Feeling Out Of Touch Quotes & Sayings

He makes a face and tosses the flower at me. It lands on my cheek, and I pick it up and twirl it between my fingers. I could lie out here all day, not moving an inch, feeling the sun above and the grass below. With a contented sigh, I stretch my arms wide, raking the grass with my fingers - and find myself brushing Aladdin's hand with my own. I pull it away quickly, my cheeks warming. He laughs a little.
"Sometimes," he says, "I forget you're supposed to be four thousand years old. You act as shy as a girl of sixteen."
"I do not!" I sit up and glare at him.
He grins and shrugs, sliding his hands under his head. There are bits of grass stuck in his hair, and after a moment's hesitation, I reach over and flick them away.
Aladdin watches me silently, his throat bobbing as he swallows. I drop my gaze. — Jessica Khoury

How does fear become so powerful? We can't see it. We can't touch it, yet it gets its claws in us and begins to control us. Sigh. I hate feeling afraid, and I hate, hate, HATE feeling out of control. — Gena Showalter

Seeing that glorious body and to-die-for face only made her crave him more.
Then he had kissed her.
And what a kiss!
It was a kiss like none other. There was fire and a hunger that was both savage as well as tender.
At first.
Then the fire had come. The kiss had charred her, searing her from the inside out. Each touch of his tongue, each time those lips of his moved over here, had been the most incredible feeling in the world. — Donna Grant

The "brightness" of the 15 percent might or might not indicate a profound feeling for the causes of things; it is largely verbal and symbol-manipulating, and is almost certainly partly an obsessional device not to know and touch risky matter, just as Freud long ago pointed out that the nagging questions of small children are a substitute for asking the forbidden questions. — Paul Goodman

We want to be interrupted, because each interruption brings us a valuable piece of information. To turn off these alerts is to risk feeling out of touch, or even socially isolated. — Nicholas Carr

I go out on the porch and gaze up at the stars twinkling above, the random scattering of millions of stars. Even in a planetarium you wouldn't find as many. Some of them really look big and distinct, like if you reached your hand out intently you could touch them. The whole thing is breathtaking. Not just beautiful though
the stars like the trees in the forest, alive and breathing. And they're watching me. What I've done up till now, what I'm going to do
they know it all. Nothing gets past their watchful eyes. As I sit there under the shining night sky, again a violent fear takes hold of me. My heart's pounding a mile a minute, and I can barely breathe. All these millions of stars looking down on me, and I've never given them more than a passing thought before. Bot just stars
how many other things haven't I noticed in the world, things I know nothing about? I suddenly feel helpless, completely powerless. And I know I'll never outrun that awful feeling. (135) — Haruki Murakami

Quite simply, if you're feeling anxious, angry, a sense of shame, whatever it is, breathe in and agree to touch or feel it. Breathing out, offer space and care to whatever's there. If there's blocking to touching it, emphasize the in-breath and stay embodied. — Tara Brach

A balanced life has a rhythym. But we live in a time, and in a culture, that encourages everyone to just move faster. I'm learning that if I don't take the time to tune in to my own more deliberate pace, I end up moving to someone else's, the speed of events around me setting a tempo that leaves me feeling scattered and out of touch with myself. I know now that I can't write fast; that words, my own thoughts and ideas, come to the surface slowly and in silence. A close relationship with myself requires slowness. Intimacy with my husband and guarded teenage sons requires slowness. A good conversation can't be hurried, it needs time in which to meander its way to revelation and insight. Even cooking dinner with care and attention is slow work. A thoughtful life is not rushed. — Katrina Kenison

When you see and know that your wellspring is an Eternal Source, and not other people around you, or your past experiences, not even your life story, that is when you are able to truly give to others, without running out and without feeling empty. Because I see God in everything that I touch and feel and think and because I believe that He sees me in everything, too, hence I am able to give to others without thinking of myself as limited source. What I have doesn't come from others, it doesn't come from my life story and it doesn't come from a box. What I have comes from a wellspring, an Eternal Source. The good news is that it never runs out, there is plenty for all and for everyone. — C. JoyBell C.

Ours is truly a God-forsaken country. Difficult, indeed, is it for us to maintain the strength of will to do. We get no help in any real sense. There is no one, within miles of us, in converse with whom we might gain an accession of vitality. No one near seems to be thinking, or feeling, or working. Not a soul has any experience of big striving, or of really and truly living. They all eat and drink, do their office work, smoke and sleep, and chatter nonsensically. When they touch upon emotion they grow sentimental, when they reason they are childish. One yearns for a full-blooded, sturdy, and capable personality; these are all so many shadows, flitting about, out of touch with the world. — Rabindranath Tagore

[I]f Modi is toast, it will in one sense be a tremendous pity. In his way, he represents a third generation in cricket's governance. For a hundred years and more, cricket was run by administrators, who essentially maintained the game without going out of their way to develop it. More recently it has been run by managers, with just an ounce or two of strategic thought. Modi was neither; he was instead a genuine entrepreneur. He has as much feeling for cricket as Madonna has for madrigals, but perhaps, because he came from outside cricket's traditional bureaucratic circles, he brought a vision and a common touch unexampled since Kerry Packer. — Gideon Haigh

The adrenaline feeling of jumping out of cliffs and bikes and all of that is very specific to the film. In 'Pac Rim' I'm not doing that so much. There isn't that touch stonework for me in it, but there is a lot of action. — Idris Elba

I lay my fantasy in the backseat of Isa's car and slide in next to her. She snuggles up, using me as her personal pillow, her blond curls sprawled over my crotch. I close my eyes for a second, trying to get the image out of my head. And I don't know what to do with my hands. My right one is on the door armrest. My left one hovers over Brittany.
I hesitate. Who am I kidding? I'm not a virgin. I'm an eighteen-year-old guy who can deal with having a hot, passed-out girl next to me. Why am I afraid of putting my arm where it's comfortable, right over her midsection?
I hold my breath as I settle my arm on her. She cuddles closer and I'm feeling weird and light-headed. Either it's the aftereffects from the joint or . . . I don't want to think about the "or." Her long hair is wrapped around my thigh. Without thinking, I weave my hands in her hair and watch as the silky strands slowly fall through the V's between my fingers. — Simone Elkeles

Why can't I find you? I know you're out there.
Why am I forced to live a life of despair?
I want to find you and hold your hand.
My heart beats for you it's all I can stand.
I know I will find you and hope someday soon.
Until then I will think of you and stare at the moon.
I know my heart beats for you and you alone.
Until then it's heavy and feels like stone.
I want to hold you in my arms and whisper a soft word.
The feeling of your touch would make my soul be stirred.
For this is a dream and it will never be.
If only you knew I'm out here and could see.
For I am lonesome for you and want this so much.
To feel your skin on mine as we touch.
I long for the day we meet and you're part of my life.
For until you do this solitude cuts me like a knife.
John A Miller — John A. Miller

There is seldom a physical description of a character or scene in Pride and Prejudice and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone - different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain.
The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds. — Azar Nafisi

It happens when I get really excited. The more excited I get, the more I vibrate."
"Now there's a thought," Lor says.
"If you mean what I think you mean, you want to shut the fuck up and never think it again," Ryodan says.
"Just saying, boss," Lor says. "You can't tell me you didn't think it, too."
I never understand half of what these dudes are talking about and don't care. "You can touch me if you want to," I say to Lor magnanimously. I'm so pumped on adrenaline and excitement that I'm feeling downright sociable. I poke one of my shoulders toward him. "Check me out. It feels really cool."
All heads swivel my way, then they look back at Ryodan.
"He doesn't own my fecking shoulder. Why you looking at him? — Karen Marie Moning

To make love is to become like this infant again. We grope with our mouths toward the body of another being, whom we trust, who takes us in her arms. We rock together with this loved one. We move beyond speech. Our bodies move past all the controls we have learned. We cry out in ecstasy, in feeling. We are back in a natural world before culture tried to erase our experience of nature. In this world, to touch another is to express love; there is no idea apart from feeling, and no feeling which does not ring through our bodies and our souls at once. — Susan Griffin

I actually didn't like that feeling of being out of touch because what I do depends on being in touch. But it's fun to talk about. That's one of the real dangers of drugs: they're too much fun to talk about. — Clive James

We made love for a long time, and he whispered how much he'd missed me, and how beautiful I was, and how lucky he felt that we were together. And though I felt all those things, no words came out of my mouth. The feel of his body was taking my breath away, but that wasn't the reason I didn't say anything. At this moment, I felt as if I was in a dream, and I never wanted it to end. I wanted to feel him and touch him and hear him breathe and look in his eyes, and there wasn't one word I could say thatwouldn't take away from the overwhelming sense of passion I was feeling at this very moment. "Are you okay?" Drew asked me. "Yeah, why?" I whispered. "Because you're crying," he said, wiping tears from my eyes. "No, I'm not." He gave me a gentle smile. "Yes, you are. Tell me why." I looked into his eyes so directly that I almost felt like I was trying to look into his soul. And then I whispered, "I love you," and I realized that for the first time in my life, I actually meant it. — Jackie Pilossoph

Go all the way to Sun Alliance to Chancery Lane, only to be told that they wouldn't insure my new house because of my profession. "Actors ... and writers ... well, you know."
..I couldn't help feeling something of a reject from society as I walked out again into Chancery Lane ... my solicitor cheerfully informs me that several big companies, including Eagle Star won't touch actors. The happy and slightly absurd ending to this story is that I finally find a willing insurer in the National Farmers' Union at Huntingdon. — Michael Palin

The years lay spread out before her, spacious untouched canvases on which she was presently going to paint the picture of her life. It was to be a very beautiful picture, she said to herself with an extraordinary feeling of proud confidence; not beautiful because of any gifts or skill of hers, for never was a woman more giftless, but because of all the untiring little touches, the ceaseless care for detail, the patient painting out of mistakes; and every touch and every detail was going to be aglow with the bright colours of happiness. — Elizabeth Von Arnim

So often loneliness comes from being out of touch with parts of oneself. We go searching for those parts in other people, but there's a difference between feeling separate from others and separate from oneself. — Diane Ackerman

You are the actor. Your body brings in something, call it presence, and it happens by degrees. Arms, chest, haunches and thighs, calves and feet. The body, firing synapses, in between and in the gray matter. On and off. The billions of cells, the body mechanisms, the busy regulating, the adjusting, the retinas contracting and expanding, body secreting, beating, moving, breathing and pulsing. Your being registers here. Swallow. Inhale. Open mouth to press air out to touch the flesh in the throat to make sound.

You are the actor. A thing of flesh and feeling. Perfect because you aren't. — Richard Maxwell

Hatred. Something almost as physical as walls, pianos, or nurses. She could almost touch the destructive energy leaking out of her body. She allowed the feeling to emerge, regardless of whether it was good or bad; she was sick of self-control, of masks, of appropriate behavior. Veronika wanted to spend her remaining two or three days of life behaving as inappropriately as she could. — Paulo Coelho

We have become victims of our own art. We touch people on the outsides of their bodies, and they us, but we cannot get to their insides and cannot reveal our insides to them. This is one of the great tragedies of our interiority-it is utterly personal and unrevealable. Often we want to say something unusually intimate to a spouse, a parent, a friend, communicate something of how we are really feeling about a sunset, who we really feel we are-only to fall strangely and miserably flat. Once in a great while we succeed, sometimes more with one person, less or never with others. But the occasional break-through only proves the rule. You reach out with a disclosure, fail, and fall back bitterly into yourself. — Ernest Becker

Generally there is in man a divinity which strives to push him onward and upward. We believe that this power within him is the spirit that comes from God. Man lived before he came to this earth, and he is here now to strive to perfect the spirit within. At sometime in his life, every man is conscious of a desire to come in touch with the Infinite. His spirit reaches out for God. This sense of feeling is universal, and all men ought to be, in deepest truth, engaged in the same great work - the search for and the development of spiritual peace and freedom. — David O. McKay

We learned this week that Mitt Romney is building a car elevator in his house. An elevator for your cars. I get the feeling this guy wants to be president so he has a place to live while he's remodeling his beach house ... I'm not worried that this guy is out of touch. I'm worried he's Batman. I could see Mitt as Batman. He hears about a robbery, he changes into the magic underwear, he rushes to the crime scene, and he helps the crooks manage their new money. — Bill Maher

Rose reached out and touched his fingers. He immediately covered her hand in a firm grasp. His warm fingers entwined with hers and made her heart beat erratically. The snake had nearly scared her to death, but his touch and his presence overwhelmed her with comfort and safety. The darkness gave her a feeling of intimacy with him. They could hold each other's hand and no one could see. She liked it - so very much. — Melanie Dickerson

She has spent most of the day reading and is feeling rather out of touch with reality, as if her own life has become insubstantial in the face of the fiction she's been absorbed in. — Maggie O'Farrell

When our e-motions are not mirrored and named, we lose contact with one of our vital human powers. Parents who are out of touch with their own emotions cannot model those emotions for their children. They are out of touch and shut down. They are psychically numb. They are not even aware of what they are feeling. Their children have to unconsciously carry their feelings for them. — John Bradshaw

Some Hindus have an elephant to show.
No one here has ever seen an elephant.
They bring it at night to a dark room.
One by one, we go in the dark and come out
saying how we experience the animal.
One of us happens to touch the trunk.
A water-pipe kind of creature.
Another, the ear. A strong, always moving
back and forth, fan-animal. Another, the leg.
I find it still, like a column on a temple.
Another touches the curve back.
A leathery throne. Another, the cleverest,
feels the tusk. A rounded sword made of porcelain.
He is proud of his description.
Each of us touches one place
and understands the whole in that way.
The palm and the fingers feeling in the dark
are how the senses explore the reality of the elephant.
If each of us held a candle there,
and if we went in together, we could see it. — Rumi

I believe in the flesh and the appetites;
Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle.
Divine am I inside and out, and I make holy whatever I touch or am touch'd from;
The scent of these arm-pits, aroma finer than prayer;
This head more than churches, bibles, and all the creeds. — Walt Whitman

Touch had always saved them in the past. No matter the anger or hurt, no matter the depth of the aloneness, a touch, even a light and passing touch, reminded them of their long togetherness. A palm on a neck: it all flooded back. A head leaned upon a shoulder: the chemicals surged, the memory of love. At times, it was almost impossible to cross the distance between their bodies, to reach out. At times, it was impossible. Each new the feeling so well, in the silence of a darkened bedroom, looking at the same ceiling: If I could open my fingers, my heart's fingers could open. — Jonathan Safran Foer

Call to mind a person you've lost that you will miss to the end of your days,and then imagine happening upon that person out in public ... You wouldn't question your sanity, because you couldn't bear to think this wasn't real. And you certainly wouldn't demand explanations, or alert anybody nearby, or reach out to touch this person, not even if you'd been feeling that one touch was worth giving everything up for. You would hold your breath. You would keep as still as possible. You would will your loved one not to go away again. — Anne Tyler

Complaints of feeling cut off, shut off, out of touch, feeling apart or strange, of things being out of focus or unreal, of not feeling one with people, or of the point having gone out of life, interest flagging, things seeming futile and meaningless, all describe in various ways this state of mind. Patients usually call it 'depression', but it lacks the heavy, black, inner sense of brooding, of anger and of guilt, which are not difficult to discover in classic depression. Depression is really a more extraverted state of mind, which, while the patient is turning his aggression inwards against himself, is part of a struggle not to break out into overt angry and aggressive behaviour. The states described above are rather the 'schizoid states'. They are definitely introverted. Depression is object-relational. The schizoid person has renounced objects, even though he still needs them. — Harry Guntrip

Unaware of Nina, the woman paused at the riverbank and looked out over the scar on the land where the water should run. Her expression sharpened, turned desperate as she reached down to touch the child in her arms. It was a look Nina had seen in woman all over the world, especially in times of war and destruction. A bone-deep fear for her child's future ... Someday her portraits would show the world how strong and powerful women could be, as well as the personal cost of that strength ...
She heard Danny come up beside her. "Hey, you."
She leaned against him, feeling food about her shots. "I just love how they are with their kids, even when the odds are impossible. The only time I cry is when I see their faces with their babies. Why is that, with all we've seen?"
"So it's mothers you follow. I thought it was warriors. — Kristin Hannah

Try to feel that you are beyond time and space when you practice meditation. Go beyond this world, beyond time, beyond life, not a feeling of being spaced out, but in touch with the moment and with eternity. — Frederick Lenz

If anyone were to find out - " I began.
Patch kissed me, hard, but with an amused glint in his eye. "If I get caught, it'll mean the end of kissing you. Do you really think I'd risk that?" His face grew serious. "I know I can't feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you've given me. There is no regret in that. — Becca Fitzpatrick

Frewen and his colleague Ruth Lanius found that the more people were out of touch with their feelings, the less activity they had in the self-sensing areas of the brain.22 Because traumatized people often have trouble sensing what is going on in their bodies, they lack a nuanced response to frustration. They either react to stress by becoming "spaced out" or with excessive anger. Whatever their response, they often can't tell what is upsetting them. This failure to be in touch with their bodies contributes to their well-documented lack of self-protection and high rates of revictimization23 and also to their remarkable difficulties feeling pleasure, sensuality, and having a sense of meaning. — Bessel A. Van Der Kolk

Coming back to your native land after an absence of many years is a surprisingly unsettling business, a little like waking from a long coma. Time, you discover, has wrought changes that leave you feeling mildly foolish and out of touch. — Bill Bryson

You'll be fine. Just hang on to me. I won't make you let go all night if you don't want to."
She took me up on my offer. Slowly, she slipped her arm around my waist and then clung to me like she was super glued there. I tensed beneath her touch and had to fight back shivers.
"Feel free to hang on to other parts of me too." My voice came out thick because it had been stuck in my throat. "My butt's feeling pretty left out, and I don't spend so much time working out my abs and chest just to never get felt up. — Kelly Oram

Rachel had a feeling there might have been a story about the procurement of the macarons, but she didn't really listen when Lauren was speaking about anything that didn't involve Jacob. She selected a red one and took a tentative bite. "Oh, God," she moaned a moment later, and thought, for the first time in she didn't know how long, of sex. She took a bigger bite. "Mother Mary." She laughed out loud. No wonder people lined up for them. It was exquisite; the raspberry flavor of the creamy center was like the barest touch of fingertips on her skin, the meringue light and tender, like eating a cloud. — Liane Moriarty

She had thought she'd already reached her capacity for pain and had no room inside her for more. But she remembered having told Archer once that you could not measure love on a scale of degrees, and now she understood that it was the same with pain. Pain might escalate upwards, and, just when you'd thought you'd reached your limit, begin to spread sideways, and spill out, and touch other people, and mix with their pain. And grow larger, but somehow less oppressive. She had thought herself trapped in a place outside the ordinary feeling lives of other people; she had not noticed how many other people were trapped in that place with her. — Kristin Cashore