Eyes Can Tell Quotes & Sayings

Your ears are yours alone. Tell others what you alone can hear. Your voice is yours alone. Tell others what only you can say. Your eyes are yours alone. Show others what only you can see. — Arthur Dobrin

We are shut up in school and college recitation rooms for ten to fifteen years, and come out at last with a bellyful of words and do not know a thing. We cannot use our hands, or our legs, or our eyes, or our arms. We do not know an edible root in the woods. We cannot tell our course by the stars, nor the hour of day by the sun. It is well if we can swim and skate. We are afraid of a horse or a cow, of a dog, of a cat, of a spider. Far better was the Roman rule to teach a boy nothing that he could not learn standing. — Ralph Waldo Emerson

Finally, spurred by the appetite to which he was indifferent, he took any one, read the printing on the parti-colored label of paper. He held the soup can like a skull; and at once he did not want it. The soup was made from celery. Mr. Lecky put it back. He stood in mild misery, harassed again by the plague of a will impotent in its restored freedom.
If the mind cannot direct, it can be cunning to protect its ease. Mr. Lecky now proposed a fantastic pact to himself. He shut his eyes. He reached again and took a can. Eyes still shut, he ripped the label from it, crumpled and threw away the paper. Now he could not tell what he had until he opened it. — James Gould Cozzens

He's gawking at me when I open the door.
"Damn girl," he says, looking me over, "what the hell are you trying to do to me?"
I look down at myself, still trying to wake up the rest of the way and realize I'm in those tiny cotton white shorts and varsity tee with no bra on underneath. Oh my God, my nipples are like beacons shining through my shirt! I cross my arms over my chest and try not to look at him i the eyes when he helps himself the rest of the way inside.
"I was going to tell you to get dressed," he goes on, grinning as he walks into the room carrying his bags and the guitar, "but really, you can go just like that if you want."
I shake my head, hiding the smile creeping up on my face. — J.A. Redmerski

Prediction is the business of prophets, clairvoyants, and futurologists. It is not the business of novelists. A novelist's business is lying.
The weather bureau will tell you what next Tuesday will be like, and the Rand Corporation will tell you what the twenty-first century will be like. I don't recommend that you turn to the writers of fiction for such information. It's none of their business. All they're trying to do is tell you what they're like, and what you're like
what's going on
what the weather is now, today, this moment, the rain, the sunlight, look! Open your eyes; listen, listen. That is what the novelists say. But they don't tell you what you will see and hear. All they can tell you is what they have seen and heard, in their time in this world, a third of it spent in sleep and dreaming another third of it spent in telling lies. [Introduction to The Left Hand of Darkness] — Ursula K. Le Guin

Room 101" said the officer.
The man's face, already very pale, turned a color Winston would not have believed possible. It was definitely, unmistakably, a shade of green.
"Do anything to me!" he yelled. "You've been starving me for weeks. Finish it off and let me die. Shoot me. Hang me. Sentence me to twenty-five years. Is there somebody else you want me to give away? Just say who it is and I'll tell you anything you want. I don't care who it is or what you do to them. I've got a wife and three children. The biggest of them isn't six years old. You can take the whole lot of them and cut their throats in front of my eyes, and I'll stand by and watch it. But not room 101!"
"Room 101" said the officer. — George Orwell

Have we not, indeed, loved mankind, in so humbly recognizing their impotence, in so lovingly alleviating their burden and allowing their feeble nature even to sin, with our permission? Why have you come to interfere with us now? And why are you looking at me so silently and understandingly with your meek eyes? Be angry! I do not want your love, for I do not love you. And what can I hide from you? Do I not know with whom I am speaking? What I have to tell you is all known to you already, I can read it in your eyes. And is it for me to hide our secret from you? Perhaps you precisely want to hear it from my lips. Listen, then: we are not with you, but with him, that is our secret! For a long time now - eight centuries already - we have not been with you, but with him — Fyodor Dostoyevsky

You'll come to my grave? To tell me your problems?"
My problems?
"Yes.'
And you'll give me answers?
"I'll give you what I can. Don't I always?"
I picture his grave, on the hill, overlooking the pond, some little nine foot piece of earth where they will place him, cover him with dirt, put a stone on top. Maybe in a few weeks? Maybe in a few days? I see myself sitting there alone, arms across my knees, staring into space.
It won't be the same, I say, not being able to hear you talk.
"Ah, talk ... "
He closes his eyes and smiles.
"Tell you what. After I'm dead, you talk. And I'll listen. — Mitch Albom

You are no one in my life," she said in a voice fraught with tension. "You cannot tell me what to - "
"Oh, I can," he bit out, his voice a gravelly purr that abraded her skin and sparked something inside her. His hand slid around her nape and hauled her closer. His pirate's eyes swallowed her up and forced all the air out from her lungs in one great rush. "I will."
She opened her mouth to protest, but his mouth covered hers. Claimed her. It was the only word for it. This was a taking. And she the taken. — Sophie Jordan

She's contemplative; I can feel the air around her thick with her thoughts. "No," she says at last, "I want to believe you're being sincere but I know you're not. So I say no, because even if I allow myself to fantasize a little about our lives in a cabin on the beach, I still find myself being left by you. There's almost no scenario I can think of where we live happily ever after."
"There could be," I tell her and mean it at the moment. Maybe mean it for longer. Her fingers stop moving and she sighs. I open my eyes and she's staring down at me. The lights have come on around the parking lot and one of them shines directly into her face. She angelic, a neon seraphim under the brilliant skies of the spring. I can see us on our boat, eating our hand picked clams on the fire behind our place. I can see it so vividly I'm almost sure it's happened. — Jaden Wilkes

They don't sleep here." My brow furrows. "How do you know?" "I just know," he says. "I can tell by looking at it." Before I can ask him any more, the curtain in the living room moves. The door yanks open, my mother appearing, eyes wide. She looks frantic. "Karissa," she shouts, her voice high-pitched, full of panic. "Oh God. Get away from him, sweetie." I blink a few times, caught off guard, as Naz slips his arms around me, pulling me flush against him. One arm encircles my waist as his other settles along my chest, — J.M. Darhower

How can she stand up there so tall as she's telling us how her mother beat her and her father molested her when she was a little girl? How is it possible for her to look so proud? How is she not being consumed by shame? She should be disintegrating before our eyes. She should be struck by lightning, and God's big, angry, booming voice should be shaking the room with "How dare you? I told you never to tell." But that's not her God, she says. Her God is loving and kind and wants what's best for her. Her God loves peace and serenity and forgiveness. Her God doesn't make her keep secrets. I thought I knew God all my life, but maybe it was some other guy the whole time. I want this God. I want Val's God. I want a God who doesn't make me jump through hoops and hate myself to earn his love. — Amy Reed

Soon only the street lamps rose clear and shone down on a mass that devoured everything, people and houses, we could not see more than three meters in front of us. The lights around us were hard to make out and Jesper stayed where he was; stretching out his arms like a blind man he said:
'This is what it must have been like when the Man from Danzig was shipwrecked. He must have been frightened. He thought he knew where everything was, and then it was all sheer chaos. Put your hand in front of your eyes, Sistermine, and spin around three times, then tell me which is the way home.'
I did as he said, I spun around so I almost fell down, I opened my eyes and peered in all directions.
'I don't know.'
'Then anything can happen. — Per Petterson

My physical eyes are like sunglasses, filtering out the colors, but when I'm out here, the aura that emanates from every living thing is clearly visible to me. People, animals, and even plants are surrounded by this transparent bubble of color. Over the years, I've learned that the colors can tell you quite a bit about a person. Like right now, Rei is surrounded by this lemonade yellow, which looks nice, but it's the same shade of yellow my mom has whn she's sold a house to someone and the loan falls through.
Sigh. — Gina Rosati

I've seen most of what
there is to be afraid of in this world, and to tell you the truth,
the worst of them are the ones that make you afraid in the
light. The things that your eyes see plainly and can't forget
are worse than huddled black figures left to the imagination.
Imagination has a poor memory; it slinks away and goes
blurry. Eyes remember for much longer. — Kendare Blake

I can't believe you're still mad at me," Ed says.
"You grabbed my arse."
"You broke my nose."
"You broke his nose?" Jazz asks. "You grabbed her arse?"
"It was two years ago-"
"Two years, four months, and eight days," I tell him.
"-and I was fifteen, and I slipped and she broke my nose."
"Wait a minute. How do you slip onto someone's arse?"
Jazz asks.
"I meant slipped up. I slipped up and she broke my nose."
"You're lucky that's all I broke," I say.
"You're lucky I didn't call the police."
Leo, Dylan, and Daisy slid into the booth. "Did you guys know that Lucy broke Ed's nose? Jazz asks.
Ed closes his eyes silently and bangs his head on the wall. — Cath Crowley

As a member of a zippier generation, with sparkle in its eyes and a snap in its stride, let me tell you what kept us as high as kites a lot of the time: hatred. All my life I've had people to hate - from Hitler to Nixon, not that those two are at all comparable in their villainy. It is a tragedy, perhaps, that human beings can get so much energy and enthusiasm from hate. If you want to feel ten feet tall and as though you could run a hundred miles without stopping, hate beats pure cocaine any day. Hitler resurrected a beaten, bankrupt, half-starved nation with hatred and nothing more. Imagine — Kurt Vonnegut

We underestimate the power of science, and overestimate the power of personal observation. A peer-reviewed, journal-published, replicated report is worth far more than what you see with your own eyes. Our own eyes can deceive us. People can fool themselves, hallucinate, and even go insane. The controls on publication in major journals are more trustworthy than the very fabric of your brain. If you see with your own eyes that the sky is blue, and Science says it is green, then sir, I advise that you trust in Science.
This is not what most scientists will tell you, of course; but I think it is pragmatically true. Because in real life, what happens is that your eyes have a little malfunction and decide that the sky is green, and science will tell you that the sky is blue. — Eliezer Yudkowsky

He regarded us with dark, evaluating eyes. "This can't be good."
"I'll go first," Dabria began, sucking in a rattling breath.
"Not even close," I shot back. I faced Patch directly, cutting Dabria out of the conversation. "She kissed you! And Dante, who's been tailing you, by the way, caught it on camera. Imagine my surprise when that's what I got an eyeful of earlier tonight. Did you even think to tell me?"
"I told her I kissed you, and that you pushed me away," Dabria protested shrilly.
"What are you still doing here?" I exploded at Dabria. "This is between me and Patch. Leave already!"
"What are you doing here?" Patch echoed to Dabria, his tone sharpening.
"I - broke in," she sputtered. "I was scared. I couldn't sleep. I can't stop thinking about Hanoth and the other Nephilim."
"You have got to be kidding me," I said. — Becca Fitzpatrick

There are many ways to tell if someone is a bit thick. You can sit them in a room and ask them to push various bits of plastic into a wooden box. Or you can ask them to describe a cloud. Or you can carefully measure the distance between their eyes, the height of their forehead or the length of their arm. — Jeremy Clarkson

Yes, he's my psychiatrist," I say quietly as I stare out at the road. I can't meet his eyes right now. I don't want to see judgment there.
"And why are you seeing a psychiatrist?"
"My unruly sex drive?"
"Irish ... " the way he says my nickname makes me glance in time to catch him lift in his seat and tug at his jeans slightly, as if to make himself more comfortable.
"Tell me. — K.A. Tucker

Did A tell you your eyes remind me of blown glass? I can see your soul through those eyes, Amy. They get darker when you're trying to be sexy and shine when you smile. And when you think you're in trouble you blink double the amount that you usually do. And when your sad the corners of your eyes turn down. I miss your eyes. And I don't want the sad ones to be my last memory of you. — Simone Elkeles

While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see. — Dorothea Lange

I will tell you what this people need, with regard to preaching; you need, figuratively, to have it rain pitchforks, tines downwards, from this pulpit, Sunday after Sunday. Instead of the smooth, beautiful, sweet, still, silk-velvet-lipped preaching, you should have sermons like peals of thunder, and perhaps we then can get the scales from our eyes. — Brigham Young

Wow." She reached for a black pillow decorated with a big sparkly skull and hugged it. "So romantic."
I made a face, because who the hell wanted to be a romantic? Then I couldn't look past the skull pillow. "Tell me something, sis. Why do we have to make skulls cute? Some things shouldn't be messed with. Guns, for example. Toilets ... toilet paper ... guns ... They should just stay functional. Sparkle-free."
She rolled her eyes. "Please. If I had a bedazzled toilet, I'd love it and so would you. Don't even try to deny it. You'd love a fancy can."
I did deny it, which led to a healthy debate. — Veronica Rossi

Tell me you want me, too..Tell me you lie in bed at night and when you close your eyes, you see me. Because all I can see is you. — A.L. Jackson

Why do I keep losing, Harvey? Don't tell me God's trying to make me a better person. Don't tell me all of this is so I can be stronger. Because I'm not stronger, Harv. I'm weak. I keep getting weaker and weaker, and I keep praying and praying...' He paused and swallowed, Adam's apple bobbing in his throat. 'Why won't God answer me?'
Harvey's eyes were careful, empathetic, as if he were choosing his words thoughtfully. Finally, he said quietly, 'God has answered you, Brock. Every time. It's not always how we want, but He always hears us and He always cares. — Willowy Whisper

As a teenager I clearly remember mornings when I was getting ready for school when something would -just still me- and
I would lean forward and peer very intensely into the eyes of the girl in that mirror.
who is that? I didn't know . I looked into those eyes as if they had the answer to who I am
or who I could be.
So I would search the depths of those green and blue flecked eyes.
Calmly searching the eyes of this stranger as if I thought that if I looked deep enough, or long enough, I would find the answer to why I was even here.
I didn't know what I know now.
That I could only find out my identity,
who I was
when I stopped looking into my own eyes
and instead searched in the eyes of Jesus. Only He could REALLY tell me who I am. Who I can be. Who I will be ... — Laura A. Diaz

She'll ruin me for all women, I can just tell.
Charlie isn't the kind of woman you move on from. She draws you in with the brightness of her sun and then leaves you blind. There's something deep and dark inside of her. She's trying to keep it locked down, but I can see it in her eyes. — Corinne Michaels

Close your eyes," Marcus said, his hand moving to her bottom in a circling caress. He brushed his mouth over her forehead and her fragile eyelids. "Rest. You'll need to regain your strength ... because once we're married, I won't be able to leave you alone. I'll want to love you every hour, every minute of the day." He nestled her more closely against him. "There is nothing on earth more beautiful to me than your smile ... no sound sweeter than your laughter ... no pleasure greater than holding you in my arms. I realized today that I could never live without you, stubborn little hellion that you are. In this life and the next, you're my only hope of happiness. Tell me, Lillian, dearest love ... how can you have reached so far inside my heart?" He paused to kiss her damp silken skin ... and smiled as the wisp of a feminine snore broke the peaceful silence. — Lisa Kleypas

I can tell Tajh Boyd is scared back there. He ain't no sitting duck, but you can see in his eyes that he's scared of our D-linemen. We know that coming into the game that we have him shook already. We get a couple hits on him and it changes the whole game. He's scared every time we play them. I know he's probably listening to this right now, but I'm just telling the truth, man. — Jadeveon Clowney

Some children can tell you why they're frightened, angry, or unhappy. For many, however, the question "Why?" only adds to their problem. In addition to their original distress, they must now analyze the cause and come up with a reasonable explanation. Very often children don't know why they feel as they do. At other times they're reluctant to tell because they fear that in the adult's eyes their reason won't seem good enough. ("For that you're crying?") It's much more helpful for an unhappy youngster to hear, "I see something is making you sad," rather than to be interrogated with "What happened?" or "Why do you feel that way?" It's easier to talk to a grown-up who accepts what you're feeling rather than one who presses you for explanations. — Adele Faber

Well, it's like I have a GPS inside me," I told them. "One of the talking ones. I tell it where I want to go, and it tells me, Go twenty miles, turn left, take Exit Ninety-fourm and so one. It can be pretty bossy, frankly.
Their eyes widened. "Really?" said one.
No you idiot," I said in disgust. "I don't know how it works. I just know it has an unfailing ability to point me in the opposite direction of a bunch of boneheads. — James Patterson

As any parent can tell you, it's better to keep your mouth shut and your eyes open when you go looking for kids who are being unreasonably quiet. They're probably doing something they don't want you to see, and if they hear you coming, they'll hide the evidence. I — Elizabeth Bear

But did he go to heaven?" Katherine persisted.
"That's between him and God, not him and history," JB said.
Alex started, jerking so spastically that he kicked the basketball and would have sent it spinning out into the street if Chip hadn't caught it. Amazingly, Chip still seemed to have a swordsman's quick reflexes.
"YOU believe in God?" Alex asked JB incredulously. "But you know how to travel through time. You're a scientist." He hesitated. "Aren't you?"
JB rolled his eyes.
"It amazes me how people of your time set up such a false dichotomy between science and religion. Fortunately, that only lasts for another ... well, I can't tell you that," he said, stopping himself just in time. "But I assure you, the more I travel through time, the more I witness, the more I realize that there are things that are both strange and wonderful, far beyond human comprehension." (pgs 299-300) — Margaret Peterson Haddix

It's not like she actually said I couldn't go. She just lectured me a little - about what boys like you expect from girls like me." I slanted a teasing glance up at him. What had gotten into me, that I was suddenly so comfortable, so brave, around him? He laughed out loud, a delicious sound. "Boys like me? You can tell her I don't expect anything at all. Though - " He went suddenly serious - "I may hope, a little." I discovered I wasn't quite brave enough to ask what he hoped, though the intensity in his eyes gave me a clue. My heart started beating faster. — Brenda Hiatt

[T.J.] I pulled my arms out from underneath her body and tucked her hair behind her ears. "I love you, Anna."
The surprised look on her face told me she hadn't seen that coming.
"You weren't supposed to fall in love," she whispered.
"Well, I did," I said, looking into her eyes. "I've been in love with you for months. I'm telling you now because I think you love me too, Anna. You just don't think you're supposed to. You'll tell me when you're ready. I can wait." I pulled her mouth down to mine and kissed her and when it ended, I smiled and said, "Happy birthday. — Tracey Garvis-Graves

Travis is a fucking wreck! He won't talk to us, he's trashed the apartment, threw the stereo across the room ... Shep can't talk any sense into him!"
"He took a swing at Shep when he found out we helped you leave. Abby! Please tell me!" she pleaded, her eyes glossing over. "It's scaring me!"
"It's something else, Abby. He's gone fucking nuts! I heard him call your name, and then he stomped all over the apartment looking for you. He barged into Shep's room, demanding to know where you were. Then he tried to call you. Over, and over and over," she sighed. "His face was ... Jesus, Abby. I've never seen him like that. — Jamie McGuire

Andy [Hallett] was a real man - you can tell an adult by how they deal with pain or adversity. Andy's eyeballs gave him searing pain all day every day because of the contacts they used. He was every moment a gentlemen; laughing and joking, wiping the tears from his eyes. — James Marsters

How do you know this?
Because I'm always watching people. When I watch people I too look through them. I learned that from my mother. To glance is not enough; eyes and brains together, acting like a flock of ravenous birds, flapping, tearing, poking ... I know everything about people when I look at them for only a moment. I can tell from their clothes, their walks, their hair and hands, I know all the bad things that they've done. I know how they've failed and how they will fail and how miserable they are. — Dave Eggers

This girl," I tell Rachel. "That's not what I look like. That's not who I am." I have a feeling Rachel will get this because she pretended to be straight all through high school, even though she figured out she was a lesbian when she was in eighth grade.

I say it again, "That's not me."

Her eyes light up. "Great. Let's see if we can find her. — Jennifer Niven

I wrote the song 'Down to Earth' a few years ago, and i was really excited to record it for My World album. It's a huge fan favourite. So many people feel where i'm coming from. It doesn't need any spectacular stage effects in the touring show; the best thing i can do is just sing it straight from my heart. I'm not afraid to show my emotions; if you love someone, you should tell them. If you think a girl is beautiful, you should say that. Usher says some songs work best when there's a sob in the singer's voice. You gotta let that deep feeling come through. And that's how i felt about this song. Sometimes the emotion of it is enough to bring tears to my eyes. — Justin Bieber

I tell me:
Let these words be footsteps, because I have a long way to travel. Let the words walk the dirty streets. Let them make their way across the crying grass. Let them stand and breathe and pant smoke in winter evenings. And when they're tired and have fallen down, let them buckle to their feet ad arc around me, watchful.
I want these words to be actions.
Give them flesh and bones, I say to me, and eyes of hunger and desire, so they can write and fight me through the night. — Markus Zusak

Always," I tell him. He catches his breath and I lean away until I can see his eyes. "I'm scared of losing my heart to you. But I think it's a risk I'm willing to take. — Carrie Ryan

No." She gawked. Her arms seized me and turned me to face her. "You didn't!" She screeched, her jaw dropped. I pulled myself from her hold.

"Nothing happened." I muttered.

"Liar! I can see it all over your face!"

I groaned.

"Tell me everything!" Her eyes had lit up like this was the most exciting news she had ever heard. — Yelena Lugin

Have you noticed,' she asked, straightening the counting frames to her liking before closing the cupboard doors and turning toward him, 'that at church when the clergyman is giving his sermon everyone's eyes glaze over and many people even nod off to sleep? But if he suddenly decides to illustrate a point with a little story, everyone perks up and listens. WE were made to tell and listen to stories, Joel, It is how knowledge was passed from person to person and generation to generation before there was the written word, and even afterward, when most people had no access to manuscripts or books and could not read them even if they did. Why do we now feel that storytelling should be confined to fiction and fantasy? Can we enjoy only what has no basis in fact? — Mary Balogh

What is that?"

Something bobbed on the surface, a piece of driftwood. And then another. And another. The boards floated past in broken shards, the edges burned. An unpleasant chill went through Alucard.

The Ghost was sailing through the remains of a ship.

"That," said Alucard, "is the work of Sea Serpents."

Lila's eyes widened. "Please tell me you're talking about mercenaries and not giant ship-eating snakes."

Alucard raised a brow. "Giant ship-eating snakes? Really?"

"What?" she challenged. "How am I supposed to know where to draw the line in this world?"

"You can draw it well before giant ship-eating snakes... — V.E Schwab

my dreams, my works, must wait till after hell

I hold my honey and I store my bread
In little jars and cabinets of my will.
I label clearly, and each latch and lid
I bid, Be firm till I return from hell.
I am very hungry. I am incomplete.
And none can tell when I may dine again.
No man can give me any word but Wait,
The puny light. I keep eyes pointed in;
Hoping that, when the devil days of my hurt
Drag out to their last dregs and I resume
On such legs as are left me, in such heart
As I can manage, remember to go home,
My taste will not have turned insensitive
To honey and bread old purity could love. — Gwendolyn Brooks

You can't just come out and say what you have to say. That's what people do on airplanes, when a man plops down next to you in the aisle seat of your flight to New York, spills peanuts all over the place (back when the cheapskate airlines at least gave you peanuts), and tells you about what his boss did to him the day before. You know how your eyes glaze over when you hear a story like that? That's because of the way he's telling his story. You need a good way to tell your story. — Adair Lara

His eyes darkened in frustration.
"I'm tired of waiting, Thalia. I'm not a patient person. You have to know."
"What do you mean, Keal? You know I like Joss." I tried to move away again, but his hands on either side of me pinned me in. Keal's determination scared me.
"You know what we share is infinitely more powerful than ... that. And you feel this between us, too," he growled. "You melt when I kiss you. You watch me when you think I'm unaware. You can't sleep unless I'm near. Tell me none of that is true."
I swallowed nervously and licked my lips. "No, that's all true."
"I promised your father I'd give you time, but I'm tired of waiting. Tired of watching Joss try and win your heart from me."
"Keal, I don't understand. Ho is joss keeping you from me, when you and I don't think of one another that way?
"Don't think
Thalia! You and I are lifemates. — Chanda Hahn

He's out there. A guy out there was meant to be the love of your life, your best friend, your soulmate. The one you can tell your dreams to. He'll brush your hair out of your eyes. Send you flowers when you least expect it. He'll stare at you during the movies, even though he paid eight dollars to see it. He'll call to say "Goodnight" or just because he is missing you. He'll look in your eyes and tell you you're the most beautiful girl in the world. And for the first time in your life, you'll believe it. — Nicholas Sparks

I have never talked to anone about that night. Ever..' she said. 'And now when I listen to my own words, I realise that they tell a different story from the one I have carried all these years.' The old woman closed her eyes. 'I think that if we can find the words, and if we can find someone to tell them to, then perhaps we can see things differently. But I had no words, and I had nobody. — Linda Olsson

I really must tell you, I have never been a thespian.'
Harriet waved this off like a gnat. 'That is what is so wonderful about my plays. Anyone can enjoy himself.'
...
'I am *not* playing a frog.' His eyes narrowed wickedly. 'Unless you [Anne] do, too.'
'There is only one frog in the play,' Harriet said blithely.
'But isn't the title The Marsh of the Frogs?' he asked, even though he should have known better. 'Plural?' Good Lord, the entire conversation was making him dizzy.
'That's the irony,' Harriet said, and Daniel managed to stop himself just before he asked her what she meant by that (because it fulfilled no definition of irony *he'd* ever heard). — Julia Quinn

God notices you. The fact is he can't take his eyes off of you. However badly you think of yourself, God is crazy about you. God is in love with you. Some of us even fear that someday we'll do something so bad that he won't notice us anymore. Well, let me tell you, God loves you completely. And he knew us at our worst before he ever began to love us at all. And in the love of God there are no degrees, there is only love. — Rich Mullins

Galen sprints to the back sliding-glass door and bangs on it. There's no time for etiquette. He motions for Rayna and Toraf to stay back. He can tell Rayna would rather eat her own than obey, but Toraf restrains her.
Emma comes to the door, a brilliant smile on her face. "You in a hurry for some reason?" she says, excitement lighting up those huge violet eyes.
"He must have missed me," Emma's mom calls from the kitchen. She winks at Galen, completely oblivious to how her world is about to shift.
"Mom. Ew," Emma says, handing Galen a towel and shutting the door. — Anna Banks

All your life you've been hurt, and it's the things you loved the most that hurt the most when you lost them. Everywhere you turn, even when the eyes that look back at you are just like yours, you know you're the stranger. You can't tell others how you really feel, because you know they'll laugh. And when you sleep, you can feel the hole inside you, because you know that no matter what you do, you'll always be different, and this world hates different. So you close your eyes, and you wonder if it would really be all that bad if you never woke up. Maybe in the next world, you'll find a way to fill the hole. But eventually, you open your eyes, and it's a new day, and you brush yourself off and try to make the best of things before you lie down to sleep and think it all over again. — Aaron Burdett

I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone. — Jonathan Safran Foer

We can use music as a tool to overcome things. It was a beautiful age and realization for me, an awakening. I felt like my eyes were opened. It was like, you mean to tell me that I have the opportunity when I'm bottling stuff up, wanting to smash windows and breaking down walls, I can put that energy into a song and wake up the next day with that weight lifted? — Chuck Ragan

And how do you explain to your wife that you don't have all the answers, and that you might not know what you are doing, and that you are afraid you are going to fail? How do you admit that you are most afraid that, one day, she'll walk - and replace you with an educated, professor-type guy, who shares her same interests, schedule, and the way she was used to living, especially when all of your friends, your business associates, even your own damned brother, are all just waiting for you to mess up so they can have a shot at taking her away from you? How do you look the woman you love in her eyes and tell her that? — Leslie Esdaile

Kate?" "Yes?" I managed. "It's me, Julie. Are you dying?" I could tell she desperately wanted a different answer. "I love you." The expression on her face twisted something inside me. I looked from her to Curran. "I love you so much. Both . . ." "You can't die." She grabbed my hand. Tears swelled in her eyes. "You're all I have. Kate, please. Please don't die." My — Ilona Andrews

Leonie Barrow's voice was quiet but clear. With Marechal's eyes on her, she said, "Cabal is more dangerous then you can believe, Count. Both the angels and the devils fear him. He's a monster, but an evenhanded one. I know he is capable of the most appalling acts of evil." Her glance moved to Cabal, who was listening dispassionately. "I believe he is also capable of great good. But to predict which he will do next isn't easy or safe."
Marechal grimaced. "What is your association with this man? Public relations or something?"
"I loathe him," she said with sudden venom. The, more quietly, "And I admire him. You're right; he didn't have to come back. He's taken a big risk, but I know he's taken bigger. I can't tell you whether he's a monster or playing the hero right now, but I know one thing. You made the biggest mistake of your life when you made an enemy of him. — Jonathan L. Howard

Independence is the luxury of all those people who are too confident, and busy, and popular, and attractive to be just plain old lonely. And make no mistake, lonely is absolutely the worst thing to be. Tell someone that you've got a drink problem, or an eating disorder, or your dad died when you were a kid even, and you can almost see their eyes light up with the sheer fascinating drama and pathos of it all, because you've got an issue, something for them to get involved in, to talk about and analyse and discuss and maybe even cure. But tell someone you're lonely and of course they'll seem sympathetic, but look very carefully and you'll see one hand snaking behind their back, groping for the door handle, ready to make a run for it, as if loneliness itself were contagious. Because being lonely is just so banal, so shaming, so plain and dull and ugly. — David Nicholls

Meg turned and gazed out the rear windshield, probably checking for any shiny blobs pursuing us. "At least we're not being - "

"Don't say it," Percy warned.

Meg huffed. "You don't know what I was going to - "

"You were going to say, 'At least we're not being followed,'" Percy said. "That'll jinx us. Immediately we'll notice that we are being followed. Then we'll end up in a big battle that totals my family car and probably destroys the whole freeway. Then we'll have to run all the way to camp."

Meg's eyes widened. "You can tell the future?"

"Don't need to." Percy changed lanes to one that was crawling slightly less slowly. "I've just done this a lot. — Rick Riordan

Day leans in toward me. He reaches up to touch my face. I can tell it still hurts him to use his fingers, and his nails are dark with dried blood. "You're brilliant," he says. "But you're a fool to stay wish someone like me."
I close my eyes at the touch of his hand. "Then we're both fools. — Marie Lu

Are you in?" I roll my eyes and try to kiss him again, but he won't let me. I pinch his nipples, and all he does is wink and growl at me. "Say it."
"Fuck you"
"We'll get there, Naomi. Be patient. But first, you have to say it." I keep glaring, but I feel my body melting, my shields and my walls crashing down in flames. "Say you're mine, tell me that you're my girlfriend."
"You're my boyfriend," I say, and the words nearly kill me. "That's all you get for now. Best I can fucking do. — C.M. Stunich

What Are Those Things (With Big Black Wings)

What are those things with big black wings
Circling descending from up over head
Lie to me tell me that they're only robins
Tell me that your love for me will never be dead

Today all the rooms in our home feel like strangers
I wonder what makes me feel so out of place
Why have you suddenly emptied your closets
And why can't you look me in the face

What are those things with big black wings...

You faithfully promised you'd never leave me
You told me your heart have no room for goodbyes
But tell me what makes all this distance between us
And who put that leavin' in your eyes

What are those things with big black wings...
What are those things with big black wings... — Charlie Louvin

When he looks at her, I can tell his eyes are locked on something in the past
something that seared deeply and left the worst kind of scar: the inside kind. — Emily Murdoch

Just look down the road and tell me if you can see either of them."
I see nobody on the road." said Alice.
I only wish I had such eyes,"the King remarked in a fretful tone. "To be able to see Nobody! And at such a distance too! — Lewis Carroll

She snorted a little. "Most people's eyes glaze over when I begin to ramble." "That's . . . not what happens with me." "Oh really? What happens with you?" "My cock gets hard." "Oh good grief, I should have known. Is there anything that doesn't make your dick hard?" "That you do? Not very much." "Well, tell me when you figure it out so I can practice it. I'm kind of tired of being followed around by a hard dick. — Lucian Bane

Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw. — Madeline Miller

She's holding it together, too, and I want to tell her she doesn't have to do that for me, because I might not be able to do it or her. I can tell she's also trying not to look back, but she does it - she looks over her shoulder - and the tears won't leave her eyes. — David Levithan

People say you can tell you're in love with someone when you find it impossible to get that person out of your mind. But it was my eyes that were the first to know. — Satosumi Takaguchi

Want to control a people? Teach them to think of themselves as victims. Tell them they have an enemy, and that enemy is responsible for all their woes. It doesn't have to be a real enemy; it doesn't even have to make sense. Just tell it to them often enough, and they will come to believe it. Once they do, you can rob them of their money, time, and freedom, so long as you keep their eyes fixed on the 'enemy' you have created for them. — Aaron Lee Yeager

When there's evil standing in your way, you got to get around it however you can, Natalie. You got to look it in the eye, let it know you see it and that it can't creep up on you. What's dangerous is pretending it isn't there at all and letting it get closer and closer while you're looking someplace else, until suddenly evil's walking alongside you like you were two friends out for a stroll on Sunday. So you look it in the face. You tell it with your eyes that you know what it is, that it don't have you fooled. You tell it you know what GOOD looks like. — Kate Milford

Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours. — Erin Morgenstern

Sirius looked out of the fire at Harry, a crease between his sunken eyes.
"You're less like your father than I thought," he said finally, a definite coolness in his voice. "The risk would've been what made it fun for James."
"Look - "
"Well, I'd better get going ... I'll write to tell you a time I can make it back into the fire, then, shall I? If you can stand to risk it?"
There was a tiny pop, and the place where Sirius's head had been was flickering flame once more. — J.K. Rowling

A man walks fast along the forecourt of the station towards a gate, moving towards a train that's about to leave. I get shivery all over as I watch the back of his head, which is about Yuan's height, with hair and a neckline just like his. My eyes tell me what my mind knows cannot be true. I follow him along seeking the one thing that would confirm him as someone else. The man turns his head slightly to talk to a train official. I can see his nose in profile. My eyes sting. — Dayo Forster

Open your eyes, baby. Look at me." He pressed his forehead down to meet mine, my eyelids fluttering open at his command. "Look at me and tell me you don't want it."
I peered up at him with unsteady breaths, hearing his throat work when I tilted my lips to graze his. The contact was feather light, my heart hammering through my chest at the feel of it. "I'm looking," I breathed against him.
"Good. Because right now, all I want to do is rip your clothes off and make you come until you can't stand, and I want your eyes on me the whole time, are we clear?"
-Jackson and Emma — Rachael Wade

He stroked her pale cheek with his thumb, willing her to open those dark gypsy eyes he loved so much. He needed her impish gaze, her light laughter and intoxicating touch. He needed everything about her. She'd made him feel more alive than when he was human. Needing her kiss as much as he needed blood to survive, he pressed his lips to hers. "I beg of you, wake. Please, my precious Angel," he prayed as he held her in his arms. "Wake so I can tell you how sorry I am, and how much I love you. God, I love you." He couldn't say the words enough. "I love you. I love you." He repeated the litany over and over again until exhaustion overcame him and he fell asleep, still clinging to her with a vow never to let her go again. — Brooklyn Ann

Have you ever thought for once that when you look in the mirror you are hyper aware of your flaws? When the rest of us may see something different. Like a teenager with a pimple. She doesn't focus on her beautiful eyes and cute lips, she zeros in on the one tiny flaw and goes nuts over it." He put his hands behind his head and looked at the ceiling. "You need to stop obsessing over your scars. It's only a quarter of your face and I can't tell you the last time I noticed. — Marilyn Grey

The Fatigues all talk like that. Big-Picture-speak, Risa calls it. Seeing the whole, and none of the parts. It's not just in their speech but in their eyes as well.
When they look at Risa, she can tell they don't really see her. They seem to see the mob of Unwinds more as a concept rather than a collection of anxious kids, and so they miss all the subtle social tremors that shake things just as powerfully as the jets shake the roof. — Neal Shusterman

A thousand times today I've started to open my mouth, started to squeak out, Can you tell me ... ? But then I'd look into the front seat, at my mother's silent shaking, my father's grim profile, the mournful bags under his eyes, and all the questions I might ask seemed abusive. Assault and battery, a question mark used like a club. My parents are old and fragile. I'd have to heartless to want to hurt them. — Margaret Peterson Haddix

What do you think he looks like - when he's a werewolf? I gotta tell you, that Winkler dude scared the heck out of me." Winkler had become a huge, solid black wolf with gleaming golden eyes.

"He wouldn't have growled if Philip hadn't tried to touch him," Bryce pointed out.

"Philip's an ass."

"A general consensus," Bryce sighed. "I don't know that there's any hope for him. Can you see him working at Easy-Stop someday?"

It started as a snicker, but soon Keith was lying on his side and laughing uncontrollably. He could easily see Philip snapping rudely at the customers of a self-serve gas station and convenience store. — Connie Suttle

Alabaster, you told me earlier that heroes don't die. You may be right, but I can tell you one thing." Claymore looked the boy in the eyes. "I'm not a hero. — Rick Riordan

Are you gay, Mr. Grey?"
He inhales sharply, and I cringe, mortified. Crap. Why didn't I employ some kind of filter before I read this straight out? How can I tell him I'm just reading the questions? Damn Kate and her curiosity!
"No Anastasia, I'm not." He raises his eyebrows, a cool gleam in his eyes. He does not look pleased. — E.L. James

What did they do to you, to make you withdraw so far into yourself? (Sin doesn't answer.) You've left me again, haven't you? I can always tell. Your eyes turn dull, cold. Very well, I shall leave you in peace. But know this: One day I am going to find the heart you have buried away from the world. (Callie)
And what would you do with it if you found it? (Sin)
I would hold it safe and keep it from the hurt that has shriveled it. (Callie) — Kinley MacGregor

It was dark in the alcove, so dark that Jace was only an outline of shadows and gold. His body pinned Clary's to the wall. His hands slid down along her body and reached the end of her dress, drawing it up along her legs. "What are you doing?" She whispered. "Jace?" He looked at her. The peculiar light in the club turned his eyes an array of fractured colors. His smile was wicked. "You can tell me to stop whenever you want," he said. "But you won't. — Cassandra Clare

His green-flecked brown eyes twinkle, and we laugh together, easy and light. He opens the door for me, and I say goodbye, floating over to where my family waits in our Winnebago. And I can't tell you if my feet actually touch the ground, because at this very moment, this Bird, well, she flies. — Alecia Whitaker

When you get tired of worrying and mourning your horse and trying not to be afraid, tell me and I'll do it for you a while so you can shut your eyes and sleep peaceful. — Shannon Hale

I found it when I was getting the crushed bees for Merripen's poultice. I brought it back for you." He looked vaguely apologetic. "I meant to tell you about it earlier, but it slipped my mind."
Amelia stifled a laugh. The average man would hardly forget something like a cache box possibly containing treasure ... but to Cam, it probably had little more significance than a box of hazelnuts. "Only you," she said, "could go looking for bee venom and find hidden treasure." Lifting the box, she shook it gently, feeling the movement of weighty objects within. "Blast, it's locked." She reached in the wild disarray of her coiffure. Finding a hairpin, she handed it to him.
"Why do you assume I can pick a lock?" he asked, a sly flicker in his eyes.
"I have complete faith in your criminal abilities," she said. "Open it, please."
Obligingly he bent the pin and inserted it into the ancient lock. — Lisa Kleypas

You may tell the greatest lies and wear a brilliant disguise, but you can't escape the eyes of the one who sees right through you. — Tom Robbins

And then, just when everything is bearing down on us to such an extent that we can scarcely withstand it, the Christmas message comes to tell us that all our ideas are wrong, and that what we take to be evil and dark is really good and light because it comes from God. Our eyes are at fault, that is all. God is in the manger, wealth in poverty, light in darkness, succor in abandonment. No evil can befall us; whatever men may do to us, they cannot but serve the God who is secretly revealed as love and rules the world and our lives. — Dietrich Bonhoeffer

She made the choice she thought was best for her, even though it was the wrong one. But that's what you have to remember ... she made that choice. Not you. And you can't blame yourself for not knowing what she failed to tell you." I kiss him on the forehead, then bring my eyes back to his. "You have to let it go. You can hold on to the hate and the love and even the bitterness, but you have to let go of the blame. The blame is what's tearing you down. — Colleen Hoover

I told you to make yourself at home," he says. "I don't want you to feel like you have to tiptoe around, afraid of doing something wrong or hearing something you shouldn't, like phone conversations." My blood runs cold at those words. I can feel his eyes on me and not the screen. "I, uh ... " I don't know what to say. "It's okay," he says, those words silencing me. He kisses the top of my head again, subject closed as he goes back to watching the movie. A few minutes pass before Naz lets out a light laugh. "So, tell me something ... did you at least google me? — J.M. Darhower

You need eyes that tell the dog who watches them what you are feeling toward it, even though the message may be hidden from the outside world. Above all, you nee telepathy so that the dog thinks with you. These things are not always born in people. They can be developed as any sense or gift can be developed. That is, providing the person wishes to develop them is honest in mind, because with animals you cannot cheat ... — Barbara Woodhouse

You've been waiting ... "
"I have." He leaned in toward my lips but didn't touch them. "Waiting and waiting forever. For you. Waiting for you to grow up. Waiting for you to see me as something more than just a friend of Ian's. Waiting for the right time to tell you how I feel about you." He whispered so close, I could feel the brush of breath from his beautiful words. "Just a very long time of waiting, Elaina."
... "I don't want to wait anymore." His eyes melded into me and held on. "Please don't make me wait for you any longer," he pleaded. "I can't do it, Cherry. I just can't. — Raine Miller

Brent ... " She gasps, fingers running through my hair. "This is real. Tell me this is real."
My eyes jerk up to hers and I cup her jaw in one hand. "It's real. This is so real I can't stop shaking. — Emma Chase

I can tell you how to get what you want: You've just got to keep a thing in view and go for it and never let your eyes wander to right or left or up or down. And looking back is fatal. — William John Locke

My wife can look at me in a certain way and I can tell by her eyes how she's feeling about me or when I should stop talking about something. It's kind of the way twins have their own thing. — Pete Wentz

When he sees me, he stops.
His eyes widen, his face pales.
And then before i can say anything, he's holding me.
And the worst part is-I want to hold him.
But I also want to slap him, hit him. Punch him. Tear out his throat.
I want him to tell me what he did to me was a mistake. Some horrible mix-up ... after I'm done holding him back. — Courtney Summers