English Poetry Quotes & Sayings

Old English poetry is characterised by a number of poetic tropes which enable a writer to describe things indirectly and which require a reader imaginatively to construct their meaning. The most widespread of these figurative descriptions are what are known as kennings. Kennings often occur in compounds: for example, hronrad (whale-road) or swanrad (swan- road) meaning 'the sea'; banhus (bone-house) meaning the 'human body'. Some kennings involve borrowing or inventing words; others appear to be chosen to meet the alliterative requirement of a poetic line, and as a result some kennings are difficult to decode, leading to disputes in critical interpretation. But kennings do allow more abstract concepts to be communicated by using more familiar words: for example, God is often described as moncynnes weard ('guardian of mankind'). — Ronald Carter

The growth of art seems to be in cycles, and often its vigorous lifetime is restricted to a century or two. The periods of distinctive drama, Greek, English, Spanish, fall within such a limit; the schools of painting and sculpture likewise; and, in poetry, the Victorian age or the school of Pope will serve as examples. — George Edward Woodberry

I started off in England and very few people knew I was Australian. I mean, the clues were in the poems, but they didn't read them very carefully, and so for years and years I was considered completely part of the English poetry scene. — Peter Porter

He was a poet who sometimes taught Free University classes or travelled in the western states of Utah, Nevada, and Arizona, speaking to high school English classes, stunning middle-class boys and girls (he hoped) with the news that poetry was alive - narcoleptic, to be sure, but still possessed of a certain hideous vitality. — Stephen King

English kings married their cousins and so their kids were as sharp as clubs. — Peter Prasad

By its very looseness, by its way of evoking rather than defining, suggesting rather than saying, English is a magnificent vehicle for emotional poetry. — Max Beerbohm

I was a victim of a stereotype. There were only two of us Negro kids in the whole class, and our English teacher was always stressing the importance of rhythm in poetry. Well, everybody knows - except us - that all Negroes have rhythms, so they elected me class poet. — Langston Hughes

I did my BA in English lit, and hated the restriction - I'd always read more in translation than not; coming from a working-class background, what I knew of as British literature - the writers who made big prize lists and/or were stocked in WH Smith, Doncaster's only bookshop until I was 17 - seemed incredibly, alienatingly middle-class. Then in 2009, just after the financial crash, I graduated with no more specific skill than 'can analyse a bit of poetry'. — Deborah Smith

Farsi Couplet:
Naala-e zanjeer-e Majnun arghanoon-e aashiqanast
Zauq-e aan andaza-e gosh-e ulul-albaab neest


English Translation:
The creaking of the chain of Majnun is the orchestra of the lovers,
To appreciate its music is quite beyond the ears of the wise. — Amir Khusrau

I call it our English Renaissance because it is indeed a sort of new birth of the spirit of man, like the great Italian Renaissance of the fifteenth century, in its desire for a more gracious and comely way of life, its passion for physical beauty, its exclusive attention to form, its seeking for new subjects for poetry, new forms of art, new intellectual and imaginative enjoyments: and I call it our romantic movement because it is our most recent expression of beauty. — Oscar Wilde

This book is not about heroes. English poetry is not yet fit to speak of them. Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except War. Above all I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity. — Wilfred Owen

Italian is the language of song. German is good for philosophy and English for poetry. French is best at precision; it has a rigour to it. — Maurice Druon

While Elstir, at my request, went on painting, I wandered about in the half-light, stopping to examine first one picture, then another.
Most of those that covered the walls were not what I should chiefly have liked to see of his work, paintings in what an English art journal which lay about on the reading-room table in the Grand Hotel called his first and second manners, the mythological manner and the manner in which he shewed signs of Japanese influence, both admirably exemplified, the article said, in the collection of Mme. de Guermantes. Naturally enough, what he had in his studio were almost all seascapes done here, at Balbec. But I was able to discern from these that the charm of each of them lay in a sort of metamorphosis of the things represented in it, analogous to what in poetry we call metaphor, and that, if God the Father had created things by naming them, it was by taking away their names or giving them other names that Elstir created them anew. — Marcel Proust

The truest and greatest Poetry, (while subtly and necessarily always rhythmic, and distinguishable easily enough) can never again, in the English language, be express'd in arbitrary and rhyming metre, any more than the greatest eloquence, or the truest power and passion. — Walt Whitman

I go in and slip a note in Jane's locker, which I've gotten in the habit of doing. It's always just a line or two that I found from some poem in the gigantic poetry anthology my sophomore English taught me from. I said I wouldn't be the kind of boyfriend who reads her poetry, and I'm not, but I guess I am the kind of cheesy bastard who slips lines of poetry into her mornings. — John Green

I never had much education in English poetry as such. — Anne Carson

What I really want is to be recognized as a writer; that someday, my poetry - this is an interesting paradox - would be taught in English classes; for my name, along with my poetry, to exist 500 years from now. — Harley King

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

Later, when his desires had been satisfied, he slept in an odorous whorehouse, snoring lustily next to an insomniac tart, and dreamed. He could dream in seven languages: Italian, Spanic, Arabic, Persian, Russian, English and Portughese. He had picked up languages the way most sailors picked up diseases; languages were his gonorrhea, his syphilis, his scurvy, his ague,his plague. As soon as he fell asleep half the world started babbling in his brain, telling wondrous travelers' tales. In this half-discovered world every day brought news of fresh enchantments. The visionary, revelatory dream-poetry of the quotidian had not yet been crushed by blinkered, prosy fact. Himself a teller of tales, he had been driven out of his door by stories of wonder, and by one in particular, a story which could make his fortune or else cost him his life. — Salman Rushdie

In the French language, there is a great gulf between prose and poetry; in English, there is hardly any difference. It is a splendid privilege of the great literary languages Greek, Latin, and French that they possess a prose. English has not this privilege. There is no prose in English. — Victor Hugo

I started a PhD in English at the University of Chicago because I loved poetry-which I now realize is like saying I studied vivisection because I loved dogs. — Michael Donaghy

But the most gratifying message was a warm-hearted and completely unexpected letter from Robert Graves, who had just been shown Wilfred's latest poems by Sassoon. 'Don't make any mistake, Owen,' Graves wrote, 'you are a damned fine poet already & are going to be more so... you have found a new method... those assonances instead of rhymes are fine - Puff out your chest a little, Owen & be big - for you've more right than most of us... You must help S.S. and R.N. and R.G. to revolutionize English Poetry - So outlive this War. — Dominic Hibberd

I grew up in a bookless house - my parents didn't read poetry, so if I hadn't had the chance to experience it at school I'd never have experienced it. But I loved English, and I was very lucky in that I had inspirational English teachers, Miss Scriven and Mr. Walker, and they liked us to learn poems by heart, which I found I loved doing. — Carol Ann Duffy

When you depart from standard usage, it should be deliberate and not an accidental lapse. Like a poet who breaks the rules of poetry for creative effect, this only works when you know and respect the rule you are breaking. If you have never heard of the rules you are breaking, you have no right to do so, and you are likely to come off like a buffoon or a barbarian. Breaking rules, using slang and archaic language can be effective, but it is just as likely to give you an audience busy with wincing. — N.D. Wilson

I was in Paris at an English-language bookstore. I picked up a volume of Dickinson's poetry. I came back to my hotel, read 2,000 of her poems and immediately began composing in my head. I wrote down the melodies even before I got to a piano. — Gordon Getty

Matt Mason must be declared the poet laureate of the Midwest! No other native son celebrates the overlooked America, its unsung citizens (from the anonymous poets to the part-time English teachers), and its expansive indigenous landscape, as well as he does. Mason's poetry is humorous when he wants to be quirky, heartbreaking when he wants to be eloquent, and though he moves effortlessly into other moods and geographies, he always returns to his first and most enduring love (and to what he knows best)-his homeland. — Rigoberto Gonzalez

It was curious what trying to speak English had done lately to his mind; it reminded him of studying poetry in college, words gaining and losing their meaning, overlapping with images, the curious echo of ideas behind the words people used. — Jess Walter

Beowulf stands out as a poem which makes extensive use of this kind of figurative language. There are over one thousand compounds in the poem, totalling one-third of all the words in the text. Many of these compounds are kennings. The word 'to ken' is still used in many Scottish and Northern English dialects, meaning 'to know'. Such language is a way of knowing and of expressing meanings in striking and memorable ways; it has continuities with the kinds of poetic compounding found in nearly all later poetry but especially in the Modernist texts of Gerard Manley Hopkins and James Joyce. — Ronald Carter

To translate a poem from thinking into English takes all night. — Grace Paley

Old English poetry also contained a wide range of conventional poetic diction, many of the words being created to allow alliterative patterns to be made. There are therefore numerous alternatives for key words like battle, warrior, horse, ship, the sea, prince, and so on. Some are decorative periphrases: a king can be a 'giver of rings' or a 'giver of treasure' (literally, a king was expected to provide his warriors with gifts after they had fought for him). — Ronald Carter

All of these teeth had once been in real, live people. They had talked and smiled and eaten and sang and cursed and prayed. They had brushed and flossed and died. In English class, we read poems about death, but here, right in front of me was a poem about death too. — Gabrielle Zevin

If I wouldn't of spent so much time shooting spit wads at my English teacher I'd know how to punctuate good thing I normally write poetry. — Stanley Victor Paskavich

Our sense of what American English is has upended our relationship to articulateness, our approach to writing, and how (and whether) we impart it to the young, our interest in poetry, and our conception of what it is, and even our response to music and how we judge it. — John McWhorter

A lot of them [Germaqn actors] could come in and we could speak for the next nine hours in English and there would be no problem. It was - but it was - English wasn't the language for them to read poetry in. And there is a - there's a poetic quality to my dialogue. — Quentin Tarantino

I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path. — Edward Hirsch

I've always had a fondness for language ... English. Not that I use it correctly but I like words. I like books and I like poetry.. I like the written word ... and the sung word. — Joel Plaskett

Shakespeare has been praised in English more than anything mortal except poetry itself. Fame exhausts thought in his eulogy. — George Edward Woodberry

I actually chafe at describing myself as masculine. For one thing, masculinity itself is such an expansive territory, encompassing boundaries of nationality, race, and class. Most importantly, individuals blaze their own trails across this landscape. And it's hard for me to label the intricate matrix of my gender as simply masculine.

To me, branding individual self-expression as simply feminine or masculine is like asking poets: Do you write in English or Spanish? The question leaves out the possibilities that the poetry is woven in Cantonese or Ladino, Swahili or Arabic. The question deals only with the system of language that the poet has been taught. It ignores the words each writer hauls up, hand over hand, from a common well. The music words make when finding themselves next to each other for the first time. The silences echoing in the space between ideas. The powerful winds of passion and belief that move the poet to write. — Leslie Feinberg

Some people think that English poetry begins with the Anglo-Saxons. I don't, because I can't accept that there is any continuity between the traditions of Anglo-Saxon poetry and those established in English poetry by the time of, say, Shakespeare. And anyway, Anglo-Saxon is a different language, which has to be learned. — James Fenton

[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as ... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory. — John Milton

With one perfect kiss on one perfect English summer afternoon, we understand the meaning of all the colors of every rainbow, forevermore. — Hunter S. Jones

The length and shape of the poemetto, like the greater Romantic lyric of English poetry, lends itself to retrospection and commentary. — Susan Stewart

When I was in college, I did do some writing of poetry, somewhat inspired, I think at that time, by Carl Sandburg, because English was still relatively new to me, and Sandburg, of course, wrote in a very easy-to-understand, very colloquial and informal manner. — Lisel Mueller

The iambic pentameter owes its pre-eminence in English poetry to its genius for variation. Good blank verse does not sound like a series of identically measured lines. It sounds like a series of subtle variations on the same theme. — James Fenton

Sometimes, looking at the many books I have at home, I feel I shall die before I come to the end of them, yet I cannot resist the temptation of buying new books. Whenever I walk into a bookstore and find a book on one of my hobbies - for example, Old English or Old Norse poetry - I say to myself, What a pity I can't buy that book, for I already have a copy at home. — Jorge Luis Borges

Back home, Huxley drew from this experience to compose a series of audacious attacks against the Romantic love of wilderness. The worship of nature, he wrote, is "a modern, artificial, and somewhat precarious invention of refined minds." Byron and Wordsworth could only rhapsodize about their love of nature because the English countryside had already been "enslaved to man." In the tropics, he observed, where forests dripped with venom and vines, Romantic poets were notably absent. Tropical peoples knew something Englishmen didn't. "Nature," Huxley wrote, "is always alien and inhuman, and occasionally diabolic." And he meant always: Even in the gentle woods of Westermain, the Romantics were naive in assuming that the environment was humane, that it would not callously snuff out their lives with a bolt of lightning or a sudden cold snap. After three days amid the Tuckamore, I was inclined to agree. — Robert Moor

My uncle read me Omar Khayyam. In Arabic. Not Turkish or even English. I tried so hard to understand it. I would ask him what it all meant but he always said the pleasure was in the finding out... the discovery. He said you can keep some poems by you your whole life and they will only reveal parts of themselves to you when you are ready to hear them. (Ottmar) — Miranda Emmerson

I have not the slightest pretension to call my verses poetry; I write now and then for no other purpose than to relieve depression or to improve my English. — Alfred Nobel

Cade thought about this. "Let me get this straight - you secretly pretend to like poetry to impress the smart girl in your English class, while she's secretly pretending to like football to impress you." He paused. "That's gotta be the cutest fucking thing I've ever heard."
"I guess her subconscious finds my subconscious pretty irresistible," Zach said, all teenage confidence right then.
"You were lucky to pull that line off once, Garrity. I wouldn't push it. — Julie James

In high school, my English teacher Celeste McMenamin introduced me to the great novels and Shakespeare and taught me how to write. Essays, poetry, critical analysis. Writing is a skill that was painful then but a love of mine now. — Aaron Lazar

Powell belongs, in fact to the first generation of American poets who may have grown up without even a vestigial connection to the accentual-syllabic, rhyming English tradition - his inventive lines have this absence at their back. — Stephen Burt

We have already shown by references to the contemporary drama that the plea of custom is not sufficient to explain Shakespeare's attitude to the lower classes, but if we widen our survey to the entire field of English letters in his day, we shall see that he was running counter to all the best traditions of our literature. From the time of Piers Plowman down, the peasant had stood high with the great writers of poetry and prose alike. Chaucer's famous circle of story-tellers at the Tabard Inn in Southwark was eminently democratic. — William Shakespeare

I've done a lot of going back and forth with my own writing, in particular translating my English language stuff into Ukrainian - poetry as well as prose. But I actually hate doing it. It is a thankless, mind-numbing process, additionally unpleasant for me because it reminds me of my ambiguous status of not belonging anywhere. — Yuriy Tarnawsky

Among those today who believe that modern poetry must do without rhyme or metre, there is an assumption that the alternative to free verse is a crash course in villanelles, sestinas and other such fixed forms. But most ... are rare in English poetry. Few poets have written a villanelle worth reading, or indeed regret not having done so. — James Fenton

I did best when I had least truth for my subjects. — John Donne

In my life are many windows
and many graves.
Sometimes they exchange
roles:
then a window is closed forever,
then by way of a gravestone
I can see
very far.
(Hebrew-to-English translation by Rabbi Steven Sager) — Yehuda Amichai

English poetry begins whenever we decide to say the modern English language begins, and it extends as far as we decide to say that the English language extends. — James Fenton

Writing poetry is a state of free float — Margaret Atwood

But even we, with our supposed mastery of the English language, were not immune to the shortcoming of our vocabularies.
Words can only help you if you speak them. — Bianca Phipps

I look for poetry in English because it's the only language I read. — Jack Prelutsky

Rap isn't poetry, not least because it involves music and often other elements that aren't words. But the way poets in English use things like rhyme and meter, and the ways these conventions both do and don't apply to rap we try to lay out the rules for rap, in order to understand the techniques that artists like Jay-Z and Kanye employ. — Andrew Hoberek

Is the professor who insists we read Ernest Hemingway again instead of Gertrude Stein "obsessing"? Because although I did a BA in English, an MFA in Poetry, and a year's worth of a PhD, Stein was an author I had to discover on my own. She wasn't on the syllabus anywhere in all that time. — Laura Mullen

I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. — Gloria Estefan

The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass — Virginia Woolf

I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things
like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.)
I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels.
Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't! — Terri Windling

Farsi Couplet:
Mun tu shudam tu mun shudi,mun tun shudam tu jaan shudi
Taakas na guyad baad azeen, mun deegaram tu deegari


English Translation:
I have become you, and you me,
I am the body, you soul;
So that no one can say hereafter,
That you are someone, and me someone else. — Amir Khusrau

Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis's comments on them, and burned them. — A.S. Byatt

Khusrau darya prem ka, ulti wa ki dhaar,
Jo utra so doob gaya, jo dooba so paar.

English Translation.

Oh Khusrau, the river of love
Runs in strange directions.
One who jumps into it drowns,
And one who drowns, gets across. — Amir Khusrau

As for poetry 'belonging' in the classroom, it's like the way they taught us sex in those old hygiene classes: not performance but semiotics. If it I had taken Hygiene 71 seriously, I would have become a monk; & if I had taken college English seriously, I would have become an accountant. — Jerome Rothenberg

History is about longing and belonging. It is about the need for permanence and the perception of continuity. It concerns the atavistic desire to find deep sources of identity. We live again in the twelfth or in the fifteenth century, finding echoes and resonances of our own time; we may recognise that some things, such as piety and passion, are never lost; we may also conclude that the great general drama of the human spirit is ever fresh and ever renewed. That is why some of the greatest writers have preferred to see English history as dramatic or epic poetry, which is just as capable of expressing the power and movement of history as any prose narrative; it is a form of singing around a fire. — Peter Ackroyd

I definitely wish to distinguish American poetry from British or other English language poetry. — Diane Wakoski

I believe that every English poet should read the English classics, master the rules of grammar before he attempts to bend or break them, travel abroad, experience the horrors of sordid passion, and - if he is lucky enough - know the love of an honest woman. — Robert Graves

You have already achieved the English-Language poet's most important goal: you can read, Write and speak English well enough to understand this sentence. — Stephen Fry

The nineteenth-century clergyman William Barnes preferred wheelsaddle to bicycle and folkwain to omnibus. By the same token forceps would be nipperlings, and pathology would be painlore. Some of his new words recalled the language of Old English poetry: he proposed glee-mote in place of concert, and the wonderful cellar-thane instead of butler. — Henry Hitchings

I really enjoy English and poetry and writing classes. — Taylor Momsen

Gunn would be an important figure-rewarding, delightful, accomplished, enduring-in the history of English-language poetry even were his life not as fascinating as it now seems; he would be an important figure in the history of gay writing and in the history of transatlantic literary relations even were his poetry not so good as it is. With his life as it was and his works as they are, he's an obvious candidate for a volume of retrospective and critical essays, and this one is first-rate. — Stephen Burt

When I'm writing poetry, 99.9% of my writing begins in English. I spent most of my life in English, although I am bilingual. — Pat Mora

[Poetry] is a field where England can take on all challengers. — Patrick Leigh Fermor

we would stride over Hinksey and Cumnor - we walked almost as fast as we talked - disputing and quoting, as we looked for the dark dingles and tree-topped hills of Matthew Arnold. This kind of walk must be among the commonest, perhaps among the best, of undergraduate experiences. Lewis, with the gusto of a Chesterton or a Belloc, would suddenly roar out a passage of poetry that he had newly discovered and memorized, particularly if it were in Old English, a language novel and enchanting to us both for its heroic attitudes and crashing rhythms — Jocelyn Gibb

English literature, from the days of the minstrels to the Lake Poets - Chaucer and Spenser and Milton, and even Shakespeare, included - breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. ...
Where is the literature which gives expression to Nature?
...
I do not know of any poetry to quote which adequately expresses this yearning for the Wild.
...
The West is preparing to add its fables to those of the East. The valleys of the Ganges, the Nile, and the Rhine having yielded their crop, it remains to be seen what the valleys of the Amazon, the Plate, the Orinoco, the St. Lawrence, and the Mississippi will produce. — Henry David Thoreau

Has it ever occurred to you,' he said, 'that the whole history of English poetry has been de-termined by the fact that the English language lacks rhymes? — George Orwell

I had art as a major, along with English, French and History. I had dance, modern dance. In English I was allowed to write my own poetry, which I eventually got published. — Sally Kirkland

He spoke in english. Not flawlessly by any means. Not like a Nazi POW camp commandant who appreciates english poetry and says things like 'you know, we are much alike, you and I I'. But good enough — Alex Garland

I got a bit obsessed with the whole English language and was writing journals and poetry. I've always been intrigued about psychology and philosophy and how people's minds work. — Lara Pulver

Poetry is something that happens in universities, in creative writing programs or in English departments. — Mark Strand

Chalmers, like many of the English writers whom he then most admired, felt a strong natural sympathy with everything French. At Rouen he imagined himself as having escaped into a world in which it was possible to speak openly and unaffectedly of all those subjects which in England must be introduced by an apology or guarded with a sneer - poetry, metaphysics, romantic love. — Christopher Isherwood

I propose that English poetry and biology should be taught as usual, but that at irregular intervals, poetry students should find dogfishes on their desks and biology students should find Shakespeare sonnets on their dissecting boards. I am serious in declaring that a Sarah Lawrence English major who began poking about in a dogfish with a bobby pin would learn more in thirty minutes than a biology major in a whole semester; and that the latter upon reading on her dissecting board That time of year Thou may'st in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold - Bare ruin'd choirs where late the sweet birds sang. might catch fire at the beauty of it. — Walker Percy

Modern poetry, for me, began not in English at all but in Spanish, in the poems of Lorca. — W.S. Merwin

What a contrast between the stern and desolate poetry of Ossian, and that of Chaucer, and even of Shakespeare and Milton, much more of Dryden, and Pope, and Gray! Our summer of English poetry, like the Greek and Latin before it, seems well advanced towards its fall, and laden with the fruit and foliage of the season, with bright autumnal tints, but soon the winter will scatter its myriad clustering and shading leaves, and leave only a few desolate and fibrous boughs to sustain the snow and rime, and creak in the blasts of age. — Henry David Thoreau

The great watershed of modern poetry is French, more than English. — Robert Morgan

A tattered copy of Johnson's large Dictionary was a great delight to me, on account of the specimens of English versifications which I found in the Introduction. I learned them as if they were so many poems. I used to keep this old volume close to my pillow; and I amused myself when I awoke in the morning by reciting its jingling contrasts of iambic and trochaic and dactylic metre, and thinking what a charming occupation it must be to "make up" verses. — Lucy Larcom

T. S. Eliot and Jean-Paul Sartre, dissimilar enough as thinkers, both tend to undervalue prose and to deny it any imaginative function. Poetry is the creation of linguistic quasi-things; prose is for explanation and exposition, it is essentially didactic, documentary, informative. Prose is ideally transparent; it is only faute de mieux written in words. The influential modern stylist is Hemingway. It would be almost inconceivable now to write like Landor. Most modern English novels indeed are not written. One feels they could slip into some other medium without much loss. It takes a foreigner like Nabokov or an Irishman like Beckett to animate prose language into an imaginative stuff in its own right. — Iris Murdoch

I escape disaster by writing a poem with a joke in it:
The past, present, and future walk into a bar - it was tense. — Kelli Russell Agodon

She saw poetry where other writers merely saw failure to cope with English. — Alice Walker

Farsi Couplet:
Ba khak darat rau ast maara,
Gar surmah bechashm dar neaayad.


English Translation:
The dust of your doorstep is just the right thing to apply,
If Surmah (kohl powder) does not show its beauty in the eye! — Amir Khusrau

One great distinction, I appeared to myself to see plainly between even the characteristic faults of our elder poets, and the false beauty of the moderns. In the former, from Donne to Cowley, we find the most fantastic out-of-the-way thoughts, but in the most pure and genuine mother English, in the latter the most obvious thoughts, in language the most fantastic and arbitrary. Our faulty elder poets sacrificed the passion and passionate flow of poetry to the subtleties of intellect and to the stars of wit; the moderns to the glare and glitter of a perpetual, yet broken and heterogeneous imagery, or rather to an amphibious something, made up, half of image, and half of abstract meaning. The one sacrificed the heart to the head; the other both heart and head to point and drapery. — Samuel Taylor Coleridge

My favorite subject probably was math. I love math. Figures just intrigue me. I was really good at math. English probably was my worst subject. But I used to write a lot of poetry. I used to write poetry all the time. — Herschel Walker

Great poetry, whether written in Greek or in English, needs no other interpreter than a responsive heart. — Helen Keller

We admire Chaucer for his sturdy English wit ... But though it is full of good sense and humanity, it is not transcendent poetry.For picturesque description of persons it is, perhaps, without a parallel in English poetry; yet it is essentially humorous, as the loftiest genius never is. — Henry David Thoreau

What we know is that Shakespeare wrote perhaps the most remarkable body of passionate love poetry in the English language to a young man. — Stephen Greenblatt