Find Out Movie Quotes & Sayings

The first film that really knocked me out was Alien by Ridley Scott. This is a great movie because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director. — Nicholas Ozeki

I think you approach a part the same way and just find out in what's making them tick and who they are. In a movie like this you may have a little less time and few dialogue scenes and exposition scenes for your character to really get that across, and so I wanted to be able to convey that she's not somebody who's just punching a clock but she has this weird emotional investment in her job to where she does get quite myopic and that's what makes her relentless. — Kate Beckinsale

I sometimes find myself sitting here not watching an uninteresting movie and contemplating the future. I don't always know what to do, but I have faith that I'll figure it out somehow. — D.S. Mixell

I don't know why people are so obsessed with finding out stuff before the movie comes out. It's so much more fun to just go. I mean, I don't do that. I don't go looking for stuff that I'm interested in, you know, to try and find out pictures and what the movie's about. It's so much more fun to be surprised. — Oscar Isaac

Commercial books don't even get covered. The reason why so many book reviews go out of business is because they cover a lot of stuff that nobody cares about. Imagine if the movie pages covered none of the big movies and all they covered were movies that you couldn't even find in the theater? — James Patterson

I have seen them stagger out of their movie palaces and blink their empty eyes in the face of reality once more, and stagger home, to read the Times, to find out what's going on in the world. I have vomited at their newspapers, read their literature, observed their customs, eaten their food, desired their women, gaped at their art. But I am poor, and my name ends with a soft vowel, and they hate me and my father, and my father's father, and they would have my blood and put me down, but they are old now, dying in the sun and in the hot dust of the road, and I am young and full of hope and love for my country and my times, and when I say Greaser to you it is not my heart that speaks, but the quivering of an old wound, and I am ashamed of the terrible thing I have done. — John Fante

My first experience of that was with my first movie which I did in India. And it was so different from other people. I find that "Oh my God." Every time the music is slow I feel that people are going to get up and go out. You get this nervousness. But, to my surprise, people starting singing the song even before it came in. They started singing along a week later, after release, which was very cool. — A.R. Rahman

But for a long time, and probably far too long, I had a secret wish: the adolescently romantic idea that there was someone out there for me; someone I hadn't met yet who would ask me on a date and make sense of my life. I harbored the hope, I'm now embarrassed to admit, that like a girl in a Lifetime movie, I would look into someone's eyes and find a reflection of my inner life. But sometime between my teenage years and the first years in New York, that idea had pretty well evaporated. I'd grown up. — Diane Meier

Let's run away to Venice, and hide out in an old movie theater. We can dye our hair blonde, so no one will ever find us! — Cornelia Funke

My whole theory about why I couldn't find any creators who realized they were leaving out female characters, is because they were raised on the same ratio. I just heard someone the other day call it either "smurfing a movie," which is when there's one female character or "minioning a movie" which is when there's no female characters. — Geena Davis

I was a guy back in the Eighties who was one movie away from a huge career, which at that time didn't happen. In the Nineties, I worked a lot, but it was kind of, 'Get out there and dig and find things.' Then I guess 'The Rookie' and 'Far From Heaven' were referred to as my comeback. — Dennis Quaid

Sometimes when you get on a new movie you kind of how to figure out the way other people work and it can be like being the new kid in high school where you're just trying to find out where your place is on the movie or on the set. — Luke Wilson

A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process. — Peter Riegert

I'm not used to be the adult. I'm not very good at being the adult. To some regard, I wanted to just hang out and joke around, like I would normally, but I had to try to find the movie to shoot. — Jamie Linden

I have a little piece of advice for all the single guys out there, this is a piece of gold so please write this down. If you have the opportunity to star in a movie, do it. Seriously, I find it's a lot easier to meet girls. — Vince Vaughn

I can't find a man I want, and I'm beginning to think the problem is me. Maybe I expect too much. Maybe I'm holding out for something that doesn't even exist. She'd voiced her secret fear. Maybe grand passion was just a dream. With all the kissing she'd done in the past few months, she'd not once been overcome with desire. Her parents certainly hadn't had any great passion between them. Come to think of it, she wasn't sure she'd ever seen grand passion outside of a movie theater or a book. — Karen Marie Moning

How To Love Yourself

When you change your focus
what is absent
to what is present,
what is missing
to what has been given,
what you are not
towards what you are,
the ravages of linear time
to the immediacy of Now
you're reconnecting
with love, truth and beauty,
and abundance is yours,
effortlessly.


For truly,
nothing is missing here, where you are,
nothing is missing in this present scene in the movie of your life,
and are forever busy,
and at a point of completeness.

The only reason
why you can not find the Unit
it is because it never came out.

The day is waiting to be lived.

So breathe life friend,
Breathe life. — Jeff Foster

It's been scattered and I had to follow leads. Some stuff was with different family members in various drawers. I find out about more stuff and more stuff [over time]. I won't call it a treasure hunt, but it's like an old Western movie we're you're onto one thing and it turns into another. — Aaron Brookner

Now, here's what we do. You and I will find a back way out of this place. If we come across someone else, we make like a couple of lovesick teenagers. People generally hurry past heavy breathers. I get you to the parking lot, you vanish. Got it?"
He nodded. "There's just one thing I've got to do before we go," he said. Before I could inquire, he grabbed me and planted a kiss square on my mouth. It was short but fiery, despite the grape flavoring, and when he let me go I wan panting.
Holy crap!"
He smiled, not at all apologetically, and said, "I've wanted to do that ever since I saw my first Bond movie. — Jennifer Rardin

Confession: I don't want everybody to be beautiful, not in that unlined, creaseless, symmetrical way. Android beauty, like it comes out of a test tube. Beauty without blemish or mark. Not only do I not identify with such people, I don't believe in them either. I don't even find them attractive. This is what makes watching television so hard: they don't cast actors anymore, only models. When they make a movie of my life, they'd better cast a character actor in the lead. Don't try to tell me I'm not a character. — Lisa Samson

But then foreign critics right away made sweeping comparisons to haiku, noh theater, and directors like Ozu, as if the movie were somehow representative of Japan - which was, well, not what I was after. Similarly, with After Life, I deliberately set out to make a movie that was unlike what I imagined the foreign conception of Japan to be, and I figured non-Japanese wouldn't find it interesting at all. — Hirokazu Koreeda

When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them. — Abbas Kiarostami

The lack of education means, the lack of having something I can pull out of a drawer, means I have to find something in any movie I work on that is intensely personal. — Hans Zimmer

Frodo: 'It's a pity Bilbo didn't kill Gollum when he had the chance.'
Gandalf: 'Pity? It's a pity that stayed Bilbo's hand. Many that live deserve death. Some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me that Gollum has some part to play in it, for good or evil, before this is over. The pity of Bilbo may rule the fate of many.' Frodo: 'I wish the Ring had never come to me. I wish none of this had happened.'
Gandalf: 'So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, Frodo, besides that of evil. Bilbo was meant to find the Ring, in which case you were also meant to have it. And that is an encouraging thought. — J.R.R. Tolkien

Most movies don't have the ability to find an audience. So the movie plays out very quickly in a lot of theaters to get the biggest gross. So that demands that we make things that are hits before they open. So they have to have the elements, they have to be franchises. — Laura Ziskin

The unknown is the most frightening and mysterious thing, especially in the modern world where we can practically Google anything and find out the back story. I think to have that element of mystery [in your movie], it almost creates a frustration that is closer to real life. — Larry Fessenden

But before, not so long ago - my own rose from prom still OK on the mirror, dried but not a corpse - you were just Ed Slaterton, jocky hero, handsome in the student newspaper and star of a million strands of gossip. Now Annette was a person to me, standing right there, and not just an oh-my-God-have-you-heard, and I tried to put it together in my head, the print and the negative, the boyfriend and the celebrity shadow, like Theodora Sire sat next to me in history, borrowing pencils, but was still a movie star above my bed. Because as you came out of the dark to me, you were the boy I was kissing and wanted to kiss more, back to find me at a party like anybody might do, but you were Ed Slaterton too, and not the cad you are now, but just Ed Slaterton, co-captain, with a beer in your hand and Jillian Beach on your arm. — Daniel Handler

So I'm thinking this is the part of my movie where things appear as if nothing is going to work out. I have to remind myself that all movie characters go through this sort of dark period before they find their happy ending. — Matthew Quick

Why would you be my friend? What do you get out of it?"
I consider that question as I sip from the bottle of rum, sitting back down in my chair. "The truth?"
"Please."
"I'm bored," I admit. "I came to the city because of a movie, too. The Godfather. But reality? It's nothing like it is in the movies. Most days we just sit around, waiting for something to happen. It's monotonous. The world, it's all in black and white, but you? You're so many shades of red, woman, and color me curious, but I find myself not so bored with your bullshit around. — J.M. Darhower

When I don't have a movie, I don't take a job just for the sake of working. I just sit it out until I find something I'm passionate about. — Steven Spielberg

Life is like arriving late for a movie, having to figure out what was going on without bothering everybody with a lot of questions, and then being unexpectedly called away before you find out how it ends. — Joseph Campbell

Winter denial: therein lay the key to California Schadenfreude
the secret joy that the rest of the country feels at the misfortune of California. The country said: "Look at them, with their fitness and their tans, their beaches and their movie stars, their Silicon Valley and silicone breasts, their orange bridge and their palm trees. God, I hate those smug, sunshiny bastards!" Because if you're up to your navel in a snowdrift in Ohio, nothing warms your heart like the sight of California on fire. If you're shoveling silt out of your basement in the Fargo flood zone, nothing brightens your day like watching a Malibu mansion tumbling down a cliff into the sea. And if a tornado just peppered the land around your Oklahoma town with random trailer trash and redneck nuggets, then you can find a quantum of solace in the fact that the earth actually opened up in the San Fernando Valley and swallowed a whole caravan of commuting SUVs. — Christopher Moore

In 'Hell Ride,' I play a biker - it's about the bikers. It's with Dennis Hopper and Michael Madsen, Larry Bishop and myself. We're bikers, and I play Billy Wings; I've got all sorts of wings, and you have to watch the movie to find out what the wings are about. — Vinnie Jones

What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out. — Christopher Nolan

Nothing happens in the world? Are you out of your fucking mind? People are murdered every day. There's genocide, war, corruption. Every fucking day, somewhere in the world, somebody sacrifices his life to save someone else. Every fucking day, someone, somewhere makes a conscious decision to destroy someone else. People find love, people lose it. For Christ's sake, a child watches her mother beaten to death on the steps of a church. Someone goes hungry. Somebody else betrays his best friend for a woman. If you can't find that stuff in life, then you, my friend, don't know crap about life. And why the FUCK are you wasting my two precious hours with your movie? I don't have any use for it. I don't have any bloody use for it. — Charlie Kaufman

You're the tattooed, chain-smoking, beer-guzzling, train wreck, son of the movie star who's marrying my family-values, ex Marine Senator father. You're a tabloid headline, standing right here in front of me!

Yeah? Well, you're the goody-goody, stuck up, boring-ass virgin who's so uptight she can't find anyone to punch her v-card except the manwhore from her school who will screw literally anyone. And then turns out to be the most boring fucking lay I've ever had. — Sabrina Paige

Why would everyone - in both the movie business and the audience - want to avoid the label "marriage"? Marriage was presumably everybody's business. People were either born into one, born outside of one, living in one, living outside of one, trying to woo someone into one, divorced from one, trying to get divorced from one, reading about one, dreaming about one, or just observing one from afar. For most people, it would be the central event - the biggest decision - of their lives. Marriage was the poor man's trip to Paris and the shopgirl's final goal. At the very least, it was a common touchstone. Unlike a fantasy film or a sci-fi adventure, a marriage story didn't have to be explained or defined. Unlike a western or a gangster plot, it didn't have to find a connection to bring a jolt of emotional recognition to an audience. Marriage was out there, free to be used and presented to people who knew what the deal was. — Jeanine Basinger

I picked up my college copy of 'The Great Gatsby' in an attempt to recover from the movie and was interested to find out what I'd underlined. The answer was basically: everything. — Gail Collins

Must you always speak with so many pop culture references?"
"I must, yes, but no one's making pop culture anymore, so I'm starting to feel dated. I haven't seen a new movie in two years. And you know what else I just realized?"
The doctor stared at him.
"I'm never going to find out what the hell was going on with Lost. I mean, was it just sheer coincidence their plane crashed on the island or was it this Jacob guy pulling the strings all along? And how did most of them end up back in the 1970s with the Dharma people? — Peter Clines

People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie. — Rob Zombie

You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work — Nicole Kidman

Do you fancy catching a movie at the Sturbridge Theater tonight? That new Robert Pattinson movie is showing," I ask her, the phone cradled against my chest.
"Definitely sign me up for that!" Ari replies, chuckling as I mock scowl. Her easy laugh warms my soul.
"We're in," I tell Gil, arranging to meet him and his date in the diner later.
"So, who is it this time?" Ari asks, resting her chin in her hands. "Anyone we know?"
Considering I can count the girls on one hand who have enjoyed more than one date with Gil, I doubt it'll be someone familiar. "I didn't ask; guess we'll find out soon enough."
"Five bucks says it's a blonde," Ari quips.
"That's one bet I'm not taking," I admit, twirling a lock of her hair around my finger. "Gil's penchant for blondes is world-renowned. — Siobhan Davis

When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience. — Robert Englund

If anyone names me after a gemstone, I'm going to find out how well my new teeth work on them. I saw that movie too. I think I'll stick with Dragon. At least it sounds badass and it's self-explanatory." - Jill Hammond — Thomas Cardin

We were approaching the Louvre, but he paused to lean on the parapet, and we both stood there contemplating the passing boats, which dazzled us with their spotlights. 'Look at them,' I said, because I needed to talk about something, afraid that he might get bored and go home. 'They only see what the spotlights show them. When they go home home, they'll say they know Paris. Tomorrow they'll go and see the Mona Lisa and claim they've visited the Louvre. But they don't know Paris and have never really been to the Louvre. All they did was go on a boat and look at a painting, one painting, instead of looking at a whole city and trying to find out what's happening in it, visiting the bars, going down the streets that don't appear in any of the tourist guides, and getting lost in order to find themselves again. It's the difference between watching a porn movie and making love. — Paulo Coelho

Fundamentally, I always find that most of the films that I've put out are essentially the director's cut. Part of the process with a director's cut is the leaving behind of certain aspects of the movie that we don't feel necessary because they aren't part of the dynamic of the story. — Ridley Scott

People are most shocked and most in disbelief that I go to the office every day. I have a job. When I'm not acting on a movie, I go to work, first thing in the morning. I'm at work at 8 o'clock in the morning, and I get home from work at 7 o'clock at night. I treat my job like a job, and I work at it. I think people would probably be most surprised, if I ever calculated up the number of hours I work on an average week and published that. If it was ever documented, I think people would be shocked to find out. — Ashton Kutcher

The best date movies give you something to talk about. A movie that's a downer is a great way to find out about someone. — Henry Adams

The specific influences on villains to me is, I love the villains who are really hyper-smart. When at the end of the movie you find out what they were about, and it makes absolutely perfect sense from their point of view. — John Lasseter

I know I should be able to find a story in anything. Good screenwriters can pull interesting films out of the asinine and mundane. But everything I've read about writing always begins with 'write what you know.' What I know is: quiet streets, topiary, moronic high school arsehats, and homework. Has anyone ever made a movie about homework? Probably. I bet it was in French. — Melissa Keil

Now they can do all these magic things with computers. So you think you get to do something in a movie and you find out you don't get to really do it. — Angelina Jolie

I look at the script first and who's directing it and then talk to the director to find out what his vision of the movie is and if it matches my vision and then we go after it. — Frank Grillo

Some movies bring out the creativity in you. Every single audience member can become creative in the face of a particular movie. If you happen to like my films, it's because my films provide a bed for you on which you can find your creativity. The Hollywood movies do not provide that for you. — Abbas Kiarostami

You're a projectionist and you're tired and angry, but mostly you're bored so you start by taking a single frame of pornography collected by some other projectionist that you find stashed away in the booth, and you splice this frame of a lunging red penis or a yawning wet vagina close-up into another feature movie. This is one of those pet adventures, when the dog and cat are left behind by a traveling family and must find their way home. In reel three, just after the dog and cat, who have human voices and talk to each other, have eaten out of a garbage can, there's the flash of an erection. Tyler does this. — Chuck Palahniuk

Come on, people. Doesn't anybody remember how to take a big old knife, whack open a pumpkin, scrape out the seeds, and bake it? We can carve a face onto it, but can't draw and quarter it? Are we not a nation known worldwide for our cultural zest for blowing up flesh, on movie and video screens and/or armed conflict? Are we in actual fact too squeamish to stab a large knife into a pumpkin? Wait till our enemies find out. — Barbara Kingsolver

Well, I know a guy, he's from far far away
He's a songwriter, he got something to say
He says, "People in this city are too busy to hang out
This town's so spread out, no one would hear you if you shout"
Everyone's got a script to sell and someplace else they want to be
There's always a lock that would open if you could just find the key"
(It Ain't Easy Being Green) — Shannon McNally

There's the movie you write, there's the movie you shoot and the movie you edit, and often, you find that you're getting the same information out of a scene that you already have and a scene that's actually more powerful, so you have to make the tough decision to take it out. — Tate Taylor

Every now and then we find ourselves living through moments that make no sense at all. It's almost as if some omnipotent film editor has snipped us out of our familiar everyday movie and spliced us into something completely random, from a different time and genre and even from a foreign country and partially animated, because suddenly you look around you and the language is unknown and nothing that happens has any relationship to what you think of as reality. This — Jeff Lindsay

She considered him further and decided he could definitely pass for a pirate. No, she thought, correcting herself. More like a sea captain, a younger version of the captain from that old movie where the pretty woman rents an old sea captain's house only to find the place haunted by the sea captain himself.
She let out a heavy breath. Man, she loved that movie. — Madison Thorne Grey

Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next? — Ellen DeGeneres

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

Food was supposed to be a slightly bigger part of 'Heartburn,' and it actually didn't turn out to be because of me. I just didn't find a way to make it a bigger part of the movie as I should have, and we cut several scenes in which food was a major character. — Nora Ephron

But it was not what I wanted to do! I wanted to star in a silent movie and vamp the sheik, take a trip to the South Seas ... walk naked in the sand and surf ... write a novel about it. Be the Empress of the Galaxy, be discovered by a hero that would ravish me, and take me away on high adventure! Take a interminable motor home trip across the US and find out how the past had become the present. Journey to Europe, speak flawless French, and become the courtesan in the country chalet where all the real people came to party." She laughed again. "Mostly I did not want be confined to routine ... endless routine. — William C. Samples

In that movie, Mr Miyagi has Daniel doing all these mundane tasks like painting the fence and waxing the car, then later Daniel does the same moves and finds out it's kung fu. You have me doing all of these fighting moves ... If I find out later that what you're actually doing is teaching me how to paint fences and wax cars, I'm not paying you, you understand? - Scapegrace — Derek Landy

We drove all the way out Colonial Drive, past the movie theaters and the bookstores that I had been driving to and past my whole life. But this drive was different and better because it occurred during calculus, because it occurred with Ben and Radar, because it occurred on our way to where I believed I would find her. — John Green