Funny Cool Down Quotes & Sayings

'Funny' is really cool live. You break it down into an acoustic set, and sometimes I'll do that one unplugged and off the mic, depending on the venue. — Tori Kelly

Pops gave him a cool stare that settled Tom down - a thing not always easy to do. "Son, do you know what history is?"
"Uh ... stuff that happened in the past?"
"Nope," he said, trying on his canvas change-belt. "History is the collective and ancestral shit of the human race, a great big and ever growing pile of crap. Right now, we're standin at the top of it, but pretty soon we'll be buried under the doodoo of generations yet to come. That's why your folks' clothes look so funny in old photographs, to name but a single example. And, as someone who's destined to buried beneath the shit of your children and grandchildren, I think you should be just a leetle more forgiving. — Stephen King

I really love Charlize Theron. I've never met her before, but she seems really down-to-earth in interviews, really intelligent and funny and cool - and she's just this glorious goddess who holds herself with such confidence. — Alexandra Daddario

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

What's the best practical joke you've ever played on another camper? Connor: The golden mango! Travis: Oh, dude, that was awesome. Connor: So anyway, we took this mango and spray painted it gold, right? We wrote: "For the hottest" on it and left it in the Aphrodite cabin while they were at archery class. When they came back, they started fighting over it, trying to figure out which of them was the hottest. It was so funny. Travis: Gucci shoes were flying out the windows. The Aphrodite kids were ripping each other's clothes and throwing lipstick and jewelry. It was like a rabid herd of wild Bratz. Connor: Then they figured out what we'd done, and they tracked us down. Travis: That was not cool. I didn't know they made permanent makeup. I looked like a clown for a month. Connor: Yeah. They put a curse on me so that no matter what I wore, my clothes were two sizes too small and I felt like a geek. Travis: You are a geek. — Rick Riordan

Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside.
He offered you a what? she yelled.
An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush.
What is it? she said.
Coffee! I yelled.
Irma, can I come and live
I turned around again and began to run. — Miriam Toews

I saw a guy juggling chain saws, it was cool, unless something needed to be sawed down, then it's annoying. — Mitch Hedberg

In the cool dark basement, she whispers, "It's not Ralph, is it?"
Cabel's quiet for a moment, as if he's thinking, "You mean like Forever Ralph? Uh, no."
"You've read Forever?" Janie is incredulous.
"There wasn't much else to chose from on the hospital library cart, and Deenie was always checked out," Cable says sarcastically.
"Did you like it?"
Cabel laughs softly, "Um ... well, it wasn't the wisest thing to read for a fourteen-year-old guy with fresh skin grafts in the general area down there, if you know what I mean. — Lisa McMann

It's funny how one summer can change everything. It must be something about the heat and the smell of chlorine, fresh-cut grass and honeysuckle, asphalt sizzling after late-day thunderstorms, the steam rising while everything drips around it. Something about long, lazy days and whirring air conditioners and bright plastic flip-flops from the drugstore thwacking down the street. Something about fall being so close, another year, another Christmas, another beginning. So much in one summer, stirring up like the storms that crest at the end of each day, blowing out all the heat and dirt to leave everything gasping and cool. Everyone can reach back to one summer and lay a finger to it, finding the exact point when everything changed. That summer was mine. — Sarah Dessen

Cole steps forward, his fingers reaching around my shoulders, and kisses me.
It is sudden and smooth and soft as air against my lips. The wind whips around us, tugging at the fabric of our clothes, but not pulling us apart.
And then it's gone, the cool pressure against my lips, and my eyes are open and looking into two gray eyes like river rocks.
"/That's/ what you wanted to show me?"
"No," he says, his fingers slipping down my arms as he leads me off the path and out, away from Near. "That was just in case. — Victoria Schwab