Quotes & Sayings About Iago In Othello

I've done 'Two Gentlemen of Verona,' I've understudied Iago in 'Othello.' I've done Mercutio in 'Romeo and Juliet.' — Robert Englund

OTHELLO [Rising.] O, she was foul! - I scarce did know you, uncle; there lies your niece, Whose breath, indeed, these hands have newly stopp'd: I know this act shows horrible and grim. GRATIANO Poor Desdemona! I am glad thy father's dead: Thy match was mortal to him, and pure grief Shore his old thread in twain: did he live now, This sight would make him do a desperate turn, Yea, curse his better angel from his side, And fall to reprobance. OTHELLO 'Tis pitiful; but yet Iago knows That she with Cassio hath — William Shakespeare

Both Othello and Iago seem a bit cracked. If you spend 15 years being responsible for death and destruction, that sense of suppressed horror is strong. — Rory Kinnear

The word "jealousy" is often used as if it were synonymous with envy; but I think the distinction worth preserving. Jealousy is predominantly concerned with the fear of loss of something one possesses, envy with the wish to own something another possesses. Othello suffers from the fear that he has lost Desdemona's love. Iago suffers from envy of the position held by Cassio, to which he feels entitled. — Anthony Storr

When devils will the blackest sins put on
They do suggest at first with heavenly shows — William Shakespeare

A character I would love to play is Iago, from Othello. — Tim Roth

'Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to. — Michelle Dockery

I'd like to do more Shakespeare. I'd like to do Iago in Othello. I look so benign. It would be interesting to see that black evil come out of my soul. — Kyle MacLachlan

Brabantio: "You are a villain!"
Iago: "You are a senator! — William Shakespeare

I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main character that grates. — Henning Mankell

Coleridge's description of Iago's actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. — W. H. Auden

WHAT WAS JANE AUSTEN'S LAST FINISHED NOVEL?"
"Vaginas and Virginity."
"WHO IS THE LAST PERSON IAGO KILLS IN OTHELLO?"
"His manservant Retardio, for forgetting to change the Brita filter!"
"WHAT HAPPENS TO THE LITTLE MERMAID AT THE END OF CHRISTIAN ANDERSEN'S THE LITTLE MERMAID?"
"She turns into a fish and marries Nemo!"
"Fuck you! — David Levithan

And what's he then that says I play the villain? — William Shakespeare

Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice.
On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from. — John Fowles

You get Don King's point of view in what is almost a Shakespearean, classical technique. He comes across almost like a lovable rogue, like Iago in 'Othello' or Richard III. He's doing all these bad things, but I kind of like him. It's like 'Pulp Fiction': Everybody's a bad guy, yet you like them. — Ving Rhames