L.a. Story Quotes & Sayings

A picture is just a picture, but add music and there's emotion. There's a story. — L. H. Cosway

I read the story of Red Riding Hood today. I think the wolf was the most interesting character in it. Red Riding Hood was a stupid little thing so easily fooled. — L.M. Montgomery

I think women love a passionate love story. — E.L. James

story of the Nazi plot to kidnap the Duke and Duchess of Windsor and induce the former King of England to work with Hitler for a peace settlement with Great Britain. — William L. Shirer

When people ask me what L.A. was like in the sixties, I tell them there wasn't as much terrible stucco as there is today: no mini malls with their approximation of Spanish two-story buildings, no oversized SUVs bulging out of parking-space lines. What used to say "Spanish-style" is now something diseased looking. Nobody seems to know how to stucco anymore. — Kim Gordon

A true love story has always been about the journey, not the ending. — Shannon L. Alder

You will never be able to see clearly when people around you distort your view of truth with their own clouded version. You will begin to read into everything incorrectly and find yourself lost in a delusional story stitched together from the crumbs of over analyzed words once spoken, misunderstandings or speculation. Life should not be wasted by collecting clues or piecing together a puzzle about how someone feels. Love is straightforward and it is clearly seen on the cloudiest days of your life. If someone loves you it will be obvious. They won't let you go, until you ask them to. — Shannon L. Alder

When I am grappling with ideas which are radical enough to upset grown-ups, then I am likely to put these ideas into a story which will be marketed for children, because children understand what their parents have rejected and forgotten. — Madeleine L'Engle

Readers tend to devour short stories on a newssheet, but would be disinclined to read them in collections — L.P. Hartley

Women basically want the same thing - a good passionate story, a great fantasy - and for our partners to do the laundry and the washing up. — E.L. James

Wait! Did you sleep with any of my boyfriends?"
"No, I promise."
"Okay, good," she said, relieved.
"I just made out with one."
"You see?" Tabitha said. "She's a whore bag."
"Cum bucket," Mayson nodded in agreement.
"You guys," Donya made a disgusted sound. "Can we save the name calling for later? I want to hear the hoe's story. — L.D. Davis

Nothing good about this but it's title. A priggish little yarn. And Hidden Riches is not a story
it's a machine. It creaks. It never made me forget for one instant that it was a story. Hence it isn't a story. — L.M. Montgomery

This is a story of an adventure in education, pursued not under the best of conditions. — Louis L'Amour

But that is the way of the place: down our many twisting corridors, one encounters story after story, some heroic, some villainous, some true, some false, some funny, some tragic, and all of them combining to form the mystical, undefinable entity we call the school . Not exactly the building, not exactly the faculty or the students or the alumni more than all those things but also less, a paradox, an order, a mystery, a monster, an utter joy. — Stephen L. Carter

So, what's the story?"
"No story. Just a nightmare."
"Meaning?"
"Meaning, heavy compression lines in his cartilage, severe bruising on his kidneys, liver and lower intestines. Fracture marks on his collar bone, tibia, radius, humerus, scapular, femur and every single one of his ribs have been broken. Don't even get me started on the concussive damage to his skull and brain tissue. Twenty-three percent of this boys body is scared for life. And yet, every organ is functioning normally and his neurological activity is above average. He's eighteen years old and he weights about two bills but remove the scar tissue and he'd weigh about a buck-ten. All in all, I say he lived inside a hydraulic car press, went through the Napoleonic wars and was on board the Hindenburg when it went down in flame and yet he's okay ... this boy just refuses to die. — S.L.J. Shortt

If we allow our "high creativity" to remain alive, we will never be bored. We can pray, standing in line at the super market. Or we can be lost in awe at all the people around us, their lives full of glory and tragedy, and suddenly we will have the beginnings of a painting, a story, a song. — Madeleine L'Engle

When I have something to say that I think will be too difficult for adults, I write it in a book for children. Children are excited by new ideas; they have not yet closed the doors and windows of their imaginations. Provided the story is good ... nothing is too difficult for children. — Madeleine L'Engle

God will take your story and use it for a greater purpose. — Shannon L. Alder

When you have a grasp on eternity your eyes won't ever see the battle or the lost people that hurt you. You will see a beautiful story of hope, in every character. It is not one person god loves. He loves us all and this is his story, our story and theirs. — Shannon L. Alder

column writing is an act of chemistry - precisely because you must conjure it up yourself. A column doesn't write itself the way a breaking news story does. A column has to be created. This act of chemistry usually involves mixing three basic ingredients: your own values, priorities, and aspirations; how you think the biggest forces, the world's biggest gears and pulleys, are shaping events; and what you've learned about people and culture - how they react or don't - when the big forces impact them. When — Thomas L. Friedman

When you judge other people without wanting to know the true story behind their actions, is usually when there is something inside of you that is so broken that if you found out what you believed about them was a lie, you wouldn't want to accept it or make amends. — Shannon L. Alder

On Monday I received a letter from Golden Days, a Philadelphia juvenile, accepting a short story I had sent there and enclosing a cheque for five dollars. It was the first money my pen had ever earned; I did not squander it in riotous living, neither did I invest it in necessary boots and gloves. I went up town and bought five volumes of poetry with it
Tennyson, Byron, Milton, Longfellow, Whittier. I wanted something I could keep for ever in memory of having arrived. — L.M. Montgomery

Even the most impassioned devotee of the ghost story would admit that the taste for it is slightly abnormal, a survival, perhaps, from adolescence, a disease of deficiency suffered by those whose lives and imaginations do not react satisfactorily to normal experience and require an extra thrill — L.P. Hartley

Using language like jungle growth isn't the solution to telling a story. — John L'Heureux

A story is about a single moment in a character's life when a definitive choice is made, after which nothing is the same. — John L'Heureux

The more I know about God, I am convinced He likes to read books and authors are His librarians. Every soul is a story waiting to be read. — Shannon L. Alder

Did you finish yours, Kota?"
"Working on it now, Actually."
"How's it going?"
He sat up, turning in his chair and holding up his notebook. "I don't know. What rhymes with formaldehyde?"
My eyes widened. Gabriel laughed, rubbing his fingers against his forehead. "Dude, what kind of poem are you writing?"
Kota blinked at us. "It's about a doctor."
"Does the doctor fall in love?" Gabriel asked.
"No."
"Does someone die?"
"Not in the story, technically."
"What does he do?"
"He performs an autopsy. — C.L.Stone

There is such a place as fairyland - but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way to fairyland. — L.M. Montgomery

All of life is a story — Madeleine L'Engle

Gilbert would never have dreamed of writing a sonnet to her eyebrows. But then, Gilbert could see a joke. She had once told Roy a funny story - and he had not seen the point of it. She recalled the chummy laugh she and Gilbert had had together over it, and wondered uneasily if life with a man who had no sense of humor might not be somewhat uninteresting in the long run. But who could expect a melancholy, inscrutable hero to see the humorous side of things? It would be flatly unreasonable. — L.M. Montgomery

What a trajedy to be a martyr for love, yet we worship the characters anyways because they remind us of how we struggled. — Shannon L. Alder

A good story is like a well-placed punch: quick, effective, and impossible to ignore. — R.L. Raymond

Now from science we have a new creation story, which is very alluring and very exciting. It's not about deposing all the other wisdom stories about creation that humanity has gathered, but it certainly supplements it. It offers a real universal view because it's beyond any particular religion, ethnicity, nation and so forth. As we're struggling as a species to come together as a tribe, it provides us our basic framework, because it's from creation stories that ethics derive. Today's creation story from science is that we come from 14 billion years of an organic unfolding of the universe and are connected physiologically with every being in the universe. We all share the same atoms and the same molecules. That's truly significant and important at this time in history. We're all kin, we're all interdependent. And that's the basis of compassion, which was Jesus's ultimate teaching. — David L. Felten

Maybe Laura's real problem came in admitting this: there was nothing new under the sun. To write a story would be, somehow deep down, to embrace her limits, to admit that, indeed, she would someday die - if not of a worm or a ceiling, then of something else. The very nature of a story admitted this reality. To be a writer was to say, yes, I am just another Murasaki, and it is quite possible that no one will remember my name. — L.L. Barkat

I was working at a restaurant in L.A. when a producer came in. He said I should audition for this movie 'Cellular.' I did, and I got the part. It actually makes me sick to tell that story because it's obnoxious. — Mircea Monroe

Sensory experience should not be draped on top of the story as sort of a last-minute decoration. Done right, it is woven into the fabric of the story, and as this happens, the reader is woven in, right alongside the description. In giving advice to writers, E. L. Doctorow once said that good writing should communicate more than the mere fact that it is raining. The reader should feel rained on. A — Douglas Wilson

You know what they say, 'Nothing makes a Southern story better than a stretch of time and a few glasses of gin. — M.L. Bullock

It is never quite safe to think we have done with life. When we imagine we have finished our story fate has a trick of turning the page and showing us yet another chapter. — L.M. Montgomery

Detective-story writers give this thrill by exploiting the resources of the possible; however improbable the happenings in a detective story, they can and must be explained in terms that satisfy the reason. But in a ghost story, where natural laws are dispensed with, the whole point is that the happenings cannot be so explained.
A ghost story that is capable of a rational explanation is as much an anomaly as a detective story that isn't.
The one is in revolt against a materialistic conception of the universe, whereas the other depends on it. — L.P. Hartley

The world of counterterrorism is like that old jigsaw puzzle in the back of the closet: Its many missing pieces and extra parts jumbled in from other puzzles make it almost impossible to assemble. But in Ghost, Fred Burton manages to join together enough pieces to give us a discerning look at that world. This is a story, told in human terms, that will help make sense of the great puzzle of our times. — Eric L. Haney

Large-scale enthusiasm for folk music began in 1958 when the Kingston Trio recorded a song, "Tom Dooley," that sold two million records. This opened the way for less slickly commercial performers. Some, like Pete Seeger, who had been singing since the depression, were veteran performers. Others, like Joan Baez, were newcomers. It was conventional for folk songs to tell a story. Hence the idiom had always lent itself to propaganda. Seeger possessed an enormous repertoire of message songs that had gotten him blacklisted by the mass media years before. Joan Baez cared more for the message than the music, and after a few years devoted herself mainly to peace work. — William L. O'Neill

She meant you have to live a story for a time.'
'And?'
'And then you can write it, in time. What have you lived?'
'Kind of a personal question for Twitterland.'
'Kind of the perfect question to answer in fiction. — L.L. Barkat

The rational intellect doesn't have a great deal to do with love, and it doesn't have a great deal to do with art. I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem. — Madeleine L'Engle

The thing is, the Tulsa experience that I wrote about in 'The Outsiders' is closer to the universal experience than it would be if I wrote it from L.A. or New York. It's an everyman story. — S.E. Hinton

Jesus was not a theologian. He was God who told stories. — Madeleine L'Engle

[N]othing about a book is so unmistakable and so irreplaceable as the stamp of the cultured mind. I don't care what the story is about or what may be the momentary craze for books that appear to have been hammered out by the village blacksmith in a state of intoxication; the minute you get the easy touch of the real craftsman with centuries of civilisation behind him, you get literature. — Dorothy L. Sayers

I say
I've thought of a good plot for a detective story."
"Really?"
"Top
hole. You know, the sort that people bring out and say 'I've often thought of doing it myself, if only I could find time to sit down and write it.' I gather that sitting down is all that is necessary for producing masterpieces. — Dorothy L. Sayers

These five teens are convinced it was not a prank. They all believe this is the beginning of the zombie apocalypse we hear so much about. But I'm not so sure I believe their story - not this close to Halloween."
The girl with the ponytail frowned at him. "I know what I saw," she said. "They are here! — R.L. Stine

I was actually cut out of 'L.A. Story' ... and rightfully so. — Scott Bakula

I want a good love story and a happy ending. Period. I don't want to deal with real life shit in a book. I'm reading to escape. — R.L. Griffin

It takes a hell of a lot of courage to walk into your own story, but to be the hero of your own life you have to rescue yourself. — Shannon L. Alder

History told through faces and cloathing, the skill of the artist whispering a story with oil and brush — Danielle L. Jensen

When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.' — L.E. Modesitt Jr.

'Entourage' is almost required watching in L.A., and everyone seems to have story suggestions for the show itself, which is amazing because it makes you realize the show's really struck a chord and found its audience. — Kevin Connolly

You could use a moth like that as a symbol in a novel, but it was trite, wasn't it? The old moth-to-the-flame image had been used and used again. It was the stuff of amateur poetry. And she, having so little experience crafting a story, would be the most in danger of falling into trite approaches. If she wrote a novel, it probably would be about her father. And the male Luna moth would haunt its pages. Everyone would recognize the work as that of a first novelist. "She wrote about herself through the lens of her father."
The really good novelists, Laura thought, put their fathers, and maybe their mothers too, deeper into the stories. Which, she suddenly thought, might redeem Melville just the littlest bit. — L.L. Barkat

It was 9:30 P.M., just an hour from deadline for the second edition. Woodward began typing:
A $25,000 cashier's check, apparently earmarked for the campaign chest of President Nixon, was deposited in April in the bank account of Bernard L. Barker, one of the five men arrested at the break-in and alleged bugging attempt at Democratic National Committee headquarters here June 17.
The last page of copy was passed to Sussman just at the deadline. Sussman set his pen and pipe down on his desk and turned to Woodward. 'We've never had a story like this,' he said. 'Just never.'
Carl Bernstein, Bob Woodward — Carl Bernstein

I grew up in Inglewood, L.A., and South Central. I was always humbled by my situation. I would go on set and come home to my neighborhood and my block to my friends, and it would be a whole other story. — Brandon Adams

Scars, whether physical or emotional, could be not just a representation of survival but also a story of hope. — Jennifer L. Armentrout

What are the hallmarks of a competent writer of fiction? The first, it seems to me, is that he should be immensely interested in human beings, and have an eye sharp enough to see into them, and a hand clever enough to draw them as they are. The second is that he should be able to set them in imaginary situations which display the contents of their psyches effectively, and so carry his reader swiftly and pleasantly from point to point of what is called a good story. — H.L. Mencken

The story of civilization is, in a sense, the story of engineering - that long and arduous struggle to make the forces of nature work for man's good. — L. Sprague De Camp

The writing of a book may be a solitary business, it is done alone. The writer sits down with paper and pen, or typewriter, and, withdrawn from the world, tries to set down the story that is crying to be written. We write alone, but we do not write in isolation. No matter how fantastic a story line may be, it still comes out of our response to what is happening to us and to the world in which we live. — Madeleine L'Engle

Characters are so important to a story that they actually decide where the story is going. When I write, I know my characters. I know how things are going to end, and I know some important incidents along the way. — E.L. Konigsburg

That's the great thing about a series: you're driving to work, and you have an idea for a story for your characters, and you can go into work, and it's gonna be a television show. I mean that's what's great about the job. — James L. Brooks

Nobody with any real sense of humor *can* write a love story ... Shakespeare is the exception that proves the rule. (90-91) — L.M. Montgomery

A street is a story in asphalt - so it's a paradox that the streets are the one place where the movies play fast and loose with continuity, something to which L.A. streets lend themselves as naturally as does the city's psyche. — Steve Erickson

I recall the story of the philosopher and the theologian... The two were engaged in disputation and the theologian used the old quip about a philosopher resembling a blind man, in a dark room, looking for a black cat - which wasn't there. 'That may be,' said the philosopher, 'but a theologian would have found it. — Julian Huxley

The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story. — Adam Christopher

The kind of juvenile story I like best to write
and read, too, for the matter of that
is a good, jolly one, "art for art's sake," or rather "fun for fun's sake," with no insidious moral hidden away in it like a pill in a spoonful of jam! — L.M. Montgomery

Los Angeles people are incapable of passively mainlining TV and movies. Here you have to read who produced or directed every episode, who wrote it, who had guests shots and whether you know them personally and if they like you. You have to figure out who everybody's agent is and whether yours is better. You not only know but deeply care about the difference between such job titles as Producer, Supervising Producer, and Executive Story Editor ... So while the rest of the country is lying stupid in a media-induced coma, people in L.A. are in constant withdrawal. — Cynthia Heimel

Between 1870 and 1905 Mark Twain (Samuel L. Clemens) tried repeatedly, and at long intervals, to write (or dictate) his autobiography, always shelving the manuscript before he had made much progress. By 1905 he had accumulated some thirty or forty of these false starts - manuscripts that were essentially experiments, drafts of episodes and chapters; many of these have survived in the Mark Twain Papers and two other libraries. To some of these manuscripts he went so far as to assign chapter numbers that placed them early or late in a narrative which he never filled in, let alone completed. None dealt with more than brief snatches of his life story. — Mark Twain

If this were simply a story about the past, it would be appropriate to write, at the conclusion of Acts 28 as at the conclusion of a film, "The End." But since the story is unfinished, it is more appropriate to conclude it with, "RSVP," like an invitation that awaits a response. This is what Luke demands from us: not satisfied curiosity about the past, but a response here and now. RSVP! — Justo L. Gonzalez

So perhaps the reason I shuddered at the idea of writing something about 'Christian art' is that to paint a picture or to write a story or to compose a song is an incarnational activity. The artist is a servant who is willing to be a birth-giver. In a very real sense the artist (male or female) should be like Mary, who, when the angel told her that she was to bear the Messiah, was obedient to the command. Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says 'Here I am. Enflesh me. Give birth to me.' And the artist either says 'My soul doth magnify the Lord' and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessicarily a conscious one, and not everyone has the humble, courageous obedience of Mary. — Madeleine L'Engle

It has been said by many that a true love story has no happy ending simply because the truest of loves never ends. It is immortal. This is the kind of love that lives forever in your heart as a feeling you will always feel, a place you can always return to. — Michele L. Rivera

Another story was that a certain dissipated youth of the community, going home one Saturday night, or rather Sunday morning, from some unhallowed orgy, was pursued by a lamb of fire, with its head cut off and hanging by a strip of skin or flame. — L.M. Montgomery

The mistake people that want to be actors make is to move to New York or L.A. right away. But it's like ... go act somewhere first. Be an actor. A story is a story, and an audience is an audience, no matter where you're doing it. — Conrad Ricamora

The Story Girl was written in 1910 and published in 1911. It was the last book I wrote in my old home by the gable window where I had spent so many happy hours of creation. It is my own favourite among my books, the one that gave me the greatest pleasure to write, the one whose characters and landscape seem to me most real. All the children in the book are purely imaginary. The old "King Orchard" was a compound of our old orchard in Cavendish and the orchard at Park Corner. "Peg Bowen" was suggested by a half-witted, gypsy-like personage who roamed at large for many years over the Island and was the terror of my childhood. — L.M. Montgomery

We have been told we cannot do this by a coarse of sentence: it will only grow louder and more dissident. we have been asked to pause for a reality check, we have been warned about offering this nation false hope, but in the unlikely story that is america there has never been anything false about hope.
nothing can stand in the way of millions of voices calling for change
the hopes of little girl who goes to a public school in Dillon are the same as the dreams of a little boy who learns on the streets of L.A. We will remember that there is something happening in America, that we are not as devided as our politics suggest, that we are one people, we are one nation and together we will begin the next great chapter in the American story with three words that will ring from coast to coast, from sea to shining sea: YES WE CAN!
yes we can to justice and equality
yes we can to oppurtunity and prosperity — Barack Obama

Behind every novel is a greater story of how it came to be published. — T.L. Rese

I've never dreamed of a story idea. I have such boring dreams. — R.L. Stine

To all those whom seek the iron words of the community: if your book is good, it will stand on its own. Be it a short story, a novel, a novella, a chapter book, a poetry book, a chapbook, a manga or a graphic novel ... it will seek reviews by itself. You need to do nothing with it. Do nothing but write. Give up review seeking and focus on writing, for that is what becomes you in the end. — L'Poni Baldwin

Our story is never written in isolation. We do not act in a one-man play. We can do nothing that does not affect other people, no matter how loudly we say, It's my own business. — Madeleine L'Engle

BUT TRANSFORMERS ROTF(L) SUCKS BECAUSE IT IS A TERRIBLY TOLD STORY WITH ENDLESS BLOAT, NO MOMENTUM, PAPER THIN CHARACTERIZATION, NO CHARACTER CONSISTENCY, NO ACTUAL RELATIONSHIPS, POORLY ARTICULATED CONFLICTS, ZERO SENSE OF DRAMA, A WEIRD-AS-HELL TONE, AND A WHOLE LOT OF SEXISM AND RACISM TO BOOT. — Film Crit Hulk!

In no particular order: baked goods, Colin Farrell's eyebrows, and the thighs of rugby players everywhere. And to the city of Edinburgh, where a love story was born. — L. H. Cosway

You must get beyond divertissement, sketch, anecdote, the interesting moment. You must get to the mystery of human personality. What is the line of the story that leads us to a point where we see or intuit something we haven't before? — John L'Heureux

Sometimes you only get one chance to rewrite the qualities of the character you played in a person's life story. Always take it. Never let the world read the wrong version of you. — Shannon L. Alder

It's a true story of a girl falling for a boy. Nothing more. Nothing less. And I wouldn't want it any other way. — Amber L. Johnson

Time is a great teacher, but unfortunately it kills all its pupils ... - Louis Hector Berlioz — William L.K.

For the Bible, despite all its contradictions and absurdities, its barbarisms and obscenities, remains grand and gaudy stuff, and so it deserves careful study and enlightened exposition. It is not only lovely in phrase; it is also rich in ideas, many of them far from foolish. One somehow gathers the notion that it was written from end to end by honest men - inspired, perhaps, but nevertheless honest. When they had anything to say they said it plainly, whether it was counsel that enemies be slain or counsel that enemies be kissed. They knew how to tell a story, and how to sing a song, and how to swathe a dubious argument in specious and disarming words. — H.L. Mencken

When the newspaper detailed the suicide of a young person, it was young drivers who then piled their cars into trees, poles, and embankments with fatal results; but when the news story concerned an older person's suicide, older drivers died in such crashes. l advised, then, to take special care in our travels at these times. — Robert B. Cialdini

I read obsessively to escape my own world. To live the dreams of others when, for so long, the reoccurrence of my nightmares has been my reality. I read to fall in love and find a happily ever after, even if it is purely imagined. With each story I read, I'm able to live and love vicariously through the characters in my books. It's the only plausible way for me to survive. — L.B. Simmons

Western man has tried for too many centuries to fool himself that he lives in a rational world. No. There's a story about a man who, while walking along the street, was almost hit on the head and killed by an enormous falling beam. This was his moment of realization that he did not live in a rational world but a world in which men's lives can be cut off by a random blow on the head, and the discovery shook him so deeply that he was impelled to leave his wife and children, who were the major part of his old, rational world. My own response to the wild unpredictability of the universe has been to write stories, to play the piano, to read, listen to music, look at paintings - not that the world may become explainable and reasonable but that I may rejoice in the freedom which unaccountability gives us. — Madeleine L'Engle

I have the cliche 'struggling actor' story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn't work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater. — Pedro Pascal

When a husband's story is believed, he begins to suspect his wife. — H.L. Mencken

We can now say with considerable confidence that the Bible is not a history of anyone's past ... The Bible's "Israel" is a literary fiction ... Not only have Adam and Eve and the flood story passed over to mythology, but we can no longer talk about a time of the patriarchs. There never was a "United Monarchy" in history and it is meaningless to speak of pre-exilic prophets and their writings ... The Bible deals with the origin traditions of a people who never existed as such — Thomas L. Thompson

Stories are able to help us to become more whole, to become Named. And Naming is one of the impulses behind all art; to give a name to the cosmos, we see despite all the chaos. — Madeleine L'Engle

Well, the Story Girl was right. There is such a place as fairyland - but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way — L.M. Montgomery

Sometimes losses in life are not losses at all. They are simply the evidence God provides, in order to build a story so profound, that it will cause social change. — Shannon L. Alder

That God should play the tyrant over man is a dismal story of unrelieved oppression; that man should play the tyrant over man is the usual dreary record of human futility; but that man should play the tyrant over God and find him a better man than himself is an astonishing drama indeed. — Dorothy L. Sayers

All I have is the will to remember. Time revoked/fever dreams - I wake up reaching, afraid I'll forget. Pictures keep the woman young. L.A., fall 1958.
Newsprint: link the dots. Names, events - so brutal they beg to be connected. Years down - the story stays dispersed. The names are dead or too guilty to tell. I'm old, afraid I'll forget: I killed innocent men. I betrayed sacred oaths. I reaped profit from horror.
Fever - that time burning. I want to go with the music - spin, fall with it. — James Ellroy

'The Merchant of Venice' is a straightforward, clear story, while 'The Winter's Tale,' as a general rule, is hard to present because there is so much plot. — Jesse L. Martin