It's Over Between You And Me Quotes & Sayings

He makes a face and tosses the flower at me. It lands on my cheek, and I pick it up and twirl it between my fingers. I could lie out here all day, not moving an inch, feeling the sun above and the grass below. With a contented sigh, I stretch my arms wide, raking the grass with my fingers - and find myself brushing Aladdin's hand with my own. I pull it away quickly, my cheeks warming. He laughs a little.
"Sometimes," he says, "I forget you're supposed to be four thousand years old. You act as shy as a girl of sixteen."
"I do not!" I sit up and glare at him.
He grins and shrugs, sliding his hands under his head. There are bits of grass stuck in his hair, and after a moment's hesitation, I reach over and flick them away.
Aladdin watches me silently, his throat bobbing as he swallows. I drop my gaze. — Jessica Khoury

I know that you spent years pouring yourself into another person who you thought was going to love you forever; and when he was faced with the realities of the world, he abandoned you." I froze, taking in his words. "I'm not him, America. I have no intentions of giving up on you."
I shook my head. "You can't see it, Maxon. He might have let me down, but at least I knew him. After all this time, I still feel like there's a gap between us. The Selection has forced you to hand over your affection in slices. I'll never really have all of you. None of us will. — Kiera Cass

It's a truth universally accepted that a single woman without romantic or professional prospects must be in want of a husband." Stella sneered, paraphrasing an ironic Jane Austen quote.
"Come one, Stells." David tried to console her. They sat across from each other in Riley's kitchen, each with a cup of coffee that was quickly going from lukewarm to cold. "You don't honestly believe you don't have prospects."
She just shrugged. "I guess part of me thought it was always going to be me with you. But as I see, fairy tale's over."
David reached a hand between them and held tight to hers. "I'm sorry."
She pulled her hand away, praying she could keep boundaries. "You did everything right. I'm a moronic tool."
"No, you're not. You're an amazing person-"
"Blah blah blah." Stella interrupted. "You don't have to try to sell me on myself. I might be broken, but I know what I am. — Rebekah Martin

He was a stranger, an alien creature, impossible to reach or understand. And still she wanted to try. "Tell me what you need."
"This," he whispered, watching her lips move against his palm. "Just this." He rose over her, pinning her against the cushions, and stroked her hair with a tenderness that seemed misplaced among the sultry sensations it awakened in her.
"Do your clients pleasure you?" she asked hoarsely, her head tilting and following his fingers as they massaged her neck.
"If that's what they want. You pleasure me, Billie. The sight of you. The sound of your voice. I want to hear it all sorts of ways. Laughing. Whispering. Moaning. Crying out." He caught her mouth in a lush, hungry kiss, and there was nothing sweet or grateful about it this time. Erotic delight arrowed through her with each sleek thrust of his tongue between her lips, a sultry promise of what he would do to her if she let him. — Shelby Reed

Emily nodded. "We're considering putting you on the cover." "Why does he need to be half naked?" Drew asked. "Muscle cars, muscles on men ... It sells magazines," the makeup girl mused, still dabbing that sponge around my eye. Drew appeared silently at my side, crossing his arms over his chest. "He's with me." The girl straightened, and her surprised expression bounced between us. "You're together?" "Yeah, so forget about it," he quipped. I burst out laughing. "Go get some coffee, Forrester. You're cranky." "I'm not bringing you any," he said as he walked away. "Thanks!" I called after him. "I can still admire your muscles," the girl told me. "I heard that!" Drew yelled. — Cambria Hebert

Why do you think they don't like me? They hired me for God's sake. It's not like there was any mystery about my history."
"I heard you used iambic pentameter once when you should have used a catalexis."
"Huh?"
"Believe me, whatever the reason is, it will make as much sense."
Swift thought this over. Max was probably right, but it was still a weird, unhappy feeling. His mouth curved. "Do you really know what catalexis is?"
"Not a clue. I heard you mention it once. It stuck in my memory because it sounds like a cross between a Cadillac and a Lexus. — Josh Lanyon

My arms quickly grew too tired, and all the heat I'd gained from the shower left me. Giving up, I tossed the towel to the floor, crawled between the covers, and curled into a ball. I couldn't even rub my feet together to try to generate more heat. Clay walked in and turned off the lights. I listened to the familiar rustle of clothes. Instead of the usual bounce of him jumping up on the end of the bed, he peeled back the covers, and the bed dipped as he slid in next to me. I didn't bother to pretend I wasn't interested in what he offered. Heat radiated from him, chasing the chill from the sheets. "I really hope you're wearing shorts or something," I said with a slight slur. I stuck my cold feet right on his legs and shimmied over to his side to huddle against his warmth. Boy, was he warm. It didn't matter, though. The shaking didn't stop, but I was too exhausted to worry about it. Sighing, — Melissa Haag

And your words ... "
"Tell me about my words."
"They make me crazy."
"Which ones, specifically?"
"All of them. Any of them."
"So mostly 'and', and 'when', and 'if'."
It's another challenge, ten hurdles high. I can clear it, though. I can.
"No. Mostly 'sex' and 'pleasure' and the way you just said 'wet'."
"Like it excites me."
"Yes. Exactly, yes."
"Like I want you to tell me all about that slippery seam between your legs, and how eager you must be to have someone lick their way over it."
"Oh, God, yes."
"And how I would, if I were there. I'd kiss your pussy until you forgot every little sliver of that restraint, play with your nipples to make them so pretty and stiff, slide my fingers inside you just as I think you might be doing now. Are you? — Charlotte Stein

What time is it?" Lula asked. "I might need a doughnut. Is it doughnut time?"
"I'm thinking about eating healthier," I said. "More vegetables and fewer doughnuts."
"What's that about?"
"I don't know. It just came over me."
"It's a bad idea. What do I look like, Mr. Green Jeans? How would it sound if I said it's vegetable time? People would think I was a nut. Nobody gets a craving for a vegetable. And I'm the one on the diet. What am I gonna do with one carrot or one asparagus? They are not mood enhancers, if you see what I'm saying."
"I see what you're saying, but there aren't any doughnuts between here and Ernie's house."
"I guess I could wait. And maybe you're right about the healthy eating. I'm gonna get a carrot cake doughnut. — Janet Evanovich

Let's go over the facts one more time," Josh says. "This is your first weekend away from home?"
"Yes."
"Your first weekend without parental supervision?"
"Yes."
"Your first weekend without parental supervision in Paris? And you want to spend it in your bedroom? Alone?" He and Rashmi exchange pitying glances. I look at St. Clair for help, but find him staring at me with his head tilted to the side.
"What?" I ask,irritated. "Soup on my chin? Green bean between my teeth?"
St. Clair smiles to himself. "I like your stripe," he finally says. He reaches out and touches it lightly. "You have perfect hair. — Stephanie Perkins

I need you to know I never meant it. I said it because I thought that's what you're supposed to say, but it didn't mean anything. And it's different with you. This is the first time I've been scared. Scared you'll change your mind. Scared I'll screw it up. Aces, Cress, I'm terrified of you." Her stomach fluttered. He didn't look terrified. "Here's the thing." Thorne crawled over her legs and lay down beside her, boots and all. "You deserve better than some thief who's going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I'm actually a decent guy who's halfway worthy of you. So, what scares me most" - he twisted a lock of her hair between his fingers - "is that someday even you will realize that you can do better. — Marissa Meyer

I don't know if I've got swept up. It's so shocking when you hear that Calvin Klein wants you for their new campaign. You're like, 'who me?'. I guess you have to decide where you draw the line between you saying, this is fun, pretty and fabulous, and being over-exposed. — Scarlett Johansson

Meantime do you see me as still working on the book, still trying to answer such questions as: Is there any ultimate reality, external, conscious and ever-present etc. etc. that can be realised by any such means that may be acceptable to all creeds and religions and suitable to all climes and countries? Or do you find me between Mercy and Understanding, between Chesed and Binah (but still at Chesed) - my equilibrium, and equilibrium is all, precarious - balancing, teetering over the awful unbridgeable void, the all-but unretraceable path of God's lightning back to God? ... Though it is perhaps a good idea under the circumstances to pretend at least to be proceeding with one's great work on "Secret Knowledge," then one can always say when it never comes out that the title explains this deficiency. — Malcolm Lowry

Jiminy," says the old woman. The mothballs gleam with excitement and she claps her hands. "A wolf!"
"Gram!" Siobhan glares across the room. She turns to me. "You'll have to excuse her. She's real old. Wasn't a lot integrating between the species back in her day."
I pad over and put out a paw. "Pleased to meet you, madam."
She blushes, the varicose veins in her cheeks swelling with blood. Instead of taking my paw to shake, however, she turns it over as if it's a piece of bruised fruit in a market. "Hmmm ... " She pores over my palm, nodding like a fortune-teller. Her spectacles slide comically down the bridge of her nose, and when she looks up at me, her face is full of mock astonishment. "Oh, my! What big teeth you have!" She giggles and kicks her slippered feet.
"Gram!!
The old elf claps her tiny hands. "I always wanted to say that! — Robert Paul Weston

I meant to resist your charms; I really did.I wasn't going to do this."
Alan took her wrist, guiding her hand over so that he could press a kiss to the palm. "Make love with me?"
"No." Shelby's gaze traveled from his mouth to his eyes. "Be in love with you."
She felt his fingers tighten on her wrist, then loosen slowly as his eyes stayed dark and fixed on hers. Beneath her, she felt the change in his heartbeart. "And are you?"
"Yes." The word, hardly audible, thundered in his head.
Alan brought her to him, cradling her head against his chest, feeling her low slow expulsion of air as his arm came around her. He hadn't expected her to give him so much so soon. "When?"
"When?" Shelby repeated, enjoying the solid feel of his chest under her cheek. "Sometime between when we first stepped out on the Write's terrace and when I opened a basket of strawberries."
"It took you that long? All I had to do was look at you. — Nora Roberts

Let me explain: There are all sorts of reasons why women pick one colorist over another. Some will go to you if you have the same kind of dog or because they like the way you look. Some will only go to a man, because they want to feel a man's hands on them. Then, of course, you have the editorial mongrels, who will go only to whoever is in this month's Elle or Allure. But no matter what brings them to you in the first place, they'll drop you cold if you're not a good colorist. Which means no mistakes. Not ever. Brain surgeons are allowed more mistakes than hair colorists. Don't misunderstand me. I'm not saying that what I do is brain surgery or in any way important. Between you and me, it's just hair. But a certain kind of woman cares about her hair. A lot. — Kathleen Flynn-Hui

Can we walk for a bit?" he says.

"Yes, that would be lovely." But as I start getting up I lose my footing and slip and fall - right over the shingle. If I'd been doing a stunt in an action-adventure movie it would have probably looked spectacular but in the context of a romantic makeup it looks totally ridiculous.

"Are you OK?" Noah calls over to me.

I scramble up, my face red with embarrassment.

"That was an awesome body roll. I wanna try." Noah takes a step back before hurling himself over the shingle. He crashes into me and we land on the beach in a tangled heap. And as we laugh our heads off, the very last traces of tension between us disappear.

"I've missed you so much, Inciting Incident," he whispers.
- Zoe Sugg (Girl Online (Girl Online, #1)) — Zoe Sugg

I want you to marry me, Thomas." Marcus' attention had weight and heat on every exposed, raw part of him. "We can get a license in a state where it's legal, have a ceremony wherever you want, however you want. And I don't care if there's no law for it on the books, it will be the law between you and me and whatever God there is. I want it to be impossible for us to leave each other without a hell of a lot of paperwork, ugly custody battles over furniture, whatever.
"I want to marry you," he repeated. "I want you to know that every morning when you wake up and see me that I want to be there, that I made an oath to be there. To stand by you. And that there's no one else for me. Not ever. — Joey W. Hill

I love you." The words were a curse, harsh and punishing. "I can't change it and I don't want to. You're it for me." Angelo's body shook between Gabe's legs. "I gave you my heart in that fucking interrogation room, cop, yet you've been holding yours hostage from me."
He pulled his head back, eyes over-bright, lips red and swollen. "I want those words. I deserve those words." His voice wobbled and broke. "I demand those words. I need them. — Avril Ashton

I know something happens between the time our mothers and fathers and teachers and mentors send us out into the world telling us, "The world is yours," and "You are beautiful," and "You can be anything," and the time we return to them.

Something happens when people tell me I have a pretty face, ignoring me from the neck down. When I watch the news and see unarmed black men and women shot dead over and over, it's kind of hard to believe this world is mine.

Sometimes it feels like I leave home a whole person, sent off with kisses from Mom, who is hanging her every hope on my future. By the time I get home I feel like my soul has been shattered into a million pieces.

Mom's love repairs me. — Renee Watson

Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried.
"You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?"
He scratches behind his ear and looks away, like he's embarrassed by what he said.
I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care.
I reach out and take his hand. His fingers slide between mine. I can't breathe.
I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it. — Veronica Roth

There needed to be a distance. The one thing the past few weeks had driven into me over and over was the more you got to know someome, the more you inevitably came to care about him or her. The lines between you became blurred, and when the separation came, it was excruciating to untangle yourself from that life. Even if I had wanted to tell them, there was no way to put that kind of pain into words. No way to make them understand. — Alexandra Bracken

I actually chafe at describing myself as masculine. For one thing, masculinity itself is such an expansive territory, encompassing boundaries of nationality, race, and class. Most importantly, individuals blaze their own trails across this landscape. And it's hard for me to label the intricate matrix of my gender as simply masculine.

To me, branding individual self-expression as simply feminine or masculine is like asking poets: Do you write in English or Spanish? The question leaves out the possibilities that the poetry is woven in Cantonese or Ladino, Swahili or Arabic. The question deals only with the system of language that the poet has been taught. It ignores the words each writer hauls up, hand over hand, from a common well. The music words make when finding themselves next to each other for the first time. The silences echoing in the space between ideas. The powerful winds of passion and belief that move the poet to write. — Leslie Feinberg

We could have had a major disaster on our hands."
"Right now the earth could fall off its axis, and I wouldn't give a rats behind."
Michael's gaze skimmed over my bare shoulders, and he reached out to gently pull my jacket around them. "I've known since before we met how it would be between us. But knowing didn't prepare me for you. — Myra McEntire

He closed his eyes and let out a jagged breath. "Okay."
He settled between my legs holding himself over me. "I've never been with a virgin, Eva. I'm going to try real hard not to hurt you."
"Will it hurt you?" I asked, thinking about his pained expression when he'd said I was too tight.
He smiled, "It's going to be the closest to heaven I'll ever get, baby. — Abbi Glines

Fear
My dictionary informs me that the word "fear" comes from the Old English word faer, which is related to the word faerie and means to cast enchantments. Faerie, or fairy, has roots in the word fae or fay, meaning of the Fates, or fate, which in turn is linked to faith, derived from the Latin word meaning to trust ...
He appeared, when I fist sumoned him, tall and stooped, big, hooded, and draped in mists and swathes of gray, from pale to almost black. There was a line between him and me. He walked over the line and stood just behind my left shoulder. He's there now. He stoops and whispers in my ear, "Watch out!" "Don't trust what you're hearing," "Slow down the car down," "Trust the omens!" He is Fear. He warns me of probable danger, and I listen to him because he is always correct.
Fear is your ally! It is your instinct to survive. Worry is a useless thing, it achieves nothing. Resolution is the key to success. — Ly De Angeles

Every once in a while, I get the urge. You know what I'm talking about, don't you? The urge for destruction. The urge to hurt, maim, kill.
It's quite a thing, to experience that urge, to let it wash over you, to give in to it. It's addictive. It's all-consuming. You lose yourself to it. It's quite, quite wonderful. I can feel it, even as I speak, tapping around the edges of my mind, trying to prise me open, slip its fingers in. And it would be so easy to let it happen.
But we're all like that, aren't we? We're all barbarians at our core. We're all savage, murderous beasts. I know I am. I'm sure you are. The only difference between us, Mr Prave, is how loudly we roar. I know I roar very loudly indeed. How about you? Do you think you can match me? — Derek Landy

After they left, Gabriel turned on Nathan. "So when did everyone get to kiss Sang?" Nathan's eyebrows went up. "What?" Gabriel held up his fingers, counting off. "North, Kota, Luke and Victor." Gabriel turned to me, snapping. "Oy. Get over here." He pointed to his cheek. "Where's my kiss?" I took a half step forward, but Nathan planted himself between us, his back to me. "No," he said. "You can't do that?" "Why not?" Gabriel asked. "She was going to. She's already done it to the others. — C.L.Stone

Son, you just asked me: how can someone show love over and over again when they're constantly rejected? Caleb, the answer is: you can't love her, because you can't give her what you don't have. I couldn't truly love your mother until I understood what love truly was. It's not because I get some reward out of it. I've now made a decision to love your mother whether she deserves it or not. Son, God loves you, even though you don't deserve it. Even though you've rejected Him. Spat in His face. God sent Jesus to die on the cross for your sin, because He loves you. The cross was offensive to me, until I came to it. But when I did, Jesus Christ changed my life. That's when I truly began to love your mom. Son, I can't settle this for you. This is between you and the Lord. But I love you too much not to tell you the truth. Can't you see that you need Him? Can't you see that you need His forgiveness? — Jennifer Dion

Jessica," he began. "Just leave me alone!" He turned her around. That she only hesitated briefly before she allowed it was a very good sign, to his mind. He pulled her close, then ran his blood-caked hand over her hair as gently as he knew how. She liked that. He would have walked from Hadrian's wall to London on his hands if she'd liked that, too. Saints, what a fool love made of a normally sane man. He rested his bruised cheek against her hair. "Jess," he whispered, "it was talk you shouldn't have heard." She tried to pull away, but he tightened his arms around her. "I said things I didn't mean." "You creep, then you don't care about me at all!" "I care," he said, forcing the words from between suddenly parched lips. He was so terrified, he was shaking. If she turned and walked away now, he wasn't sure he would survive. — Lynn Kurland

Colhoes!" He jerked away and rolled off her and to his feet. She scuttled back, skirts tangling in her boots as she jumped up, leaping to avoid puppies. The man's shadowed eyes swung to her, anger sparking in them in the dim light. Blood dripped between his fingers clamped over his mouth. "I hope I bit it off," she said, unwisely. He dropped his hand and his lower lip was still intact, though bleeding down his chin. "Damn it, woman. I only kissed you." "While you had me trapped beneath you." "Yes, well, obviously that was a mistake."

-Vitor & Ravenna — Katharine Ashe

It's very rare that you get to play a character over the course of so many films. Bella meant a lot to me and she will always be such a formative event in my career. I grew up with her and she and I have been on this great journey together. I also see many parallels between her evolution and my own because I lived through so many things along the way while playing Bella and having this connection to so many people involved in making the films over the years. It would be impossible for me to separate my world from Bella's. — Kristen Stewart

He let go of the rope one hand at a time and latched onto Lisa's hands. Her fingernails dug into his wrists, but her grip was strong after a summer of lifting girls into the air. It was a tug of war battle between his friends and Shawn's ghost. The wind died down as Shawn gathered all of his energy to pull on Mike. Even though he was terrified of what was happening, Mike knew that Shawn wasn't trying to hurt him. After all these years, he was still trying to find a way out. Shawn wanted to go home too, and he saw the hope of being rescued falling away.
"Shawn! Please! Let me go!" Mike called over the dying wind, "I'll get you help! We'll get you out! Just please! Let me go!"

- Saving Hascal's Horrors — Laura Smith

I tell you that I like being this close to you and how you feel against me. But now even I'm hesitant. I'm afraid that when we hit the ground, this will be over. We'll land and this feeling between us will vanish. That you won't feel it any longer. I can't stand that thought. — Jessica Park

Clair put down her knife and pickle, then wiped her hands. As she came toward Clay she pulled a large bobby pin from the back of her hair, and her long, thick locks cascaded down her back. She took Clay's right hand and kissed each of his fingertips, licked his thumb, then took his index finger in her mouth and made a show of removing it slowly and with maximum moisture. Clay looked at the floor, shaking. "Baby," she said as she placed the bobby pin firmly between Clay's wet thumb and index finger, "I need you to go over to that wall and take this bobby pin and insert it ever so firmly into that electrical outlet over there." Clay looked up at her at last. "Because," she continued, "I know that you aren't mad at me and that you're just grieving for your friends, but I think you need to be reminded that you aren't invulnerable and that you can hurt even more than you do now. — Christopher Moore

I'd take you home with me, see, but two of us in the same Behold? Just wouldn't work, ends up in all sorts of squabbles over interior design; and the human, well, one faery in the Behold of the Eye, that just gives them a little twinkle of imagination, but more than one and it's like a bloody fireworks display. They get all unstable and artistic, blinded by the glamour of everything, real or imagined, concrete or abstract. They get confused between beauty and truth and meaning, you see, start thinking every butterfly-brained idea must be true; before you know it they've gone schizo on you and you're in a three-way firefight with all the angels and the demons, them and their bloody ideologies. — Hal Duncan

Stu stops munching, looks up at me from under his shaggy hair.
"So, can you read?" He slides a section toward me.
I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can't read or speak, though I still have language inside my head. Words are a consolation, but not a tool.
"Guess not. You want me to read stuff out loud to you?"
I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk.
"It's so weird," he says in a hesitant voice. "You don't look like a cat. When you stare at me, you look like Eliza."
That's the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you. — Simone Martel

Bryn," he said. "Do you know how much I love you?"
I smiled and answered with a hint of sarcasm in my tone, "Well, I'm not quite sure."
"No, I'm serious," Tyler said, turning over onto his side so that he was facing me. His eyes were serious, something that I only saw when he really had something to say.
"Yeah, I do. It's the kind that hurts so good, right? Almost like you can't breathe without the other person and the only thing that keeps you sane throughout the day is knowing that you'll see that person soon enough. Nothing can come between you and that person. You would do anything for them. Be anyone they need you to be. Without thinking twice, you know you will be there, no matter what. That's what loving you is to me. — Alexandria Rhodes

He swiveled his head towards Eddie. "Tell me how to get over to the Four Lads. Do I have to die again?"
If he did, he had a Beretta on him and he knew what kicking the bucket from a gunshot was like. Snore.
"Don't bother." Adrian cracked his knuckles. "They're not going to tell you anything. They can't."
What the fuck? "I thought I worked for them."
"You work for both sides, and they've given you all the help they can."
Jim looked back and forth between the two angels. Each of them had the tight expression of a guy with a shoestring noosing up his balls.
"Help?" he said. "Where's my goddamned help?"
"They gave you us, asshole," Adrian snapped. "And that's all they can do
I've already gone over and asked them who's supposed to be next. I figured it would help you, you ungrateful bastard. — J.R. Ward

Why did you do this?" He was shaking. "Just tell me why."
I tried to muster up some of the righteous indignation that I'd felt on Friday night as I said, "You knocked over my gravestone!" But even to my ears the words sounded tinny and pathetic.
Dan's face was pale. "It was just a gravestone, Chelsea. And it was a mistake. I told you that already, and I meant it. I've never lied to you. My God, can't you tell the difference between a gravestone and a person you love? Can't you tel which one matters?"
But if I had to point to the real problem in my life, it's that I've never known the difference between a gravestone and a person I love. I have never known which is which until it's too late.
"All's fair in love and war," I reminded him, aiming for Tawny's tone. But my voice came out sounding just like me.
"Oh, yeah? And which is this?" he asked. "Love or war? — Leila Sales

John glances at me. "We're not going to make it." Between us, Day has faded into a semiconscious state. If the brothers continue on and I run back to fight the soldiers, I'll probably only take down a few before they overwhelm me. They'll still reach John and Day.
John stops walking, and I feel Day's weight shift over to me. "What - " I begin to say, until I see John pull the blindfold off of Day's neck. Then he turns around. My eyes widen. I know what he's going to do. "No, stay with us!"
"You need more time," John says. "They want an execution? They'll get one." He starts running away from us. Back down the hall. — Marie Lu

You guys know I love you, right?" I glance between them, knowing they'll freak, but it has to be said.
They look at each other, exchanging a look of alarm, both of them wondering what could've possibly happened to the girl they once pegged as the Ice Queen.
"Um, okay ... " Haven says, shaking her head.
But I just smile and grasp them both to me, squeezing them tightly as I whisper to Miles, "Whatever you do don't stop acting or singing, it's going to bring you great happiness."
And before he can respond, I've moved on to Haven, knowing I have to get this over with and quick, so I can get Damen to Ava's, but determined to find a way to urge her to love herself more, and that Josh is worth hanging on to for however long it lasts. "You have so much value," I tell her. "So much to give
I just wish you could see how bright your star truly does shine."
"Um, gag!" she says, laughing as she untangles herself from my grip. "Are you okay? — Alyson Noel

I couldn't sleep last night because I know that it's over between us. I'm not bitter any more, because I know that what we had was real. And if in some distant place in the future we see each other in our new lives, I'll smile at you with joy and remember how we spent the summer beneath the trees, learning from each other and growing in love. The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds, and that's what you've given me
- Noah The Notebook — Nicholas Sparks

I bunch his hair between my fingers and tug his head up. "Get on your back." "Not done with you," he mumbles. "Trust me." His eyes gleam as he shifts onto his side. Then he grins and rolls over, propping his hands behind his head and awaiting my next move. The ache between my legs is unbearable, making it difficult to move. I order my shaky limbs to cooperate, and climb onto his muscular body, twisting around so that my butt is wiggling in his face and his massive erection is at eye level with me. "Fuck," he gasps. "Yeah, babe, that's what I like to see. — Sarina Bowen

Tyler wrote:
Dearest Marguerite:
You've taught me a great deal about stillness. About the many things that can drift into your mind and heart when you shut down the barricades created by noise. Unexpected gifts of insight, revelation and wisdom. < ... >
But you taught me that love is found in stillness. It is the space between objects. It's the star you can't see if you look directly at it in the night sky, but if you look away, look forward, you see it in your peripheral vision, beside you, watching over you. If you lie down on the earth it's there, beneath you, cradling you.< ... >
You're my angel, my tormentor, my woman, my love.
God, Tyler is such a gentleman! He is gentle AND a gentleman. — Joey W. Hill

When I get to Club Mystique at nine, Alex sneaks up behind me outside. I turn around and wrap my arms around his neck.
"Whoa, girl," he says, taken aback. "I thought we were keepin' this thing between us a secret. I hate to tell you, but a bunch of north siders from Fairfield are right over there. And they're starin' at us."
"I don't care. Not anymore."
"Why?"
"You only live once."
He seems to like my answer, because he takes my hand in his and leads me to the back of the line. It's cold outside, so he opens his leather jacket and envelopes me in his warmth while we wait to get in.
I look up at him, our bodies pressed together. "Are you going to dance with me tonight?" I ask.
"Hell, yeah."
"Colin never wanted to dance with me."
"I'm not Colin, querida, and never will be."
"Good. I've got you, Alex. I realize it's all I need and I'm ready to share it with the world. — Simone Elkeles

You're out there, Lespere. It's all over. It's just as if it had never happened, isn't it?"
"No."
"When anything's over, it's just like it never happened. Where's your life any better than mine, now? Now is what counts. Is it any better? Is it?"
"Yes, it's better!"
"How?"
"Because I got my thoughts, I remember!" cried Lespere, far away, indignant, holding his memories to his chest with both hands.
And he was right. With a feeling of cold water rushing through his head and body, Hollis knew he was right. There were differences between memories and dreams. He had only dreams of things he wanted to do, while Lespere had memories of things done and accomplished. And thus knowledge began to pull Hollis apart in slow, quivering precision.
"What good does it do you?" he cried to Lespere. "Now? When a thing's over it's not good any more. You're no better off than me."
"I'm resting easy," said Lespere. "I've had my turn. I'm not getting mean at the end, like you. — Ray Bradbury

I think my life actually changed at 40. That's when you realize you can't ride the fence anymore. You either have to get on one side or the other. I think some of my best years were between 40 and 50: I got my priorities straight and life is good to me now. It's only other people who say, "God, she's 50 years old!" as if I'm over the hill. I feel like I just started. — Dolly Parton

I think it's time for me to completely surrender myself to you. Your father explained some things to me while we spent time together, and he told me that in order for me to be true and righteous towards you, I must give you my secret treasure to willfully submit to you. I want you to have complete domination over me, because I don't want to love anyone else but you," she replied. "I want to satisfy all of your needs and desires, so I am willfully being submissive to you," she explained, as she rubbed lubricant between her creases. — Vivian Blue

You're really going to do it, aren't you? You're really going to go back to war?" Gregor said. He could feel something boiling up inside of him. "So, we'll just forget about what happened. The jungle, the Firelands, the Bane." His voice was rising and he could feel the rager side of him taking over. "Forget about everybody who's dead! Tick and Twitchtip and Hamnet and Thalia and Ares! And your parents, Luxa! And your pups, Ripred! Let's just forget about everybody who gave their lives so that you could have this moment where you could - could make things right again! So you could stop the killing! We were fighting for the same thing, remember? You two owe each other your lives! You owe me your lives! And now you stand there and ask me to choose between you? To help you kill each other?" Gregor yanked Sandwich's sword from his belt and swung it so violently that even Luxa and Ripred stepped back. "Well, guess what? The warrior's not fighting for either of you! — Suzanne Collins

Vik?"
The little metallic bird postured on the windowsill, eyeing him coldly. Vik's paint was iridescent and glossed-something the mecha had never liked, since he said it made him look like a girlie bird. "I'm surprised you remember my name." Vik paused before he added an acerbic, "Asshole."
Syn laughed as he rolled away from Shahara. "You prickly little shit, get over here."
Vik swooped in to land between the two of them on the bed. He burst apart, shifting from bird form to that of a more traditional mechbot. With his hand, he smacked Syn in the arm. "I thought you were coming back for me."
"I tried. I really did, but by the time I could, I figured you'd be gone."
Vik hissed then looked at Shahara. "He lie to you like that?"
-Syn & Vik — Sherrilyn Kenyon

The whole notion of politics is they always present you with this or this or this. Nobody is the same. I'll get a newspaper to read between the lines. Why do you have to adhere to prescribed formulas that they have and people argue over them and they're all in a box. And you watch Fox claw CNN, and CNN claw Fox. Sometimes I catch a piece of the news and it seems insanity to me. I quietly support candidates. I'm not out there banging a drum for candidates. But I have supported a candidate and it's a whole other world. — Mel Gibson

I know you don't ... ." He shook his head and glanced up at the stark white wall across the way from his cell, starting over. "I know you care about me. That's all I need. I just figured ... we have enough secrets between us," he continued as he looked back up at Zane and smiled nervously. "Now it's just one less. — Abigail Roux

It hurts more than anything in the world because even though it might not be the case, it feels like you've chosen your child over me.
'I haven't there is no choice. She's part of me. You're part of me too. It's like ... I don't know ... asking me to pick between my heart and my lungs.'
'I know, but the thing is, you are my heart and my lungs. You're everything to me. And what hurts is that I know i used to be everything to you. — Mike Gayle

She was fifteen years old, going on thirty-five, Doc, and she told me she was eighteen, she was very willing, I practically had to take to sewing my pants shut. Between you and me, uh, she might have been fifteen, but when you get that little red beaver right up there in front of you, I don't think it's crazy at all and I don't think you do either. No man alive could resist that, and that's why I got into jail to begin with. And now they're telling me I'm crazy over here because I don't sit there like a goddamn vegetable. Don't make a bit of sense to me. If that's what being crazy is, then I'm senseless, out of it, gone-down-the-road, wacko. But no more, no less, that's it. — Ken Kesey

I had begun to see a new map of the world, one that was frightening in its simplicity, suffocating in its implications. We were always playing on the white man's court, Ray had told me, by the white man's rules. If the principal, or the coach, or a teacher, or Kurt, wanted to spit in your face, he could, because he had power and you didn't. If he decided not to, if he treated you like a man or came to your defense, it was because he knew that the words you spoke, the clothes you wore, the books you read, your ambitions and desires, were already his. Whatever he decided to do, it was his decision to make, not yours, and because of that fundamental power he held over you, because it preceded and would outlast his individual motives and inclinations, any distinction between good and bad whites held negligible meaning. — Barack Obama

Do you remember," he said, "one of Holmes's little scores over Watson about the number of steps up to the Baker Street lodging? Poor old Watson had been up and down them a thousand times, but he had never thought of counting them, whereas Holmes had counted them as a matter of course, and knew that there were seventeen. And that was supposed to be the difference between observation and non-observation. Watson was crushed again, and Holmes appeared to him more amazing than ever. Now, it always seemed to me that in that matter Holmes was the ass, and Watson the sensible person. What on earth is the point of keeping in your head an unnecessary fact like that? If you really want to know at any time the number of steps to your lodging, you can ring up your landlady and ask her. — A.A. Milne

Damn, I need to come," Steele groaned and kissed the inside of Tech's knee. "Come for me." Tech took one hand from behind Steele's neck and eased it between their stomachs. "Do it. Make me come. Make me come for you." Steele closed his mouth over Tech's sensual words, spread his legs wider, and pounded at the place inside of Tech that caused him to arch his neck and yell out with each contact. He screamed Steele's name as his fist moved rapidly between them. It was the hottest thing Steele had ever seen. This proper and perfect genius giving a devil dog like him the ride of his life. — A.E. Via

Your mother said I was a patient man. I can be, under some circumstances. I'll wait, because you'll come to me. There's something alive between us, so when you're ready, you'll come to me."
"There's a fine line between confidence and arrogance, Brian.Watch your step," she suggested as she started for the door.
"I missed you."
Her hand closed over the knob, but she couldn't turn it. "You know all the angles," she murmured.
"That may be true. But still I missed you. Thanks for the tea."
She sighed. "You're welcome," she said, and left him. — Nora Roberts

This is another thing I think of, turning it over, try to put together two pictures of it, but this time it's about me, it's myself I'm trying to figure. Because one sounds so disgusting, not even able to tell Al about it, win the big game, take the virgin to her first bonfire, feed her a beer or two, and then the two of us in someone's car with your hand between my legs, unbuttoned and hiked down and the noises I made, before I finally, gasping, stopped you. It sounds terrible and it's probably the truth, the real picture, gross when I write it down and shamed about it. But it's the real, whole truth I'm trying to get down, how it happened, and honestly it felt different then, different from that bad picture. I can see it, so gentle the way you moved, the thrill that was there with us as no one knew where we were or what we were doing. — Daniel Handler

Green leaned his head back, wanting everything Ruxs was going to do to him. "Upstairs. Get the fuck upstairs, Mark. We can't do it right here. What if Curtis comes downstairs?" Green panted. Thank god some portion of his brain was still working. "Oh shit. You're right." Ruxs chuckled softly, rubbing his hand up and down Green's body. "You're so goddamn beautiful, I can't think straight when I see you. You can't be walking around in a fuckin' silk robe, nothing but this soft material between me and your naked body." He squeezed Green's ass, thrust against him a couple more times before he dropped Green's robe back down and pulled his pajama pants back over his ass. "Go — A.E. Via

I couldn't stop then. Between the sobs I kept saying, over and over again, "I'm sorry, I'm sorry." "Shhhh. It's okay to cry. It's okay." And she rocked me and rocked me. But while she was saying it was okay, I could hear my Dad's voice, Crybaby, crybaby. Stop feeling sorry for yourself. I'll give you something to cry about. And I couldn't help saying, "I'm sorry." Still, the tears and sobs went on and on. — Steven Gould

It's me," he says softly. "Stop listening to everything else. Remember the way you feel when I'm kissing you and touching you. Don't think with your head. You know me. And when my lips are on yours, you trust me." As if to make his point, he dips his head and brushes his mouth over mine. Sparks fly between us. As always. "You trust me, when my hands are on your skin." He runs his palms down my arms and then over to my waist where he pushes them up under the edge of my shirt. Chills break out down my back. "You trust me when you turn your mind off, when you just feel. — M. Leighton

But I love YOU, Edweird. Sure, I'll probably hook up with Yakob in Eclipse. After all, you're going to leave me for roughly three hundred pages. But that's neither here nor there. You and I were meant to be together. I mean you, me and sometimes Yakob ... and sometimes just Yakob and me, but mostly you and me. That's just the way I always dreamed it should be, you want to marry me. We'll marry."
"Hmmm," said Edweird thoughtfully after a long pause. "You know, I'm actually getting kind of tired of Yakob, if you want to know the truth. I mean, seriously, going steady with the same guy for half a century can make a stale relationship. Maybe it's time we see other people. You really set me straight on this, Stella. I want to thank you for makin me see this whole vampire-werewolf relationship thing more clearly."
Edweird then turned to Yakob, who had remained silent throughout. "It's over between us, toots. — Stephen Jenner

Men came in and dragged us apart. It took us five minutes to bring Nora to. She sat up holding her cheek and looked around the room until she saw Morelli, nippers on one wrist, standing between two detectives. Morelli's face was a mess: the coppers had worked him over a little just for the fun of it. Nora glared at me. "You damned fool," she said, "you didn't have to knock me cold. I knew you'd take him, but I wanted to see it."
One of the coppers laughed. "Jesus," he said admiringly, "there's a woman with hair on her chest. — Dashiell Hammett

I was good. I was at home with baseball. But I set my routines, and I need them. I can't ... I can't play without them."

He didn't say anything else until we got to home plate and stepped on it at the same time. He put his hands on my face and looked at me directly, as if putting a tunnel of attention between us. His thumbs rested on my cheeks.

Why hadn't I seen it the night before? Or an hour ago? Why didn't I put it all together from the exhibition games and the spring training video? He was coming apart at the seams.

"You," he said. "You threw it all in the fire. Things started collapsing right before you, and when you came, everything went to hell. It's you. I denied it, because if I let you in, I had to start over. I tried to bend it around to not want you. But I can't deny it anymore. There's no center without you. — C.D. Reiss

Go home, Adam," I replied softly. "We're done."
His eyes widened in shock. "Ellie-"
"I'll pretend for Braden. When we're all together, I'll pretend for Braden that nothing has changed between you and me."
I held his gaze, attempting to be strong as I ended us.
"But whatever this is, it's over. Everything. Don't call me, don't visit ... just don't. I don't want you near me when you don't have to be. It hurts too much, and if you care about me even just a little bit, you'll stay away from me. — Samantha Young

There is a limit to human charity," said Lady Outram, trembling all over.

"There is," said Father Brown dryly, "and that is the real difference between human charity and Christian charity. You must forgive me if I was not altogether crushed by your contempt for my uncharitableness today; or by the lectures you read me about pardon for every sinner. For it seems to me that you only pardon the sins that you don't really think sinful. You only forgive criminals when they commit what you don't regard as crimes, but rather as conventions. So you tolerate a conventional duel, just as you tolerate a conventional divorce. You forgive because there isn't anything to be forgiven. — G.K. Chesterton

Acceptance is not a talent you either have or don't have. It's a learned response. My meditation teacher made a great point about the difference between a reaction and a response: You may not have control over your initial reaction to something, but you can decide what your response will be. You don't have to be at the mercy of your emotions, and acceptance can be your first step toward empowerment ... For me, acceptance has been the cornerstone to my having an emotionally healthy response to my illness. — Morrie Schwartz.

The wine must have eradicated every last atom of common sense I possessed, because I reached up to give him a hug in the same way I would have done with Tom or one of Dane's other friends. A buddy hug. But every nerve from head to toe screamed "Mistake!" as soon as the front of my body met his, adhering like wet cottonwood leaves.
Jack's arms went around me, clasping me against a wall of muscle, and he was so big and warm, and it felt so scary-good that I stiffened all over.
The hot drift of his breath against my cheek made my heartbeat go crazy, and instant arousal filled the space between every thump.
I gasped, ducking away, my face crammed against his shoulder. "Jack ... " I could hardly speak. "I wasn't making a pass at you."
"I know." One hand slid to the back of my head, fingers lacing through the silky-fine locks. Gripping gently, he guided me to look at him. "It's not at all your fault that I'm taking it that way."
-Ella & Jack — Lisa Kleypas

There is something of yours I would like to return to you."
"What?"
He leaned across the distance between them and caught her mouth with his own. Her eyes fluttered closed and her lips parted easily as she felt the kiss sizzling through her nerves, rendering her thoughts to smoke.
"Um..." Kaye stepped make, a little unsteadily. "Why does that belong to me?"
"That was the kiss I stole from you when you were enchanted," he said patiently.
"Oh...well, what if I didn't want it?"
"You don't?"
No," she said, letting a grin spread across her face, hoping her mother would take her time of the drive over. "I'd like you to take it back again, please."
"I am your servant," the King of the Unseelie Court said, his lips a moment from her own, "Consider it done. — Holly Black

My life is not this steeply sloping hour,
in which you see me hurrying.
Much stands behind me; I stand before it like a tree;
I am only one of my many mouths,
and at that, the one that will be still the soonest.
I am the rest between two notes,
which are somehow always in discord
because Death's note wants to climb over
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful. — Rainer Maria Rilke

When it's new and important, you have to rest in between times. And anyway, even when I like a person there is a weariness that comes. I can be with someone and everything is fine and then all of a sudden it can wash over me like a sickness, that I need the quiet of my own self. I need to unload my head and look at what I've got in there so far. See it. Think what it means. I always need to come back to being alone for a while. — Elizabeth Berg

What do we want from our mothers when we are children? Complete submission. Oh, it's very nice and rational and respectable to say that a woman has every right to her life, to her ambitions, to her needs, and so on--it's what I've always demanded myself--but as a child, no, the truth is it's a war of attrition, rationality doesn't come into it, not one bit, all you want from your mother is that she once and for all admit that she is your mother and only your mother, and that her battle with the rest of life is over. She has to lay down arms and come to you. And if she doesn't do it, then it's really a war, and it was a war between my mother and me. Only as an adult did I come to truly admire her--especially in the last, painful years of her life--for all that she had done to claw some space in this world for herself. — Zadie Smith

Don't you see? It's like we've known each other all these years. Without even seeing each other. It's like there's been this ... this ghost relationship between us. You laying out my plectrums on the floor, me buying black-and-white cookies every time I knew you would be coming over. You didn't know that was me, but it was. — Carol Rifka Brunt

We can make each other happy, Farah," Cooper said, lying between my legs and swinging his feet like a kid. His expression was tender as he teased my nipples. "I know you're mine. If you let me start over, we can be so fucking happy that all the shit that came before will be no more than a bad dream."
"I'm afraid to love you too much."
"It's normal to be scared when you grew up in a shitty way. I bet you spent most of your life worrying that anything nice might get stolen away. With me, with what we have, it's probably scary. For me though, losing you is the only thing that scares the shit out of me. I need to make you happy so you'll stay and I can be happy. — Bijou Hunter

Because fate would not slight me so unspeakably. I'd seek a noon-day sun if I were paired with one such as you."
"Such as me," she repeated blandly. She'd been mocked too often over her lifetime to take offense. Her skin was as thick as armor.
"Yes, you. An ignorant, mortal Kmart checkout girl." He took the sharpest knife from his place setting, absently turning it between his left thumb and forefinger.
"Kmart? I should have been so lucky. Those jobs were hard to come by. I worked at my uncle's outfitter shop."
"Then you're even worse. You're an outfitter checkout girl with aspirations for Kmart."
"Still better than a demon. — Kresley Cole

What if I told you that if you took me to that train right now, I'd throw myself in front of it without a moment's hesitation?" I whisper. "I swear to God I would, Jonah."
( ... )
I'm shaking so hard and it feels like I'll never be able to stop.
"Please don't be crazy, Taylor," Griggs whispers, leaning his head against mine. "Please don't be crazy." He kisses me, holding my face between his hands, whispering over and over again, "Please."
It's the pleading in his voice that calms my heart rate. — Melina Marchetta

Interrupting what promised to be a long spate of fatherly advice, St. Vincent said in a clipped voice, "It's not a love match. It's a marriage of convenience, and there's not enough warmth between us to light a birthday candle. Get on with it, if you please. Neither of us has had a proper sleep in two days."
Silence fell over the scene, with MacPhee and his two daughters appearing shocked by the brusque remarks. Then the blacksmith's heavy brows lowered over his eyes in a scowl. "I don't like ye," he announced.
St. Vincent regarded him with exasperation. "Neither does my bride-to-be. But since that's not going to stop her from marrying me, it shouldn't stop you either. Go on. — Lisa Kleypas

Two years ago," she says, "I was afraid of spiders, suffocation, walls that inch slowly inward and trap you between them,getting thrown out of Dauntless, uncontrollable bleeding, getting run over by a train, my father's death,public humiliation, and kidnapping by men without faces."
Everyone stares blankly at her.
"Most of you will have anywhere from ten to fifteen years in your fear landscapes. That is the average number," she says.
"What's the lowest number someone has gotten?" asks Lynn.
"In recent years," says Lauren, "four."
I have not looked at Tobias since we were in the cafeteria,but I can't help but look at him now. He keeps his eyes trained on the floor. I knew that four was a low number, low enough to merit a nickname,but I didn't know it was less than half the average.
I glare at my feet.He's exceptional. And now he won't even look at me. — Veronica Roth

Jayden went for my fries, ignoring Anna's narrowed gaze. "Thanks, babe."
"You two know each other?" Jo gestured between Jayden and me with her fork.
Before I could nod, he dropped an arm over my shoulders. "She's my bae."
I grinned.
"Bae?" Keira sighed. "I hate that word. Do you know what it really means?"
"Poop," I answered without thinking. "In Danish."
My eyes widened. Holy crap. I'd spoken without hesitation at lunch! Holy crap! No one recognized my internal freak-out over it, but I couldn't believe it. I sat there and spoke with no problem.
I needed to give myself a cookie.
Anna giggled. "Oh, man. I know. I know. Still think it's a cute word."
Across from her, Keira rolled her eyes. "It literally means shit."
"Mallory is the shit, though. — Jennifer L. Armentrout

I know that look." I put one arm out in from of me. He didn't stop. "Chris, we have to get going." I backed up, scooting over to put the couch between us.
"What?" He feigned and innocent expression.
"You know what." He kept coming. I continued evasive maneuvers. "They're going to be waiting on us."
He shrugged. "It's not my wedding." His tongue darted out, wetting his bottom lip before sucking it back into his mouth. "I'd rather push that way too tight dress up around your waist and bend you over the couch. — Sadie Grubor

That's not wise, Lin. I think wisdom is very over-rated. Wisdom is just cleverness, with all the guts kicked out of it. I'd rather be clever than wise, any day. Most of the wise people I know give me a headache, but I never met a clever man or woman I didn't like. If I was giving wise advice - which I'm not - I'd say don't get drunk, don't spend all your money, and don't fall in love with a pretty village girl. That would be wise. That's the difference between clever and wise. I prefer to be clever, and that's why I told you to surrender, when you get to the village, no matter what you find when you get there. Okay. I'm going. Come and see me when you get back. I look forward to it. I really do. — Gregory David Roberts

Jeb's eyes look like they might pop ... so do the veins in his neck. He makes a sound - somewhere between a cough and a moan - mesmerized by my rocking hips. He stands. "Would you get down? You're going to hurt yourself."
"No. Come up here with me." I raised my arms over my head and roll my pelvis seductively. "It's a wake-up dance for Skittles. You know, like the Native Americans used to do to bring down rain."
Jeb gawks. "I seriously doubt Native Americans moved like that." — A.G. Howard

WHEN YOU'RE BETWEEN A ROCK AND A HARD PLACE 1-4 But now, GOD's Message, the God who made you in the first place, Jacob, the One who got you started, Israel: "Don't be afraid, I've redeemed you. I've called your name. You're mine. When you're in over your head, I'll be there with you. When you're in rough waters, you will not go down. When you're between a rock and a hard place, it won't be a dead end - Because I am GOD, your personal God, The Holy of Israel, your Savior. I paid a huge price for you: all of Egypt, with rich Cush and Seba thrown in! That's how much you mean to me! That's how much I love you! I'd sell off the whole world to get you back, trade the creation just for you. 5-7 "So don't be afraid: I'm with you. — Anonymous

My Dearest Allie. I couldn't sleep last night because I know that it's over between us. I'm not bitter anymore, because I know that what we had was real. And if in some distant place in the future we see each other in our new lives, I'll smile at you with joy and remember how we spent the summer beneath the trees, learning from each other and growing in love. The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds, and that's what you've given me. That's what I hope to give to you forever. I love you. I'll be seeing you. Noah — Nicholas Sparks

Knew the moment I saw you, standin' outside the shop, scared, that you were an innocent little thing. So sweet. So good." He lowered his head to take my chin between his teeth. "You got no idea what it's like for you to give me your trust, Ritz. If I was a good man I'd tell you to find somebody better, somebody that won't lose their shit over an asshole eye fuckin' you." His tongue traced the oval shape of my chin. "But I'm not a good man, and I'm gonna take everythin' you want to give me and everythin' you don't. — Mariana Zapata

Nik stands and walks over to us. He kisses my cheek before taking Ash in a full-blown man hug. A long one. They both seem to be a little emotional. Nik whispers something to Ash and Ash nods before he slaps Nik's back a few times and they part. Nik moves to stand between us and says, "It's my honor to present the new Mr. and Mrs. Asher Collins."
Everyone stands up, whooping and cheering. And that's about the time I burst into tears.
I'm suddenly being group hugged and Tina wails, "I'm so happy for you, you crazy lady!"
I wail right back, "I'm so happy I could shit rainbows!"
Lola cheers. "I'm so f**king happy right now!"
Mimi kisses my head and rocks me slightly. She says in a sing-song voice, "I knew all along! — Belle Aurora

I think the love between a child and parent is wonderful. You know, Mei ... I haven't seen my mother for over two years. I used to live with her ... but now I live with my father. I used to be sad and wonder why it happened ... but parents have a lot of things they have to deal with too. I saw how they were suffering ... and I know they both love me a lot. You can't let loneliness harden your heart. Mei, you know ... Misuzu loves you, don't you? — Bisco Hatori

Let's see if I remember all of this - born in Charlottesville, Virginia, but raised in Salem by her mother, Susan, a teacher, and her father, Jacob, a police officer. Attended Salem Elementary School until your tenth birthday, when your father called into his station to report an unknown child in his house - "
"Stop," I muttered. Liam looked over his shoulder, trying to divide his attention between me and the boy reciting the sordid tale of my life. " - but, bad luck, the PSFs beat the police to your house. Good luck, someone dropped the ball or they had other kiddies to pick up, because they didn't wait around long enough to question your parents, and thus, didn't pre-sort you. And then you came to Thurmond, and you managed to avoid their detecting you were Orange - " "Stop!" I didn't want to hear this - I didn't want anyone to hear it. — Alexandra Bracken

Henry read it and said, "A story has to have three things. They are a beginning, a middle and an end. They don't have to be in that order. You can start a story at the end or end it in the middle. There are no rules on that except where you, the author, decide to put all three parts. Your story has a beginning and an end. But it's good. Go put in a middle and bring it back to me."
I went away encouraged, rewrote the story and returned it to him two days later. Again he looked it over and said, "It's a good story but it lacks a bullet-between-the-eyes opening. Your stories should always have a knock-'em-dead opening." Then, looking with exaggerated suspicion around the crime-prone denizens of the room with an exaggerated suspicion, he said loudly, "I don't mean that literally. — John William Tuohy

Release me of my vow," I say, forcing myself to meet his gaze. "We both know I'll never have feelings for you. So why even play this game? There's nothing between us." If I can say it to his face, maybe it will be true.
He leans in so his wings cast us both in shade, and his jewels flash a blinding red. "I'll prove you wrong. The moment this war is over, when I have you to myself for twenty-four hours. You'll never again question what we have between us. — A.G. Howard

They do as we do, my dear. They take what joy they may find in life as they can. As you well know that Skelly has run off to do tonight, also. The shadows of harsh times creep over us. For in a battle between dragons and men, my love, it is not only the Elderlings who must decide where they stand, but you and me as well. — Robin Hobb

Maybe he sees it on my face, that fraction of a second when
I let my guard down, because in that moment his expression softens and his eyes
go bright as flame and even though I barely see him move, suddenly he has
closed the space between us and he's wrapping his warm hands over my
shoulders - fingers so warm and strong I almost cry out - and saying, "Lena. I
like you, okay? That's it. That's all. I like you." His voice is so low and hypnotic
it reminds me of a song. I think of predators dropping silently from trees: I think
of enormous cats with glowing amber eyes, just like his. — Lauren Oliver

The multicolored kitten snuggled between her breasts.
Lucky cat.
"I thought maybe something like ... Sweetums."
"What? That's a wussy name. She'd totally get her ass kicked by all the other neighborhood cats. You can't call her ... that. See I can't even say it. It's too ridiculous."
Abby chuckled, and the sound drifted over him like a warm breeze.
"I suppose you want me to call her Rowdy, or Bullet or Chainsaw," she said.
"Those aren't bad." He liked it when she teased him. "Maybe you could name her something like Flash, or Blaze, or Storm.
"Or maybe I could call her pooty pie."
"Oh my God." He slapped his forehead. "You're killing me. You'd be better off sticking with Sweetums."
"Ha!" She pointed her finger at him. "You said it." Before he could wrap his hand around that finger and pull her against him, he gave the kitten-who purred contentedly between Abby's breasts-a rub between the ears.
Lucky damn cat. — Candis Terry

My ears pricked at a sound from the bathroom, a familiar moan, and I shot up from the bed, racing to the door. Throwing it open, I froze at the sight of Gianna in the shower, with her hand between her legs. Oh, fuck no. Stalking over, I shoved the door open, snatched her wrist away, and used it to drag her up against my body. Bringing her fingers to my mouth, I licked them clean, eliciting another moan. Satisfied that I'd gotten all of her essence, I gripped both of her wrists and anchored them behind her back. "No one makes you come but me," I snarled. "Not even you. Those sounds, your moans and screams of pleasure, they belong to me, Gianna. They are mine and I will not share them." I stared at her with a hardened gaze, making sure my warning was clear. "If you need a release, you will come to me, or you will wait. Do you understand? — Fiona Davenport

The fairy had flown over to the window and was peering curiously out at the alley.
"Forget it. Stay here," said Dustfinger. "Please. Believe me, it's no place for you out there."
She looked at him quizzically, then folded her wings and knelt on the windowsill. And there she stayed, as if she coudln't decide between the hot room and the strange freedom to be found outside. — Cornelia Funke

I'm not used to sugar-coating my words, Delia. I call 'em like I see 'em and sometimes I can be a dick." This wasn't news to me, not after the way he'd ended our conversation this morning. "Is that supposed to be an apology?" His chest shook as he laughed, the sound wrapping around me as I felt the reverberations on my cheek. "More like a heads up. You wanna do this thing with me, you better be prepared to brace and take me as I am - in bed and out." "This thing?" "Baby, you just gave yourself to me. When you got on your knees and crawled over my body so I could eat your pussy while you sucked my dick? That was the start of something between us. I'm not sure what to call it. Words are your thing, not mine. Feel free to put a name to it. — Rochelle Paige

Magnus, you were trying to flirt with your own plate."
"I'm a very open-minded sort of fellow!"
"Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke."
"So ended our love," Magnus said. "Ah, well. It would have never worked between me and the plate anyway. — Cassandra Clare

She takes a step toward me and slides her hands between my folded arms, pushing against them until they unlock. "Daniel Wesley you owe me a do-over since you made me kiss you in a crowded restaurant right next to a dirty diaper."
"It wasn't crowded," I interject.
She glares at me. "Put your hands on my face and push me against this wall and slip me some tongue! Now!"
Before she can laugh at herself, my hands are casing her face and her back is pressed against the wall of her house and my mouth is on hers. — Colleen Hoover