Have No Words Quotes & Sayings

Language and words for psychopaths are only word deep; there is no emotional colouring behind it. A psychopath can use a word like, 'I love you' but it means nothing more to him than if he said, 'I'll have a cup of coffee.' — Robert D. Hare

Happiness has no history and the story tellers of all lands have understood this so well that the words "they are happy" are the end pf every love tale. — Honore De Balzac

We're in a place where no words can tell the truth about what happened ... But they have to. This was hell on earth. — Aleksander Kwasniewski

Ll the merry little elves can go hang themselves
My faith is as cold as can be
I'm stacked high to the roof, and I'm not without proof
If you don't believe me, come see.
You think i'm blue I think so too
In my words you'll find no guile
The game's gotten old The deck's gone cold
And i'm gonna have to put you down for a while
The game's gotten old The deck's gone cold
I'm gonna have to put you down for a while
-Bob Dylan, Huck's Tune — Bob Dylan

I care not how humble your bookshelf may be, or how lonely the room which it adorns. Close the door of that room behind you, shut off with it all the cares of the outer world, plunge back into the soothing company of the great dead, and then you are through the magic portal into that fair land whither worry and vexation can follow you no more. You have left all that is vulgar and all that is sordid behind you. There stand your noble, silent comrades, waiting in their ranks. Pass your eye down their files. Choose your man. And then you have but to hold up your hand to him and away you go together into dreamland — Arthur Conan Doyle

You could miss someone, but it did no good to fixate on loss. I wished I had the ready words of a Breeder or the ability to comfort with a soft touch. I didn't. Instead I had daggers and determination.
That would have to do. — Ann Aguirre

Yes, sir. I went downstairs to' - a blurry moment when no words come to me, then it passes and I continue - 'to pursue my investigations further. I sought to liberate the women I found, but they were secured with chains.'

Jackson nods. I'm doing well. 'And you weren't able to call for help, because...'

'Because of the women on the boat. If Sikorsky's men had heard police sirens, the women could have been tossed overboard immediately. I had to let those men come to me, so I could...um...'

Shoot the fuckers.

'Arrest them,' says Jackson.

'Exactly. So I could arrest them. — Harry Bingham

We are so unrepentant that we would rather perish than confess truthfully that we are sinners and justify God by means of confession. David justified the prophet Nathan's words: 'You are an adulterer, a murderer, and a blasphemer.' When David heard this, he was chastened and replied: 'The words are true.' He confessed his sins immediately and received forgiveness. Nathan did not write David a letter of indulgence, nor did he say to him: 'Make a pilgrimage to St. James, or have Masses read; or lie down in a hairy garment!' No, he said: 'The Lord has removed your sin. — Martin Luther

You're going to have to detach from Luke at some point," Jack said. "Maybe you shouldn't have said it to him."
"He's a baby," I said indignantly. "He has to hear it from someone. How would you like to come into the world and not have anyone say they loved you?"
"My parents never said it. They thought you shouldn't wear out the words."
"But you don't agree?"
"No. If the feeling is there, you might as well admit it. Saying the words, or not saying them, doesn't change a damn thing."
-Jack & Ella — Lisa Kleypas

I SHALL WIN!" She exclaimed. "You'll see! When the smoke of battle clears away I shall be a rainbow again
and, undying name
an altar of fire that you have tried to dash to hell. I shall weave a rose wreath and hang it round your neck. You will call it a yoke of bondage and curse it
no matter. You are afraid of the light I give you. You crouch in the darkness. Come, take my hand, I will lead you." And her valediction, intimating in its restraint whole words of love and grief and passionate regret, was, simply, Miriam. — T.C. Boyle

What a relief, Nadya thought; in that light he would not be able to tell that she had been crying.
"You mean if it weren't for the blackout you wouldn't have come?" Dasha took up Shchagov's tone, flirting unconsciously, as she did with every unmarried man she met.
"By no means, never. In bright light women's faces are deprived of all their charm; it reveals their spiteful expressions, their envious glances, their premature wrinkles, their heavy cosmetics."
Nadya shuddered at the words "envious glances" - it was as if he had overheard their argument.
Shchagov went on:" If I were a woman, I would make it a law that lights be kept low. Then everyone would soon have a husband."
Dasha looked disapprovingly at Shchagov. He always talked that way, and she didn't like it. All his phrases seemed memorized, insincere. — Aleksandr Solzhenitsyn

Nowhere can a secret keep
Always secret, dark and deep,
Half so well as in the past,
Buried deep to last, to last.
Keep it in your own dark heart.
Otherwise the rumors start.
After many years have buried
Secrets over which you worried,
No confidant can then betray
All the words you didn't say.
Only you can then exhume
Secrets safe within the tomb
Of memory, of memory,
Within the tomb of memory.
-The Book of Counted Sorrows — Dean Koontz

No carelessness in your actions. No confusion in your words. No imprecision in your thoughts. No retreating into your own soul, or trying to escape it. No overactivity. They kill you, cut you with knives, shower you with curses. And that somehow cuts your mind off from clearness, and sanity, and self-control, and justice? A man standing by a spring of clear, sweet water and cursing it. While the fresh water keeps on bubbling up. He can shovel mud into it, or dung, and the stream will carry it away, wash itself clean, remain unstained. To have that. Not a cistern but a perpetual spring. How? By working to win your freedom. Hour by hour. Through patience, honesty, humility. — Marcus Aurelius

I don't change the language for children books. I don't make the language simpler. I use words that they might have to look up in the dictionary. The books are shorter, but there's just not that much difference other than that to be honest. And the funny thing is, I have adult writer friends [to whom I would say], "Would you think of writing a children's book?" and they go, "No, God, I wouldn't know how." They're quite intimidated by the concept of it. And when I say to children's books writers, would they write an adult book, they say no because they think they're too good for it. — John Boyne

She wondered If I had woken up, would I have smelled his sadness, his desperation, and his detachment?
His death, her breath.
He told her once, she remembers, these two words have no other rhyme but each other.
If she could go back, she thinks
She would open her eyes, instead of her heart. — Rachel Thompson

The being level speaks the language of art, music, color shape and pattern directly
a language that requires no words
is not limited by words
nor does it have the specificity of words and thus cannot be broken onto parts that can be manipulated or analyzed by the intellect. It must be swallowed, whole not parsed, sorted and justified. — Thomas Campbell

But sleep didn't come. She could hear Jace's soft piano playing through the walls, but that wasn't what was keeping her awake. She was thinking of Simon, leaving for a house that no longer felt like home to him, of the despair in Jace's voice as he said 'I want to hate you', and of Magnus, not telling Jace the truth: that Alec did not want Jace to know about his relationship because he was still in love with him. She thought of the satisfaction it would have brought Magnus to say the words out loud, to acknowledge what the truth was, and the fact that he hadn't said them - had let Alec go on lying and pretending - because that was what Alec wanted, and Magnus cared about Alec enough to give him that. Maybe it was true what the Seelie Queen had said, after all: Love made you a liar. — Cassandra Clare

As you know, we don't have relationships with Iran. I mean, that's - ever since the late '70s, we have no contacts with them, and we've totally sanctioned them. In other words, there's no sanctions - you can't - we're out of sanctions. — George W. Bush

The truth [always] lies in things that have no words. — Dennis Quaid

So what? You act all mysterious to seem more interesting?"

"What's that supposed to mean?"

"You're always wandering off or running away," he said. "But you're a lot more
interesting when you're just being yourself you know. When you're actually here."

"I have no idea what you're talking about," Emma said coldly. "Where else would I be?"

"You know what I mean," he said, a rough edge to his voice. "It's like you're so busy trying not to act like your family that you've never even stopped to consider that it might not be such a bad thing."

"Well what about you?" she shot back, aware of the bitterness in her words.
"You complain about your dad not wanting you around, and then you complain when he wants you to stay home for school. You can't have it both wars."

"Well neither can you," he said. " You can't keep everyone at arms length and then expect them to be there for you when you need them. — Jennifer E. Smith

You have no idea ... I ran out of words at that point. Her being this close after so long was the sweetest kind of torture. Each breath she took, I felt in every part of my body, in some areas more than others. Really inappropriate, but she always had a powerful hold over me. Common sense jumped out the window. — Jennifer L. Armentrout

Did you hurt yourself? Sort of. Why'd you do that? I didn't do it on purpose. It's just the cost of doing business. Her Grandmother smiles and she gently touches my face with her free hand. I hope that's a business you're leaving, James. I smile, enjoy the warmth of her hand. We'll see. She nods. Her eyes and her hand understand my words, have seen and felt this type of damage before. There is no judgment and no condescension. Just hope. — James Frey

Sam," she said.
"I'm trying!"
"Sam," she repeated.
"No," he spat, hearing her tone. "No!"
He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough.
"Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't."
She knew he wasn't speaking to her.
The water hit her neck.
"Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words.
"Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under. — Sarah J. Maas

This is what is called speaking. I believe that is the term. When words come out, fly into the air, live for a moment, and die. Strange, is it not? I myself have no opinion. No and no again. But still, there are words you will need to have. There are many of them. Many millions, I think. Perhaps only three or four. Excuse me. But I am doing well today. So much better than usual. If I can give you the words you need to have, it will be a great victory. Thank you. Thank you a million times over. — Paul Auster

It's, it's like I'm in the fourth dimension and somebody is asking me to describe it verbally and that's what the fourth dimension is all about, is no words, no symbols, no images, all pure, real energy and vibrations. And, and if I thought about how cruel of a world this is, I would probably just commit suicide after a while, if that was what I spent my energy thinking about. I would definitely not have any strength left to create music. — John Frusciante

She read books of poetry, though they had lately begun to stoke her fury. It was all very well for these poets, who wandered off to have adventures and then could string them to words, to music. Anything she might write would be formless, a creature of rage and stormcloud. No music there. — Ilana C. Myer

[an encounter in space] Some celestial event. No
no words
no words to describe it. Poetry! They should have sent a poet. So beautiful. So beautiful ... I had no idea. I had no idea. — Carl Sagan

There was a small woven basket waiting on his desk
the next day, still smelling like warmed-from-the-oven
sin. A note was attached written with the words
"Have a good day!" A drawing of a tiny dog chasing
a butterfly completed the absurdity.
He stood in front of his desk, just staring at it and
the basket for a full minute. Asps didn't smell like
baked items, but the latter were no less dangerous.
He tented the edge of the cloth cover with his
smallest finger. Three fruit tarts lay inside.
Poisoned most likely. — Anne Mallory

I only have one story now.
The story was heroin. It was made out of sensation, not words; it was invisible and murderous and unstoppable. Sam disappeared from her slowly, like a snowman melting, until all Blanca had left of him was a pool of freezing-cold blue water, arctic cold, sorrow colored, evaporating with every year. She did her best to hold onto him, but it was impossible, like carrying ice into the desert or making time stand still. After the final fight when Sam moved out, Blanca saw him less and less often. He no longer had a presence; he was like the outline of a person, an absence rather than a full-fledged human being. — Alice Hoffman

I suddenly see the world
as no longer viable:
you are out there burning the crops
with some new sublimate
This morning you left the bed
we still share
and went out to spread impotence
upon the world

I hate you.
I hate the mask you wear, your eyes
assuming a depth
they do not possess, drawing me
into the grotto of your skull
the landscape of bone
I hate your words
they make you think of fake
revolutionary bills
crisp imitation parchment
they sell at battlefields.

Last night, in this room, weeping
I asked you: what are you feeling?
do you feel anything?
Now in the torsion of your body
as you defoliate the fields we lived from
I have your answer. — Adrienne Rich

Lacan wrote about two levels of speaking, one in which we know what we are saying (even when struggling with something difficult or contradictory) and another in which we have no idea of what we are saying. In this second level of speaking there are repeating words, phrases, and even sounds that function as magnets of unconscious meaning, condensing multiple scenes, times, and ideas. He called such markers in speech 'signifiers. — Annie Rogers

One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It's intriguing, because you can't do this with real life. You can't just end a chapter, then skip the things you don't want to live through, only to open it up to a chapter that better suits your mood. Life can't be divided into chapters ... only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.
I need one of those chapter breaks. I just want to catch my breath, but I have no idea how. — Colleen Hoover

John Knox's dying words were, 'Lord, grant true pastors to Thy kirk.' Such was the last prayer of a great man without whom there would have been no America, no Puritans, no Pilgrims, no Scottish covenanters, no Presbyterians, no Patrick Henry, no Samuel Adams, no George Washington. Could it have been so simple? John Knox's agenda was far from political. All he wanted were more pastors and elders. This is our agenda. Lord grant true pastors to Thy church! — Kevin Swanson

Remember this, son, if you forget everything else. A poet is a musician who can't sing. Words have to find a man's mind before they can touch his heart, and some men's minds are woeful small targets. Music touches their hearts directly no matter how small or stubborn the mind of the man who listens. — Patrick Rothfuss

Ah, ah, no buts. You've just returned to us and it is too soon to express whatever doubts you undoubtedly have with that most cowardly of words, that qualifier of qualifiers, but. — Frank Beddor

There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me. — Van Morrison

Tyler looked at Libby's set face across the table. He was scared to death, but he saw her faith in him. Where it came from, he couldn't guess, but her words hit hard. Did he have the courage, the guts to do this? On his own, no, probably not. But Libby, Libby, who had always been braver than him - she'd be here. She'd had the daring and the backbone to save him when he'd done everything possible to discourage her. — Alexis Harrington

Ma'am is yet another horrible-sounding word in the lexicon of words that women are stuck with to describe various aspects of their body/life/mental state/hair. Vagina. Moist. Fallopian tubes. Yeast infection. Clitoris. Frizz. These are all terrible words, and yet they are our assigned descriptors. Who made up these words? Women certainly didn't. If, at the beginning of time, right after making vaginas, God had asked me, 'What would you like your most intimate and enjoyable part of yourself to be called?',' I most certainly wouldn't have said, 'Vagina.' No woman would, because vagina sounds like a First World War term that was invented to describe a trench that has been mostly blown apart but is still in use. Even off the very top of my head I feel like I could have come up with something better, like for instance the word papoose, which actually as I'm typing it feels like an incredibly brilliant word for vagina. — Jessi Klein

Words can be honed to crafted perfection by the finest wordsmiths. Yet, if we trust solely in the expanse of them to explain this God of ours or articulate our experience of Him, we will have brutally destroyed the very things we are attempting to explain. And if I should do that, no words can describe how badly I wish I had no words. — Craig D. Lounsbrough

The broken branch hissed loudly, and then that
wind was converted into these words: Briefly will
you be answered.
When the fierce soul departs from the body from
which it has uprooted itself, Minos sends it to the
seventh mouth.
It falls into the wood, and no place is assigned to
it, but where chance hurls it, there it sprouts like a
grain of spelt.
It grows into a shoot, then a woody plant; the
Harpies, feeding on its leaves, give it pain and a
window for the pain.
Like the others, we will come for our remains, but
not so that any may put them on again, for it is not
just to have what one has taken from oneself.
Here we will drag them, and through the sad
wood our corpses will hang, each on the thornbrush
of the soul that harmed it. — Dante Alighieri

Your teaching must have the integrity of serious, sound words to which no one can take exception. If it does, no opponent will be able to find anything bad to say about us, and hostility will yield to shame. — Paul The Apostle

No matter how shitty it got, I could always look back and say, "At least I don't have my arm stuck up a cow's vagina." In fact, that's kind of become my life's motto. It's also what I say when I'm at a loss for words when talking to people who are grieving the loss of their grandparents. — Jenny Lawson

When you draw, you copy the world don't you? You remake it on paper, but it isn't the same. It's yours. No one else could have created it just like that. When I make poems, I use the words we all use, but the order and the sound create a new power. This wood is someone's creation. We stumble through it's tendrils, as if we're crawling through the synapses of his mind. — Catherine Fisher

I love you, Ginesse. Don't you see? You are my Zerzura. You are my undiscovered country, both my heart's destination and journey. Gold and temples, jewels and gems don't hold one bit of your enticement. You are my Solomon's mine, my uncharted empire. You are the only home I need to know, the only journey I want to take, the only treasure I would die to claim. You are exotic and familiar, opiate and tonic, hard conscience and sweet temptation. And now I have no more words to give you, Ginesse. I only have my heart, and you already own that. — Connie Brockway

From time to time you'll see documentaries about low-ranked wolves who somehow rise to the top of the pack - an omega that earns a position as an alpha. Frankly, I don't buy it. I think that, in actuality, those documentary makers have misidentified the wolf in the first place. For example, an alpha personality, to the man on the street, is usually considered bold and take-charge and forceful. In the wolf world, though that describes the beta rank. Likewise, an omega wolf - a bottom-ranking, timid, nervous animal - can often be confused with a wolf who hangs behind the others, wary, protecting himself, trying to figure out the Big Picture.
Or in other words: There are no fairy tales in the wild, no Cinderella stories. The lowly wolf that seems to rise to the top of the pack was really an alpha all along. — Jodi Picoult

Do me a favor," he whispers, curling my fingers over the back of his and bringing them to his mouth. "What?" His eyes never leave mine as he brushes his lips over my knuckles. "Dream of me tonight," he says softly. He watches me, waiting for a response. I have no words, so I simply nod. He doesn't need to know that no one else occupies my dreams. No one. "Dream of my lips, teasing you." Straightening one of my fingers, he kisses the tip. His voice is like velvet and his words are like an aphrodisiac. "Dream of my tongue, tasting you." His tongue sneaks out to flick the end of my finger. A surge of desire rocks my core. "And I'll dream of you. Of what it feels like to be inside your warm, wet body. — M. Leighton

Because misogynists are the best of men." All the poets reacted to these words with hooting. Boccaccio was forced to raise his voice: "Please understand me. Misogynists don't despise women. Misogynists don't like femininity. Men have always been divided into two categories. Worshipers of women, otherwise known as poets, and misogynists, or, more accurately, gynophobes. Worshipers or poets revere traditional feminine values such as feelings, the home, motherhood, fertility, sacred flashes of hysteria, and the divine voice of nature within us, while in misogynists or gynophobes these values inspire a touch of terror. Worshipers revere women's femininity, while misogynists always prefer women to femininity. Don't forget: a woman can be happy only with a misogynist. No woman has ever been happy with any of you! — Milan Kundera

Well, I have lost you; and I lost you fairly;
In my own way, and with my full consent.
Say what you will, kings in a tumbrel rarely
Went to their deaths more proud than this one went.
Some nights of apprehension and hot weeping
I will confess; but that's permitted me;
Day dried my eyes; I was not one for keeping
Rubbed in a cage a wing that would be free.
If I had loved you less or played you slyly
I might have held you for a summer more,
But at the cost of words I value highly,
And no such summer as the one before.
Should I outlive this anguish, and men do,
I shall have only good to say of you. — Edna St. Vincent Millay

I have no riches but richer thoughts. — Lailah Gifty Akita

People say I talk slowly. I talk in a way sometimes called laconic. The phone rings, I answer, and people ask if they've woken me up. I lose my way in the middle of sentences, leaving people hanging for minutes. I have no control over it. I'll be talking, and will be interested in what I'm saying, but then someone - I'm convinced this what happens - someone - and I wish I knew who, because I would have words for this person - for a short time, borrows my head. Like a battery is borrowed from a calculator to power a remote control, someone, always, is borrowing my head. — Dave Eggers

Words have to make sense; facts don't. That life makes no sense is the most beautiful fact of all. — Marty Rubin

Ah sir," replied Caderousse, "we cannot console those who will not be consoled, and he was one of these; besides, I know not why, but he seemed to dislike seeing me. One night, however, I heard his sobs, and I could not resist my desire to go up to him, but when I reached his door he was no longer weeping but praying.
I cannot now repeat to you, sir, all the eloquent words and imploring language he made use of; it was more than piety, it was more than grief, and I, who am no canter, and hate the Jesuits, said then to myself, 'It is really well, and I am very glad that I have not any children; for if I were a father and felt such excessive grief as the old man does, and did not find in my memory or heart all he is now saying, I should throw myself into the sea at once, for I could not bear it. — Alexandre Dumas

Once the words of a book appear onscreen, they are no longer simply themselves; they have become a part of something else. They now occupy the same space, not only as every other digital text, but as every other medium, too. — Tom Chatfield

That was ... " he began. "No. I'm done. I don't have the words. You sucked my vocabulary out with my cum. — Tiffany Reisz

I decided when, where, and with whom my first time happened. No one made that decision for me. And I don't regret it. I'm sorry if you do. Won't let it happen again."
"Don't put words in my mouth. I don't regret it. I'll never regret it. I just wish you would have told me." He brushed the hair off her shoulder, his fingers lingering against her skin. "I could have hurt you, baby. — Tessa Bailey

Can you say those words and not like it? Don't it bring to you a magnificent picture of the pristine world, - great seas and other skies, - a world of accentuated crises, that sloughed off age after age, and rose fresher from each plunge? Don't you see, or long to see, that mysterious magic tree out of whose pores oozed this fine solidified sunshine? What leaf did it have? What blossom? What great wind shivered its branches? Was it a giant on a lonely coast, or thick low growth blistered in ravines and dells? That's the witchery of amber, - that it has no cause, - that all the world grew to produce it, maybe, - died and gave no other sign, - that its tree, which must have been beautiful, dropped all its fruits, and how bursting with juice must they have been - — Harriet Prescott Spofford

Real love is sort of like faith. It's so big, and so divine, we just have no idea how to conceptualize it or put it into words. It's so much bigger than us, yet it is us. That's right, we are love. We are magnificent love and light, poured into physical form. We - love - are much like the sun, radiating in a world free of limitations and fear. — Camille Lucy

To see this mysterious existence, to feel it in the deepest core of your heart, and immediately a prayer arises - a prayer that has no words to it, a prayer that is silence, a prayer that doesn't say anything but feels tremendous, a prayer that arises out of you like fragrance, a prayer that is like music with no words, celestial music, or what Pythagoras used to call "the harmony of the stars," the melody of the whole. When that music starts rising in you, that's what the Secret of the Golden Flower is all about: suddenly a flower bursts open in you, a golden lotus. You have arrived, you have come home. — Osho

I remembered Ignifex's smirk and his confident words: I can wait all I want and still have you.
And I thought, Here is one thing he isn't getting. Standing on my toes, I kissed Shade on the lips.
It was just a bump of my face against his. Despite Aunt Telomache's lecture, I had no idea how long to prolong a kiss, and his lips startled me, foreign and cool as glass. But then he caught me under the chin and gently kissed my mouth open. Though his lips were still cool, his breath was warm; as he kissed me. I breathed in time to him, until I felt like my body was only a breath of air mixing with his. — Rosamund Hodge

They went to the tree. Daemon dismounted and leaned against the tree, staring in the direction of the house. The stallion jiggled the bit, reminding him he wasn't alone. "I wanted to say good-bye," Daemon said quietly. For the first time, he truly saw the intelligence - and loneliness - in the horse's eyes. After that, he couldn't keep his voice from breaking as he tried to explain why Jaenelle was never going to come to the tree again, why there would be no more rides, no more caresses, no more talks. For a moment, something rippled in his mind. He had the odd sensation he was the one being talked to, explained to, and his words, echoing back, lacerated his heart. To be alone again. To never again see those arms held out in welcome. To never hear that voice say his name. To ... Daemon gasped as Dark Dancer jerked the reins free and raced down the path toward the field. Tears of grief pricked Daemon's eyes. The horse might have a simpler mind, but the heart was just as big. — Anne Bishop

The Duke would later name me a Shadow, and after his naming, life itself wore me away to make his words true. I have been a Shadow for years upon years now. And yet, I think if I were to trace back to the moment I started to fade away from the world, it would not be when I began my training, or when I first killed, or when I first spied upon my King. It would be the moment that I looked around myself, in that cold mountain village, and realized that I might never have been born and no one would ever have missed me. — Moira Katson

Rilke had a line...something about fishes. Or was that by someone else? Too much had already been written, too many pages, too many words. Maybe writers would be better to just stop, himself included, so that people could catch up. Maybe one day they'd reach a limit. No more books would be able to fit into the universe's bookshelves, not another paragraph squeezed in, not even a punctuation mark. Writers would have to find something else to do. It might be the best thing. — Eric Gabriel Lehman

Philosophers call this state of isolation and disconnection "species loneliness" - a deep, unnamed sadness stemming from estrangement from the rest of Creation, from the loss of relationship. As our human dominance of the world has grown, we have become more isolated, more lonely when we can no longer call out to our neighbors. It's no wonder that naming was the first job the Creator gave Nanabozho. — Robin Wall Kimmerer

Susan Griffin describes it as a time when "there is no intrinsic authority to my words." "I ... clean off my desk. I make telephone calls. I know I am avoiding the typewriter. I know that in my mind, where there might be words, there is simply a blankness. I may try to write and then my words bore me." But when the time is right, the waiting will have been worth it. "Because each time I write, each time the authentic words break through, I am changed. The older order that I was collapses and dies. I lose control. I do not know exactly what words will appear on the page. I follow language. I follow the sound of the words, and I am surprised and transformed by what I record." Excerpt from "Thoughts on Writing: A Diary," in The Writer on her Work. — Judith Barrington

Contrary to popular belief, the helpful words that open the way to great, dramatic dialogues are, in general, modest, ordinary, banal, no one would think that Would you like a cup of coffee could serve as an introduction to a bitter debate about feelings that have died or to the sweetness of a reconciliation that neither person knows how to bring about. — Jose Saramago

I have no intention of uttering my last words on the stage. Room service and a couple of depraved young women will do me quite nicely for an exit. — Peter O'Toole

I feel stuffy, as if there were not enough air to breathe - hot, and uneasy. Two months of no exercise have made me weak and plegmatic mentally and physically. On the short walk from here to the libe I drink the cold pure night air and the clear unbelievably delicate crescent-moonlight with a greedy reverence. Days are bizarre collections of hothouse languidities, mystical and poignant sensuous quotations (white thy fambles, red thy gan, and thy quarrons dainty is ... " Dark, liquid loveliness of words half dimly understood.) — Sylvia Plath

No doubt other writers have often put a thing more brilliantly, more subtly than even a very cunning artist in words can hope to emulate, a supreme phrase being a bit of luck that only happens now and then. And inasmuch as the condiments and secret travail of human nature are always the same, and that certain psychological moments must ever and ever recur, what more tempting than to pin down such a moment with the blow of a borrowed hammer? — Ethel Smyth

He walked over to Jacque, whose head was bowed and turned so that her neck was bared. It was like she knew instinctively to submit so as to not provoke the dominant wolf and hopefully she would subdue him in her surrender. Fane's wolf must have been the one in control of the wheel because he leaned down over Jacque and growled low. He placed his face against her neck, breathing deep, and his voice was guttural when he spoke. "Mine."
Jacque turned her head slightly and did what no other would ever be able to do when this Alpha was at this point, she looked him in the eyes. "Yes, I am yours." As soon as the words were out of her mouth, Fane pulled his power in and all of a sudden it was like a weight had been lifted and they could breathe again.
Loftis, Quinn (2011-11-18). Blood Rites: Book 2 Grey Wolves Series (The Grey Wolves Series) (p. 95). Kindle Edition. — Quinn Loftis

I suppose next time I come home I shall find you wearing false moustaches - or are you doing so now?'
Poirot winced. His moustaches had always been his sensitive point. He was inordinately proud of them. My words touched him on the raw.
'No, no, indeed, mon ami. That day, I pray the good God, is still far off. The false moustaches! Quelle Horreur!'
He tugged at them vigorously to assure me of their genuine character.
'Well, they are very luxuriant still,' I said.
'N'est-ce pas? Never, in the whole of London, have I seen a pair of moustaches to equal mine.'
A good job too, I thought privately. — Agatha Christie

Sometimes the ones we love are like butterflies, flitting all over, and we have to sit and wait patiently for them to land. Sometimes they never do, and that's a risk we take. But sometimes what they need most is to see us sitting still, patient, waiting. To understand that we're going to be there no matter what, that we're the ones who are always sitting there waiting, loyal, loving. Sometimes that's more powerful than any words. — Heidi Cullinan

I got through so much ink in the learning that the inkseller took to knocking at least once a week on the garden door. He had a gray solemn face that looked as if it was chiseled out of stone; he was stooped down like the letter C, as if he were Atlas carrying the weight of the world in his wooden barrel of ink. Maybe he did. I have learned that there is great power in words, no matter how long or short they be. — Sally Gardner

For me, language is a freedom. As soon as you have found the words with which to express something, you are no longer incoherent, you are no longer trapped by your own emotions, by your own experiences; you can describe them, you can tell them, you can bring them out of yourself and give them to somebody else. That is an enormously liberating experience ... — Jeanette Winterson

I'm sorry. I'm a little on edge."
"No need to remind me," Mg. Aviosky quipped just as a real person emerged from that second right, some sort of ledger in his hands.
"There are guests at the door," the man said, closing the ledger. The ensuing burst of air rustled his wavy black hair. In words pitched at a light baritone, he added, "And I would have thought the knock gave it away. — Charlie N. Holmberg

I don't know what position you're talking about, sir. The Gnomon Society has never questioned the rotundity of the earth. Mr. Jimmerson is himself a skilled topographer."
"Excuse me, Mr. Popper, but I have it right here in Mr. Jimmerson's own words on page twenty-nine of 101 Gnomon Facts."
"No, sir. Excuse me but you don't. Please look again. Read that passage carefully and you'll see what we actually say is that the earth looks flat. We still say that. It's so flat around Brownsville as to be striking to the eye."
"But isn't that just a weasel way of saying that you really believe if to be flat?"
"Not at all. What we're saying is that the curvature of the earth is so gentle, relative to our human scale of things, that we need not bother or take it into account when going for a stroll, say, or laying out our gardens. — Charles Portis

Whose heart doth hold the Christmas glow Hath little need of Mistletoe; Who bears a smiling grace of mien Need waste no time on wreaths of green; Whose lips have words of comfort spread Needs not the holly-berries red - His very presence scatters wide The spirit of the Christmastide. — John Kendrick Bangs

Every day is a writing day. I get to my desk between 8 and 8:30 in the morning and then work through until 6pm, and then normally I'll take up whatever will be happening in the evening, usually painting or photography.
I do about four drafts total. I do handwritten drafts because I don't type and I have no wish to type. I mean, I know how to type, but I have no interest in putting the words down that way.
Maybe that's because I'm an artist and because I've always used a pen and so there's a sort of natural feel to it.
I don't know how familiar you are with Blake's illuminated texts, but you know very often he'll literally make words flower. It's really this glorious thing in bringing words and pictures into the same place, the same space. — Clive Barker

It is a long journey, not just as a writer, but as a human being. Take nothing and no one for granted, be humble always, be kind especially when it's difficult and never forget the place where you came from and the people that helped you get where you are. These things will live on in you and through you, long after the words have faded. — C.K. Webb

Never can that be told, for those who saw and lived through it have lost the gift of words and those who are dead can tell no tales. Those were things which are not told, but forgotten. Fore where they not forgotten, how could they ever be repeated? — Ivo Andric

By fall, they can read. It happened by osmosis, the way it ought to: after they have spent several months on Daddy's lap, following his spoken words with their eyes and pretending to read, their comes a day when they no longer have to pretend. — Ann-Marie MacDonald

He did not say so, but the words behind the words told me that he would rather have launched me into a good marriage than watch me row against the tide at my own work. It remains that a woman with an incomplete emotional life has herself to blame, while a man with no time for his heart just needs a wife. — Jeanette Winterson

What do I see? I see a man who has higher and thicker walls than I will ever have. I see a terrifying beast enveloped and hidden by a cleverly fashioned mask. I see tears that will never fall. I see blood and death. I see a heart that devours itself. I see the promise of a pain and deceit. I see a lot of things, Baltsaros. Many of them frightening," Jon said.

Baltsaros showed no surprise over Jon's words. Instead, he leaned towards him, intrigued. "And you're not afraid," he said. — Bey Deckard

Don't make me out to be something worth saving. We both know I'm a waste." His voice was so quiet. "I wish I was better at telling you why you have to stay here. I wish I could put into words the part of my heart that has your name written on it. That part hurts right now. You have to be here. You love life too much. You're so important. I wish I could make you understand this." He tried to smile at her valiant efforts. "I would keep you if I could. You can sleep here, right on this couch. Beckett, I will let you hold this baby when it comes." She touched her stomach. "Does that tell you how much you mean to me? It's the only thing I can come up with." He shrugged. "Mouse would be disappointed. He'd feel like he didn't do his job if you died ... Eve loves you. Wherever she is - in this strip club - is that what you've been wishing for?" Beckett shook his head. "No, right? She loves you. You can't kill someone she loves. You just can't. — Debra Anastasia

Would you like to hold my sword?" He asked the question with a gleam in his eyes.
Lucy burst out laughing. At least she didn't giggle again. "You did not just say that. But, um, yeah, I'd like to hold your sword, Agent Riley."
Hunter grinned and unzipped his backpack, pulling out something surprisingly small. He held it out to her, and noticed the disappointed look on her face. "Expecting something bigger?"
She smirked at his continued play on words. She had a lifetime of training in verbal and physical sparring; he was no match for her. "They say size doesn't matter, but I disagree."
Hunter, who apparently hadn't expected her response, choked on his own comeback and unsheathed the sword, then placed it in her hand. "You have to stroke it a certain way to make it bigger. — Kimberly Kinrade

Yes. A language that will at last say what we have to say. For our words no longer correspond to the world. When things were whole, we felt confident that our words could express them. But little by little these things have broken apart, shattered, collapsed into chaos. And yet our words have remained the same. Hence, every time we try to speak of what we see, we speak falsely, distorting the very thing we are trying to represent. [ ... ] Consider a word that refers to a thing- " umbrella", for example. [ ... ] Not only is an umbrella a thing, it is a thing that performs a function. [ ... ] What happens when a thing no longer performs its function? [ ... ] the umbrella ceases to be an umbrella. It has changed into something else. The word, however, has remained the same. Therefore it can no longer express the thing. — Paul Auster

Zarathustra: Do you have words? Do your words belong to you?
Giannina: No, my answer is no. I have no property in the dictionary. Words are anonymous like the disenfranchised masses that haven't been weighed - or named - or framed. My words belong to those who don't belong. — Giannina Braschi

And for adults, the world of fantasy books returns to us the great words of power which, in order to be tamed, we have excised from our adult vocabularies. These words are the pornography of innocence, words which adults no longer use with other adults, and so we laugh at them and consign them to the nursery, fear masking as cynicism. These are the words that were forged in the earth, air, fire, and water of human existence, and the words are:
Love. Hate. Good. Evil. Courage. Honor. Truth. — Jane Yolen

In retrospect I must confess that I do not know, or no longer know, what I wanted to achieve with my words. I only know that without this testimony, my life as a writer - or my life, period - would not have become what it is: that of a witness who believes he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human memory. — Elie Wiesel

As words are not the things we speak about, and structure is the only link between them, structure becomes the only content of knowledge. If we gamble on verbal structures that have no observable empirical structures, such gambling can never give us any structural information about the world. Therefore such verbal structures are structurally obsolete, and if we believe in them, they induce delusions or other semantic disturbances. — Alfred Korzybski

Not seen you in here before." Dieter stared at Gethin's chest. "Cool harness."
"Thanks."
"Have you been here before?"
"No," Gethin said.
"Why tonight?"
He sounded genuinely curious and Gethin shrugged. "Book club was cancelled."
In Dieter's giggle, Gethin caught a glimpse of the teenager he really was.
"You read then?" Dieter asked.
"I try. Not the long words obviously. — Barbara Elsborg

Why are people are so afraid of death? Why do they avoid talking about it? Maybe it's because there are no words. With my limited knowledge of the English language, there is not a word I have ever heard that accurately describes what "death" is. You can look it up in the dictionary for yourself. I don't believe what they say it is. How can you say death is death when it is not death at all, but life? — Kate McGahan

I have learned that we may change the very nature of our thoughts, by changing the tone of voice we are thinking in! No one has ever paid attention to what tone of voice they are speaking in, during the time that their words are going on in their heads! People only pay attention to their tones of voice when their words are on their tongues! But it is the tone of voice we think in, that is responsible for creating the energy we emit. You may be screaming on the inside and even though you are calm on the outside, you are going to create the energy of your thoughts. If you want real change in your life, in your mind - really, just change the tone of voice that you think in! — C. JoyBell C.

As I watched all the problems you were struggling with, I realized how much you meant to me. It changed everything. I was worried about you - so, so worried. You have no idea. And it became useless to try to act like I could ever put any Moroi life above yours. It's not going to happen, no matter how wrong others say it is. And so I decided that's something I have to deal with. Once I made that decision ... there was nothing to hold us back." He hesitated, seeming to replay his words as he brushed my hair from my face. "Well, to hold me back. I'm speaking for myself. I don't mean to act like I know exactly why you did it."
"I did it because I love you," I said, like it was the most obvious thing in the world. And really, it was. — Richelle Mead

For years, i lived my life, waiting for the other shoe to drop ... i thought control was something i could have over my life. My goal was to live life, in such a way, that i would never again have to suffer any form of trauma or abuse that would remind me of my painful past. I was living life on a tightrope of tension. I was only happy when things went smoothly and came apart at the seams when i was thrown a curveball.
NOW, i realize, that the key to happiness is surrendering to the illusion of control. And to trust that, no matter what happens to me, i have the infinite inner-wisdom and strength to find my way through. — Jaeda DeWalt

The potential for loss of soul
to one degree or another
is the affliction of a society that as a collective has lost its sense of the holy, of a culture that values everything else above the spiritual. We live in such a spiritually impoverished culture
and in such a time. Loss of soul, to one degree or another, is a constant teasing possibility. We are invited at every corner to hedge on the truth, indulge outselves, act as if our words and actions have no ultimate consequence, make an absolute of the material world, and treat the spiritual world as if it were some kind of frothy, angelic fantasy. In such a world the soul struggles for survival; in such a world a man can lose his own soul and have the whole culture support him, and in such a world, conversely, the light of a single, great soul that lives in integrity can truly illumine the world. — Daphne Rose Kingma

Without context words and actions have no meaning at all — Gregory Bateson

Writing simply means no dependent clauses, no dangling things, no flashbacks, and keeping the subject near the predicate. We throw in as many fresh words we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it vital and alive.... Virtually every page is a cliffhanger--you've got to force them to turn it."~ — Dr. Seuss

Words are tears that have been written down. Tears are words that need to be shed. Without them, joy loses all its brilliance and sadness has no end. — Paulo Coelho

... modern man no longer communicates with the madman [ ... ] There is no common language: or rather, it no longer exists; the constitution of madness as mental illness, at the end of the eighteenth century, bears witness to a rupture in a dialogue, gives the separation as already enacted, and expels from the memory all those imperfect words, of no fixed syntax, spoken falteringly, in which the exchange between madness and reason was carried out. The language of psychiatry, which is a monologue by reason about madness, could only have come into existence in such a silence. — Michel Foucault

Nevertheless there are certain peaks, canons, and clear meadow spaces which are above all compassing of words, and have a certain fame as of the nobly great to whom we give no familiar names. — Mary Hunter Austin