It's Only Words Quotes & Sayings

Fools, art is a heavy task, more heavy than gold crowns; it's far more difficult to match firm words than armies, they're disciplined troops, unconquered, to be placed in rhythm, the mind's most mighty foe, and not disperse in air. I'd give, believe me, a whole land for one good song, for I know well that only words, that words alone, like the high mountains, have no fear of age or death. — Nikos Kazantzakis

I hate to tell you this," she said with an apologetic smile, "but I don't think you're as special as you think you are."
"That only hurts because it's true. You really like me? A little?"
"Un peu. Enough that I want to talk to you instead of letting me fuck you," she said.
"Oh," he said, and weighed his words. "But we are still going to fuck, right?"
Juliette smiled again. And in her flawless elegant Frenchy she purred two beautiful words.
"Bien sur."
Of course. — Tiffany Reisz

You're not safe to go back there," he said.
"I'm going," I returned.
"We'll see."
Jeez, there was just no shaking this guy.
"You do know that there's this little thing called the Nineteenth Amendment giving women the right to vote?" I asked.
"I heard of that," he said and there was a smile in his voice.
"And there's this whole movement called fem ... in ... is ... im." I said it slowly, like he was a dim child. "Where women started working, demanding equal pay for equal work, raising their voices on issues of the day, taking back the night, stuff like that."
He rolled into me, which made me roll onto my back.
"Sounds familiar."
"Do you have an encyclopedia? Maybe we can look it up. If the words are too big for you to read, I'l read it out loud and explain as I go along."
He got up on his elbow. "Only if you do it naked." I slapped his shoulder. — Kristen Ashley

The creator wrestles with a hard, invisible substance, a substance far superior to him. Even the greatest victor emerges vanquished, because our deepest secret, the only one that deserves expression, always remains unexpressed. This secret never submits to art's material contours. We suffocate inside every word. Seeing a blossoming tree, a hero, a woman, the morning star, we cry, Ah! Nothing else is able to accommodate our joy. When, analyzing this Ah! we wish to turn it into thought and art in order to impart it to mankind and rescue it from our own dissolution, how it cheapens into brazen, mascaraed words full of air and fancy! — Nikos Kazantzakis

...his condition in Roanoke is a strong testament that lassitude, indifference and the peculiarities of his thought were primarily the consequences of his illness and not of the early attempts to treat it.

The popular view that anti-psychotics were chemical straight jackets that suppressed clear thinking and voluntary activity seems not to be borne out in Nash's case.

If anything, the only periods when he was relatively free of hallucinations, delusions and the erosion of will were the periods following either insulin treatment or the use of anti psychotics.

In other words, rather than reducing Nash to a zombie, medication seemed to reduce zombie like behavior. — Sylvia Nasar

Language, for the individual consciousness, lies on the borderline between oneself and the other. The word in language is half someone else's. It becomes 'one's owns' only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a natural and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own. — Mikhail Bakhtin

Breaking this truth into fragments for our better understanding, it would seem that there is within each of us an enemy which we tolerate at our peril. Jesus called it "life" and "self," or as we would say, the self-life. Its chief characteristic is its possessiveness: the words "gain" and "profit" suggest this. To allow this enemy to live is in the end to lose everything. To repudiate it and give up all for Christ's sake is to lose nothing at last, but to preserve everything unto life eternal. And possibly also a hint is given here as to the only effective way to destroy this foe: it is by the Cross. "Let him take up his cross and follow me. — A.W. Tozer

Recalling, some time later, what I had felt at the time, I distinguished the impression of having been held for a moment in her mouth, myself, naked, without any of the social attributes which belonged equally to her other playmates and, when she used my surname, to my parents, accessories of which her lips - by the effort she made, a little after her father's manner, to articulate the words to which she wished to give a special emphasis - had the air of stripping, of divesting me, like the skin from a fruit of which one can swallow only the pulp, while her glance, adapting itself to the same new degree of intimacy as her speech, fell on me also more directly and testified to the consciousness, the pleasure, even the gratitude that it felt by accompanying itself with a smile. — Marcel Proust

In another corner Nathaniel murmured to Maura, "You must know, Miss O'Connell, I ... I loved you even before I saw you. It was your father's way of talking."
Maura shook her head. "You mustn't say that. It's not my dear da's words that should do the wooing," she said gently. "I'd rather be cared for ... for what I am myself."
Nathaniel nodded. "I'll not say more. But I will tell you what I think I'm going to do."
And what is that
I'm going to California to search for gold."
And do you think, Nathaniel Brewster, you'll find it?"
I do. But it won't be as fine as what's here," Nathaniel said with a shy smile. "Maura O'Connell ... will ... will you ... wait for me to come back?"
Maura was silent.
Will you?"
You're a fine young man, Mr. Brewster. I can only say I'll not forget you. — Avi

It's been said that the entire philosophical foundation of Zen is contained in three small words: "Not always so." If you want to stop emotional eating (which means you'll eat only out of physical hunger, which means you'll eventually be the right weight for your body) you must become willing to apply those three words to your own beliefs. THE — Martha N. Beck

Sometimes I think that wisdoms slip from my mind like drool from the lips of an idiot ...
Where's all this stuff coming from? Is it any good? Any good in, you know, the wisdom sense? Who am I to spout this stuff anyway?
Well, here's the thing. You too can find yourself shedding wisdom like cat hair if you only allow yourself the liberty of introspection.
Think about what you alone know that no one else does. That one neat wonderful profound insight. It is fully yours. No one else on this planet of about six billion people understands it like you do.
Now, see if you can share it with someone. Bestow it, a gift of yourself.
Wisdom is like gossip. Except it's the good kind. — Vera Nazarian

The Armadillo A big fiesta was announced on Lake Titicaca, and the armadillo, who was a very superior creature, wanted to dazzle everybody. Long beforehand, he set to weaving a cloak of such elegance that it would knock all eyes out. The fox noticed him at work. "Are you in a bad mood?" "Don't distract me. I'm busy." "What's that for?" The armadillo explained. "Ah," said the fox, savoring the words, "for the fiesta tonight?" "What do you mean, tonight?" The armadillo's heart sank. He had never been more sure of his time calculations. "And me with my cloak only half finished!" While the fox took off with a smothered laugh, the armadillo finished the cloak in a hurry. As time was flying, he had to use coarser threads, and the weave ended up too big. For this reason the armadillo's shell is tight-warped around the neck and very open at the back. (174) — Eduardo Galeano

From an evolutionary perspective, nothing could be worse for a male than to eliminate his own progeny. It's assumed, therefore, that nature has provided males with a rule of thumb to attack only infants of mothers with whom they have had no recent sex. This may seem foolproof for the males, but it opens the door for a brilliant female counterstrategy. By accepting the advances of many males, a female can buffer herself against infanticide because none of her mates can discard the possibility that her infant is his. In other words, it pays to sleep around. — Frans De Waal

Do remember, though, that unless you're a playwright, the result [dialogue] isn't what you want; it's only an element of what you want. Actors embody and re-create the words of drama. In fiction, a tremendous amount of story and character may be given through the dialogue, but the story-world and its people have to be created by the storyteller. If there's nothing in it but disembodied voices, too much is missing. — Ursula K. Le Guin

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way. — Jack Nicholson

For me the poem and the poetry open mic isn't about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too. — R.M. Engelhardt

Why? Don't you know why you love me?"
"I know that I'm happiest at your side," I said fervently. "I know that when we're apart, my heart is with you, when we disagree I still want you near. It's like I was made for you, amira, but I don't know why."
"Kashmir . . ." She laughed a little in disbelief. "That's . . . that's what love looks like."
"But is it only a trick of Navigation?" I asked, nearly pleading. "And if so, what is truly mine?"
"I am."
Her words took me by surprise. She said it so simply - so quiet, so true. Only two words, three letters, one breath, but never had a promise held more meaning. She turned to me then, and in her eyes, I saw not oblivion, but infinity, and the stars were not as bright as her smile. — Heidi Heilig

It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. — Yann Martel

And they will pause just for an instant, and give a sigh to me, and think, "Poor girl!" believing they do great justice to my memory by this. But they will never, never realize that it was my single opportunity of existence, as well as of doing my duty, which they are regarding; they will not feel that what to them is but a thought, easily held in those two words of pity, "Poor girl!" was a whole life to me, as full of hours, minutes, and peculiar minutes, of hopes and dreads, smiles, whisperings, tears, as theirs: that it was my world, what is to them their world, and that in that life of mine, however much I cared for them, only as the thought I seem to them to be. Nobody can enter into another's nature truly, that's what is so grievous. — Thomas Hardy

As she sat alone in the apartment, the enormity of it all started to sink in. Any hope that the North Korean regime might change with the death of Kim Il-sung was quickly dashed. The power had passed to his son. Things weren't going to get any better. She heard her father's words replaying in her ears. "The son is even worse than the father." "Now we're really fucked," she said to herself. Only then did tears of self-pity fill her eyes. — Barbara Demick

As he lay there, fragments of past states of emotion, fugitive felicities of thought and sensation, rose and floated on the surface of his thoughts. It was one of those moments when the accumulated impressions of life converge on heart and brain, elucidating, enlacing each other, in a mysterious confusion of beauty. He had had glimpses of such a state before, of such mergings of the personal with the general life that one felt one's self a mere wave on the wild stream of being, yet thrilled with a sharper sense of individuality than can be known within the mere bounds of the actual. But now he knew the sensation in its fulness, and with it came the releasing power of language. Words were flashing like brilliant birds through the boughs overhead; he had but to wave his magic wand to have them flutter down to him. Only they were so beautiful up there, weaving their fantastic flights against the blue, that it was pleasanter, for the moment, to watch them and let the wand lie. — Edith Wharton

Nathan reached out to Hunter, Clasping the former assassin's hand in a firm shake. "I understand now," Nathan said. "I didn't know it would be possible to feel-" The massive warrior only nodded. No need for more words. — Lara Adrian

Many words are not proof of the wise man, because the sage only talk when it's needed, and the words are measured and corresponding with the need. — Thales

Jesus, I wondered, what do you do with pain so bad it has no redeeming value? It cannot even be alchemized into art, into words, into something you can chalk up to an interesting experience because the pain itself, its intensity, is so great that it has woven itself into your system so deeply that there is no way to objectify or push it outside or find its beauty within. That is the pain I'm feeling now. It's so bad, it's useless. The only lesson I will ever derive from this pain is how bad pain can be. — Elizabeth Wurtzel

We read and read and read, and we forget and forget and forget. So why do we bother? Michel de Montaigne expressed the dilemma of extensive reading in the sixteenth century: "I leaf through books, I do not study them," he wrote. "What I retain of them is something I no longer recognize as anyone else's. It is only the material from which my judgment has profited, and the thoughts and ideas with which it has become imbued; the author, the place, the words, and other circumstances, I immediately forget. — Joshua Foer

Scattered across the Roman Empire, it was only natural for the gospel writers to distance themselves from the Jewish independence movement by erasing, as much as possible, any hint of radicalism or violence, revolution or zealotry, from the story of Jesus, and to adapt Jesus's words and actions to the new political situation in which they found themselves. — Reza Aslan

I missed you."
There was a pause. Then Tariq turned to her with a half-grinning, half-grimacing look of distaste. "What's the matter with you?"
How many times had she, Hasina, and Giti said those same three words to each other, Laila wondered, said it without hesitation, after only two or three days of not seeing each other? I missed you, Hasina. Oh, I missed you too. In Tariq's grimace, Laila learned that boys differed from girls in this regard. They didn't make a show of friendship. They felt no urge, no need, for this sort of talk. Laila imagined it had been this way for her brothers too. Boys, Laila came to see, treated friendship the way they treated the sun: its existence undisputed; its radiance best enjoyed, not beheld directly.
"I was trying to annoy you," she said.
He gave her a sidelong glance. "It worked."
But she thought his grimace softened. And she thought that maybe the sunburn on his cheeks deepened momentarily. — Khaled Hosseini

Catherine" she paused. I waited, tapping my finger on my desk. Then she spoke words that had me almost falling out of my chair. "I've decided to come to your wedding."
I actually glanced at my phone again to see if I'd been mistaken and it was someone else who'd called me.
"Are you drunk?" I got out when I could speak.
She signed. "I wish you wouldn't marry that vampire, but I'm tired of him coming between us."
Aliens replaced her with a pod person, I found myself thinking. That's the only explanation — Jeaniene Frost

It was if the city knew about Percy's dream of Gaea. It knew that the earth goddess intended on razing all human civilization, and this city, which had stood for thousands if years, was saying back at her: You wanna dissolve this city, Dirt Face? Give it a shot.
In other words, it was the Coach Hedge of mortal cities- only taller. — Rick Riordan

We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squalling, with the knowledge that for all the points of the compass, there's only one direction. And time is its only measure. — Tom Stoppard

General George C. Marshall's words, making "sacrifices today in order that we may enjoy security and peace tomorrow" (qtd. in Neumann 1953, 549).9 The claim was either a mistake or a lie, however, because the U.S. government did not need to go to war, not even in the world wars, to preserve its people's essential liberties and their way of life. Neither Kaiser Wilhelm's forces nor Hitler's - and certainly not Japan's - had the capacity to deprive Americans of their liberties, to "take over the country," to "destroy our way of life," or to do anything of the sort. This country has always contained persecuted minorities, and it still does, but since 1789 the only government on earth that has had the power to crush the American people's liberties across the board has been the government of the United States. U.S. participation in World War I was — Robert Higgs

Women's liberation and empowerment are terms feminists started using to talk about casting off the limitations imposed upon women and demanding equality. We have perverted these words. The freedom to be sexually provocative or promiscuous is not enough freedom; it is not the only 'women's issue' worth paying attention to. And we are not even free in the sexual arena. We have simply adopted a new norm, a new role to play: lusty, busty exhibitionist. There are other choices. If we are really going to be sexually liberated, we need to make room for a range of options as wide as the variety of human desire. We need to allow ourselves the freedom to figure out what we internally want from sex instead of mimicking whatever popular culture holds up to us as sexy. That would be liberation. — Ariel Levy

Things are set up as contraries that are not even in the same category. Listen to me: the opposite of radical is superficial; the opposite of liberal is stingy; the opposite of conservative is destructive. Thus I will describe myself as a radical conservative liberal; but certain of the tainted red fish will swear that there can be no such fish as that. Beware of those who use words to mean their opposites. At the same time have pity on them, for usually this trick is their only stock in trade. But do not pity them overly, it is your own death and your soul's death that they work by their deception. — R.A. Lafferty

What several decades of research has revealed about Earth's location within the vastness of the cosmos can be summed up in this statement: the ideal place for any kind of life as we know it turns out to be a solar system like ours, within a galaxy like the Milky Way, within a supercluster of galaxies like the Virgo supercluster, within a super-supercluster like the Laniakea super-supercluser. In other words we happen to live in the best, perhaps the one and only, neighborhood that allows not only for physical life's existence but also for it's enduring survival. — Hugh Ross

A philosopher/mathematician named Bertrand Russell who lived and died in the same century as Gass once wrote: "Language serves not only to express thought but to make possible thoughts which could not exist without it." Here is the essence of mankind's creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatazoa attacking an ovum. — Dan Simmons

People who taught me that no accident of birth--not being black or relatively poor, being from Baltimore or the Bronx or fatherless--would ever define or limit me. In other words, they helped me to discover what it means to be free...My only wish--and I know Wes feels the same--is that the boys (and girls) who come after us will know this freedom. It's up to us, all of us, to make a way for them. — Wes Moore

Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative. — Michel Faber

So-called real life has only once interfered with me, and it had been a far cry from what the words, lines, books had prepared me for. Fate had to do with blind seers, oracles, choruses announcing death, not with panting next to the refrigerator, fumbling with condoms, waiting in a Honda parked round the corner and surreptitious encounters in a Lisbon hotel. Only the written word exists, everything one must do oneself is without form, subject to contingency without rhyme or reason. It takes too long. And if it ends badly the metre isn't right, and there's no way to cross things out. — Cees Nooteboom

In other words, if a teacher only teaches in one way, then they conclude that the kids who can't learn well that way don't have the ability, when, in fact, it may be that the way the teacher's teaching is not a particularly good match to the way those kids learn. — Robert Sternberg

I maybe many things to many people; but for me I am a writer; always have been and always will be.
I may not contribute to great literatures, but my contribution to writing would be always there; etched in the minds of the people whose lives I have touched with words.
Only a writer can understand what it means to a writer to not be able to be one.
To have the nib of pen broken ... like a death sentence ..
Or a life imprisonment in one's own mind without an outlet to thoughts.
I would give up things I love the most if that's the choice I am given to be able to be what I really want to be - A writer.
(C) Arti Honrao — Arti Honrao

Tattered. Water or something more foul soaked both knees of the pants. But Thomas took all that in quickly. Most of his attention was drawn to the man's head. Thomas couldn't help but stare, mesmerized. It looked like hair had been ripped from his scalp, leaving bloody scabs in its place. His face was pallid and wet, with scars and sores everywhere. One eye was gone, a gummy red mass where it should have been. He also had no nose, and Thomas could actually see traces of the nasal passages in his skull underneath the terribly mangled skin. And his mouth. Lips drawn back in a snarl, gleaming white teeth exposed, clenched tightly together. His good eye glared, somehow vicious in the way it darted between Brenda and Thomas. Then the man said something in a wet and gurgly voice that made Thomas shiver. He spoke only a few words, but they were so absurd and out of place that it just made the whole thing that much more horrifying. Rose — James Dashner

She is the only one who knows
of the Coldness: a feeling that comes sometimes when I'm
lying in bed, a black, empty feeling that knocks my breath
away and leaves me gasping as though I've just been
thrown in icy water. On nights like that - although it is wrong
and illegal - I think of those strange and terrible words, I
love you, and wonder what they would taste like in my
mouth, try to recall their lilting rhythm on my mother's
tongue. — Lauren Oliver

That mesh of leaves and twigs of fork and froth, minute and endless, with the sky glimpsed only in sudden specks and splinters, perhaps it was only there so that my brother could pass through it with his tomtit's thread, was embroidered on nothing, like this thread of ink which I have let run on for page after page, swarming with cancellations, corrections, doodles, blots and gaps, bursting at times into clear big berries, coagulating at others into piles of tiny starry seeds, then twisting away, forking off, surrounding buds of phrases with frameworks of leaves and clouds, then interweaving again, and so running on and on and on until it splutters and bursts into a last senseless cluster of words, ideas, dreams, and so ends. — Italo Calvino

We can't stop staring at each other. Saying nothing, nothing to say. I trace the curve of his jaw and throat, the sweet spot below his ear, with only my eyes, because he's too faraway to touch. We stare and we stare and I can't stop myself from smiling, because he's smiling, too. We don't have to speak to have this conversation; in fact, the only way to have it is by not using words. — Megan Hart

My memories are not books. They are only stories that I have been over so many times in my head that I don't know from one day to the next what's remembered and what's made up. Like when you memorize a poem, and for one small unimportant part you supply your own words. The meaning's the same, the meter's identical. When you read the actual version you can never get it into your head that it's right and you're wrong. — Elizabeth McCracken

Although some men who were easy with their words said that it was worth sacrificing one's life for a night of love with such an arousing woman, the truth was that no one made any effort to do so. Perhaps, not only to attain her but also to conjure away her dangers, all that was needed was a feeling as primitive and as simple as that of love, but that was the only thing that did not occur to anyone. — Gabriel Garcia Marquez

In short, not only was it surprising to be greeted in person with such enthusiastic words, but it was doubly surprising when the person reciting these words displayed the same kind of disengagement as, say, the checkout clerk who utters the words 'Have a nice day' while her expression indicates that it's really a matter of total indifference to her whether you drop dead in the parking lot outside ten seconds from now. — David Foster Wallace

Stories are not just entertainment, not to me. A story records and transmits the experience of being human. It teaches us what it's like to be who we are. Nothing but art can do this. There is no science that can capture the inner life. No words can describe it directly. We can only speak of it in metaphors. We can only say: it's like this - this story, this picture, this song. — Andrew Klavan

It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'
He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole? — Milorad Pavic

[Grace talking to Billy.] "It's like people who want to feel only happy but not sad," she said. "It never works. You either feel things or you don't. You don't get to pick and choose. At least, I don't think so. — Catherine Ryan Hyde

It's instinct," he said then. "For centuries, it's been our job to protect our home, our women, and our children. We're emotional cowards. We don't talk about our feelings, we're not comfortable putting our soul into words. So we give of ourselves the only way we know how. We protect. We smother those we love in protection, fight for ways to keep them always safe, even from what we deem as a threat from themselves. It's in our genes, Kira. Right or wrong. Emotions are harder for a man to voice, strength is much easier for us to show. It's not an insult, it's the way men show their emotions for those they love. You can't change it."
"I can protect myself. — Lora Leigh

We visit the Launch Control building, where on one wall of the seventies-style lobby are hung the mission patches of every human spaceflight that has ever been launched from here, 149 to date. Beneath each mission patch is a small plaque showing the launch and landing dates. Two of them - Challenger's STS-51L and Columbia's STS-107 - are missing landing dates, because both of these missions ended in disasters that destroyed the orbiters and killed their crews. The blank spaces on the wall where those landing dates should have been are discolored from the touch of people's hands. This would be unremarkable if this place were a tourist attraction, or regularly open to the public. But with the rare exception of Family Days, this building is open only to people who work here. In other words, it's launch controllers, managers, and engineers who have been touching these empty spaces with their hands, on their way to and from doing their jobs. After — Margaret Lazarus Dean

That reminds me of a song," said Emilia. The women laughed; the men groaned. But the fire was blazing and the night was long, and folk will want entertainment after the tedium of a day's work. Emilia's song detailed the amorous adventures of a water horse who fell in love - if love was the right word - with a series of young women who passed beside the lake in which the creature dwelled and from which he emerged in the form of a good-looking young man of exactly the right sort to catch a young woman's fancy. She had a clear voice and a pleasing timbre, and every local knew the chorus, whose euphemisms about mounting and galloping embarrassed me. We did not sing these sorts of songs in the Barahal house. Rory caught right on and sang the chorus as if born to it. In the laughter and pounding of tables that followed, I said, to no one in particular, "I thought kelpies drowned and then devoured their victims!" The words, innocently spoken, only caused the gathered folk to laugh even — Kate Elliott

it's natural that we associate language with such verbal intercourse. Unfortunately, this association has led many to assume that language is an exclusive attribute of our species - we, after all, are the only creatures that use words - and to conclude that all other organisms are entirely bereft of meaningful speech. It is an exceedingly self-serving assumption. Other animals, commonly possessed of senses far more acute than ours, may have much less need for a purely conventional set of signs to communicate with others of their species, or even to glean precise information from members of other species. — David Abram

One day, while he was idly reciting his verses to a captive audience, a scrap of paper, borne by the wind, landed on his lap. On it were written two words: "Layla" and "Majnun." As the crowd watched, Majnun tore the paper in half. The half on which was written "Layla" he crumpled into a ball and threw over his shoulder; the half with his own name he kept for himself.
"What does this mean?" someone asked.
"Do you not realize that one name is better than two?" Majnun replied. "If only you knew the reality of love, you would see that when you scratch a lover, you find his beloved."
"But why throw away Layla's name and not your own?" asked another.
Majnun glowered at the man. "The name is a shell and nothing more. It is what the shell hides that counts. I am the shell and Layla is the pearl; I am the veil and she is the face beneath it."
The crowd, though they knew not the meaning of his words, were amazed by the sweetness of his tongue. — Reza Aslan

Blue had never believed in death until then. Not in a real way. It happened to other people, other families, in other places. It happened in hospitals or automobile crashes or battle zones. It happened
now she remembered Gansey's words outside Gwenllian's tomb
with ceremony. With some announcement of itself. It didn't just happen in the attic on a sunny day while she was sitting in the reading room. It didn't just HAPPEN, in only a moment, an irreversible moment. It didn't happen to people she had always known. But it did. And there would now forever be two Blues: the Blue that was before, and the Blue that was after. The one who didn't believe, and the one who did. — Maggie Stiefvater

When history as the world knows it no longer exists, and there are no longer any great kings or great wars or great political machinations; when there are no histories of countries left to cherish, no more dollars; when it's no longer the strong versus the weak, and all that's left is the story of the great God and King, and all has been righted, and the heroes are now the missionaries and the ministers of grace - of which every believer can be - and our eyes behold Him as He truly is ... words fail. That is where our heart ought to be. But we are not there. And yet, we are. Let us wait for that day, expectantly and eagerly. Let us fix our eyes on heaven, where our citizenship is held securely, where we are presently united to Christ in spirit. Only let us hold true to what we have already attained. And we will yet attain it. — Matt Chandler

Ask about these numbers and you hear other numbers. As usual, the fate of the poor hangs upon the decision of those concerned only with what those above them think. An endless cycle of egotism, self-sympathy. You see it everywhere here, those too weak and ashamed to defend themselves are blamed for their own misfortune. Separated and debased, they're swept deeper under society's carpet, thus the richest society in the history of the world lacks the will and conscience to end poverty while the poor become the victims of their own spiritual and physical misery . . ." In other words, according to Swigge, our job is to hide from the public's view the suffering and helplessness of the constituents of our largest minority, and thereby further diminish them in their eyes and in ours. — Philip Schultz

And still, still, there is more to describe-
we paint because drawing breath is an agony
and exhaling an ecstasy
and somewhere in the space in-between
we think we once found a truth;
and the eternal part of us desires
to share this truth at all costs
only it's never quite how we pictured it,
and it's never quite received the way we want
and the paint drips with our own blood
the handles of our brushes are our own bones
our own tears become the words to our most beautiful love songs
and we know we'll never get it right before we die-

getting up every morning and facing our own limited truth
is a courage so divine
most men quell and women stay enslaved in silence. — Marie Anzalone

Imagine the presence of one who deeply loves you and is powerful enough to deal with the things you fear. It turns fear into confidence. But, like all spiritual growth, this change only comes with practice. It comes when you say, "Amen - I believe" when you hear or read the promises of God. It comes through meditation on God's words. It comes when the cross of Jesus Christ assures you that God is faithful. These words to the fearful are so important that Jesus makes them his final words on earth: "And surely I am with you always, to the very end of the age" (Matt. 28:20). The resurrection is God's answer to fear. Jesus is alive. RESPONSE — Edward T. Welch

Every woman has known the torment of getting up to speak. Her heart racing, at times entirely lost for words, ground and language slipping away - that's how daring a feat, how great a transgression it is for a woman to speak - even just open her mouth - in public. A double distress, for even if she transgresses, her words fall almost always upon the deaf male ear, which hears in language only that which speaks in the masculine. — Helene Cixous

Lost Wax"

My love gives me some wax,
so for once instead of words
I work at something real;
I knead until I see emerge
a person, a protagonist;
but I must overwork my wax,
it loses it's resiliency,
comes apart in crumbs.

I take another block;
this work, I think, will be a self;
I can feel it forming, brow
and brain; perhaps it will be me,
perhaps, if I can create myself,
I'll be able to amend myself;
my wax, though, freezes
this time, fissures, splits.

Words or wax, no end
to our self-shaping, our forlorn
awareness at the end of which
is only more awareness.
Was ever truth so malleable?
Arid, inadhesive bits of matter.
What might heal you? Love.
What might make you whole? Love. My love. — C. K. Williams

I remembered Ignifex's smirk and his confident words: I can wait all I want and still have you.
And I thought, Here is one thing he isn't getting. Standing on my toes, I kissed Shade on the lips.
It was just a bump of my face against his. Despite Aunt Telomache's lecture, I had no idea how long to prolong a kiss, and his lips startled me, foreign and cool as glass. But then he caught me under the chin and gently kissed my mouth open. Though his lips were still cool, his breath was warm; as he kissed me. I breathed in time to him, until I felt like my body was only a breath of air mixing with his. — Rosamund Hodge

There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me. — Van Morrison

Sometimes when Anna is talking to Louise she sees words coming out of her mouth like fistfuls of stones. But she doesn't intend to spew stones; it's simply the only way Anna knows how to takl to her mother. — Jessica Anya Blau

One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It's intriguing, because you can't do this with real life. You can't just end a chapter, then skip the things you don't want to live through, only to open it up to a chapter that better suits your mood. Life can't be divided into chapters ... only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.
I need one of those chapter breaks. I just want to catch my breath, but I have no idea how. — Colleen Hoover

What makes a poem a poem, finally, is that it is unparaphrasable. There is no other way to say exactly this; it exists only in its own body of language, only in these words. I may try to explain it or represent it in other terms, but then some element of its life will always be missing.
It's the same with painting. All I can say of still life must finally fall short; I may inventory, weigh, suggest, but I cannot circumscribe; some element of mystery will always be left out. What is missing is, precisely, its poetry. — Mark Doty

Only another writer can know how much damage writing a novel can do to you. It's an unnatural activity to sit at a desk and squeeze words out of yourself. — Norman Mailer

Don't make me out to be something worth saving. We both know I'm a waste." His voice was so quiet. "I wish I was better at telling you why you have to stay here. I wish I could put into words the part of my heart that has your name written on it. That part hurts right now. You have to be here. You love life too much. You're so important. I wish I could make you understand this." He tried to smile at her valiant efforts. "I would keep you if I could. You can sleep here, right on this couch. Beckett, I will let you hold this baby when it comes." She touched her stomach. "Does that tell you how much you mean to me? It's the only thing I can come up with." He shrugged. "Mouse would be disappointed. He'd feel like he didn't do his job if you died ... Eve loves you. Wherever she is - in this strip club - is that what you've been wishing for?" Beckett shook his head. "No, right? She loves you. You can't kill someone she loves. You just can't. — Debra Anastasia

She gets that words are sometimes bullshit and people don't mean what they say and through it all it's only actions that matter. — Katy Evans

Don't say bad words; don't interrupt people; don't shove; don't steal; don't lie. To the child, all these prohibitions appear identical ("It's not nice"). The distinction between the ethical and the aesthetic will come only later, and gradually. Politeness thus precedes morality, or rather, morality at first is nothing more than politeness: a compliance with usage and its established rules, with the normative play of appearances - a compliance with the world and the ways of the world. — Andre Comte-Sponville

So, Henrik, is the weather good for fishing?" Papa asked cheerfully, and listened briefly. Then he continued, "I'm sending Inge to you today with the children, and she will be bringing you a carton of cigarettes. "Yes, just one," he said, after a moment. Annemarie couldn't hear Uncle Henrik's words. "But there are a lot of cigarettes available in Copenhagen now, if you know where to look," he went on, "and so there will be others coming to you as well, I'm sure." But it wasn't true. Annemarie was quite certain it wasn't true. Cigarettes were the thing that Papa missed, the way Mama missed coffee. He complained often - he had complained only yesterday - that there were no cigarettes in the stores. — Lois Lowry

Each word's evocative value or virtue, its individual power of touching springs in the mind and of initiating visions, becomes a treasure to revel in. Besides this hold on affection a word may well have about it the glamorous prestige of high adventures in great company. Think of that the plain word "dust" calls to mind. "Then shall the dust return to the earth as it was." "Dust hath closed Helen's eye." "All follow this and come to dust." "The way to dusty death." So, to the lover of words, each word may be not a precious stone only, but one that has shone on Solomon's temple or in Cleopatra's hair. — C.E. Montague

Before he dies, all his experiences in these long years gather themselves in his head to one point, a ques-tion he has not yet asked the doorkeeper. He waves him nearer, since he can no longer raise his stiffening body. The doorkeeper has to bend low towards him, for the difference in height between them has altered much to the man's disadvantage. "What do you want to know now?" asks the doorkeeper; "you are insati-able." "Everyone strives to reach the Law," says the man, "so how does it happen that for all these many years no one but myself has ever begged for admit-tance?" The doorkeeper recognizes that the man has reached his end, and to let his failing senses catch the words roars in his ear: "No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it. — Franz Kafka

And it's beyond my energy to explain why I don't think that four-letter word that everyone's so obsessed over and that gets everyone into so much trouble and pretty much makes everyone behave like an ass can live in a place like this. Somewhere during dry cleaning, details, and missed meals, it flakes away and what you're left with is married people with a tolerable affinity for each other. That little four-letter word can exist only in poetry, or movies of 2 to 3 hours in length. Maybe in a mini-series.
This place of dull details and irksome obligations is a home only to other four-letter words, which are used much more frequently. — Kendare Blake

Reality does not easily give up meaning; it's the biographer's job to clobber it into submission. You're meant not only to tame it but to extract substance, to identify cause and axiomatic effect. You subsist on the tactical omissions, the hollow words, the oddly unconnected dots. — Stacy Schiff

From the beginning, of course, I had known that the pure forcefulness of my argument would not penetrate deep enough to effect any change. It almost never does. It's never worked for me when I've been in therapy. Only when one feels an insight in one's bones does one own it. Only then can one act on it and change. Pop psychologists forever talk about "responsibility assumption," but it's all words: it is extraordinarily hard, even terrifying, to own the insight that you and only you construct your own life design. Thus, the problem in therapy is always how to move from an ineffectual intellectual appreciation of a truth about oneself to some emotional experience of it. It is only when therapy enlists deep emotions that it becomes a powerful force for change. And powerlessness was — Irvin D. Yalom

I don't think I shall ever find peace till I make up my mind about things,' he said gravely. He hesitated. 'It's very difficult to put into words. The moment you try you feel embarrassed. You say to yourself: "Who am I that I should bother myself about this, that, and the other? Perhaps it's only because I'm a conceited prig. Wouldn't it be better to follow the beaten track and let what's coming to you come?" And then you think of a fellow who an hour before was full of life and fun,and he's lying dead; it's all so cruel and meaningless. It's hard not to ask yourself what life is all about and whether there's any sense to it or whether it's all a tragic blunder of blind fate. — W. Somerset Maugham

Tertullian thunders at women in the manner of the God of the Old Testament who once threatened to make their hair fall out. But his tone and his words are altogether more menacing. Not only are women held responsible fot the Fall of Man, but it is they, not the Jews, not the Roman authorities--who are blamed for the suffering and death of Jesus, man's Redeemer. It is through their flesh that the devil comes into the world. — Jack Holland

The Declaration of Independence ... is much more than a political document. It constitutes a spiritual manifesto - revelation, if you will - declaring not for this nation only, but for all nations, the source of man's rights. Nephi, a Book of Mormon prophet, foresaw over 2,300 years ago that this event would transpire. The colonies he saw would break with Great Britain and that 'the power of the Lord was with [the colonists],' that they 'were delivered by the power of God out of the hands of all other nations' (1 Nephi 13:16, 19). The Declaration of Independence was to set forth the moral justification of a rebellion against a long-recognized political tradition - the divine right of kings. At issue was the fundamental question of whether men's rights were God-given or whether these rights were to be dispensed by governments to their subjects. This document proclaimed that all men have certain inalienable rights. In other words, these rights came from God. — Ezra Taft Benson

Only other backpackers will understand what it's like to leave home to follow your dreams. Those pals back home will nod along, listening to your travel tales, but for them it's just words and pretty pictures. For you, everything has changed and you look around feeling like an alien in the most foreign place you have visited: home. That's why it's called a travel bug - you literally get bitten with this desire to keep moving and keep exploring, as the life you had back home isn't enough any more and may not ever be enough again. — Katy Colins

People who mock incidents in history such as 9/11 or the Holocaust, referring to it all as a hoax or stirring up crazy conspiracy theories about it, should really stop and think about their words first, both because it shows flaws in logic and rationality to deny the obvious, and because to play pretend with incidents which killed innocent people, well, that's just like laughing in the face of tragedy. It's as if to say, "no, it's not horrible enough that these people were killed, oh no, we have to drag on these incidents by indulging in melodramatic fantasies!" In essence this means that those who lost loved ones not only have to live with these losses forever, they also have to live with the people who deny that any of it ever happened. It does no good to forget history or to deny it. All it does is desensitize people; it tells them that it's all just a game, which then risks the possibility of nobody taking it seriously enough to prevent something similar from happening again. — Rebecca McNutt

It's the opening line of a football game returned for a touchdown. Or fumbled.

It's what orange juice is to breakfast, the first minutes of a blind date, a salesman's opening remarks.

It sets the tone, lights the stage, greases the skids for everything to follow.

It's the most important part of everything you'll ever write because if it doesn't work, whatever follows won't matter. It won't get read.

It's your opening paragraph. And enough can't be said about its importance.

Seduction. That's basically what leads are all about--enticing the reader across the threshold of your book, novel or article--because nothing happens until you get 'em inside.

And you literally have only seconds to do it because surveys show that eight out of ten people quit reading whatever it is they've started after the first fifty words. — Lionel Fisher

Mark Dawidziak is as comfy and entertaining a tour guide through the world of Mark Twain as Twain himself was a tour guide through the world. In other words, Mark Twain's Guide is such a fun read that the only thing dry about it is the ink. — David Bianculli

Only two percent of the world's population have green eyes."
Kell said it so Gethin would turn and look at him full on. He did. Moss green. Lagoon green. A tiger's eyes. He wished he had the perfect words to describe the colour. Exotic. Exciting. Sexy. — Barbara Elsborg

Admit it," He insists. "I was right."
"No." I sniff. "You were wrong." sniff. "I'm just crying"-sniff- "cause i'm so happy." My tear take that lie as their cue and start streaming down my cheeks.
"Come on, Princess," he says, "You don't need to cry over that loser."
This only makes me cry harder. We both know who the loser is in this scenario.
With a muttered curse, Quince wraps his arms around me and squeezes. It feels remarkably like a hug.
"Don't cry," he whispers in my ear. "Please."
I don't know if it's his soft words or the fact that my face is now hidden by his broad chest, but i just let go. Three years of longing and loving from a distance have built to the breaking point, and i let it out all over his west coast choppers T-shirt.
"shhh," He soothes. "He's not worth it. — Tera Lynn Childs

The Word of God seems to be the only offensive weapon which you have in your spiritual armory. It is quite powerful, and in the words of Hebrews 4:12, "It is sharper than the sharpest two-edged sword" (NLT). You make use of this weapon when you speak God's Word to the Enemy concerning the situation you face. — Pedro Okoro

The funny thing is that although we place so much energy and importance on our wedding day, it isn't the biggest day of our life. The biggest day of your life is every day thereafter. Because it's not the pledge to love someone that matters, but the act of fulfilling that pledge that is most important. In other words, it's only just begun. — Laura Wolf

If hard things ultimately have a purpose, then they aren't so hard anymore. Therefore, I listed what I had learned: 1. It's easy to forget that people can think you think what you don't think. 2. Don't write when you're angry and under deadline, with time to test it only on friends who know what you mean, not on strangers who don't. 3. A writer's greatest reward is naming something unnamed that many people are feeling. A writer's greatest punishment is being misunderstood. The same words can do both. — Gloria Steinem

A sutra is, so to speak, the bare thread of an exposition, the absolute minimum that is necessary to hold it together, unadorned by a single "bead" of elaboration. Only essential words are used. Often, there is no complete sentence-structure. There was a good reason for this method. Sutras were composed at a period when there were no books. The entire work had to be memorized, and so it had to be expressed as tersely as possible. Patanjali's Sutras, like all others, were intended to be expanded and explained. The ancient teachers would repeat an aphorism by heart and then proceed to amplify it with their own comments, for the benefit of their pupils. In some instances these comments, also, were memorized, transcribed at a later date, and thus preserved for us. — Swami Prabhavananda

No need to mince words. And you don't need to force yourself to like me. No one likes me now. It's only to be expected. I don't even like myself much. I used to have a few really good friends. You were one of them. But at a certain stage in life I lost them. Like how Shiro at a certain point lost that special spark. ... But you can't go back. Can't return an item you've already opened. You just have to make do. — Haruki Murakami

While this is all very amusing," said the Queen coolly, leaning forward, "the kiss that will free the girl is the kiss that she most desires." The cruel delight in her face and voice had sharpened, and her words seemed to stab into Clary's ears like needles. "Only that and nothing more." Simon looked as if she had hit him. Clary wanted to reach out to him, but she stood frozen to the spot, too horrified to move. "Why are you doing this?" Jace demanded. "I rather thought I was offering you a boon." Jace flushed, but said nothing. He avoided looking at Clary. Simon said, "That's ridiculous. They're brother and sister."
The Queen shrugged, a delicate twitch of her shoulders. "Desire is not always lessened by disgust. Nor can it be bestowed, like a favor, to those most deserving of it. — Cassandra Clare

People never mean to do thingd that are hurtful, yet sometimes it just happens, through an intense moment, through brief rationalization, or by simply speaking words that only belong inside one's head. — Jessica Sorensen

There is people who make stuff with words. There is people who make stuff with programs. And I really believe that that whole creative culture, people didn't realize how creative programming is. And anybody who's done it of course knows that not only is it creative, but it's incredibly absorbing. — Tim O'Reilly

Promise is a word like any other. Words can go in any direction. It's only the body that is incapable of lying. — Meg Howrey

He sensed that his bride was only a step away from bolting. Fiona's words came back to him - I've yet to meet a lass who could resist a strappin' fellow with a babe in his arms.
In an effort to erase her stricken expression, he thrust his burden into her arms. "My children and I would like to welcome you to Elsinore, my lady."
She eased back the blanket, then stood gazing down at the feathery perfection of the babe's head.
Her eyes were as cool as the ash from yesterday's fire. "No, thank you," she finally said, handing it back to him. "I've already eaten. — Teresa Medeiros

By the way," I said, "I wanted to tell you - about why I decided to hike the PCT? I got divorced. I was married and not long ago I got divorced, and also about four years ago my mom died - she was only forty-five and she got cancer suddenly and died. It's been a hard time in my life and I've sort of gotten offtrack. So I ... " He opened his eyes wider, looking at me. "I thought it would help me find my center, to come out here." I made a crumpled gesture with my hands, out of words, a bit surprised that I'd let so many tumble out. — Cheryl Strayed

I thought about Stockhausen. What had prompted him to call the attacks a work of art? For him, I thought, it was not a matter of finding death beautiful, but rather seeing that someone had taken liberties in reality that an artist could only dream of. That was both the virtue and the vice of art. In art, you can kill with impunity - destroy the world, perpetrate a holocaust, whip up the apocalypse. But it's only art. You can blow up five million people in an opera and not have anywhere near the impact of blowing up five thousand in reality. Stockhausen seemed to realize this, since the terrorism caused him to feel that being a composer was nothing. In that sense, his words were a moral statement about the limits of art, not an immoral statement about aestheticizing destruction. — Supervert

I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway. — Zoe Kazan

If asked in a court of law what happened and what was said, I could only attest to the words "heading," "stagnating" and "peaceable." I'd never thought of myself as peaceable - or its opposite - until then. I would also swear to the truth of the biscuit tin; it was burgundy red, with the Queen's smiling profile on it. — Julian Barnes