Face The Camera Quotes & Sayings

I had gotten rid of the crying when I got to high school, though it happened again when I was a junior. We lost in the state championship. It was kind of the same situation, camera in my face, and then that's when I realized it was over I had my moment. — Chris Bosh

The photograph showed a young couple smiling at the camera. The man didn't look much older than seventeen or eighteen, with light-coloured hair and delicate, aristocratic features. The woman may have been a bit younger, one or two years at the most. She had pale skin and a finely chiselled face framed by
short black hair. She looked drunk with happiness. The man had his arm round her waist, and she seemed to be whispering something to him in a teasing way. The image conveyed a warmth that drew a smile from me, as if I had recognized two old friends in those strangers. — Carlos Ruiz Zafon

Click! In other words, I'm in a very controlling position, and I can bring ... and I've already ... if the camera's on you, your face is very concentrated. You're listening. You don't know what I'm going to say next, and now you're smiling. All these things are the things I work with. — Richard Avedon

When in doubt, I can stare blankly. The rubber face. There's only so many ways you can stare incredulously at the camera and tilt an eyebrow, but that's your old standby: What would Buster Keaton do? — Jon Stewart

At Julliard, they don't teach you where to move your face for the camera, you know? — Rutina Wesley

The hardest part is setting the camera on the tripod, or making the decision to bring the camera out of the car, or just raising the camera to your face, believing, by those actions, that whatever you find before you, whatever you find there, is going to be good. — Sally Mann

Everybody can take a good picture. Everybody is interesting. Everyone has an interesting face. Some people are more difficult or more nervous or more tired. When you do a movie, you have action, you're talking, you're moving. You don't see the camera. Taking a picture with a photographer, you don't talk, it's more difficult than in a movie for your body to relax, to be yourself. — Keira Knightley

The camera's greedy lens sucks my image through it and splashes my pixilated ghost across his face in pale blue light. — Tyler Knight

Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way. — Paul Feig

This camera works like photosynthesis. It is as if you were Xeroxing your own face. The pictures have such physicality: their surface is like fine leather, stained from chemicals. Each one has a body and is more than an image. — Julian Schnabel

My name is Zak Bagans. I've never believed in ghosts until I came face to face with one. So I set out on a quest to capture what I once saw onto video ... With no big camera crews following us around, I am joined only by my fellow investigator Nick Groff and our equipment tech Aaron Goodwin. The three of us will travel to the some of most highly active paranormal locations, where we will spend an entire night, being locked down from dusk until dawn ... Raw ... Extreme ... These are our Ghost Adventures. — Zak Bagans

So between critiques, the camera flew around on its arm like some sort of drunk helicopter, getting reaction shots from each contestant, and then from the judges. They asked us to hold our reactions as best we could until they got to us. Ever smile for a photograph for someone who doesn't know how to work their camera? Twenty times longer than that. My mouth started to tremble from trying to hold a smile. During one of these awkward frozen moments, one of the contestants grinned at me and mouthed the words "I love you," and I tried as best I could to communicate my thanks while also maintaining my frozen face. — Lauren Graham

Given my antipathy for the paparazzi, she thinks it's hysterical that I'm so attached to my cameras. But to me, what I do is the anti-paparazzi. TMZsters want to capture surface. If a picture's in focus, it's great. My goal is to capture what the surface is hiding. There's a story behind every face, every landscape, every still life. There's a soul in every subject, and when my camera and I are really speaking, really working together properly, we can capture it. — Hilary Duff

You dance really well."
"I took ballet lessons."
She tilted her head back to search his face, certain he was joking. "You did not."
"I did. Several of us on the team did. Good for coordination."
Resisting the laugh that bubbled up in her throat, she said, "Somehow I can't picture you in tights and a tutu."
But he did laugh. "We made sure no one with a camera got within miles of the studio. — Jaci Burton

Kaushik, what about a picture?" my father suggested. I shook my head. I had left my camera, my father's old Yashica, at school. "But you always have it with you." That look of irritated disappointment, the one that had appeared the day my mother died and was missing now that he'd married Chitra, passed briefly across my father's face. "I forgot it," I said. It was true, I did always have the camera with me. Even on quiet weekends when I came home and my father and I saw no one I would bring it, taking it with me on walks. This time I had left it behind, knowing that I would not want to document anything. "I don't understand," my father said. "Neither do I," I replied. "You haven't wanted a picture of anything in years." "That's not true." "It is." We were stating facts and at the same time arguing, an argument whose depths only he and I could fully comprehend. — Jhumpa Lahiri

He had a face made for magazine covers. Could someone say GQ model? That razor sharp jaw and those angular features caught the light just right. If she'd had a camera she wouldn't mind snapping a few pictures. And those lips ... she stopped. She didn't know him, and something told her she shouldn't get to know him. — Kate Evangelista

It's been really interesting watching people's reactions to the new music, to the old music and also watching how modern young people will be standing in front of something going on like live music, and there's a camera in front of their face. — Brandon Boyd

It's always the thing when you're shooting out and about with real people and you could get a couple of bogeys like sticking their face in front of the camera, like 'Hey!' — Joel Kinnaman

The rumor is Chu Hing really wanted the 'Green Turtle' to be Chinese American, but the publisher didn't think that would sell. If you read those books, the hero almost always has his back facing the camera so you can't see his face. When he turns around, his face is obscured. — Gene Luen Yang

George W. Bush spoke to the camera, his face so decisively earnest that it was clear he was lying, his button eyes lit up with amateurish subterfuge. Only truly great men can be adept at shameless lying, Joshua thought. This dude was straining to the point of snapping. — Aleksandar Hemon

Philologically, the word Kodak is as meaningless as a child's first goo. Terse, abrupt to the point of rudeness, literally bitten off by firm and unyielding consonants at both ends, it snaps like a camera shutter in your face. What more would one ask. (Explaining why he named his company Kodak.) — George Eastman

The furies are at home in the mirror; it is their address. Even the clearest water, if deep enough can drown. Never think to surprise them. Your face approaching ever so friendly is the white flag they ignore. There is no truce with the furies. A mirror's temperature is always zero. It is ice in the veins. It's camera is an x-ray. It is a chalice held out to you in silent communion, where gaspingly you partake of a shifting identity never your own. — R.S. Thomas

Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become. — Shirley A. Martin

Five members of the heretical sect of Quakers have been arrested," he says, smiling blandly, "and more arrests are anticipated." Two of the Quakers appear onscreen, a man and a woman. They look terrified, but they're trying to preserve some dignity in front of the camera. The man has a large dark mark on his forehead; the woman's veil has been torn off, and her hair falls in strands over her face. Both of them are about fifty. — Margaret Atwood

Echo continued to tap her finger to her chin and created more dots on her face while she stared at the canvas. The intensity of her stare shocked me.
The art teacher stacked the bowls and walked toward the door. "She's in the zone. Good luck getting her attention. Do me a favor. If she ends up painting her whole face, grab my camera from my desk and take a picture. I'll add it to my collection." She gazed at Echo and smiled. "I'll title that one Smurf. Nice tats, by the way." — Katie McGarry

The challenge has always been to wrest emotion out of a [doll's] face that we think of as only having one emotion. It's moving a light, moving my camera; it's just this mental investment that I make, and suddenly, everything changes. Parenthetically, I have to say, I don't particularly like dolls, nor have I ever liked them. That's something I really wanted to get out there right away. — Laurie Simmons

For hours she danced and sang and flirted and did this thing that's-she did Marilyn Monroe. And then there was the inevitable drop. And when the night was over and the white wine was over and the dancing was over, she sat in the corner like a child, with everything gone. I saw her sitting quietly without expression on her face, and I walked towards her but I wouldn't photograph her without her knowledge of it. And as I came with the camera, I saw that she was not saying no. — Richard Avedon

Even after Shirakawa has left, our point of view remains in the lavatory, and, as a stationary camera, continues to capture the dark mirror. Shirakawa's reflection is still there in the mirror. Shirakawa - or perhaps we should say his image - is looking in this direction from within the mirror. It does not move or change expression. It simply stares straight ahead. Eventually, however, as though giving up, it relaxes, takes a deep breath, and rolls its head. Then it brings its hand to its face and rubs its cheek a few times, as if checking for the touch of flesh. — Haruki Murakami

Amanda bit her lip. "You're not ... trying to be funny or something, are you?"
"I'm not trying to be anything!" I said.
"All right, kids," the photographer called. "On the count of three. One, two-" She broke off, straightening up from the camera with a frown. "Excuse me. You in the turquoise? I need you to face forward."
I rotated my body as best I could.
"All the way, please."
I turned so that my shoulders werre even with everybody else's, only now my head faced Gail instead of the lens.
Gail pressed her lips together. "Stop it!" she said.
"Winnie?" Mr. Hutchinson said. He walked to the end of our row. "What's going on?"
"I can't," I whispered.
"Can't what?"
"Can't move my neck, it's stuck." Tears burned in my eyes, and I blinked hard to keep them back.
"Mr. Hutchinson, she's faking," Gail said. "She's trying to be funny and she's ruining everything. — Lauren Myracle

Photos should focus on your waist up, unless you have amazing legs. Then it's okay to include one or two full-body shots in your gallery. The majority of your photos should be closer up, highlighting your face. Don't stage a smile. Instead, try to laugh just before the shot is taken. Flirty smiles that don't look cheesy also work. Make eye contact with the camera. Aim to take most of your photos outdoors. — Amy Webb

I've traveled across the world, trying to outrun my memories of you. But damned if I didn't get to every fucking continent and still see your face on the other side of my camera lens - in a crowded Tibetan market, on the cliffside of a snowy Himalayan peak, in the reflection of a muddy river in Thailand. You were always there, haunting me, around every corner. — Julie Johnson

We should take pictures!" Elise said.
"Anyone got a camera?" Celeste asked. "I;m a pro at this."
"Mason does!" Kross shouted. "Come here for a minute," she said to a maid, waving her over encouragingly.
"Hold on," I said, grabbing some paper. "Okay, okay. 'Your Highest of Highnesses, the ladies of the Elite require, immediately, the least fancy of your cameras for. . .'"
Kriss giggled, and Celeste shook her head.
"Oh! A study in feminine diplomacy," Elise added.
"Is that a real thing?" Kross asked.
Celeste tossed her hair. "Who cares?"
Maybe twenty minutes later, Maxon knocked on the door and pushed it open an inch. "Can I come in?"
Kross ran over. "No. We just want the camera." And she snatched it from his hand and closed the door in his face.
Celeste fell on the floor, laughing.
"What are you doing in there?" he called. But we were all too busy doubling over to answer. — Kiera Cass

I don't like people who are hypocritical, who pretend to be nice, particularly in show business when they're nice on camera, and then off camera they're absolutely appalling to the makeup people, or the waitress in a restaurant, you know? I don't like - I can't bear those kind of people. So I like people who are, you know, up front in your face. — Simon Cowell

As soon as I look up, his eyes click onto my face. The breath whooshes out of my body and everything freezes for a second, as though I'm looking at him through my camera lens, zoomed in all the way, the world pausing for that tiny span of time between the opening and closing of the shutter. — Lauren Oliver

Click. Everyone briefly gathered and posed and smiling at their future selves. Beaches and cathedrals, bumper cars and birthday parties, glasses raised around a dining table. Each picture a little pause between events. No tantrums, no illness, no bad news, all the big stuff happening before and after and in between. The true magic happening only when the lesser magic fails, the ghost daughter who moved during the exposure, her face unreadable but more alive than all her frozen family. Double exposures, as if a little strip of time had been folded back on itself. Scratches and sun flares. Photos torn postdivorce, faces scratched out or Biroed over. The camera telling the truth only when something slips through its silver fingers. — Mark Haddon

If you've taken a photo with your camera's pop-up flash, you're probably wondering how camera manufacturers list pop-up flash as a feature and keep a straight face. It's probably because the term "pop-up flash" is actually a marketing phrase dreamed up by a high-powered PR agency, because its original, more descriptive, and more accurate name is actually "the ugly-maker. — Scott Kelby

But Sir, he works with NT? Why would he tell us where to go? Aren't we the competition?' Satya asked.
Nagesh shook his head gravely. 'Actually the competition starts at the headquarters and is between the people who come on TV, and want to make sure their face is noticed by the rival channel, so that they get picked up for a higher salary. Between us camerapersons, there is no rivalry. We don't do piece to cameras, we don't come on TV. We do all the jostling to get you the best visuals to show on the channel. We just want to get the news to the viewers, no matter which logo is pasted on it. — Shweta Ganesh Kumar

One time the power went out in my house and I had to use the flash on my camera to see my way around. I made a sandwich and took fifty pictures of my face. The neighbors thought there was lightning in my house. — Steven Wright

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye. — Robert Smithson

In a way I feel completely frightened of dealing with other human beings at all, yet here I am sticking my face in front of a movie camera all the time. — Will Patton

Filmmaking isn't if you can just strap on a camera onto an actor, and steadicam, and point it at their face, and follow them through the movie, that is not what moviemaking is, that is not what it's about. It's not just about getting a performance. It's also about the psychology of the cinematic moment, and the psychology of the presentation of that, of that window. — David Fincher

(On Ingrid Bergman) "I didn't do anything I've never done before, but when the camera moves in on that Bergman face, and she's saying she loves you, it would make anybody feel romantic." — Humphrey Bogart

Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die. — Steven Tyler

It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing. — Eleanor Tomlinson

There's a certain way people are used to seeing nude women, and that's in a submissive, coy pose, not looking at the camera. And in this poster, I'm looking dead into the camera with no expression on my face. I think it freaks a lot of people out. — Rooney Mara

I'm a narrative-minded actor. I'm thinking of the story. I'm not worried about whether the camera is on the right side of my face, or where the camera is. I'm just going for the story. — Mark Duplass

Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens. — Natasha Trethewey

Audrey Hepburn's face was made for the camera. — Christine Baranski

She claimed she loved the camera, its warmth, its familiarity. She responded to its naked glare, its slavish attention to every expression of her face and body, with the kind of immediacy a trusted lover could expect. — Anne Edwards

I love you, too." Click. "But I'm terrified."
He lowered the camera, eyes on me.
"I didn't want to fall in love with you,' I said.
He took a step closer. "If it makes you feel any better, you put up a very impressive fight." He didn't put the camera down when he stepped forward again to kiss me. He just moved his hand to the side and cupped my face with the other, pressing his mouth to mine. "I'm scared, too, Sara. I'm scared I'm your rebound. I'm scared we'll cock it up somehow. I'm scared you'll tire of me. But the thing is," he said, smiling, "I don't want anyone else. You've rather ruined me for other women. — Christina Lauren

You still know that boy. He was very angry at fourteen, fifteen, in summer and winter, at home or in the world. So angry that his face contorted in photos. The camera was a question and his face did not know the answer. — Dave Eggers

Stage performance is obviously a much grander sort of depiction. The audience isn't right in your face as close as a camera lens gets. — Amanda Schull

In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there. — Alice Eve

I bought my first camera to photograph my brother's children. I learned a lot from that experience. The value of innocence and of not being focused on yourself, and I have to say that these things have remained with me to this day. I can immediately feel when someone is putting on a camera face. — Peter Lindbergh

I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties ... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam. — Horst Faas

There is a black-and-white picture in my hallway, of me, Nancy, and Lizzie in the bath, when Nancy was eight months old and Lizzie two-and-a-half. I am gently biting Lizzie. Nancy, in turn, is gumming my face. All eyes are on the person taking the picture - Pete, who was, as the slight camera-wobble shows, laughing. There we are-a tangle of half-shared DNA, all interlocking with each other; all being watched over by the one who loves us best. If I had to explain to someone what happiness is, I would show them this picture. — Caitlin Moran

A turtle swims in the background while this shark's face is distorted by the diver's camera lens. — James Mayrose

The close-up has no equivalent in a narrative fashioned of words. Literature is totally lacking in any working method to enable it to isolate a single vastly enlarged detail in which one face comes forward to underline a state of mind or stress the importance of a single detail in comparison with the rest. As a narrative device, the ability to vary the distance between the camera and the object may be a small thing indeed, but it makes for a notable difference between cinema and oral or written narrative, in which the distance between language and image is always the same. — Italo Calvino

You want to put in a little bit of David - the safe part of David - the David that you wouldn't be afraid to show anybody, but there is a David that you don't want to be in the film, and that's what you should try to put in, if you don't dare face yourself other ways. Confess things to the camera. Say the things you're most ashamed of, things you don't want to remember, things you don't want anybody to know. Maybe that way there'll be some truth. — David Shields

The camera can film my face but until it captures my soul, you don't have a movie, — Al Pacino

I remembered a mantra that one of my teachers used to tell me at drama school, that every thought will pass across your face. Even if you're thinking about Shreddies the camera will read it. — Ruth Wilson

Her phone lay on the table, so I picked it up, turned on the camera, made a stupid face, and snapped a picture. "What the hell are you doing?" Abby said with a giggle.
I searched for my name, and then attached the picture. "So you'll remember how much you adore me when I call. — Jamie McGuire

I wonder how Colin Powell sleeps at night. I would like to have a word with him because he lied. He lied. He lied to me. He lied to my face through the camera at the U.N. — Henry Rollins

Eve supposed everything about Nadine looked mag, from her sweep of streaky blonde hair to the toes of her jazzed shoes. She had a foxy, angular face, observant green eyes, and a slim body that curved appropriately in her on-camera suit of power red. She was smart, she was sneaky, she was cynical. And for reasons Eve imagined neither of them fully understood, they'd become friends. — J.D. Robb

This was not Newt's fault; in his younger days he would go every couple of months to the barber's shop on the corner, clutching a photograph he's carefully torn from a magazine which showed someone with an impressively cool haircut grinning at the camera and he would show the picture to the barber, and ask to be made to look like that, please. And the barber, who knew his job, would take one look and then give Newt the basic, all-purpose, short-back-and-sides. After a year of this, Newt realized that he obviously didn't have the face for haircuts. The best Newton Pulsifer could hope for after a haircut was shorter hair. — Neil Gaiman

Whenever there's a camera in my face, that's when I feel vulnerable, and then it turns into a little bit of being self-conscious, which I think is the worst kind of vulnerability. — Jason Mraz

Gotten a good look at her face. But they didn't recognize her as Stark's cohort. They must not have been big on reading blogs or watching the news. Deirdre took the camera. "Sure. Where's the button?" He quickly showed her how to operate it, and Deirdre stepped back to get both of them in the frame. The camera had a telephoto lens. She aimed it at the top of the building, zooming in so that she could look at the skeletal upper levels, where they were preparing to moor a visiting dirigible. With such fantastic zoom, she could see that there were OPA guards in black suits waiting to receive the airship. — S.M. Reine

They got a lot of kids now whose uniforms are so tight, especially the pants, that they cannot bend over to pick up ground balls. And they don't want to bend over in television games because in that way there is no way their face can get on the camera. — Casey Stengel

There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper ... In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face. — Amitav Ghosh

When I'm acting, I have zero control, and it's the scariest thing anyone can do in that field because, you know, your face is always the one that's out there in front of the camera, and any number of things can happen to you once you've done your work. It can be edited badly, it can be distributed badly, or it can not be distributed at all. And I've certainly experienced that; every actor has. — Amber Tamblyn

The plane touches down on very rough ground: its wheelbarrow wheels bounce and one set of wings rises alarmingly while the other dips. Now the Masai and the plane are converging. It's a magnificent shot: the Masai run, run, run, run; because of the optics it is dreamlike. The little plane bounces, shudders, slews and finally makes lasting contact with the ground. At exactly the right moment, as the plane comes to a halt, the Masai warriors, in a highly agitated state, reach the plane, and the camera closes on the pilot, whose face as he removes his leather flying helmet and goggles, appears just above the bobbing red ochre composition of plaited hair and fat-shone bodies. It is Mel Gibson, with a grave expression, which can't quite suppress his unruly Aussieness. — Justin Cartwright

The ending shot of 'Queen Christina' with Greta Garbo is amazing. She's at the head of the ship, and she's been through so much, and the camera gets so close to her face. That really sticks out for me. — James Gray

The people in makeup would buff away the shine on the face of anyone in front of the camera, and the sound blokes would clip a microphone onto the lapel of a jacket so it looked like something other than an insect about to crawl onto the presenter's chin, but Steven Spielberg this group was not. This was a low-budget operation, thank you very much. — Elizabeth George

We all experience it. Those moments when we gasp and say, Oh, look at that. Maybe it's nothing more than the way a shadow glides across a face, but in that split second, when you realize something truly remarkable is happening and disappearing right in front of you, if you can pass a camera before your eye, you'll tear a piece of time out of the whole, and in a breath, rescue it and give it new meaning. — Joel Meyerowitz

And every camera in the room turned to focus on my horror-stricken, blood-drained face. — Meg Cabot

If a bout of "creepy face" sets in, the trick is to look away from the camera between shots and turn back only when necessary. This also limits how much of your soul the camera can steal. — Tina Fey

Let's go into the woods and take some pictures," you said. "I found this old camera."
"Let go!" you screamed. "Let go of me!"
"You have to let go," the counselor told me. "Let go of what you're holding inside."
I can touch the picture but it's not your face.
I can touch the screen but it's not your face.
Let go. — David Levithan

Another time I had gone out on patrol in the mist and had carefully warned the guard commander beforehand. But in coming back I stumbled against a bush, the startled sentry called out that the Fascists were coming, and I had the pleasure of hearing the guard commander order everyone to open rapid fire in my direction. Of course I lay down and the bullets went harmlessly over me. Nothing will convince a Spaniard, at least a young Spaniard, that fire-arms are dangerous. Once, rather later than this, I was photographing some machine-gunners with their gun, which was pointed directly towards me. 'Don't fire,' I said half-jokingly as I focused the camera. 'Oh no, we won't fire.' The next moment there was a frightful roar and a stream of bullets tore past my face so close that my cheek was stung by grains of cordite. It was unintentional, but the machine-gunners considered it a great joke. — George Orwell

There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!" — Ashley Jensen

I've got to get Brittany alone if I'm gonna have any chance of saving face and saving my Honda. Does her freakout session mean she really doesn't hate me? I've never seen that girl do anything not scripted or 100 percent intentional. She's a robot. Or so I thought. She's always looked and acted like a princess on camera every time I've seen her. Who knew it'd be my bloody arm that would crack her.
I look over at Brittany. She's focused on my arm and Miss Koto's ministrations. I wish we were back in the library. I could swear back there she was thinking about getting it on with me.
I'm sporting la tengo dura right here in front of Miss Koto just thinking about it. Gracias a Dios the nurse walks over to the medicine cabinet. Where's a large chem book when you need one? — Simone Elkeles

My kingdom for a camera," he said, his gray eyes crinkling in amusement. "You ought to see your face." I closed my gaping mouth and shook my head, amazed. "How on earth did you know I was there?" I asked him. Iain braced both fists in the small of his back and stretched. "I'm no clairvoyant," he assured me. "I saw you hopping the fence. Thought you were taking a devil of a time getting here. Besides," he added, pointing at the clear outline of our shadows on the shed wall, "if you've a mind to sneak up on a Scotsman, you'd best do it when the sun's not at your back. — Susanna Kearsley

You can look at the Emmys two ways in you're nominated. It's either win-win or lose-lose. If things go very well and I win, you still have to get up in front of a group of people and risk having God knows what come out of your mouth. If you won't win, you have to breathe deeply and smile and clap with a camera in your face. — Jim Parsons

As long as I have enough money for makeup artists, everything is okay. I feel young and very free. But one day, my face will be too old for the camera. — Sandra Bullock

I am not a star. I am an actor. I have been fighting for years to make people forget that I am just a pretty boy with a beautiful face. It's a hard fight, but I will win it. I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, 'Cut!' — Alain Delon

Sensitive people faced with the prospect of a camera portrait put on a face they think is the one they would like to show to the world ... Every so often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe. — Irving Penn

Here's a current example of the challenge we face. At the height of its power, the photography company Kodak employed more than 140,000 people and was worth $28 billion. They even invented the first digital camera. But today Kodak is bankrupt, and the new face of digital photography has become Instagram. When Instagram was sold to Facebook for a billion dollars in 2012, it employed only thirteen people. Where did all those jobs disappear to? And what happened to the wealth that those middle-class jobs created? This book is built to answer questions like these, which will only become more common as digital networking hollows out every industry, from media to medicine to manufacturing. — Jaron Lanier

I pushed myself forward and rose cautiously to my feet. A draft from the aft signaled that my dressing gown was open, but I didn't care. The nurses could take shots with their camera phones and upload them to their Flickr stream for all I cared, just so long as my face wasn't in it.
A wave of dizziness rolled over me when I took a step, but it was one of those gentle rocking swells and not a thirty-foot-tall fist of Poseidon. I could do this. I shuffled over carefully and leaned against the nightstand for support as I opened the drawer. Then I nearly fell over when Granuaile spoke from behind me.
"Nom nom nom!" she said.
I looked around for the cookies she must be referring to and then realized, belatedly, that the room was bereft of delicious baked goods. The only thing on display was my backside, and apparently she thought it looked tasty. — Kevin Hearne

Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon. — Camille Paglia

When he thanked Maude, she knew the camera would be on her, screening each twitch her face twisted into, so she did what any other dignified artist would do and stuck out her tongue. — Anna Adams

I was shocked the first time the paps got me in America - when a video camera is put in your face and you're asked questions and 15 people are walking backwards taking your picture. I was coming out of a pizza shop and had my daughter with me. — Stephen Moyer

The camera is objective. When it records a face it can't make any hierarchical decisions about a nose being more important than a cheek. The camera is not aware of what it is looking at. It just gets it all down. — Chuck Close

You could BE somebody," he said, focusing a tight shot on her face.
"Honey," she said, mugging for the camera like an old time movie queen, "I already am somebody. — Danielle Ganek

So the thing that's beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera's all about composition and all about light. — Matthew Modine

I have such freedom when I'm living through a mask, and by contrast, can feel very exposed when a camera is capturing my real face. Kind of like the difference between walking out your front door in a sweater and jeans or in a Speedo. — Doug Jones

It's hard enough to just be a good actor. When you're on set, there's everything going against you. There are walkie talkies going off, the camera is creaking and moving, there are boom mics, and you have to hit your mark and make sure you don't shadow the other person's face. It's a really technical process. — James Marsden

The last time I changed my camera was 50 years ago. All I need is a good face and the right light. — Jane Bown