Eyes Say Something Quotes & Sayings

Yes, Ally?" What have I done? I try to figure out what I should say. Maybe ask to go get a drink? But the thing is that something deep inside me really does want to answer. Because I'm an expert on these two words. I know what they mean. And how they feel. Especially after that butterfly party. Mr. Daniels's eyes are wide, and they are waiting for me. "Ally?" he says. "It's okay, now. Take your time." And it's like he can see right into my guts. Knows how sad I am. Like he's handing me a flashlight in a dark room. I — Lynda Mullaly Hunt

His blue eyes brightened with a smile. 'I did.' He looked over his shoulder, as if making sure her mom wasn't looking. The he pulled her against him and kissed her. A soft kiss.
'I got you something,' He whispered, his lips breathing words against hers.
He reached into his coat pocket and pulled out a ring. A gold ring with a large diamond. A beautiful, teardrop-shaped diamond that looked like an engagement ring. Kylie's breath caught.
'It was my grandmother's ring. In her letter she wrote you should have it. And before you start panicking, let me say that I know maybe we're too young to call it an engagement, That's why I got you this too.' He pulled out a gold chain 'I want you to wear it around your neck. Call it a promise- A promise that when you do slip a ring on that finger ... ' He ran his hand down to her left hand. 'That it'll be my ring.'
Emotion rose in her chest 'You don't have to give me anything for me to give you that promise. — C.C. Hunter

Do they have to be so public?" I say.
"She just kissed him." Al frowns at me. When he frowns, his thick eyebrows touch his eyelashes. "It's not like they're stripping naked."
"A kiss is not something you do in public."
Al, Will, and Christina all give me the same knowing smile.
"What?" I say.
"Your Abnegation is showing," says Christina. "The rest of us are all right with a little affection in public."
"Oh." I shrug. "Well ... I guess I'll have to get over it, then."
"Or you can stay frigid," says Will, his green eyes glinting with mischief. "You know. If you want. — Veronica Roth

I was ten years old. I had noticed something was weird earlier in the day but I knew from commercials that one's menstrual period was a blue liquid that you poured like laundry detergent onto maxi pads to test their absorbency. This wasn't blue so ... I ignored it for a few hours.
When we got home I pulled my mom aside to ask if it was weird I was bleeding in my underpants. She was very sympathetic but also a little baffled. Her eyes said "Dummy didn't you read 'How Shall I Tell My Daughter ". I HAD read it but nowhere in the pamphlet did anyone say that your period was NOT a blue liquid.
At that moment two things became clear to me I was now technically a woman and I would never be a doctor. — Tina Fey

She sings the songs without words Songs that sailors, and blind men, and beggars have heard She knows more of love than the poets can say And her eyes are for something that won't go away. — Harry Chapin

Oh shit, oh shit, stupid shower present!"
Now she did pull her hair as she made the dash to her office.
Roarke sat in her visitor's chair, comfortably involved with his PPC. He glanced up, let loose a regretful sigh. "You changed. And I didn't have any time to ogle you in uniform."
"I have to go shopping!"
Staring at her, Roarke pressed his fingertips to his temple. "I'm sorry, I believe I must have had a small stroke. What did you say?"
"This isn't funny." She bent down, gripped him by the lapels. "I forgot to get a thing for the thing, and I don't even know what the thing is supposed to be. Now I have to go out and hunt something down. Except - " Her eyes went from slightly mad to speculative. "We have all kinds of things around the house. Couldn't I just wrap something up and - "
"No."
"Crap! — J.D. Robb

Hey," he says.
I feel foolish for being out of breath and standing over him. The moonlight cuts a line down my chest. "Hey," I say.
"Checking on me?"
"I couldn't sleep. Scottie. She's in the bathroom." I stop talking.
"Yeah?" he says and sits up.
"She's playacting." I don't know how to say it. I don't need to say it. "She's kissing the mirror."
"Oh," he says. "I used to do some messed-up things as a kid. Still do."
I feel wide awake, which always makes me angry in the middle of the night. I'm useless without sleep. I can't get myself to go back to my own room. I sit on the end of the bed by his feet. "I'm worried about my daughters," I say. "I'm worried there's something wrong with them."
Sid rubs his eyes.
"Forget it," I say. "Sorry for waking you up."
"It's going to get worse," he says. "After your wife dies." He holds the blanket up to his chin. — Kaui Hart Hemmings

Jackie looked from me to Denise and back, and I could swear I saw comprehension dawning in his eyes and he was about to say something, but to everyone's surprise, it was Jaymee who suddenly blurted out "Mommy! You're sleeping with him?"

"Jaymee!" Denise gasped, "What are you saying!? Where did you ever learn to ask such a thing!?"

"From Grandma, Mommy! She said when two grownups love each other very much, they go to bed together!"

How could I keep from bursting into laughter? Denise's composure was completely gone, Jaymee was blushing brightly at the realization that something she'd said had come out wrong without quite realizing what it was, and the look on Jackie's face from being beaten to the punchline was priceless. — B.R.L. Coryn

When a man loves a woman, as our old troubadours used to say, even if he has heard or seen something that puts his beloved in a bad light, he should believe neither his ears nor his eyes, he should listen to his heart alone. — Marquis De Sade

Nicole's door opened, and she stomped down the hall. "I have something to say," she said, giving him the Slitty Eyes of Death. "You're totally unfair, and if I run away, you shouldn't be surprised." "Don't make me put a computer chip in your ear," Liam answered. "It's not funny! I hate you." "Well, I love you, even if you did ruin my life by turning into a teenager," he said, rubbing his eyes. "Did you study for your test?" "Yes." "Good." He looked at his daughter - so much like Emma, way too pretty. Why weren't there convent schools anymore? Or chastity belts? "Want some supper? I saved your plate." She rolled her eyes with all the melodrama a teenager could muster. "Fine. I may as well become a fat pig since I can't ever go on a date." "That's my girl," he said and, grinning, got up to heat up her dinner. — Kristan Higgins

Isla was named after something, too, you know." "Don't you dare," I say. Josh sits forward. His eyes shine. "Do tell." "Prince. Edward. Island, — Stephanie Perkins

I'm . . . concerned. You appear to be upset. What's wrong?" His voice gentled and his eyes searched mine. "What's happened? And what can I do to help?"

I crossed my arms because my stupid heart was fluttering again. He caught me off guard. I was not at all prepared for Cletus Winston's concern.

"Nothing. Nothing is wrong. I just wanted to bring y'all muffins. Can't I bring y'all muffins?"

He was scrutinizing me again. "No. Something's off. Is it Jackson James? Do I need to maim him? Because I will. I could give him leprosy, you know. Armadillos are carriers."

My mouth fell open and a bubble of laughter emerged unchecked. "Cletus Winston, you will do no such thing."

"Sheriff's deputy or not. Just say the word. It might improve him, actually."

"You are terrible." I laughed, even though he was terrible, and I felt terrible laughing at such a terrible joke.

At least, I hope it's a joke — Penny Reid

Do I believe a thing has limits!? Of course! Nothing exists that doesn't have limits. Existence means there's always something else, and so everything has limits. Why is it so hard to conceive that a thing is a thing, and that it isn't always being some other thing that's beyond it?"

At that moment I felt in my bones not that I was talking to a man, but to another universe. I tried one last time, from another angle, which I felt compelled to consider legitimate.

"Look, Caeiro... think about numbers... Where do they end? Take any number - say 34. Past it we have 35, 36, 37, 38 - there can be no end to it. There is no number so big that there is no number larger..."

"But that's just numbers," protested my master Caeiro.

And then, looking at me out of his formidable, childlike eyes:

"What is 34 in Reality, anyway? — Alvaro De Campos

She was uncomfortable with what the professors called "participation," and did not see why it should be part of the final grade; it merely made students talk and talk, class time wasted on obvious words, hollow words, sometimes meaningless words. It had to be that Americans were taught, from elementary school, to always say something in class, no matter what. They never said, "I don't know." They said, instead, "I'm not sure," which did not give any information but still suggested the possibility of knowledge. They avoided giving direct instructions: they did not say "Ask somebody upstairs"; they said "You might want to ask somebody upstairs." When you tripped and fell, when you choked, when misfortune befell you, they did not say, "Sorry." They said "Are you okay?" when it was obvious that you were not. And when you said "Sorry" to them when they choked or tripped or encountered misfortune, they replied, eyes wide with surprise, "Oh, it's not your fault. — Chimamanda Ngozi Adichie

There are six senses: five are outer; they tell you about the world. I say something about the light; without eyes you will not know light. Ears say something about the sound; without ears you will not know anything about the sound. There is a sixth sense, the inner sense, that shows and tells you something about yourself and the ultimate source of things. That sense has to be discovered. Meditation is nothing but the discovery of the inner sense. — Rajneesh

It was weird to hear Grace this way. It was weird to be here, sitting in my car with her best friend when Grace was home, needing me for once. It was weird to want to tell her that we didn't need to go to the studio until things calmed down. But I couldn't tell her no. I physically couldn't say it to her. Hearing her like this ... she was a different thing than I'd ever seen her be, and I felt some dangerous and lovely future whispering secrets in my ear. I said, "I wish it were Sunday, too."
"I don't want to be alone tonight," Grace said.
Something in my heart twinged. I closed my eyes for a moment and opened them again. I thought about sneaking over myself; I thought about telling her to sneak out. I imagined lying in my bedroom beneath my paper cranes, with the warm shape of her tucked against me, not having to worry about hiding in the morning, just having her with me on our terms, and I ached and ached some more with the force of wanting it. I echoed, "I miss you, too. — Maggie Stiefvater

When I was little, my Aunt Bigeois told me "If you look at yourself too long in the mirror, you'll see a monkey." I must have looked at myself even longer than that: what I see is well below the monkey, on the fringe of the vegetable world, at the level of jellyfish... The eyes especially are horrible seen so close. They are glassy, soft, blind, red-rimmed, they look like fish scales... A silky white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I recognize the details. But the whole thing gives me an impression of something seen before which stupefies me. — Jean-Paul Sartre

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

How grateful are you?" he whispered, his mouth hovering over mine. His eyes were very alert now, and his gaze was boring into mine.
"That kind of ruins it, when you say something like that," I said, trying to keep my voice gentle. "You shouldn't want me to have sex with you just because I owe you."
"I don't really care why you have sex with me, as long as you do it," he said, equally gently. — Charlaine Harris

His voice dropped to a low murmur, and he leaned down so that he was almost whispering in her ear. "You see, there's this woman."
She wasn't going to look at him. She wasn't.
"Normally, one might say that there was a beautiful woman - but I don't think she qualifies as a classical beauty. Still, I find that when she's around, I'd rather look at her than anyone else."
He set two fingers against her cheek, and Minnie sucked in a breath. She was not going to look at him. He'd see the longing in her eyes, and then ...
"There's something about her that draws my eye. Something that defies words. Maybe it's her hair, but I tried to tell her that, and she told me I was being ridiculous. I suppose I was. Maybe it's her lips. Maybe it's her eyes, although she so rarely looks at me. — Courtney Milan

I don't see big subjects as separate from little ones. Yes, you could trudge through life with great human tragedies played out before your eyes without ever taking notice. Or you could see a universe in the smallest thing. The way a person takes their coffee, for example, might say something profound and important about that person, about all humanity, about existence itself. — Johnny Rich

Talk to me. Say something, anything," he pleaded quietly as if he was trying to tame a wild animal.
"There's nothing to say."
He looked up and lowered his eyebrows on his eyes. "Why did you kiss me? — Stephanie Witter

He should have been polite and just let us by," I say. "Way to teach him some respect. I always wanted to meet a girl who fights dirty," says Raffe. "There's no such thing as dirty fighting in self-defense." He huffs. "I don't know whether to make fun of him or to respect you." "Come on, that one's easy." He grins at me. There's something in his eyes that makes my insides melt a little, like something deep inside us is communicating without me being fully aware of it. — Susan Ee

One second, we are surrounded by angels holding their swords. The next second, one of their arms drops and his sword thunks to the grass like a lead weight. The angel stares at his blade uncomprehendingly.
Another sword drops.
Then another.
Then a whole bunch, until all the other unsheathed swords fall, thudding on the grass like subjects bowing down to their queen.
The angels stare at the swords at their feet in utter shock.
Then everyone looks at me. Actually, it's probably more accurate to say they're looking at my sword.
"Whoa." That's about the most intelligent thing I can say right now. Did Raffe say something about an archangel sword intimidating other angel swords if she could gain their respect?
I swivel my eyes to look at the blade in my hands. Was that you, Pooky Bear? — Susan Ee

Shall the dire day break when life
finds us merely husband and wife
with passion not so much denied
as neatly laundered and put aside
and the old joyous insistence
trimmed to placid coexistence?

Shall we sometime arise from bed
with not a carnal thought in our head
look at each other without surprise
out of wide awake uncandid eyes
touch and know no immediate urge
where all mysteries converge?

Speak for the sake of something to say
and now and then put on a display
of elaborate mimicry of the past to prove
that ritual reigns where once ruled love
and calmly observe those bleak rites
that once made splendour of our nights?

Dear, when we stop being outrageous
and no longer find contagious
the innumerable ecstasies we find
in rise of hand or leap of mind -
not now or then, love, need we fear thus;
those two sad people will not be us. — Christy Brown

And you, Edward? Is there something in this world for which you'd surrender your life and your soul, if need be? You need not answer - I saw in your face and in your heart, last night, as you bent over the bed. Good art, good art - both of you. I have found several sorts of good and original art in this world, enough to justify encouraging your Artist to try again. But there was so much that was bad, poorly drawn and amateurish, that I could not find it in me to approve the work as a whole until I encountered and savored this, the tragedy of human love." Cynthia looked at him wildly. "Tragedy? you say 'tragedy'?" He looked at her with eyes that were not pitying, but serenely appreciative. "What else could it be, my dear? — Robert A. Heinlein

I want those perfect eyes and lips, and for everyone to look at me and gasp. And for everyone who sees me to think Who's that? and want to get to know me, and listen to what I say."
"I'd rather have something to say. — Scott Westerfeld

I hear my heartbeat. I have been looking at him too long, but then, he has been looking back, and I feel like we are both trying to say something the other can't hear, though I could be imagining it. Too long - and now even longer, my heart even louder, his tranquil eyes swallowing me whole. — Veronica Roth

We can't lose you," she said after a few moments of awkward as hell silence. "You have to understand that we aren't doing this because we don't care about Kat. We're doing this because we love you."
"But I love her," I said without hesitation.
Dee's eyes widened, probably since it was the first time she'd herd me say it out loud, well, about anyone other than my family. I wished I had said it more often, especially to Kat. Funny how that kind of shit always turns out in the end. While you're deep in something, you never say or do what you need to. It's always after the fact, when it's too late that you realize what you've should've said or done/
It couldn't be too late. I knew that. The fact that I was still alive was testament to that. Like Dee said, though, there were worse things than death. — Jennifer L. Armentrout

Most of us in our thinking are wandering from this to that to the other thing, and are constantly distracted. And Zen is the opposite of that. It's being completely here, fully in the present. And you know when you're completely concentrated, you're not really aware of your own existence. It's rather the same as the sense of sight. If you see your eyes, that is to say if you see spots in front of your eyes, or something on the lens of the eye, then you're not seeing properly. To the degree to which you're seeing properly, you're unaware of your eyes. In the same way, if your clothes fit well, you're unaware of them on your body. And if you're completely concentrated on what you're doing, you're unaware of yourself. — Alan W. Watts

I can pick up the city feeds on my antenna. It said they were going to change you all. Turn you into something less dangerous. Are you still ... ?"
She gazed at him. "What do you think, David?"
He peered into her eyes for a long moment, then sighed and shook his head. "You just look like Tally to me."
She looked down, her vision blurring.
What's the matter?"
Nothing, David." She shook her head. "You just took on five million years of evolution again."
I what? Did I say something wrong?"
No." She smiled. "You said something right. — Scott Westerfeld

Lesa's eyes flicked up behind me and widened. "Wow. Now that's even more unexpected."
Something smelled sweet and familiar. Confused, I twisted around. A single rose in full bloom, a vibrant red, brushed against the tip of my nose. Tan fingers held the green stem. My eyes lifted.
Daemon stood there, his eyes glittering like green tinsel. He patted me on the nose with the rose again. "Good morning."
Dumbfounded, I stared at him.
"This is for you," he added when I didn't say anything. — Jennifer L. Armentrout

There's something strange about you-" she started to say.
Oh, well, thanks!" he chuckled, his brown eyes twinkling at her. — Regina Doman

It's too early for there to be any coffee. I stare dully at the empty pot in the common room, while Sam picks up a jar of instant grounds.
"Don't," I warn him.
He scoops up a heaping spoonful and, heedlessly, shovels it into his mouth. It crunches horribly. Then his eyes go wide.
"Dry," he croaks. "Tongue ... shriveling."
I shake my head, picking up the jar. "It's dehydrated. You're supposed to add water. Good thing you're mostly made of water."
He tries to say something. Brown powder dusts his shirt.
"Also," I tell him, "that's decaf. — Holly Black

She opened her eyes.
He sniffed.
Ah! The rosemary! Holding her breath, she waited.
He sniffed again. "Is it an herb, nyet?"
She nodded, smiling shyly. "Rosemary."
"The cook at Tullock puts it in turtle soup."
Her smile faltered. She smelled like a turtle? Not a fragrant loaf of bread, but a turtle? "Surely you've smelled it in some other dishes, too? Bread, perhaps?"
He shook his head.
"In a delicious stew, then? Something savory and warm?"
He released her cloak. "In my country, we throw rosemary onto graves."
She just looked at him, appalled.
"That seems odd to you, nyet? Rosemary keeps fresh the ... How do you say-?" He tapped his forehead. "Thoughts about times no longer here."
"Memories?"
"Da! Rosemary keeps fresh the memories of the dead."
Lovely. She smelled like a turtle and the grave. — Karen Hawkins

At the negotiations in Irvine, it became clear to me that there was no side I could stand on. The English despise me and my countrymen don't trust me. Wallace and the others are rebelling in the name of Balliol. I cannot fight with them. It would be as much a betrayal of my oath as when I was fighting for England. I know what I must do. What I should have done months ago.'
Robert felt embarrassed, about to say the words. Inside, his father's voice berated him, but he silenced it. 'I want you to weave my destiny,' he finished. 'As you did for my grandfather.'
When she spoke, her voice was low. 'And what is your destiny?'
He met her eyes now, all hesitation and embarrassment gone. 'To be King of Scotland.'
A smile appeared at the corners of her mouth. It wasn't a soft smile. It was hard and dangerous. 'I will need something of yours,' she said, rising. — Robyn Young

I found something for you." He ignored the pangs of hunger and lowered himself to one knee before her. Her eyes widened. He swung his hand around from behind his back and held out a lone orchid the same shade as the moon overhead. And once again, he wished he knew what to say, how to talk to her, how to be more sophisticated. Instead, he thrust it before her. She tentatively took it from him and lifted questioning eyes. "For your collection of specimens," he offered. Her fingers caressed the drooping petals. "I think it's a yellow lady's slipper." He didn't know nor did he care. He only knew that he wanted one of her rare smiles. For a long intense moment, he held his breath. Finally her lips curved into a smile. "Thank you." His pulse jolted forward and he swallowed hard. "You're welcome." What was happening to him? Why did he want to make her happy? When she lifted the flower to her nose and took a deep breath, her smile moved to her eyes . . . And to his heart. — Jody Hedlund

Cal was dressed in a Hex Hall uniform. The blazer was a little tight on his broad shoulders, more so when he shrugged. "It was mine.Mrs. Casnoff brought it with her. I don't really, uh, do costumes. Figured this was a good compromise."
I'd thought no one but Archer could make that uniform look good, but Cal proved me wrong. The bright blue was nice against his tan skin and golden hair, and he looked younger. There was a dimple in his cheek as he smiled at me-something I'd never noticed before. "You make a good Hecate," he said.
I would have snorted and made a sarcastic comment, but there was something in his eyes that made me just say, "Thanks. — Rachel Hawkins

Listen Zeke, i have to go. There's something i have to do, someone i have to find. i owe him a lot, and he's in trouble now. i just wanted to say goodbye."
Zeke slept on. i put my hand on his uninjured arm, squeezing gently. My eyes burned, but i ignored them. "you probably won't see me again," i murmured, feeling something hot slide down my cheek. "i got you here, like i promised i would. i wish ... i wish i could've seen your Eden, but this place isn't for me. it never was. i have to find my own place in the world. — Julie Kagawa

People always say the greatest love story in the world is Romeo and Juliet. I don't know. At fourteen, at seventeen, I remember, it takes over your whole life." Alice was worked up now, her face flushed and alive, her hands cutting through the night-blooming air. "You think about nobody, nothing else, you don't eat or sleep, you just think about this ... it's overwhelming. I know, I remember. But is it love? Like how you have cheap brandy when you're young and you think it's marvelous, just so elegant, and you don't know, you don't know anything ... because, you've never tasted anything better. You're fourteen."
It was no time for lying. "I think it's love"
You do?"
I think maybe it's the only true love."
She was about to say something, and stopped herself. I'd surprised her, I suppose. "How sad if you're right," she said, closing her eyes for a moment. "Because we never end up with them. How sad and stupid if that's how it works. — Andrew Sean Greer

She was remarkably beautiful. And yet there was something in her eyes that I didn't like. A bit of...no...I don't want to say falsity...that would be too...it was--I don't know how to explain it -- it was something like triumphant cunning. Odile needed to dominate. She wanted to impose her will, her version of the truth. Her beauty had given her a lot of self-confidence and she believed, almost in good faith, that if she said something then it became true. This worked with your husband, who adored her, but not with me, and she resented me for that. — Andre Maurois

We love films because they make us feel something. They speak to our desires, which are never small. They allow us to escape and to dream and to gaze into eyes that are impossibly beautiful and huge. They fill us with longing. But also. They tell us to remember; they remind us of life. Remember, they say, how much it hurts to have your heart broken. Remember about death and suffering and the complexities of living. Remember what it is like to love someone. Remember how it is to be loved. Remember what you feel in this moment. Remember this. Remember this. — Nina LaCour

Greg's eyes narrowed on me, but this mouth curved to one side. I don't know ... that feels like something Hitler would say. — Penny Reid

When she looked at him with those dark eyes, Nassar felt the urge to say something intelligent and deeply impressive. Unfortunately, nothing of the kind came to mind. — Ilona Andrews

When we are in the dream state, we do not know what we are doing. We are simply acting out of deep programming. But once we have seen the true nature of things
once Spirit has opened its eyes within us
we suddenly know what we're doing. There's a much more accurate sense of whether we're moving or speaking or even thinking from truth or not. When we act from a place of untruth anyway, in spite of our knowing, it's much more painful than we we didn't know our actions were untrue. When we say something to someone that we know is untrue, it causes an inner division that is vastly more painful than when we said the same thing and thought it was true. — Adyashanti

I actually really don't want to know," I admitted. "Up until a few seconds ago I had a lot of illusions about you being this incredible, sane guy and I'd like to keep them, but I'm not going to be satisfied until I do."
"Fine then, I won't tell you."
I planted my face in my palm and sighed. "It doesn't matter how crazy this is, I'm going to be thinking about it all night."
He gave me a purely demonic grin. "Then I definitely won't tell you. "
My eyes narrowed. "That's nothing to be proud of."
"And why wouldn't I be proud of keeping a pretty girl up all night?" He chuckled and chewed on a French fry.
My face and the back of my neck burned. He had to be joking. No one could say something so horrifying and then eat a French fry. Supernatural beings didn't like fast food, I was sure of it. This was all an elaborate hoax and I just hasn't picked up on it yet. It had to be, and even if it wasn't I would pretend it was. Pretend until it became true. — Katherine Pine

I didn't say anything for a while, studying the structure of his face. And then I traveled through a perfect set of marble eyes that came to still darkness over a sea of lava. Something was there, I was sure of it, only I couldn't see it, could only feel it, a feeling of him holding something back. — C.C. Wyatt

To all those who care,
You can't forever.
Time steals the years,
And your reflection in the mirror.
But I can still see the story in your eyes,
And your timeless passion that's never died.
While your skin became tired,
Your heart became strong,
The present became the past,
And your memories like a song.
And though the moment at hand is all that we have,
You've taught me to live it like it is our last.
Since two words don't say 'thank you' the way they are meant to,
I'll try all my life to be something like you. — Crystal Woods

Here's something else I'd like your opinion about," I said. "If he went back underground and sat down again in the same spot, wouldn't the sudden transition from the sunlight mean that his eyes would be overwhelmed by darkness?"
"Certainly," he replied.
"Now, the process of adjustment would be quite long this time, and suppose that before his eyes had settled down and while he wasn't seeing well, he had once again to compete against those same old prisoners at identifying those shadows. Would he make a fool of himself? Wouldn't they say that he'd come back from his upward journey with his eyes ruined, and that it wasn't even worth trying to go up there? And would they
if they could
grab hold of anyone who tried to set them free and take them up there and kill him? — Plato

I love you, Margaret Macy. And there is something I need to ask you. Something I've asked twice before and am nearly afraid to ask again. The Scriptures say let our yes be yes and our no be no, but I pray, in your case, your no may have changed . . . ?"
Margaret leaned forward and kissed him firmly, warmly, on the lips. Then she smiled at him, her eyes brimming with tears. "Yes, it most definitely has. — Julie Klassen

Monsieur Foinet got up and made as if to go, but he changed his mind, and, stopping, put his hand on Philip's shoulder.
"But if you were going to ask me my advice, I should say: take your courage in both hands and try your luck at something else. It sounds very hard, but let me tell you this: I would give all I have in the world if someone had given me that advice when I was your age and I had taken it."
Philip looked up at him with surprise. The master forced his lips into a smile, but his eyes remained grave and sad.
"It is cruel to discover one's mediocrity only when it's too late. It does not improve the temper."
He gave a little laugh as he said the last words and quickly walked out of the room. — W. Somerset Maugham

Curran snarled and hurled the rock against the mountain. The boulder flew, hit like a cannon ball, and rolled back down. Curran chased it, pulled another smaller rock out of the dirt, and smashed it against the first one.
Wow. He was really pissed.
Astamur's eyes were as big as plates.
"I can get him to put those back after he's done," I told him.
"No," Astamur said slowly. "It's fine."
Curran picked up the smaller rock with both hands and threw it onto the larger boulder. The boulder cracked and fell apart. Oops.
"Sorry we broke your rock."
Atsany took the pipe out of his mouth and said something.
"Mrrrhhhm," Astamur said.
"What did he say?"
"He said that the man must be your husband, because only someone we love very much can make us this crazy. — Ilona Andrews

My unhappiness was something deep inside me, and when i closed my eyes i could even see it. it sat somehwere - maybe in my belly, maybe in my heart; i could not exactly tell - and it took the shape of a small black ball, all wrapped up in cobwebs. i would look at it and look at it until i had burned the cobwebs away, and then i would see that the ball was no bigger than a thimble, even though it weighed worlds. at that moment, just when i saw its size and felt its weight, i was beyond feeling sorry for myself, which is to say i was beyond tears. i could only just sit and look at myself, feeling like the oldest person who had ever lived and who had not learned a single thing. — Jamaica Kincaid

Blimey, thought Kelvin, what an eye-to-face ratio. When you want to say something delicate, you don't want that eye-to-face ration staring up at you. Big eyes, like a child's or a baby seal's; the physiognomy of innocence
looking at Archie Jones is like looking at something that expects to be clubbed round the head any second. — Zadie Smith

In Korea we say that if a person cannot close his eyes in death, it is because he hasn't fulfilled something in this world. — Yeonmi Park

That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space.
The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.
So I stand on the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don't. — Carol Rifka Brunt

I followed the sensation,thinking of Lend. What it felt like to hold his hand. Watching him draw.Those precious times when he got to be nothing but himself around me. The way he laughed. The look he got in his eyes when he was about to say something he knew was clever. The way he looked at while I talked, like I was all he had ever wanted in the entire world. — Kiersten White

Ambrose's eyes shoot back to Charlotte and he nods. "She's changed, hasn't she? Charlotte, I mean."
"Um, besides growing her hair long she doesn't seem to have changed much to me," I say, trying not to smile. "Why?"
"It's just that she seems so ... in charge. I mean, she's always had her act together, but ever since she's been back she's seemed more confident or something. And now that she's Vincent's second ... I guess I've always thought of her as a little sister. You know, the huggable kind you want to take care of. But now that I see her working with him and taking control ... I mean ... the girl is fierce."
Ambrose's face shines with respect and a sort of curious awe, and I have to restrain myself from jumping up and cheering for the fact that it has finally happened. He has finally noticed what was right under his nose. — Amy Plum

He shared his favorite place with me. The admission burned in my chest - a painful combination of friendship and the Masons always giving something to me. I wasn't sure what to say back to him. "You don't have to share everything with me." "I know, but I want to." His sincere blue eyes spoke more than the words. — S.D. Hendrickson

That's funny. You would think after being followed and shoved into a dark alley by a stranger, you would be at least a little shaken. Don't tell me, you are a black belt just waiting for the perfect moment to strike." He laughed soundlessly. "I mean your words do sound brave but your eyes and the fact that you're trembling like a scared little kitten say something else entirely." Even though the alley was submerged in darkness and shadows, it was obvious there was a devilish grin stretched across his face ... — Nicole Rae

I told you to make yourself at home," he says. "I don't want you to feel like you have to tiptoe around, afraid of doing something wrong or hearing something you shouldn't, like phone conversations." My blood runs cold at those words. I can feel his eyes on me and not the screen. "I, uh ... " I don't know what to say. "It's okay," he says, those words silencing me. He kisses the top of my head again, subject closed as he goes back to watching the movie. A few minutes pass before Naz lets out a light laugh. "So, tell me something ... did you at least google me? — J.M. Darhower

She was probably my age, maybe a couple of inches taller, and a whole lot more athletic looking. With her deep tan and her curly blond hair, she was almost exactly what I thought a stereotypical California girl would look like, except her eyes ruined the image. They were startling gray,like storm clouds; pretty, but intimidating, too, as if she were analyzing the best way to take me down in a fight.
She glanced at the minotaur horn in my hand, then back at me. I imagined she was going to say, You killed a Minotaur! or Wow you're so awesome! or something like that.
Instead she said, "you drool when you sleep."
Then she sprinted off down the lawn, her blond hair flying behind her. — Rick Riordan

Veil, you see, if I vas to say something portentous like "zer dark eyes of zer mind" back home in Uberwald, zer would be a sudden crash of thunder,' said Otto. 'And if I vas to point at a castle on a towering crag and say "Yonder is ... zer castle" a volf would be bound to howl mournfully.' He sighed. 'In zer old country, zer scenery is psychotropic and knows vot is expected of it. Here, alas, people just look at you in a funny vay. — Terry Pratchett

Say something, Jess. Say anything.
And just when I'm about to think of what I should say next, my mouth goes into whacked overdrive like I'm possessed. "The graphic art in Clone Wars is my favorite," I say. "I love how they drew the characters. You know - how everything looks so angular and - "
My words tangle and freeze when my brain finally arrives to shut it down.
Say something but NOT THAT, you psycho!
"Clone Wars. Love it, do I? Yesss." He's actually responded in a Yoda voice!
I blink.
His eyes are kind, sparkling with laughter and still, all too green. Yoda green! — Anne Eliot

When she spun around to face Luce and the angels, Dee looked as if she were going to say something. Instead, she sank to her knees and lay down on her back at the foot of the Qayom Malak. Daniel lurched toward her, ready to help, but she waved him away. The toes of her shoes rested on the base of the Qayom Malak; her slender arms stretched over her head so that her fingertips grazed the Silver Pennon. Her body spanned the distance precisely.
She closed her eyes and lay still for several minutes.
Just when Luce was beginning to wonder whether Dee had fallen asleep, Dee said, It's a good thing I stopped growing two thousand years ago. — Lauren Kate

Rosy lifted her arm, tried to say something, then pointed at the cafe, held her head, covered her mouth and - humiliation of humiliations - she began to cry. Right there in the street. "I'm so confused," she said but it came out as a great honking wail.
"Come here, you silly girl," Phyllis said.
The woman put her arms around Rosy, patted her back, and for the first time in forever, Rosy allowed herself to just cry.
A young mother with twins in a pram passed them. The children's eyes tracked Rosy for a second before their faces crumpled and they started to cry too.
"I'm sorry," Rosy said, and flapped her arms. "I'm sorry. — R.G. Manse

Dat means you like me. A lot."
"Yeah, it does." Captain obvious.
"So dat means I'm Mr. Bryn."
"Whatever you say."
"Oh. Whatever I say? You want me to be da boss? Because dat's not a problem at all. I like to be da boss of you."
"No," I said, putting on and zipping up my shorts, "you are not the boss of me. I'm the boss of me and you."
He frowned. "Dat's not fair. I want to be da boss of something."
"You can be the boss of Buster."
"No, not da dog. Dat's not da boss of anything, really."
"Fine. You can be the boss of ... I don't know. Kissing."
Bodo stopped putting on his shirt, his eyes taking on a special gleam, making me almost regret I had said it. — Elle Casey

Maybe I'm missing something, but I don't rightly see how somebody who claims to have had -What'd you say? One partner?-can be welled trained."
He had a point. Her brain clicked away. "I was referring to the instructional videotapes my agency has all its new employees watch."
"They train you by watching videos?" His eyes narrowed reminding her of a hunter looking down a gun sight,"Now, ain't that interesting."
She felt a little surge of pleasure as her child lost another few points on the Iowa Test of Basic Skills. Even a computer couldn't have picked a more perfect match. — Susan Elizabeth Phillips

She was rumpled, undone, her hair coming out of its elastic to curl in tendrils around her face. There was something I had to say to her, I thought, something necessary, something right at the tip of my tongue.
I guess she knew it before I did.
Leaning over, she smoothed my hair back from my forehead. I closed my eyes at her touch. And so it was a surprise when she kissed me on the lips. — Brittany Cavallaro

Would you like to hold my sword?" He asked the question with a gleam in his eyes.
Lucy burst out laughing. At least she didn't giggle again. "You did not just say that. But, um, yeah, I'd like to hold your sword, Agent Riley."
Hunter grinned and unzipped his backpack, pulling out something surprisingly small. He held it out to her, and noticed the disappointed look on her face. "Expecting something bigger?"
She smirked at his continued play on words. She had a lifetime of training in verbal and physical sparring; he was no match for her. "They say size doesn't matter, but I disagree."
Hunter, who apparently hadn't expected her response, choked on his own comeback and unsheathed the sword, then placed it in her hand. "You have to stroke it a certain way to make it bigger. — Kimberly Kinrade

She knows more of love than the poets can say, and her eyes offer something that won't go away. — Harry Chapin

Patch's eyes made a slow assessment of me, sharpening to vivid black. "I'm going to have a hard time sending you off with Scott in that dress. Just a heads-up: If you come home and the dress looks even slightly tampered with, I will track Scott down, and when I find him, it won't be pretty."
"I'll relay the message."
"If you tell me where he's hiding, I'll relay it myself."
I had to work not to smile. "Something tells me your message would be a lot more direct."
"Let's just say he'd get the point. — Becca Fitzpatrick

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

You weren't going to tell us about Orsay?"
"I didn't say I - "
"You don't get to decide that, Sam. You're not the only one in charge anymore. Okay?"
Astrid had an icy sort of anger. A cold fury that manifested itself in tight lips and blazing eyes and short, carefully enunciated sentences.
"But it's okay for all of us to lie to everyone in Perdido Beach?" Sam shot back.
"We're trying to keep kids from killing themselves," Astrid said. "That's a little different from you just deciding not to tell the council that there's a crazy girl telling people to kill themselves."
"So not telling you something is a major sin, but lying to a couple of hundred people and trashing Orsay at the same time, that's fine? — Michael Grant

Kaylee, this means something to me." His hands trailed down my arms to cup my elbows, and his gaze held mine. "With any
luck, we're going to have millions of moments over the course of eternity, and I plan to love every one of them. But we'll never
have this moment again, and this is very important to me." The twists of blue in his eyes coiled so tightly the color was almost gone,
lost among pale shades of a need so deep it couldn't possibly be captured in a kiss, or a touch. "I need to know that this is important
to you, too. I need to know that this isn't like last time. That you're not doing this just so you can say you've done it. Because that's
not good enough for me. That's not good enough for us. — Rachel Vincent

What?" he asked.
"I don't know. Just thinking about flowers. And impressing people. I mean, how strange is it that we bring plant sex organs to people we're attracted to? What's up with that? It's a weird sign of affection."
His dark eyes lit up, like he'd just discovered something surprising and delightful. "Is it any weirder than giving chocolate, which is supposed to be an aphrodisiac? Or what about wine? A 'romantic' drink that really just succeeds in lowering the other person's inhibitions."
"Hmmm, It's like people are trying to be both subtle and blatant at the same time. Like, they won't actually go up and say, 'Hey, I like you, lets get together.' Instead, they're like, 'Here, have some plant genitalia and aphrodisiacs. — Richelle Mead

Eli snorted, her eyes narrowed.
- Because I am like you.
- What do you mean like me? I..
Eli thrust her hand through the air as if she was holding a knife, said:
- What are you looking at, idiot? Want to die, or something? - Stabbed the air with empty hand. - That what happens if you look at me.
Oskar rubbed his lips together, dampening them.
- What are you saying?
- It's not me that's saying it. It's you. That was the first thing I heard you say. Down on the playground.
Oskar remembered. The tree. The knife. How he had held up the blade of the knife like a mirror, seen Eli for the first time. — John Ajvide Lindqvist

Jesper jabbed an accusing finger at Kuwei. "You should have said something!"
Kuwei shrugged. "You were very brave on Black Veil. Since we're all probably going to die - "
"Damn it," Jesper cursed, stalking toward the door.
"You're a very good kisser," called Kuwei after him.
Jesper turned. "How good is your Kerch really?"
"Fairly good."
"Okay, then I hope you understand exactly what I mean when I say you are definitely more trouble than you're worth."
Kuwei beamed, looking entirely too pleased with himself. "Kaz seems to think I'm worth a great deal now."
Jesper rolled his eyes skyward. "You fit right in here. — Leigh Bardugo

They went to the tree. Daemon dismounted and leaned against the tree, staring in the direction of the house. The stallion jiggled the bit, reminding him he wasn't alone. "I wanted to say good-bye," Daemon said quietly. For the first time, he truly saw the intelligence - and loneliness - in the horse's eyes. After that, he couldn't keep his voice from breaking as he tried to explain why Jaenelle was never going to come to the tree again, why there would be no more rides, no more caresses, no more talks. For a moment, something rippled in his mind. He had the odd sensation he was the one being talked to, explained to, and his words, echoing back, lacerated his heart. To be alone again. To never again see those arms held out in welcome. To never hear that voice say his name. To ... Daemon gasped as Dark Dancer jerked the reins free and raced down the path toward the field. Tears of grief pricked Daemon's eyes. The horse might have a simpler mind, but the heart was just as big. — Anne Bishop

Lacking strength beauty hates the understanding for asking of her what it cannot do but the life of spirit is not the life that shrinks from death and keeps itself untouched by devastation, but rather the life that endures it and maintains itself in it. It wins its truth only when, in utter dismemberment, it finds itself. It is this power, not as something positive, which closes its eyes to the negative as when we say of something that it is nothing or is false, and then having done with it, turn away and pass on to something else; on the contrary, spirit is this power only by looking the negative in the face, and tarrying with it. This tarrying with the negative is the magical power that converts it into being. — Georg Wilhelm Friedrich Hegel

I'm bound to say I was not feeling entirely at my ease. There is something about the man that is calculated to strike terror into the stoutest heart. If ever there was a bloke at the very mention of whose name it would be excusable for people to tremble like aspens, that bloke is Sir Roderick Glossop. He has an enormous bald head, all the hair which ought to be on it seeming to have run into his eyebrows, and his eyes go through you like a couple of Death Rays. — P.G. Wodehouse

You bring fresh eyes, Matt. For us, something crazy may happen, and we all say 'Oh my' at the time, but the next week some new crazy thing happens that wipes the memory clean. And we go on to the next. La-di-da. I guess we just forgot about that other incident until now.
- spoken by Sara, the missionary doctor, to Matt.
(from The Sacrament of the Goddess, 2014) — Joe Niemczura

Just say it, she thought. Say what everyone in this bunker is thinking. Say what we all know to be true. The truth that we are all going to die down here, and death is the end. Nobody wakes up to a heaven or paradise. Your life will be gone. You will be gone. Forever. Uncover the truth. Tear off the bandages of delusion. Open your hearts and minds to the real world. We were doomed the day we were born. We lived and we will die and the only immortals are the people who did something worth remembering while they lived. My genetics are prime. I am pleasing to the eyes of man and machine. A dripping fountain of pleasure. Their organic sanctuary. And in time? Aging. Fading. Graying. What am I? Who am I? What makes me human? Emotions? My conscience? The soul is an old testament myth. No one shall ascend anywhere except into annihilation. The dust of earth and stars are the only eternals, she said. — C.J. Anderson

No", she wanted to say. " I don't want you to care for me, I want to be with my husband." But nothing came out. She turned beseeching her eyes to Darcy and she saw him as if from a great distance, through a distorting glass, but his words were firm and clear. "She has no taste for your company," he said.
"No?" said the gentleman. "But I have a taste for her."
Hers, thought Elizabeth. He should have said hers.
"Let her go," said Darcy warningly.
"Why should I?" asked the gentleman.
"Because she is mine," said Darcy.
The gentleman turned his full attention toward Darcy and Elizabeth followed his eyes.
And then she saw something that made her heart thump against her rib cage and her mind collapse as she witnessed something so shocking and so terrifying that the ground came up to meet her as everything went black. — Amanda Grange

So is it short for Doreen?" he asked. "What?" "Your name." "No. It's just Door." "How do you spell it?" "D-o-o-r. Like something you walk through to go places." "Oh." He had to say something, so he said: "What kind of a name is Door, then?" And she looked at him with her odd-colored eyes, and she said, "My name." Then she went back to Jane Austen. — Neil Gaiman

When the whole world has their eyes on you, if you say something that doesn't truly come from your spirit and your soul, or if you wear something that doesn't come from your spirit and your soul, it's an injustice to your position. And so, I'm really myself every single day and I do it because I know my fans would want me to. — Lady Gaga

Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like. — John Crowley

As you're rushing through life, take time to stop a moment, look into people's eyes, say something kind, and try to make them laugh! — Barbara Johnson

Have I told you about the tension of opposites? he says. The tension of opposites? Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't.
You take certain things for granted, even when you know you should never take anything for granted.
A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.Sounds like a wrestling match, I say.
A wrestling match. He laughs. Yes, you could describe life that way.
So which side wins, I ask?
Which side wins? He smiles at me, the crinkled eyes, the crooked teeth.
Love wins. Love always wins. — Mitch Albom

Then she leaned slightly into him and said gently, "I don't think you should be left be. I think you're dealing with something heavy, you're obviously doing it alone." She threw a mitten-covered hand out to indicate the area, "You need to unload it, Chace."
Christ.
Fuck.
Christ.
That voice, quiet, gentle, so fucking sweet saying his name, her eyes soft on him.
Fuck.
Better than he could have imagined.
Better than he ever could have dreamed.
And not his.
Never to be his.
Which meant finally hearing her say his name was torture. — Kristen Ashley

I wiped my face with my napkin. "What made you want to become an actor?"
I was sure he was going to tell me something pompous like he was born to play the role. Or that he wanted to get all the woman. So I waited.
"Me." He bit his lip, but his eyes didn't meet mine. "I got sick of failing and being told I would never amount to shit back home my entire life."
I rubbed the back of my neck. This wasn't what I expected to hear.
"I've fucked up royally and I have been fucked royally." There was a tightness in his eyes, the emotion crawled up his entire body. "And no I don't want your pity."
I fidgeted in my chair. I didn't know what to say. "I understand."
Our eyes met, and for a split second Carter looked as if he was considering believing me. He blew out a noisy breath of air. "The fuck you do. — Maven West

I don't know what's going on with you,' the man says from across the counter, 'but I'm not taking your money.' He blows into a straw and pinches both ends shut.
I shake my head and reach back for my wallet. 'No, I'll pay.'
He winds the straw tighter and tighter. 'I'm serious. It was only a milkshake. And like I said, I don't know what's going on, and I don't know how I can help, but something's clearly gone wrong in your life, so I want you to keep your money.' His eyes search mine, and I know he means it.
I don't know what to say. Even if the words would come, my throat is so tight it won't let them escape. — Jay Asher

This is one of the most serious problems with seeker-sensitive churches. I was talking to a pastor at a seeker-friendly church not long ago about his idea that prospective Christians needed to "feel welcome" and "accepted" before anything else: no "threats," no "judgmental baggage." I asked, "If you had a person living in sin come to your church, would you confront him?" He furrowed his brow and shook his head disapprovingly. "Oh, no! We'd want him to feel loved and welcome." My eyes widened. "How long would it be before you would actually say something about that?" "Maybe a year and a half, two years," he said, smiling. "Because then he would really feel a part of things." That was shocking to me. Is there some virtue in leaving a man in his sin for the sake of feeling accepted? "Well, that's the difference between your church and our church," I said finally. "Openly practicing sinners come to our church, and they either get saved or they don't come back. — John F. MacArthur Jr.

We'll stick close together, but make no sign we are acquainted. The girls should go ahead so that they get through first. We'll follow close behind to be there for any trouble."

"Don't worry, my dears," said the professor gallantly, "I'll rescue you from any difficulties."

Yelena laughed and kissed the old man on the cheek. "Of course you will. I don't know why we bother with these other men, do you, Tashi?"

"But they are decorative, aren't they?" the Princess replied archly. It was fun to have a girl with whom she could gang up against the boys--she'd never had a friend like that before. "They give us something to look at on the boring stretches of the road." She let her eyes linger on Ramil, who appeared very warm all of a sudden.

Yelena swung herself into the saddle. "My, my, Princess, I didn't know you could flirt."

"I'm learning from a master--or should I say mistress--of that art," Tashi said with a bow. — Julia Golding

Sevro." I lean forward. "Your eyes ... "
He leans in close. "Do you like 'em?"
"Bloodydamn. Did you get Carved?"
"By the best in the business. Do you like 'em?"
"They're bloodydamn marvelous. Fit you like a glove."
He punches his hands together. "Glad you said that. Cuz they're yours."
I blanch. "What?"
"They're yours."
"My what?"
"Your eyes!"
"My eyes ... "
"Do you want the eyes back?" Sevro asks, suddenly worried. "I can give them back."
"No!" I say. "It's just I forgot how crazy you are."
"Oh." He laughs and slaps my shoulder. "Good. I thought it might be something serious. So I'm prime keeping them?"
"Finders keepers," I say with a shrug. — Pierce Brown

She turned to him with wide, shocked eyes. "Why did he..."
His lips twitched. No coarse language in front of the infants limited the ability to discuss the fountain of baby piss that had just arced halfway across the room.
"Twasn't you, darling. It's one of their favorite bath-time games.
"Something about the cool air on their naked...berries," he substituted at the last second....
"Do I have piddle in my hair?" she whispered, her eyes sparkling with laughter above her flushed cheeks.
"Not much," he assured her with a straight face. "You look almost becoming."...
"Decades from now, when our children ask how I fell in love with their mother, I'll say 'twas her sweet, gentle compliments during bath-time, and her fleetness of foot whilst dodging a flow of --- — Erica Ridley

Most of the time Marilyn's mother remained unconscious, her breath labored and erratic. One morning before dawn, she suddenly opened her eyes and looked clearly and intently at her daughter. "You know," she whispered softly, "all my life I thought something was wrong with me." Shaking her head slightly, as if to say, "What a waste," she closed her eyes and drifted back into a coma. — Tara Brach

She's the kind of person you want to like you. You know she can be cruel; you've seen her be cruel. But when her eyes are on you, and she's paying attention to you, you want it to last. Her beauty is part of it, but there's something more
something that draws you in. I think it's her transparency
everything she thinks or feels is written all over her face, and even if it wasn't, she'd say it anyway, because she says what she thinks, without thinking first. — Jenny Han

In my head I remember that day the Indian man came and hollered at our camp and hadn't hurt anyone yet and I think that he was trying to say something, but no one will lift their eyes when I speak so I don't say anything. — Nancy E. Turner

Why doesn't he say something to her?
But I knew why. Because there's the creeping fear that these moments don't actually exist outside your own head. No eyes meet across a crowded room, no two people thing precisely the same thing, and if only one person actually has that moment, is it even really a moment at all?
We know this, so we say nothing. We avert our eyes, or pretend to be looking for change, we hope the other person will take the initiative, because we don't want to risk losing this feeling of excitement and possibilities and lust. It's too perfect. That little second of hope is worth something, possibly for ever, as we lie on out deathbeds, surrounded by our children, and our grandchildren and our great-grandchildren, and we can't help but quickly give on last selfish, dying thought to what could have happened if we'd actually said hello to that girl in the Uggs selling CDs outside Nando's seventy-four years earlier. — Danny Wallace