Grace Is Gone Movie Quotes & Sayings

'Boomerang!' I love that movie just because of Halle Berry, Robin Givens, Eddie Murphy, Grace Jones and Eartha Kitt. There were so many characters. As an actress, to see African-American actors be so diverse was different from what I was used to seeing. — Drew Sidora

The goals are not about the sweet smell of success as much as it's about enjoying a damn day on the movie set ... I live in a complete state of grace. — Peter Weller

Grace Kelly forged a link between Monaco and the movie world, and I would like to create a strong bond between Monaco and the fashion community. — Charlene, Princess Of Monaco

Fans decide what pop culture is. We can define ourselves. Music and the presentation of art nowadays is totally in our control, with the Internet specifically. You no longer need record labels. You no longer need movie distribution companies. You can just make it and put it online, and it will distribute itself to millions of people. The borders and everything have been broken down. It really is in the hands of the people. — Laura Jane Grace

The script is a blueprint for the film - there are very few bad scripts that make good movies. If you really like the character and understand the utility it serves within the movie, that's a part of my process. — Topher Grace

Dinner and a movie? Forget that. I'd rather have a picnic and a waterfall. — Amanda Grace

I think he's handling it with grace. A lot of teenage boys would sulk, or lurk around under your window with a boom box. — Cassandra Clare

Such arguments remind me of a scene from Woody Allen's movie Manhattan, where a group of people is talking about sex at a cocktail party and one woman says that her doctor told her she had been having the wrong kind of orgasm. Woody Allen's character responds by saying, "Did you have the wrong kind? Really? I've never had the wrong kind. Never, ever. My worst one was right on the money."
Grace works the same way. It is what it is and it's always right on the money. You can call it what you like, categorize it, vivisect it, qualify, quantify, or dismiss it, and none of it will make grace anything other than precisely what grace is: audacious, unwarranted, and unlimited. — Cathleen Falsani

I loved acting. I didn't particularly like being a movie star. — Grace Kelly

Augustus: It's a metaphor
Hazel: You choose your behaviours based on their metaphorical resonances ...
Augustus: Oh yes, I'm a big believer in metaphor, Hazel Grace
*taps car window*
Hazel: I'm going to a movie with Augustus Waters, please record the next episodes of the ANTM marathon for me — John Green

That's the best thing about being an actor. If you're in a baseball movie, you walk away knowing way more about baseball, or if you're in a sci-fi film, you learn way more about Comic-Con, and so I loved all that. — Topher Grace

I was the first companion to kiss the Doctor. I played Grace Holloway to Paul McGann's Doctor in the 1996 TV movie. We shared three kisses, in fact: very sweet and chaste. When I took the part, I'd never even heard of 'Doctor Who.' No one warned me that the kisses would be a big deal. — Daphne Ashbrook

When I got out of the movie, I had four text messages from Augustus.
Tell me my copy is missing the last twenty pages or something.
Hazel Grace, tell me I have not reached the end of this book.
OH MY GOD DO THEY GET MARRIED OR NOT OH MY GOD WHAT IS THIS
I guess Anna died and so it just ends? CRUEL. Call me when you can. Hope all's okay. — John Green

The whole acting thing is a buffet. One, in terms of role choice and movie choice, I like to do lots of different things, and I think that's the whole fun of it. But I also see it as a buffet in terms of the character. — Topher Grace

We are too young to realize that certain things are impossible ... So we will do them anyway. — William Wilberforce

I wanted to give young girls something positive to look up to ... I wanted to give them their Blizzard of Aahhhs, Ski Movie or High Life, but done in a way that also shows the elegance, grace, community and style that is unique to women in the mountains. — Lynsey Dyer

Blonde movie stars in the 1950s seem to have been pretty much divided between breathy bombshells (Marilyn Monroe, Jayne Mansfield) and slim, elegant swans (Grace Kelly, Eva Marie Saint). Producers didn't really know what to do with Judy Holliday, a brilliant, versatile actress who simply didn't fit into any easy category. Though she left behind a handful of delightful films, one can't help feeling a sense of waste that her gifts were not better handled by Hollywood (or, for that matter, by Broadway). Perhaps, like Lucille Ball, Judy Holliday would have blossomed with a really good sitcom; but, unlike Lucy, she never got one. — Eve Golden

I guess its time you officially met the lost boys," I said to Daniel.
"Lost boys? You mean like that old Kiefer Sutherland movie?
"What? No, I mean like Peter Pan and the lost boys."
"Is she calling us fairies?" Asked Slade.
"No," Brent said. "She means the lost boys that never wanted to grow up, and got into mischief with Peter Pan."
"Still sounds like fairies to me." Slade crossed his tattooed arms in front of his chest.
"Still sounds like that Kiefer Sutherland movie to me." Daniel smirked.
"We were in the play together, like, seven years ago. You were mad because my mom made you wear tights, but you wanted to be a pirate."
Daniel held his hand up. "Partial amnesia here, remember? I must have blocked out any and all recollections associations with said tights."
Brent, Zach, and Ryan laughed. Slade almost cracked a smile.


~ Grace, Daniel, and The Lost Boys — Bree Despain

Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them. — Roger Ebert

My real difficulty was to become a normal person again, after having been a movie actress for so long. For me, at the time I was living in New York and Hollywood, a normal person was someone who made movies. — Grace Kelly

I can't stand [female] characters that are not empowered in a certain way, or at least don't come to a conclusion at the end of the movie where they find empowerment in themselves. — Chloe Grace Moretz