Quotes & Sayings About Her After A Fight

Did you really think we wouldn't fight back? That we'd just wallow here until the Unified Pacific decided to kill us off?" His voice was soft, his words sending a chill through her. No, she wanted to say, but the truth was, she had never really thought much about Chinese resistance before, even with Mr. Sakaguchi's frequent observations on the subject. After all, she wasn't one of the elite, one of the persecutors of the Chinese. She was a dark-skinned woman who didn't even know where her father came from, why she looked as she did. Ingrid always felt that she and Lee were bound in friendship, and because of that, their differences didn't matter. "I don't know," she said in a whisper, feeling like a fool. Like she'd been a fool for years. — Beth Cato

Such was the love of this grandson for his grandmother that two years after the death of his mother, when she herself fell gravely ill, he vowed to her that someday he would try to tell the world her life story.
'But why?' she asked humbly. 'I'm no one, just a girl from the coast'
'But you are everyone, Grandma,' the young Pramoedya told her. 'You are all the people who have ever had to fight to make this life their own. — Pramoedya Ananta Toer

Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That's the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off. — Daniel James Brown

I remember one time I went to a party and I had to interview Reese Witherspoon. She was just in this movie "Freeway," it's like 1996. To prepare for the interview I went to meet her at this release party, and I end up getting in this fist fight with a guy. I'm not much of a fighter but I get in this fight and the press was all there and they saw me, and all of a sudden the next day in the paper was 'Simon Rex and his posse get in scuffle, and Simon crashes a bottle over a guy's head after smoking crack in the bathroom.' I saved the article forever. — Simon Rex

I'm getting my stuff," he said, and bolted for the steps.
"You don't have to move out," Astrid called after him.
Sam stopped halfway up the steps. "Oh, I'm sorry. Is that the voice of the council telling me where I can go?"
"There's no point having a town council if you think you don't have to listen to it," Astrid said. She was using her patient voice, trying to calm the situation. "Sam, if you ignore us, no one will pay attention."
"Guess what, Astrid, they're already ignoring you. The only reason anyone pays any attention to you and the others is because they're scared of Edilio's soldiers." He thumped his chest. "And even more scared of me. — Michael Grant

Michael sat down behind her. He put his strong legs on either side of her and pulled her back against him. "Just wait." She wanted to resist his embrace, but she was too cold to fight him. "For what?" He put his arms around her. "For morning." "I could have waited for that in the cabin." He laughed against her hair. Lifting it, he kissed the nape of her neck. "You can't understand until you see it from here." He nuzzled the soft skin beneath her ear. She shivered softly. "Sleep a while if you want." He tucked her more closely against him. "I'll wake you at the right time." She wasn't sleepy after the long walk. "Do you do this sort of thing often?" "Not often enough. — Francine Rivers

Dr. Peter Levine, who has worked with trauma survivors for twenty-five years, says the single most important factor he has learned in uncovering the mystery of human trauma is what happens during and after the freezing response. He describes an impala being chased by a cheetah. The second the cheetah pounces on the young impala, the animal goes limp. The impala isn't playing dead, she has "instinctively entered an altered state of consciousness, shared by all mammals when death appears imminent." (Levine and Frederick, Waking the Tiger, p. 16) The impala becomes instantly immobile. However, if the impala escapes, what she does immediately thereafter is vitally important. She shakes and quivers every part of her body, clearing the traumatic energy she has accumulated. — Marilyn Van Derbur

And then what are your plans?"
Annwyl frowned. "My plans?"
"Yes. Your plans. You take your brother's head, your troops are waiting. What is the next thing that you do?"
Annwyl just stared at him. He realized in that instant that the girl had no plans. None. No grand schemes of controlling the world. No plots to destroy any other empires. Not even the plan to have a celebratory dinner.
"Annwyl, you'll be queen. You'll have to do something."
"But I don't want to be queen." Her body shook with panic, and he could hear it in her voice.
"You take his head, you'll have little choice."
"What the hell am I supposed to do as queen?"
"Well .you could try ruling."
"That sounds awfully complicated. — G.A. Aiken

I was beating Amanda Lim to death with the tire iron, I accidently hit her in the finger. It was a fake tire iron, but it was run through with metal in the middle and when she looked up after the take, she was crying and it really hurt her and so I felt pretty terrible about that, but they got back at me when I had my big fight with Casey at the end and she just beat the bejesus out of me, being the amazing stuntwoman that she is. — David Hayter

A - ris - ta?" Degan asked, sounding horse. "What is it?"
"A rat bit me," she said, once again shocked by her own rasping voice.
"Jasper does that if - " Gaunt coughed and hacked. After a moment, he
spoke again. "If he thinks you're dead or too weak to fight."
"Jasper?"
"I call him that, but I've also named the stones in my cell."
"I only counted mine," Arista said.
"Two hundred and thirty-four," Degan replied instantly.
"I have two hundred and twenty-eight."
"Did you count the cracked ones as two?"
"No. — Michael J. Sullivan

My reflexes were now quicker than my emotion, and it was only after I had pinned her that I felt some dark, primordial excitement pulse through me. I made eye contact with her, and whatever she saw in them made her flinch. I could feel my anger growing, feeding on itself. "You're right Doris." I spoke low so only she could hear me. "I am a freak. But I'm also a predator, and you, Doris, are most definitely prey. Just remember that next time you want to pick a fight. — Laura Thalassa

After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film. — Gabrielle Union

Emma showered carefully - the downside of having your hair long when you were a Shadowhunter was never knowing after a fight if there was ichor in it. Once the back of her neck had been green for a week. — Cassandra Clare

A story went the rounds about a San Franciscan white matron who refused to sit beside a Negro civilian on the streetcar, even after he made room for her on the seat. Her explanation was that she would not sit beside a draft dodger who was a Negro as well. She added that the least he could do was fight for his country the way her son was fighting on Iwo Jima. The story said that the man pulled his body away from the window to show an armless sleeve. He said quietly and with great dignity, Then ask your son to look around for my arm, which I left over there. — Maya Angelou

The Fae book was definitely filled with the same stories as hers, but this one was filled with picture after picture of Jared. She couldn't help but flip backward a few pages and see magical images come to life: of Jared defending her in an alley. Sitting in art class with Mina, spinning on the pottery wheel. There was another one of Jared by the lake, teaching her to fight. Jared and her in the storage room, laughing, before their tickling fight. She flipped forward and saw the last page filled with a motion-captured image of Jared and her sharing a kiss. — Chanda Hahn

How could I not love him, after that? That is not to say that I approved of all he did, or much enjoyed the company of the man that he became ... but every little girl needs a big brother to protect her. Tywin was big even when he was little." She gave a sigh. "Who will protect us now?"
Jaime kissed her cheek. "He left a son."
"Aye, he did. That is what I fear the most, in truth."
That was a queer remark. "Why should you fear?"
"Jaime," she said, tugging on his ear, "sweetling, I have known you since you were a babe at Joanna's breast. You smile like Gerion and fight like Tyg, and there's some of Kevan in you, else you would not wear that cloak ... but Tyrion is Tywin's son, not you. I said so once to your father's face, and he would not speak to me for half a year. Men are such thundering great fools. Even the sort who come along once in a thousand years. — George R R Martin

We should ask our commanders ... " Elayne trailed off. "If there are any we trust not to be under Compulsion."
"There's only one," Mat said grimly, meeting her eyes. "And he's telling you we are finished if we continue as we have. The earlier plan was a good enough one, but after what we lost today ... Elayne, we're dead unless we choose one place to stand, gather together, and fight."
One last toss of the dice. — Robert Jordan

A happily ever after belongs to every woman, no matter how complicated their past or present may be. No matter how many tears they've shed or how many battles they've lost. I'm beginning to believe that every woman deserves a man who will fight for her. — Frankie Love

I never heard weeping like that before or after; not from a child, nor a man wounded in the palm, nor a tortured man, nor a girl dragged off to slavery from a taken city. If you heard the woman you most hate in the world weep so, you would go to comfort her. You would fight your way through fire and spears to reach her. And I knew who wept, and what had been done to her, and who had done it. — C.S. Lewis

I'll be sure to pass your comments along to the manager-after I fire him for letting you in."
"Don't be cranky,Josh." She slanted her most persuasive smile his way, only slightly annoyed when she saw it didn't make a dent. "I'm sorry I woke you up.I wasn't thinking about the time."
"Not thinking is one of your most highly honed skills."
"I'm not going to fight with you, and I'm not going to apologize for not sleeping with you just because your ego's bruised."
His smile was thin and sharp as a scalpel. "Duchess, if I'd gotten your clothes off,you not only wouldn't have to apologize,you'd be thanking me."
"Oh,I see I'm mistaken.Your ego's not bruised, it's just painfully swollen. — Nora Roberts

Sometimes I can't tell the difference between living and dead. Sometimes I look at a pretty little girlie and I think to myself, Is she a living, breathing thing? Or is she just a doll? Are those actualy tears she's crying? Are those real creams coming out of her mouth? And it's like a fog in my mind, like I get all confused and frustrated and mixed up, so I start doing things. Start small at first, like maybe with the ears or the lips or the toes. And then move on to the bigger things, and there's blood, so I keeping going and my hands are wet and my mouth is warm and I keep going and then something magical happens, Jasper. It's real magical and special and beautiful. See, they stop moving. They stop struggiling. All the fight just goes away and that's when it's all clear to me: She's dead. And if she's dead, then that means that she used to be alive. So then I know: This was a living one, a real one. And I feel good after that 'cause I figured it out. — Barry Lyga

And sometimes I believe your relentless analysis of June leaves something out, which is your feeling for her beyond knowledge, or in spite of knowledge. I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.
What will you do after you have revealed all there is to know about June? Truth. What ferocity in your quest of it. You destroy and you suffer. In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you. And you, the same. We will be stronger for it, each of us, stronger with our love and our hate. When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world. — Anais Nin

After spending the last hour with Cole, whose face revealed only the emotions he wanted me to see, it was strange to see undisguised pain on Sam's face. His thick dark eyebrows showed misery all by themselves. It occurred to me that he and Grace might have had a fight.
"Her parents kicked me out," Sam said, and he smiled for just a second, like people do when something's really not funny and they don't want to be telling you but they don't know what else to do. — Maggie Stiefvater

After finishing grad school, the Little Mermaid started a nonprofit to fight for the rights of mercitizens. She decided at that moment that she would never measure her success by financial gain, but instead only by how much good she contributed to the world. Money was irrelevant to her.

Later that day she got her first student loan bill. — Tim Manley

Bree blinked her tears back and shook her head. "Wow. Then I guess you really are your father's son, huh?" "You have no idea," Alessandro snapped before leaving. Part of her wanted to run after him but a stronger part of her knew he wouldn't listen to anything she had to say while the red haze was still burning inside of him. He wanted a fight. She'd give him one — E. Jamie

Serena has spent her life fighting fiction the way good soldiers fight - intent on detecting its presence, harassing it, suppressing it - but I have to find a way to show her she's mistaken her enemy, to explain to her that whoever suppresses fiction destroys life, and that everything disappears with it, all love, all desire. If the past is an invention, it's not such a big deal. After all, the future's an invention, and no one finds that hard to accept. — Enrique De Heriz

Give me love like her
'Cause lately I've been waking up alone
Paint splattered teardrops on my shirt
Told you I'd let you go
And that I'll fight my corner
Maybe tonight I'll call you
After my blood turns into alcohol
No I just wanna hold you
Give a little time to me or burn this out
We'll play hide and seek to turn this around
All I want is the taste that your lips allow
My, my, my, my oh give me love — Ed Sheeran

You could run, and I could stay to fend them off," the vampire offered. "For some reason, I feel amazingly refreshed." He swung an amused look at Declan that made him grind his teeth. "And it seems I'm quite handy against them."
Natalya tossed away her busted TEP-C. "So, Lothaire, you're going to fight them out of the blackness of your heart? — Kresley Cole

Lissa knelt down, compassion on her face. I wasn't surprised, since she'd always had a thing for animals. She'd lectured me for days after I'd instigated the infamous hamster-and-hermit-crab fight. I'd viewed the fight as a testing of worthy opponents. She'd seen it as animal cruelty. — Richelle Mead

For the past thirty-nine years since I had graduated from college, I had called my parents on Sundays. They had expected and looked forward to the ritual. After Dad died, I still called Mom on Sundays. Most of the time I dreaded the call because she had become more and more insular and was full of complaints about the assisted living facility, the other residents, her health, everything. She had become narrow in her interests in life, more negative, more critical, and unhappier. I was reminded of something I had heard from a psychologist about what happens as we age. He said we become more of who we are, not less. Our energy to fight back the negative attributes we all possess is not as strong as we get older. So we can become more cantankerous, more irritable. I also remembered what my father had often said: "There but for the grace of God go I." That Sunday I placed the — Janis Heaphy Durham

She, with her affection and her gaiety, had been largely responsible for him having rediscovered the meaning of life, her love had driven him to the far corners of the Earth, because he needed to be rich enough to buy some land and live in peace with her for the rest of their days. It was his utter confidence in this fragile creature, that had made him fight with honor, because he knew that after a battle he could forget all the horrors of war in her arms, and that, despite all the women he had known, only there in her arms could he close his eyes and sleep like a child. — Paulo Coelho

I only have one story now.
The story was heroin. It was made out of sensation, not words; it was invisible and murderous and unstoppable. Sam disappeared from her slowly, like a snowman melting, until all Blanca had left of him was a pool of freezing-cold blue water, arctic cold, sorrow colored, evaporating with every year. She did her best to hold onto him, but it was impossible, like carrying ice into the desert or making time stand still. After the final fight when Sam moved out, Blanca saw him less and less often. He no longer had a presence; he was like the outline of a person, an absence rather than a full-fledged human being. — Alice Hoffman

Even if he ran after her, what could he say in five minutes that would fix anything? And how exactly did he want to fix things? His shoulders slumped. What had he just done to her for a kiss that wasn't even that great? And yet he wanted another one. What did that mean exactly? Did it mean he wanted another kiss badly enough to fight August for her? Could he be sure he was any better for her than a Whitaker? — Melissa Jagears

Emperor, right." she retacked the curtain "That's weird to say, after eighteen years of listening to celebrity gossip feeds go on and on about 'Earth's favorite prince'". She claimed one of the lumpy sofa cushions, curling her legs beneath her. "I had a picture of him taped to my wall when I was fifteen. Grand-mere cut it off a cereal box."
Wolf scowled.
"Of course, half the girls in the world probably had that same picture from that same cereal box."
Wolf scrunched his shoulders against his neck, and Scarlet grinned, teasing. "Oh, no. You're not going to have to fight him for pack dominance now are you? Come here."
She beckoned him with a wave of her hand and he was at her side in half a second, the glower softening as he pulled her against his chest. — Marissa Meyer

Normal?" he thought, "I have a genie in my closet! There's absolutely nothing normal about that!" "Yes, Mom?" he asked as calmly as he could manage as he opened the door. Stefan's mom looked over his shoulder at the messy room, shook her head slightly and decided to leave that fight for another day. She was here to tell Stefan the truth about the Magical Charms box and hopefully, he would forgive her. It had been an honest mistake after all. As she glanced around the room, Stefan stopped breathing and slowly followed her gaze over to the bed. Oh the relief! His blanket had fallen neatly over the Magical Charms box, completely concealing it. He let his breath out in a loud sigh. "Are you alright, Stefan? — Merriweather Hope

She done mellowed plenty since this marriage. Soft around the edges without getting too soft at the center. You fear that sometimes for women, that they would just fold up and melt away. She'd seen it happen so much in her time, too much for her to head on into it without thinking. Yes, that one time when she was way, way young. But after that, looking at all the beating, the badgering, the shriveling away from a lack of true touching was enough to give her pause. Not that she mighta hooked up with one of those. And not that any man - even if he tried - coulda ever soaked up the best in her. But who needed to wake up each morning cussing the day just to be sure you still had your voice? A woman shouldn't have to fight her man to be what she was; he should be fighting that battle for her. — Gloria Naylor

But here Billy Chope arrived to demand what the 'ell Sam Cardew was doing with his gal. Now Sam was ever readier for a fight than Billy was; but the sum of Billy's half pints was large: wherefore the fight began. On the skirt of a hilarious ring Lizerunt, after some small outcry, triumphed aloud. Four days before, she had no bloke; and here she stood with two, and those two fighting for her! Here in the public gaze, on the Flats! For almost five minutes she was Helen of Troy. — Arthur Morrison

( ... ) then went into his room in the middle of the night after a long, heavy day of footwork and drinking; a coward's fight. She'd trussed him up and cut off his cock. She considered the act her formal resignation. — Kameron Hurley

Then go after her, Gavin. When you want something this badly, you don't just give up. You fight and fight until you absolutely can't fight anymore. It's in the Blake bloodline, so it should be easy enough for you. Besides, I've never known a more stubborn little bastard in my entire life. — Gail McHugh

She extends a fingertip. After a moment's hesitation, Manfred extends a fingertip of his own. They touch, exchanging vCards and instant-messaging handles. She stands and stalks from the breakfast room, and Manfred's breath catches at a flash of ankle through the slit in her skirt, which is long enough to comply with workplace sexual harassment codes back home. Her presence conjures up memories of her tethered passion, the red afterglow of a sound thrashing. She's trying to drag him into her orbit again, he thinks dizzily. She knows she can have this effect on him any time she wants: She's got the private keys to his hypothalamus, and sod the metacortex. Three billion years of reproductive determinism have given her twenty-first-century ideology teeth: If she's finally decided to conscript his gametes into the war against impending population crash, he'll find it hard to fight back. The only question: Is it business or pleasure? And does it make any difference, anyway? — Charles Stross

A year or two after emigrating, she happened to be in Paris on the anniversary of the Russian invasion of her country. A protest march had been scheduled, and she felt driven to take part. Fists raised high, the young Frenchmen shouted out slogans condemning Soviet imperialism. She liked the slogans, but to her surprise she found herself unable to shout along with them. She lasted only a few minutes in the parade.
When she told her French friends about it, they were amazed. "You mean you don't want to fight the occupation of your country?" She would have liked to tell them that behind Communism, Fascism, behind all occupations and invasions lurks a more basic, pervasive evil and that the image of that evil was a parade of people marching with raised fists and shouting identical syllables in unison. But she knew she would never be able to make them understand. Embarrassed, she changed the subject. — Milan Kundera

Cristina looked after Emma, her hand going to the pendant at her own throat. It was silver, in the shape of a circle with a rose inside it. The rose was wrapped around with thorny briars. Words were written in Latin on the back: she didn't need to look at them to know them. She'd known them all her life. Blessed be the Angel my strength who teaches my hands to war, and my fingers to fight. The rose for Rosales, the words for Raziel, the Angel who had created the Shadowhunters a thousand years ago. Cristina had always thought Emma fought for her parabatai and for revenge, while she fought for family and faith. But maybe it was all the same thing: maybe it was all love, in the end. — Cassandra Clare

Bloomsbury lost Fry, in 1934, and Lytton Strachey before him, in January 1932, to early deaths. The loss of Strachey
was compounded by Carrington's suicide just two months after, in March. Another old friend, Ka Cox, died of a heart attack in 1938. But the death, in 1937, of Woolf 's nephew Julian, in the Spanish Civil War, was perhaps the
bitterest blow. Vanessa found her sister her only comfort: 'I couldn't get on at all if it weren't for you' (VWB2 203). Julian, a radical thinker and aspiring writer, campaigned all his life against war, but he had to be dissuaded by his
family from joining the International Brigade to fight Franco. Instead he worked as an ambulance driver, a role that did not prevent his death from shrapnel wounds. Woolf 's Three Guineas, she wrote to his mother, was
written 'as an argument with him — Jane Goldman

You're a dumb shit. There's a million first girls for a million different first things.
There's the first girl you slow-dance with, and the first girl you go to bed with. There's the first girl to give you a kiss, and then the first one you take home to mama." His amber eyes lit up with humor.
"There's the first girl you fight with and the first girl you fight for. There's also the first girl you have to let go of. There's the first girl you love, obviously, and the first girl to break your heart.
There's always a first girl, Rowdy, but there is also the girl that is going to come after her until you get to the last girl.
The last girl is the one that really matters. — Jay Crownover

Her country crumbling to dust, and with broken men all around, Queen Shuri went off to her doom. I could have gone with her. But someone had to fight and someone had to live. And after we parted, I wondered- still wonder- how a man walks away and leaves his only sister to die. — Ta-Nehisi Coates

If you're gay, you're gay. It's my Dennis Miller theory of homosexuality shot through the movie "Boy and the Dolphin." If you're a 12-year-old boy and you're watching the movie "Boy and a Dolphin" and a 27-year-old Sofia Loren crawls up out of the Aegean Sea after sponge diving, she's standing there in the deck of the boat in a see-through gauze top, rivulets of water dripping off her torso onto the deck of the boat. If you're a 12-year-old boy and you're watching that and you still want to make it with the captain of the boat, you're gay. You can't fight that. So it is what it is. — Bill O'Reilly

He wonders if it's some sort of twisted joke the adults are having, shoving hormonal teens into tight quarters but making it impossible to do anything but breathe.
"I wouldn't mind suffocating if it was with you," the girl says, which is flattering, but makes him even less interested in her.
"There'll be a better time," he tells her, knowing that such a time will never come - at least not for her - but hope is a powerful motivator.
Eventually they settle into a sort of symbiotic breathing rhythm. He breathes in when she breathes out, so their chests don't fight for space.
After a while, there's a jarring motion. With his arm now around the girl, he holds her a little more tightly, knowing that easing her fear somehow eases his own. — Neal Shusterman

Not all monsters are filled with darkness.' She wanted him to understand this so badly that her voice trembled.
He didn't even hesitate. 'This one is.'
She allowed herself a moment to admire Tommy, the way he stood so resolute, like a knight charging after the monster. He just didn't get that this fight wasn't his to wage.
'Exactly so,' she finally said.
Of course Tommy would think she talking to him. He exhaled as though relieved and the start of a smile eased the tension around his lips. By the time he realized that she'd spoken the words to someone over his shoulder, it was already too late. — Carrie Ryan