Gone Girl Margo Quotes & Sayings

A good heart is when a girl that you loved, a girl who has pained
you and chosen another instead, places in your hands the means to her own ruin. And you could tell it to everyone. But you keep silent, because you can do that, too, and a good heart would do that, a fine man, a man who truly loved her ... Let her be lucky now.- A Good Heart. — Margo Lanagan

I've known white Australian girls from wealthy families who were sent to posh private schools, who knew all of that stuff, and I think would recognise much in Jefferson's book. What I related to most strongly was the sexism and misogyny Margo Jefferson had to battle. — Justine Larbalestier

Margo was not a miracle.She was not an adventure.She was not a fine and precious thing.She was just a girl. — John Green

With her heels kicking the stone's side high above the ground, Branza was a girl again, though she was full-grown long ago; though the years had accumulated behind her in their great pointless pile. — Margo Lanagan

But there she is, and I am watching her through the Plexiglas, and she looks like Margo Roth Spiegelman, this girl I have known since I was two
this girl who was an idea that I loved. — John Green

"Oh, but I love them so. There." Margo stepped back, then nodded in satisfaction. "I didn't have much to work with, but ... " "Keep it up, Miss D Cup," Kate grumbled, then looked down and goggled. "Jesus, where did they come from?" "Amazing, isn't it? In the right harness, those puppies just rise." "I have breasts." Stunned, Kate patted the swell rising above black satin and lace. "And cleavage." "It's all a matter of proper positioning and making the most of what we have. Even when it's next to nothing." "Shut up." Grinning, Kate slicked her hands down her torso. "Look, Ma. I'm a girl."
... Her friend was sitting in an elegant Queen Anne chair wearing a black bustier with matching lacy garter belt and sheer black stockings. "Why, Kate, you look so ... different." "I have tits," she stated and rose. "Margo gave them to me." — Nora Roberts

And all at once I knew how Margo Roth Spiegelman felt when she wasn't being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made - and that she had, in fairness, always led me to make - was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl. — John Green

All the expressions that are possible crossed its face, as if its thoughts were wise and limitless one moment, daft and animal the next. And Liga too was pulled towards awe, that this little girl-thing gave off such an air of being entitled, and then towards pity at its abjectness and its frailty and-how soft it was, the surface of it, and so warm! She could not believe the tiny makings of its mouth, or its perfected eyelashes, its ears like uncrumpling buds, all down and tenderness. She was full of the joy of her father being gone-that she could sit like this all night if she wanted, not bothered or harangued, without a remark from any other person, and watch this creature busy with its morsel of life, its scrap of sleep, its breaths light as moth-wings lifting its narrow red chest. — Margo Lanagan

The scents of these three, for instance, were so distinct, though they were clearly a family: the dark girl more savory and the golden-haired one more honeylike and they woman sweetest of all- I could not place what flower it was she recalled to me, or what sweetmeat. — Margo Lanagan

The fundamental mistake I had always made ... was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl. (pg. 199) — John Green