Quotes & Sayings About Function Of Language

Mercury is most commonly recognized as a developmental toxin, threatening to young children and fetuses as they develop their nervous system. Prenatal exposure to even low levels of mercury can cause life-long problems with language skills, fine motor function, and the ability to pay attention. — Frances Beinecke

But if we are to grasp the full value of the materials, we must note that myths are not exactly comparable to dream. Their figures originate from the same sources -- the unconscious wells of fantasy-- and their grammar is the same, but they are not the spontaneous products of sleep. On the contrary their patterns are consciously controlled. And their understood function is to serve as powerful picture language for the communication of traditional wisdom. — Joseph Campbell

If we want to keep the old language, still using such terms as "spiritual" and "material," the spiritual must mean "the indefinable," that which, because it is living, must ever escape the framework of any fixed form. Matter is spirit named. After all this, the brain deserves a word for itself! For the brain, including its reasoning and calculating centers, is a part and product of the body. It is as natural as the heart and stomach, and, rightly used, is anything but an enemy of man. But to be used rightly it must be put in its place, for the brain is made for man, not man for his brain. In other words, the function of the brain is to serve the present and the real, not to send man chasing wildly after the phantom of the future. — Alan W. Watts

You have certainly observed the curious fact that a given word which is perfectly clear when you hear it or use it in everyday language, and which does not give rise to any difficulty when it is engaged in the rapid movement of an ordinary sentence becomes magically embarrassing, introduces a strange resistance, frustrates any effort at definition as soon as you take it out of circulation to examine it separately and look for its meaning after taking away its instantaneous function. — Paul Valery

Perhaps sex isn't of the body at all. Perhaps it is a function of language. — Zadie Smith

Do you love me?"
There was an awkward silence for a moment. Then Father gave a little chuckle. "Jonas. You, of all people. Precision of language, please!"
"What do you mean?" Jonas asked. Amusement was not at all what he had anticipated.
"Your father means that you used a very generalized word, so meaningless that it's become almost obsolete," his mother explained carefully.
Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory.
"And of course our community can't function smoothly if people don't use precise language. You could ask, 'Do you enjoy me?' The answer is 'Yes,'" his mother said.
"Or," his father suggested, "'Do you take pride in my accomplishments?' And the answer is wholeheartedly 'Yes.'"
"Do you understand why it's inappropriate to use a word like 'love'?" Mother asked.
Jonas nodded. "Yes, thank you, I do," he replied slowly.
It was his first lie to his parents. — Lois Lowry

Neurology's favourite word is 'deficit', denoting an impairment or incapacity of neurological function: loss of speech, loss of language, loss of memory, loss of vision, loss of dexterity, loss of identity and myriad other lacks and losses of specific functions (or faculties). — Oliver Sacks

Language is a function not only of neurons, not only of "I," but of the meeting of cell and cosmos: the brash Caw of a disembodied intelligence at large in the universe, perhaps even the "voice" of primordial matter. You can hear it in wild turkeys at dawn. — Richard Grossinger

Any translation which intends to perform a transmitting function cannot transmit anything but information-hence, something inessential. This is the hallmark of bad translations. — Walter Benjamin

The human subject is a function of language and, from conception, is a subject of desire. Dolto believed that infants understand much more than is commonly understood, and that infants are in receipt of their family history, which is transmitted unconsciously from generation to generation. As a consequence, infant experience needs to be made sense of in language and communicated to babies so that they are not left alone with what might traumatize them in the womb during the process of birth or after birth. — Guy Hall

Think positive thoughts! I can remember when I thought my thoughts didn't make much difference. After all, they were in my head and certainly weren't affecting anyone but me. I was wrong - and so are you if this is your attitude. Thoughts operate in the spiritual realm. You cannot see thoughts just as you cannot see angels, but they are real; they merely function in a realm not visible to the eye. Thoughts become words, attitudes, body language, facial expressions, and moods - and all of these affect the atmosphere we dwell in. — Joyce Meyer

Because beyond their practical function, all gestures have a meaning that exceeds the intention of those who make them; when people in bathing suits fling themselves into the water, it is joy itself that shows in the gesture, notwithstanding any sadness the divers may actually feel. When someone jumps into the water fully clothed, it is another thing entirely: the only person who jumps into the water fully clothed is a person trying to drown; and a person trying to drown does not dive headfirst; he lets himself fall: thus speaks the immemorial language of gestures. — Milan Kundera

When I was in Marine training I memorised 'The Waste Land,' which was a significant experience in terms of really breaking apart language and thinking about how the different voices in that poem function. — Phil Klay

The poem is not only the point of origin for all the language and narrative arts, the poem returns us to the very social function of art as such. — Ron Silliman

Language is not only a means of speech and thought, it is a bridge with the significant function of bringing the wealth of the past to our day and conveying today's heritage and our new compositions to the future. — M. Fethullah Gulen

The primary function of the creative use of language - in our age - is to try to constantly restore words to their meanings, to keep the living tissue of responsibility alive. — Jorie Graham

And if it is true that the image still has the function of speaking, of transmitting something consubstantial with language, we must recognize that it already no longer says the same thing; and that by its own plastic values painting engages in an experiment that will take it farther and farther from language, whatever the superficial identity of the theme. — Michel Foucault

We thus see the artist performing a dual function: first, furthering the integrity of the process of self-expression in the language of art; and secondly, protecting the organic continuity of art in relation to its own laws. For like any organic substance, art must always be in a state of flux, the tempo being slow or fast. But it must move. — Mark Rothko

I would like a world full of love. But remember, that love has no opposite to it. It is simply because you inside yourself have been able, through awareness, to transform your hate into love. Even to say that you have been able to transform it is not right, but what else to do with language? Whatever you say, something is wrong in saying it, something goes wrong in saying it. The fact is, awareness itself transforms your hate into love, not that you transform it. Your work and function is simply to remain aware. Don't let anything happen in your life without awareness. — Rajneesh

I believe that mathematical reality lies outside us, that our function is to discover or observe it, and that the theorems which we prove, and which we describe grandiloquently as our "creations," are simply our notes of our observations. This view has been held, in one form or another, by many philosophers of high reputation from Plato onwards, and I shall use the language which is natural to a man who holds it. — G.H. Hardy

When I say or write something, there are actually a whole lot of different things I am communicating. The propositional content (i.e., the verbal information I'm trying to convey) is only one part of it. Another part is stuff about me, the communicator. Everyone knows this. It's a function of the fact there are so many different well-formed ways to say the same basic thing, from e.g. "I was attacked by a bear!" to "Goddamn bear tried to kill me!" to "That ursine juggernaut did essay to sup upon my person!" and so on. — David Foster Wallace

Using the analogy of the human mind as a computer, gossip can be compared to a computer virus. A computer virus is a piece of computer language written in the same language all the other codes are written in, but with a harmful intent. This code is inserted into the program of your computer when you least expect it and most of the time without your awareness. After this code has been introduced, your computer doesn't work quite right, or it doesn't function at all because the codes get so mixed up with so many conflicting messages that it stops producing good results. — Miguel Ruiz

refers to linguistic hybridity on the level of text that has no representational function within the narrative. In other words, it has no object: it is neither translational mimesis representing another language nor does it represent the self-translation of a character or an embodied narrator. It is characterized by the absence of a fictional translator. If, — Susanne Klinger

I like to imagine that Adam's tongue, his palate and his lips were always on fire, that the air he breathed was kindled to incandescence each time he cried out in sorrow or delight. If fiction can be said to have a function, it is to release that primary fury of which language, even now, is miraculously capable - from the dry mud of daily use. So that furred, spotted and striped, it may - as it did in Eden - scrawl under every tree as revelation. — Rikki Ducornet

History, unendingly revised and reinterpreted, is seen upon examination as merely a different class of fiction; becomes hazardous if viewed as having any innate truth beyond this. Still, it is a function that we must inhabit. Lacking any territory that is not subjective, we can only live upon the map. All that remains in question is whose map we choose, whether we live within the world's insistent texts or else replace them with a stronger language of our own. — Alan Moore

Trout sat back and thought about the conversation. He shaped it into a story, which he never got around to writing until he was an old, old man. It was about a planet where the language kept turning into pure music, because the creatures there were so enchanted by sounds. Words became musical notes. Sentences became melodies. They were useless as conveyors of information, because nobody knew or cares what the meanings of words were anymore.
So leaders in government and commerce, in order to function, had to invent new and much uglier vocabularies and sentence structures all the time, which would resist being transmuted to music. — Kurt Vonnegut

Charlus takes the narrator's chin and slides his magnetized fingers up to the ears "like a barber's fingers." This trivial gesture, which I begin, is continued by another part of myself; without anything interrupting it physically, it branches off, shifts from a simple function to a dazzling meaning, that of the demand for love. Meaning (destiny) electrifies my hand: I am about to tear open the other's opaque body, oblige the other (whether there is a response, a withdrawal, or mere acceptance) to enter into the interplay of meaning: I am about to make the other speak. In the lover's realm, there is no acting out: no propulsion, perhaps even no pleasure
nothing but signs, a frenzied activity of language: to institute, on each furtive occasion, the system (the paradigm) of demand and response. — Roland Barthes

Yes. A language that will at last say what we have to say. For our words no longer correspond to the world. When things were whole, we felt confident that our words could express them. But little by little these things have broken apart, shattered, collapsed into chaos. And yet our words have remained the same. Hence, every time we try to speak of what we see, we speak falsely, distorting the very thing we are trying to represent. [ ... ] Consider a word that refers to a thing- " umbrella", for example. [ ... ] Not only is an umbrella a thing, it is a thing that performs a function. [ ... ] What happens when a thing no longer performs its function? [ ... ] the umbrella ceases to be an umbrella. It has changed into something else. The word, however, has remained the same. Therefore it can no longer express the thing. — Paul Auster

The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn't shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of this is necessary. There will always be one more thing. — Toni Morrison

Rhetoric is rooted in an essential function of language itself, a function that is wholly realistic and continually born anew: the use of language as a symbolic means of inducing cooperation in beings that by nature respond to symbols. — Kenneth Burke

For Lao-tzu's Taoism is the philosophical equivalent of jujitsu, or judo, which means the way of gentleness. Its basis is the principle of Tao, which may be translated the Way of Nature. But in the Chinese language the word which we render as "nature" has a special meaning not found in its English equivalent. Translated literally, it means "self-so." For to the Chinese, nature is what works and moves by itself without having to be shoved about, wound up, or controlled by conscious effort. Your heart beats "self-so," and, if you would give it half a chance, your mind can function "self-so" - though most of us are much too afraid of ourselves to try the experiment. — Alan W. Watts

Character starts with the alphabet. Letters: words: sentences Character is a function of language - a collection of errors and deviations that resonate with certain behaviors. As with every other element in fiction, it is a record of a writer's decisions. — Noy Holland

Lies, fictions and untrue suppositions can create new human truths which build technology, art, language, everything that is distinctly of Man. The word "stone" for instance is not a stone, it is an oral pattern of vocal, dental and labial sounds or a scriptive arrangement of ink on a white surface, but man pretends that it is actually the thing it refers to. Every time he wishes to tell another man about a stone he can use the word instead of the thing itself. The word bodies forth the object in the mind of the listener and both speaker and listener are able to imagine a stone without seeing one. All the qualities of stone can be metaphorically and metonymically expressed. "I was stoned, stony broke, stone blind, stone cold sober, stonily silent," oh, whatever occurs. More than that, a man can look at a stone and call it a weapon, a paperweight, a doorstep, a jewel, an idol. He can give it function, he can possess it. — Stephen Fry

All things considered, I've learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy
it's tough being creative in a materialistic society
but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don't feel so acutely the weight of language. — Tom Robbins

I intend to see that justice is done by presiding, in the manner of the omnipotent Walter Mitty, as chief justice of a tribunal trying the case of those plotting further advances for the Chinese characters on an international scale. Emulating the operatic Mikado's "object all sublime... to let the punishment fit the crime," I hand down the following dread decree:

Anyone who believes Chinese characters to be a superior system of writing that can function as a universal script is condemned to complete the task of rendering the whole of Lincoln's Gettysburg Address into Singlish.
— John DeFrancis

Poetry doesn't function by saying things straightforwardly because the language is too imprecise, too limited often, to address the underlying subject of most poems. — Pattiann Rogers

Lurking behind this connecting silence is a brooding suspicion over the extent to which the perceptual user-preferences of the human animal limit and distort its experience of reality, and the consequently unreliable nature of much of its thought. Poetry is the means by which we correct the main tool of that thought, language, for its anthropic distortions: it is language's self-corrective function, and everywhere challenges our Adamite inheritance - the catastrophic, fragmenting design of our conceptualizing machinery - through the insistence on a counterbalancing project, that of lyric unity. — Don Paterson

Computers are everywhere and you can't even begin to function with a computer unless you have comprehension and an understanding of the English language. — Wally Amos

What is the real function, the essential function, the supreme function, of language? Isn't it merely to convey ideas and emotions? Certainly. Then if we can do it with words of fonetic brevity and compactness, why keep the present cumbersome forms? — Mark Twain

By listening to his language of his locality the poet begins to learn his craft. It is his function to lift, by use of imagination and the language he hears, the material conditions and appearances of his environment to the sphere of the intelligence where they will have new currency. — William Carlos Williams

Every legend, moreover, contains its residuum of truth, and the root function of language is to control the universe by describing it. — James A. Baldwin

T. S. Eliot and Jean-Paul Sartre, dissimilar enough as thinkers, both tend to undervalue prose and to deny it any imaginative function. Poetry is the creation of linguistic quasi-things; prose is for explanation and exposition, it is essentially didactic, documentary, informative. Prose is ideally transparent; it is only faute de mieux written in words. The influential modern stylist is Hemingway. It would be almost inconceivable now to write like Landor. Most modern English novels indeed are not written. One feels they could slip into some other medium without much loss. It takes a foreigner like Nabokov or an Irishman like Beckett to animate prose language into an imaginative stuff in its own right. — Iris Murdoch

In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication onto a single homogeneous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language. — Italo Calvino

Via our left hemisphere language centers, our mind speaks to us constantly, a phenomenon I refer to as "brain chatter." It is that voice reminding you to pick up bananas on your way home and that calculating intelligence that knows when you have to do your laundry. There is vast individual variation in the speed at which our minds function. For some, our dialogue of brain chatter runs so fast that we can barely keep up with what we are thinking. Others of us think in language so slowly that it takes a long time for us to comprehend. Still others of us have a problem retaining our focus and concentration long enough to act on our thoughts. These variations in normal processing stem back to our brain cells and how each brain is intrinsically wired. — Jill Bolte Taylor

The poet found illness a convenient language for his skewed relation to normal life, for his inability at times to function, for his radical abdication of responsibilities. Illness offered, for decades, a comfortable way for him to think about himself. Ever the poet, he pretty much set up camp and lived in the metaphor of being sick. — Katie Roiphe

Let me just acknowlege that the function of grammar is to make language as efficent and clear and transparent as possible. But if we're all constantly correcting each other's grammar and being really snotty about it, then people stop talking because they start to be petrified that they're going to make some sort of terrible grammatical error and that's precisely the opposite of what grammar is supposed to do, which is to facilitate clear communication. — John Green

The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist 'cultural revolution', is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form. — Fredric Jameson

However differently we spoke the language, as Spanish speakers, our close ties with Latin and Greek gave us a sense of superiority: we were the heirs to a noble linguistic past. English, in contrast, was the barbaric bastard son of Latin, constantly gloating over its discoveries: the demiurgic function of articles, inventing the world by enunciating it. — Valeria Luiselli