Quotes & Sayings About Eyes With Images

They were not the same eyes with which he had last looked at this particular scene, and the brain which interpreted the images the eyes resolved was not the same brain. There had been no surgery involved, just he continual wrenching of experience. — Douglas Adams

And all her unsaid thanks so burned in her heart that all of a sudden she rose and left her tower and went out to the open starlight, and lifted her face to the stars and the place of Orion, and stood all dumb though her thanks were trembling upon her lips; for Alveric had told her one must not pray to the stars. With face upturned to all that wandering host she stood long silent, obedient to Alveric: then she lowered her eyes, and there was a small pool glimmering in the night, in which all the faces of the stars were shining. "To pray to the stars," she said to herself in the night, "is surely wrong. These images in the water are not the stars. I will pray to their images, and the stars will know." And — Lord Dunsany

In the Renaissance, madness was present everywhere and mingled with every experience by its images or its dangers. During the classical period, madness was shown, but on the other side of bars; if present, it was at a distance, under the eyes of a reason that no longer felt any relation to it and that would not compromise itself by too close a resemblance. Madness had become a thing to look at: no longer a monster inside oneself, but an animal with strange mechanisms, a bestiality from which man had long since been suppressed. — Michel Foucault

Do not close your eyes before suffering. Find ways to be with those who are suffering by all means, Including personal contact and visits, images, sound. By such means, awaken yourself and others to the reality of suffering in the world. — Gautama Buddha

She played with her eyes closed. He closed his own eyes, joining her in the darkness. She had said the song depicted a battle, but nothing of the sort came to mind, no lofty images of horses and banners waving or battalions clashing over hills. Only darkness and a pure sound that filled him, creeping into spaces he hadn't known were empty. — Jeannie Lin

Go blind now, today:
eternity also is full of eyes -
in them
drowns what helped images down
the way they came,
in them
fades what took you out of language,
lifted you out with a gesture
which you allowed to happen like
the dance of the words made of
autumn and silk and nothingness. — Paul Celan

We see with our hearts. Our eyes are simple catalysts that carry images. Our eyes capture flowers and out heart knows serenity. Our eyes capture a child at play and our heart knows joy. They capture beauty and we know love. They capture war and we are acquainted with mortality. My eyes captured hatred and suffering, and my heart knew sorrow. They captured death and destruction and my heart knew fear. — Leslie Haskin

To fill in the silence Tsukuru lowered the needle onto the record again, went back to the sofa, and settled in to listen to the music. This time he tried his best not to think of anything in particular. With his eyes closed and his mind a blank, he focused solely on the music. Finally, as if lured in by the melody, images flashed behind his eyelids, one after the next, appearing, then disappearing. A series of images without concrete form or meaning, rising up from the dark margins of consciousness, soundlessly crossing into the visible realm, only to be sucked back into the margins on the other side and vanish once again. Like the mysterious outline of microorganisms swimming across the circular field of vision of a microscope. — Haruki Murakami

Here it often imagines things going wrong and negative outcomes; this is called worry. Sometimes this soundtrack is accompanied by visual images or "mental movies." Even if the voice is relevant to the situation at hand, it will interpret it in terms of the past. This is because the voice belongs to your conditioned mind, which is the result of all your past history as well as of the collective cultural mind-set you inherited. So you see and judge the present through the eyes of the past and get a totally distorted view of it. It is not uncommon for the voice to be a person's own worst enemy. Many people live with a tormentor in their head that continuously attacks and punishes them and drains them of vital energy. It is the cause of untold misery and unhappiness, as well as of disease. — Eckhart Tolle

His contagious conviction that our love was unique and desperate infected me with an anxious sickness; soon we would learn to treat one another with the circumspect tenderness of comrades who are amputees, for we were surrounded by the most moving images of evanesecence, fireworks, morning glories, the old, children. But the most moving of these images were the intagible relfections of ourselves we saw in one another's eyes, reflections of nothing but appearances, in a city dedicated to seeming, and, try as we might to possess the essence of each other's otherness, we would inevitably fail. — Angela Carter

Paul closed his eyes and turned his face to the sun. In spite of everything, it was hard not to take solace from the warmth flooding onto his skin. He stretched the muscles in his arms, his shoulders, his back -- and it felt like he was reaching out from the "self" in his virtual skull to all his mathematical flesh, imprinting the nebulous data with meaning; binding it all together, staking some kind of claim. He felt the stirrings of an erection. Existence was beginning to seduce him. He let himself surrender for a moment to a visceral sense of identity which drowned out all his pale mental images of optical processors, all his abstract reflections on the software's approximations and short-cuts. This body didn't want to evaporate. This body didn't want to bale out. It didn't much care that there was another -- "more real" -- version of itself elsewhere. It wanted to retain its wholeness. It wanted to endure. — Greg Egan

Our group pressed west on what was left of Highway 93, toward the pass leading to Las Vegas. Sand covered the road in loose drifts so deep the horses' hooves sank into them. The metal highway signs were bent low by the strong wind, and above us, billboards that once screamed ads for the casinos were now stripped of their promises of penny slots and large jackpots. The raw boards underneath were exposed, like showgirls without their makeup. Some signs had been blown over completely and lay half-buried under mounds of sand, like sleeping animals.
Cars dotted the highway, their paint scoured off and dead tumbleweeds caught underneath them. Their windows were fogged with death, and despite my effort not to look, my eyes were drawn to the blurred images of the still forms inside. I tried to concentrate on the dark road ahead of us instead. — Kirby Howell

Love sees ten million fathoms down, till dazzled by the floor of pearls. The eye is Love's own magic glass, where all things that are not of earth, glide in supernatural light. There are not so many fishes in the sea, as there are sweet images in lovers' eyes. In those miraculous translucencies swim the strange eye-fish with wings, that sometimes leap out, instinct with joy; moist fish-wings wet the lover's cheek. Love's eyes are holy things; therein the mysteries of life are lodged; looking in each other's eyes, lovers see the ultimate secret of the worlds; and with thrills eternally untranslatable, feel that Love is god of all. Man or woman who has never loved, nor once looked deep down into their own lover's eyes, they know not the sweetest and the loftiest religion of this earth. Love is both Creator's and Saviour's gospel to mankind; a volume bound in rose-leaves, clasped with violets, and by the beaks of humming-birds printed with peach-juice on the leaves of lilies. — Herman Melville

I hate it when you tell me shit like this after the plane has already taken off. Would it kill you to warn me ahead of time so I can tell you no freakn' way?" "And have you miss out on the adventure of a lifetime? Buddy, have you seen the images of the three girls we're supposed to rescue?" "Hot?" Joel queried, his blues eyes lighting with hope. "Very. And grateful. Don't forget very, very grateful when we rescue them from the wild men who took them." Lips — Eve Langlais

We never see the people who are dear to us save in the animated system, the perpetual motion of our incessant love for them, which, before allowing the images that their faces present to reach us, seizes them in its vortex and flings them back upon the idea that we have always had of them, makes them adhere to it, coincide with it. How, since into the forehead and the cheeks of my grandmother I had been accustomed to read all the most delicate, the most permanent qualities of her mind, how, since every habitual glance is an act of necromancy, each face that we love a mirror of the past, how could I have failed to overlook what had become dulled and changed in her, seeing that in the most trivial spectacles of our daily life, our eyes, charged with thought, neglect, as would a classical tragedy, every image that does not contribute to the action of the play and retain only those that may help to make its purpose intelligible. — Marcel Proust

By employing classical concepts of idealized beauty and changes in perspective, icons speak to us of reality transformed and transfigured, both in and through God's presence. They speak of transcendence and mystery. As iconographers, we point to a reality that we have never seen with our own eyes. In fact, all our images of God, heaven, the angels, and the saints, whether in poetry, prose, ritual, music, or icons, represent our limited attempts to speak of the unspeakable. — Peter Pearson

At night when I lie awake I can hear it, quiet but unrelenting, undeniable: a whisper in my head, Slip away. When I close my eyes, my head is filled with images of past and future lives, the things I dreamed I wanted, the things I had and threw away. — Paula Hawkins

My concern has always been with creating images that catch people's eyes, penetrate their minds, warm their hearts and cause them to act. — George Lois

...we take care not to touch each other in public, nor do we look into each other's eyes except furtively, because Ivan must first wash my eyes with his own, removing the images which landed on my retina before his arrival. — Ingeborg Bachmann

Of course there always will be darkness but I realize now something inhabits it. Historical or not. Sometimes it seems like a cat, the panther with its moon mad gait or a tiger with stripes of ash and eyes as wild as winter oceans. Sometimes it's the curve of a wrist or what's left of romance, still hiding in the drawer of some long lost nightstand or carefully drawn in the margins of an old discarded calendar. Sometimes it's even just a vapor trail speeding west, prophetic, over clouds aglow with dangerous light. Of course these are only images, my images, and in the end they're born out of something much more akin to a Voice, which though invisible to the eye and frequently unheard by even the ear still continues, day and night, year after year, to sweep through us all. — Mark Z. Danielewski

Before music videos first came out, you'd listen to a song with headphones on, sitting in a beanbag chair with your eyes closed, and you'd come up with your own visions, these things that came from within. Then all of a sudden, sometimes even the very first time you heard a song, it was with these visual images attached, and it robbed you of any form of self-expression. — Eddie Vedder

Piper bit her lip. The last thing she wanted to do was check Katopris for more terrifying images.
'I've tried,'she said.'The dagger doesn't always show what I want to see. In fact,it hardly ever does'
'Please,'Percy said.'Try again.'
He pleaded with those sea-green eyes, like a cute baby seal that needed help.Piper wondered how Annabeth ever won an argument with this guy.
'Fine,'she sighed,and drew her dagger — Rick Riordan

Writing about memories is an elusive process. It often begins with a good intention: to convey the truth. What happens in reality is that we only write down what passes through the censors' eyes. The censors here are the ambient time and space, social and political conditions, and the psychological changers the writer herself. What one writes now is certainly not what actually happened. It is but a vague indicator of what might have happened, a mixture of illusive and contracted images, a dream, or an act conditioned by either a denial or a desire to see past events shaped by what is yearned for in the present. p. 153 — Haifa Zangana

The images start to darken and she feels another hunger well up in her, this one having to do with another kind of desire. The desire to feed, to possess, and the aggressive thrill of a predator capturing and killing its prey as it tears into unspoiled flesh. Its teeth ripping and rending and the satisfying coppery taste of blood. There is the ultimate moment of surrender of drinking away the life essence. The pinnacle of lust which mounts in the very last breath, when the light drains from the victim's eyes and when the soul fades ... Then there is only a triumphant cry to the moonlight and the beckoning depths of the ever waiting water. — Melissa St. Hilaire

Although it was only a single instrument, each note had the peculiar echoed quality of a thousand harmonics voiced together. There was a whisper behind the strongest note and a shout beneath the softest, and they sang of far off places in long forgotten times. There were no words, but the images of ancient pride, noble heritage, and castles in the sand were imagined from the progression. This was the song that would be played at the birth of a nation, full of hope and promise of better days ahead. This was the song of the end of days with all love and longing lost beyond recall or desire. Farris could see this song playing at her wedding, or her funeral, as a herald of joy and sorrow. She found tears in her eyes and heard herself laugh, and she couldn't say why she was doing either. Her skin was tense and covered with goosebumps, and she shivered with pleasure. — Tobias Wade

I sighed, sinking back, head filling with pleasant images; pictures Pietr floated to the surface. Kisses scorched along my face and neck. "Pietr ... "
There was a growl, and I felt fingers at the waistband of my jeans. The button opened and a hand traced along the top of my underpants.
"No," I said. The kissing resumed, harder. "Jessica." The word rumbled in someone's throat. Not Pietr's. To him, I was Jess.
"No," I insisted, trying to pry my eyes open. Something was wrong ... Not Pietr ... I pushed at the chest above me, my eyelids stinging as I willed them apart.
"Relax ... " a voice said, lips dragging along the cornerof my jaw, filling my head with honey, sticky and sweet ... — Shannon Delany

Within the miraculous brew of universal creativity , all you desire already exists. Spend five minutes each morning with your eyes closed, living in that dimension. Allow images to unfold without censor. Feel yourself living the most magnificent life
a life of joy, creativity and love
as you grow inwardly into the person you need to be in order to manifest it effortlessly. — Marianne Williamson

Skipping the intermediary stages, it suffices to say that this synthesis, after being incarnated in the Church
and in Reason, culminates in the absolute State, founded by the soldier workers, where the spirit of the world will be finally reflected in the mutual recognition of each by all and in the universal reconciliation of everything that has ever existed under the sun. At this moment, "when the eyes of the spirit coincide with the eyes of the body," each individual consciousness will be nothing more than a mirror reflecting another mirror, itself reflected to infinity in infinitely recurring images. The City of God will coincide with the city of humanity; and universal history, sitting in judgment on the world, will pass its sentence by which good and evil will be justified. The State will play the part of Destiny and will proclaim its approval of every aspect of reality on
"the sacred day of the Presence. — Albert Camus

He was drifting, I could hear it in his voice. He always fell asleep as easily as some great lazing cat, he only had to close his eyes and moments later he'd be gone, while my own mind kept on whirring round with scattered thoughts and images. — Susanna Kearsley

It wasn't just her words, it was her way of putting them together, the voice that seemed to gain power with each one, so that my head had been filled with images so magically vibrant it was as if I had seen them with my own eyes. She changed the world into something fine. She made one believe. — Megan Chance

Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage. — Scott Kelby

Rows and rows of books lined the shelves and I let my eyes linger on the sturdy spines, thinking how human books were, so full of ideas and images, worlds imagined, worlds perceived; full of fingerprints and sudden laughter and the sighs of readers, too. It was humbling to consider all these authors, struggling with this word or that phrase, recording their thoughts for people they'd never meet. In that same way, the detritus of the boxes was humbling - receipts, jotted notes, photos with no inscriptions, all of it once held together by the fabric of lives now finished, gone. — Kim Edwards

The discovery of the fractals had proven that in a world of chaos, there is a way to understand the natural world by using something as definite and precise as values and numbers. Things and events that were beyond our understanding slowly emerge as distinctively clear as figures and images, leaving no room for mysteries and ambiguities, making the universe more understandable in the eyes of people. With this, it presents a definite point of view in the way complex things are to be observed, which would represent irregularities and open up new paths for discovery. — Tim Clearbrook

The long-ago days - the days of Mother and Bone and the shed - have become fuzzy and have blended with images of Moon, of my travels, of other people and houses, of hiding places; a tangle of memories leading to Susan. I burrow into her side and listen to her heartbeat. With my eyes closed, I might be in the straw-filled wheelbarrow again, nestled against Mother, listening to the first heartbeat I knew. I open my eyes and tilt my head back to look at Susan's lined face. She smiles at me, and we sit pressed into each other, two old ladies. — Ann M. Martin

My Eyes Are Open But I'm Hardly Looking In The Front ... Everything's Passing Me, Some Are Staring But My Eyes Are Blank, I'm Seeing But Not Seeing As My Mind Is Not Sending The Message To My Brains To Produce Images ... I'm Walking Alone Yet Full of People Around Me ... I'm Walking Forward ... There's No Feeling As I'm Numb ... Only Thing I Know, I Have To Finish My Ride Before My Time Expires ... So I'm Walking With Blank Emotion In My Eyes ...
(* Excerpt From My Novel "Eastern Promise") — Muhammad Imran Hasan

everyday life - a series of incidents, some of which make an impression, while most are forgotten. Your consciousness is trained to repress. You crave a holiday, two weeks on a Greek island in the summer or, slighter shorter-term, a long weekend on a ferry to Denmark. Drinking, shouting, laughing, homing in on a woman with just the right kind of husky laugh, who has warm eyes and who thinks pointed shoes are absolutely great. But until that happens: days like photographic slides - images which flicker for a few seconds before disappearing, some easier to remember than others, but then those disappear, too. — K.O. Dahl

Here I am baking cookies and looking all over the house for you," she turned her attention to Gabe and uncovered his eyes, "hoping to bring my man something to munch on, and instead I walk in on your crazy monkey sex! Thanks you two, now I'm officially scarred for life." She swatted the air in front of her, as if she could shoo away the images, and darted over the broken dishes and cookies, up the staircase, with a flustered string of expletives.
Gabe watched her ascend the stairway and let out another amused cackle. "Oh don't mind her. She's acting like she just witnessed her parents in the act." Bending down, he snatched a cookie and gave us a thumbs-up. "You look hot, kids. Carry on. — Rachael Wade

Images of him continued to plague me, unbidden and cruelly tantalising: the mesmerizing blue eyes that compelled me to share with him my most private fears; the feel of his thick, untidy hair as the sunlight split it into myriad shades of gold; the soft laugh that touched my soul; his aloof but unpretentious manner; his confident assurance that I could make my own choices. I shuddered at the thought of Steldor's attitude toward me, for he saw me as only a woman, relegated to supervising that household, planning and executing social events and raising the children. All he really wanted was my presence in his bed, which made me all the more unwilling to comply. Steldor's glance made me uncomfortable, his patronising laugh made me cringe, his condescension frequently led to my humiliation. In Narians arms, I had felt extraordinary happiness; in Steldor's I felt trapped. — Cayla Kluver

I scroll past images every bit as violent and beautiful as Jeb's paintings: luminious, rainbow-skinned creatures with bulbous eyes and sparkly, silken wings who carry knives and swords; hideous, naked hobgoblins in chains who crawl on all fours and have corkscrew tails and cloven feet like pigs; silvery pixielike beings trapped in cages and crying oily black tears. — A.G. Howard

All i knew was that i couldn't get Echo Emerson out of my mind. No doubt, i wanted her. I couldn't rid my mind of images of her body writhing in pleasure against mine. That siren voice whispering my name. But she appealed to me in more than physical way. I loved her smile, the light in her eyes when she laughed, and damn if she couldn't keep up with me. — Katie McGarry

More than forty years had passed over the grey head of this determined woman, since the time she recalled. More than forty years of strife and struggle with the whisper that, by whatever name she called her vindictive pride and rage, nothing through all eternity could change their nature. Yet, gone those more than forty years, and come this Nemesis now looking her in the face, she still abided by her old impiety - still reversed the order of Creation, and breathed her own breath into a clay image of her Creator. Verily, verily, travellers have seen many monstrous idols in many countries; but no human eyes have ever seen more daring, gross, and shocking images of the Divine nature than we creatures of the dust make in our own likenesses, of our own bad passions. — Charles Dickens

The path to the ethnic democratization of American society is through its culture, that is to say through its cultural apparatus, which comprises the eyes, the ears, and the "mind" of capitalism and is twentieth-century voice to the world. Thus to democratize the cultural apparatus is tantamount to revolutionizing American society itself into the living realization of its professed ideas. Seeing the problem in another way, to revolutionize the cultural apparatus is to deal fundamentally with the unsolved American question of nationality--Which group speaks for America and for the glorification of which ethnic image? Either all group images speak for themselves and for the nation, or American nationality will never be determined. — Harold Cruse

In this passionately social world, loneliness dogged the spirit. People were constantly "getting together," but they never really got there. Everyone was terrified of being alone with himself; yet in company, in spite of the universal assumption of comradeship, these strange beings remained as remote from one another as the stars. For everyone searched his neighbour's eyes for the image of himself, and never saw anything else. Or if he did, he was outraged and terrified. — Olaf Stapledon

That afternoon he told me that the difference between human beings and animals was that human beings were able to dream while awake. He said the purpose of books was to permit us to exercise that faculty. Art, he said, was a controlled madness ... He said books weren't made of themes, which you could write essays about, but of images that inserted themselves into your brain and replaced what you were seeing with your eyes. — Steven Millhauser

Do not avoid contact with suffering or close your eyes before suffering. Do not lose awareness of the existence of suffering in the life of the world. Find ways to be with those who are suffering by all means, including personal contact and visits, images, sounds. By such means, ... awaken yourself and others to the reality of suffering in the world. If we get in touch with the suffering of the world, and are moved by that suffering, we may come forward to help the people who are suffering. — Thich Nhat Hanh

The future rushes in and all we can do is take our memories and move forward with them. Memory keeps only what it wants. Images from memories are sprinkled throughout our lives, but that does not mean we must believe that our own or other people's memories are of things that really happened. When someone stubbornly insists that they saw something with their own eyes, I take it as a statement mixed with wishful thinking. As what they want to believe. Yet as imperfect as memories are, whenever I am faced with one, I cannot help getting lost in thought. Especially when that memory reminds me of what it felt like to be always out of place and always a step behind. Why was it so hard for me to open my eyes every morning, why was I so afraid to form a relationship with anyone, and why was I nevertheless able to break down my walls and find him? — Kyung-Sook Shin

Back then people closed their eyes and listened to music. Today there's a lot of images that go with the music. A lot of music is crap and it's all commercial and the images are all trying to sell the record. — Neil Young

Sometimes I closed my eyes hard to avoid thinking, but the eye of the mind refused to be closed and continued to plague me with images. — Ishmael Beah

That autumn, I kept coming back to Hopper's images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as "our most poignant, ceaselessly replicated romantic image of American loneliness" ...
Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs. — Olivia Laing

Stories," she blurted. "The mosaic told stories, didn't it?"
"Yes, old ones."
"I'll tell them to you."
His eyes cracked open. He didn't remember closing them. "You know those tales?"
"Yes."
She didn't. This became clear as she began to tell them. She knew bits and pieces, cobbled together in ways that would have made him smile if smiling didn't hurt. "You," he breathed, "are such a faker."
"Don't interrupt."
Mostly pure invention. She remembered the images--it pleased him, how vividly she knew the temple floor's details. Which god curled around which, or how the snake's tongue forked into three. But the stories she told had little to do with his religion. Sometimes they didn't even make sense.
"Do this again," he said, "when I have strength to laugh."
"As bad as that?"
"Mmm. Maybe not. For a Valorian. — Marie Rutkoski

It is a glorious thing, to be able to write with pen on paper instead of nail or hook into oak, to feel one's words flowing so smoothly from instrument to surface, without the barriers of friction or poor leverage, and yet its own subtle tactile pleasures as the nib scratches tiny channels into the sheet. And here, unlike in his cabin, here he feels no division between his mind and his hand, no errors in translation or static in the transmission: the words appearing on the page are the ones he has intended to put there, the images match the scenes in his mind, the sensations the very ones that warm his chest, prickle his scalp, push against his eyes. — Doug Dorst

Images don't see, You're wrong, images see with the eyes of those who see them, — Jose Saramago

took the magazine from him and turned it the right way round. There they were again, the images of my childhood: bold, striding, confident, their arms flung out as if to claim space, their legs apart, feet planted squarely on the earth. There was something Renaissance about the pose, but it was princes I thought of, not coiffed and ringleted maidens. Those candid eyes, shadowed with makeup, yes, but like the eyes of cats, fixed for the pounce. No quailing, no clinging there, not in those capes and rough tweeds, those boots that came to the knee. Pirates, these women, with their ladylike briefcases for the loot and their horsy acquisitive teeth. I — Margaret Atwood

It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'
He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole? — Milorad Pavic

Anyone who knew Violet well could tell she was thinking hard, because her long hair was tied up in a ribbon to keep it out of her eyes. Violet had a real knack for inventing and building strange devices, so her brain was often filled with images of pulleys, levers, and gears, and she never wanted to be distracted by something as trivial as her hair. — Lemony Snicket

When you bounce your eyes away from a sexual image, immediately pull from your memory a pure image. Maybe a wedding picture, or a vacation experience with your family, or your buddies. There are thousands of positive images you can pull from your memory within seconds to replace the sexual images you're tempted with. — Steve Arterburn

Ladies first." I couldn't wait for this game to be over so I could teach her how to break properly. Images of her body pressed against mine, bending over the table, caused my jeans to get tighter.
"Your funeral," she sang and my lips turned up at her flash of confidence. Echo twirled her pool cue like a warrior going into battle, never once taking her eyes off the cue ball. She leaned over the table. I focused on her tight ass. My siren ate me alive with every movement. As she took aim, she no longer resembled the fragile girl at school, but a sniper.
The quick and thunderous cracking of balls caught me off guard. The balls fell into the pockets in such rapid succession, I lost count. Echo rounded the table, once again twirling the cue, studying the remaining balls like a four-star general would a map.
Damn - the girl knew how to play. — Katie McGarry

My soul breathed once more. My eyes were opened. There were moments when I felt with a glow that I had only to snatch up my scattered images and raise my life as Harry Haller and as the Steppenwolf to the unity of one picture, in order to enter myself into the world of imagination and be immortal. Was not this, then, the goal set for the progress of every human life? — Hermann Hesse

A film presents images; a book creates them inside the reader, with the reader's active participation. Books are good for your brain. Neurologists have found that, when watching television or film, the viewer's eyes remain idle, straight ahead, but when reading, the actual physical movement of scanning the page from left to right (or right to left, or up and down, depending) stimulates and conditions the brain, a Stairmaster of the mind. — Lewis Buzbee

Not want you?" His voice was rough. "Everett, I'd lay you down right now in this thin blanket of snow and take you." Everett's eyes widened, but Alex's mind was racing, the images coming at him too quick for him to hold them back. "The cold air would touch you and then my mouth." He moved back into Everett's space, and Everett groaned. "My hands. Naked, Everett. I could bite your long limbs and lick the grace from your words and shock the neighbors with what obscenities I'd drive from your lips. — R. Cooper

The images were gone, but Calvin was there, was with her, was part of her. She had moved beyond knowing him in sensory images to that place which is beyond images. Now she was kything Calvin, not red hair, or freckles, or eager blue eyes, or the glowing smile; nor was she hearing the deep voice with the occasional treble cracking; not any of this, but -
Calvin.
She was with Calvin, kything with every atom of her being, returning to him all the fortitude and endurance and hope which he had given her. — Madeleine L'Engle

I closed my eyes, but that didn't blur the images his words had evoked. "Oh, God," I murmured.
"God," he said, "had nothing to do with it at all. — Jeannette De Beauvoir

He shifts and my eyes shatter into thousands of pieces that ricochet around the room, capturing a million snapshots, a million moments in time. Flickering images faded with age, frozen thoughts hovering precariously in dead space, a whirlwind of memories that slice through my soul. — Tahereh Mafi

I close my eyes. I am the visionary, the one-eyed seer, the storyteller. I am Pen. I can fight with the power of images and words. — Francesca Lia Block

Love at first sight is a hypnosis: I am fascinated by an image: at first shaken, electrified, stunned, "paralysed" as Menon was by Socrates, the model of loved objects, of captivating images, or again converted by an apparition, nothing distinguishing the path of enamoration from the Road to Damascus; subsequently ensnared, held fast, immobilised, nose stuck to the image (the mirror). In that moment when the other's image comes to ravish me for the first time, I am nothing more than the Jesuit Athanasius Kirchner's wonderful Hen: feet tied, the hen went to sleep with her eyes fixed on the chalk line, which was traced not far from her beak; when she was untied, she remained motionless, fascinated, "submitting to her vanquisher," as the Jesuit says (1646); yet, to waken her from her enchantment, to break off the violence of her Image-repertoire (vehemens animalis imaginatio), it was enough to tap her on the wing; she shook herself and began pecking in the dust again. — Roland Barthes

My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe? — Maurice Blanchot

Our visual field, the entire view of what we can see when we look out into the world, is divided into billions of tiny spots or pixels. Each pixel is filled with atoms and molecules that are in vibration. The retinal cells in the back of our eyes detect the movement of those atomic particles. Atoms vibrating at different frequencies emit different wavelengths of energy, and this information is eventually coded as different colors by the visual cortex in the occipital region of our brain. A visual image is built by our brain's ability to package groups of pixels together in the form of edges. Different edges with different orientations - vertical, horizontal and oblique, combine to form complex images. Different groups of cells in our brain add depth, color and motion to what we see. — Jill Bolte Taylor

Since he'd killed Newt, he hadn't thought once about what he had set out to do. Free of WICKED, finally, and here he was voluntarily going back.
He didn't care anymore. Whatever happened, happened. He knew that for the rest of his life he'd be haunted by what he'd seen. Chuck gasping for air while he bled to death, and now Newt screaming at him with raw, terrifying madness. And that last moment of sanity, eyes begging for mercy.
Thomas closed his own, and the images were still there. It took a long time for him to fall asleep. — James Dashner

Two generations ago only a few unfortunate children ever saw anyone hit over the head with a brick, shot, rammed by a car, blown up, immolated, raped or tortured. Now all children, along with their elders, see such images every day of their lives and are expected to enjoy them ... The seven-year-old who hides his eyes in the family cops-and-robbers drama is desensitized four years later to a point where he crunches potato chips through the latest video nasty. — Penelope Leach

In its silence, a book is a challenge: it can't lull you with surging music or deafen you with screeching laugh tracks or fire gunshots in your living room; you have to listen to it in your head. A book won't move your eyes for you the way images on a screen do. It won't move your mind unless you give it your mind, or your heart unless you put your heart in it ... To read a story well is to follow it, to act it, to feel it, to become it
everything short of writing it, in fact. Reading is not interactive with a set of rules or options, as games are; reading is actual collaboration with the writer's mind. No wonder not everyone is up to it. — Ursula K. Le Guin

Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations peopled by characters who seemed as real to me as my surroundings. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters just yet. — Carlos Ruiz Zafon

A lot can happen in that time.And, seriously, if you have to give up a dream to be with a guy, maybe you've chosen the wrong guy."
Chelsea's brow furrowed and she fiddled with her fingers. "And what if the time comes and the dream doesn't seem worhth it?"
David's and Tamani's face seemed to float before Laurel's eyes, the Academy looming in the background.She shrugged and forced the images from her mind. "Then maybe it was the wrong dream. — Aprilynne Pike

With the wild nature as ally and teacher we see not through two eyes but through the many eyes of intuition. With intuition we are like the starry night, we gaze at the world through a thousand eyes. The wild woman is fluent in the language of dreams, images, passion, and poetry. — Clarissa Pinkola Estes