Quotes & Sayings About Islamic Art

If you want to do what you want to do, you cannot work. So art is going to be finished, and this is the will of the Islamic republic: to not have any artists or art and close the doors of all the cinemas and music and everything. — Golshifteh Farahani

Is there art that is more beautiful, more divine, and more eternal that the art of martyrdom? A nation with martyrdom knows no captivity. Those who wish to undermine this principle undermines the foundations of our independence and national security ... The message of the (Islamic) Revolution is global, and is not restricted to a specific place or time ... Allah willing, Islam will conquer what? It will conquer all the mountain tops of the world. — Mahmoud Ahmadinejad

Many well-meaning Dutch people have told me in all earnestness that nothing in Islamic culture incites abuse of women, that this is just a terrible misunderstanding. Men all over the world beat their women, I am constantly informed. In reality, these Westerners are the ones who misunderstand Islam. The Quaran mandates these punishments. It gives a legitimate basis for abuse, so that the perpetrators feel no shame and are not hounded by their conscience of their community. I wanted my art exhibit to make it difficult for people to look away from this problem. I wanted secular, non-Muslim people to stop kidding themselves that Islam is peace and tolerance. — Ayaan Hirsi Ali

In Turkey, ancient drawings that are two thousand or more years old show djinn in half human-half reptilian forms with horns, scaly skin, lizard-like eyes, and claws for hands. This depiction is similar to the Christian description of devils and demons. It is also interesting to note that Islamic art dating from only eight hundred years ago shows the djinn as more human-like. — Rosemary Ellen Guiley

Those of us living in the Islamic Republic of Iran grasped both the tragedy and absurdity of the
cruelty to which we were subjected. We had to poke fun at our own misery in order to survive.
We also instinctively recognized poshlust-not just in others, but in ourselves. This was one reason
that art and literature became so essential to our lives: they were not a luxury but a necessity.
What Nabokov captured was the texture of life in a totalitarian society, where you are completely
alone in an illusory world full of false promises, where you can no longer differentiate between
your savior and your executioner. — Azar Nafisi

In the traditional Islamic world, the hierarchy of the arts was not based on whether they were "fine" or "industrial" or "minor". It was based upon the effect of art on the soul of the human being. — Seyyed Hossein Nasr

Tribeca Film Festival Doha will promote Middle Eastern themes and filmmakers, but not exclusively. Approximately 40 films will be presented at the new Museum of Islamic Art and in cinemas across Doha. Innovative work by established filmmakers will be shown alongside the debuts of newly discovered directing talents. — Craig Hatkoff

There is nothing in the Quran or early Muslim religious literature to suggest an iconoclastic attitude. Grabar has argued that Muslim calligraphy and vegetal arts were most likely a pragmatic adaptation to the need for a new imperial-Islamic emblem distinct from the Byzantine and Sasanian portraits of emperors. The use of vegetal designs and writing was prior to any religious theory about them. Once adopted, they became the norm for Islamic public art. Theories about Islamic iconoclasm were developed later. — Ira M. Lapidus