adapted genres such as the Western, the romance, and the detective novel, often playing with accepted conventions, and thus avoiding didacticism. — Michelle M. Tokarczyk

The best work of literature to represent the American Dream is 'The Great Gatsby' by F. Scott Fitzgerald. It shows us how dreaming can be tainted by reality, and that if you don't compromise, you may suffer. — Azar Nafisi

Roy: The immutable heart of what we are that bleeds through whatever we might become. All else is vanity. — Tony Kushner

What the roses are saying cannot be heard through voice
but through beauty as you watch the rain slip
from their petals and hang from their edges.

(Dena Colhoff, student) — Timothy P. McLaughlin

The methodologies of examining hip hop are borrowed from sociology, politics, religion, economics, urban studies, journalism, communications theory, American studies, transatlantic studies, black studies, history, musicology, comparative literature, English, linguistics, and other disciplines. — Michael Eric Dyson

Since 'Huckleberry Finn,' or thereabouts, it seemed that all American literature was about the alienated hero. — Bobbie Ann Mason

Intern is not just a gripping tale of becoming a doctor. It's also a courageous critique, a saga of an immigrant family living (at times a little uneasily) the American dream, and even a love story. A great read and a valuable addition to the literature - and I use the word advisedly - of medical training. — Melvin Konner

English is, from my point of view as an Americanist, an ethnicity. And English literature should be studied in Comparative Literature. And American literature should be a discipline, certainly growing from England and France, Germany, Spain, Denmark, and the Native traditions, particularly because those helped form the American canon. Those are our backgrounds. And then we'd be doing it the way it ought to be done. And someday I hope that it will be. — Paula Gunn Allen

Like no other writer in contemporary American literature, Brock Clarke has a way of looking at us, I mean looking straight at us
warts, lots of warts, and beauty and hypocrisy and love, too, the gamut. And hes done it again in this brilliant The Happiest People in the World, a novel that is as hilarious and thought-provoking as it is ultimately, deadly, deadly serious. I for one am grateful hes out there
watching our every move. — Peter Orner

Publishing has no onus to be representative, but a fourth of America lives in conditions close to or below the poverty line. Think about the last time you read a novel in which someone went to cash a benefit check or paid for food in food stamps, or got off a double-shift at a retail store and were having their home or car repossessed. These are the conditions in which much of this country lives and it is a dereliction of capability (not duty) to ignore it in literature. — John Freeman

I think writing in general can help us deal with anything we fear, anything which troubles us, anything that makes us angry or moves us. In fact, in most cases, writing has to engage with these feelings - the lack of engagement you find in parts of American writing is a form of imperialism turned inward. We don't see the poor, the abject, the destitute in fiction and literature nearly as much as we should. — John Freeman

I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society. — Mike Tyson

I moved here when I was 20 to go to college. After I moved here, I became much more aware of the importance of the culture and literature to my life. Sometimes when you're immersed in something, you just don't notice it very much. Moving away makes you appreciate your culture. Living here, I've thought more and more about India, and what being Indian-American means to me. And it's made me incorporate things from Indian literature into my own writing. — Chitra Banerjee Divakaruni

I want to kill every best-seller list and encourage Americans to discover for themselves inspired new literature that will endure in perpetuity. Let's pluck from squalid obscurity underground, and publish, the next Hemingways, Fitzgeralds, Morrisons, Bellows, Barths, Vonneguts and Faulkners. — David B. Lentz

There is something very romantic about the orphan figure in American literature. — Christopher Bollen

The women of the South have brought into American literature a unique mixture of domesticity and grotesquerie. — James Dickey

The thing American people fear about corporations is that they might achieve too much power. We have an antipathy to power even as we admire it. — Annie Proulx

All I try to do is portray Indians as we are, in creative ways. With imagination and poetry. I think a lot of Native American literature is stuck in one idea: sort of spiritual, environmentalist Indians. And I want to portray everyday lives. I think by doing that, by portraying the ordinary lives of Indians, perhaps people learn something new. — Sherman Alexie