Dying Boy Quotes & Sayings

The interesting thing, in the photograph, was how the fragile little knock-kneed boy - smiling sweetly, pristine in his sailor suit - was also the old man who'd clasped my hand while he was dying: two separate frames, superimposed upon each other, of the same soul. And the painting, above his head, was the still point where it all hinged: dreams and signs, past and future, luck and fate. There wasn't a single meaning. There were many meanings. It was a riddle expanding out and out and out. — Donna Tartt

I think about the people I know with the absolutely largest hearts, people with a stunning capacity for endurance and grace and kindness against the most screaming terrors and pains. My Mom and Dad, for example, enduring the death of their first child at six months old, the boy the brother I never met, dying quietly in his stroller on the porch in the moment that my mother stepped back inside to get a pair of gloves because the crisp brilliant April wind was filled with a whistling cutting wind....

Fifty years later after five more children and two miscarriages she is standing in the kitchen with her usual eternal endless cup of tea and I ask her: How do you get over the death of your child?

And she says, in her blunt honest direct terse kind way,
You don't.
Her face harrowed like a hawk for a moment in the swirling steam of the tea.
p112-13 — Brian Doyle

On the flight over to Chicago, I thought of a story Mom had once told me from her days as a pediatric nurse.
"There was this little boy I was taking care of," she said "and he was terminally ill,and we all knew it,but he kept hanging on and hanging on. He wouldn't die, it was so sad.
And his parents were always there with him,giving him so much love and support,but he was in so much pain,and it really was,time for him to go.
So finally some of us nurses took his father aside and we told him, 'You have to tell your son it's okay for him to go. You have to give him permission.' And so the father took his son in his arms and he sat with him in a chair and held on to him and told him over and over, that it was okay for him to go,and,well,after a few moments,his son died. — Anthony Rapp

What of the hundreds of faceless men on the streets looking for work, trying to pick up the threads of family life, hoping that the dying had made a better Britain, and finding they were lost in it. Faceless men ... People stepped around them now, ignored the brave boy who'd marched away to glory and now begged on the street because a one-armed man couldn't work. He thought sometimes, in the dark corners of his mind, that the dead were the lucky ones. They hadn't been disillusioned. — Charles Todd

I can't get over my disappointment in not being a boy, and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay home and knit like a poky old woman (Josephine) — Louisa May Alcott

Magnus thought of James Herondale, burning up with too much light, too much love,too much, too much- while the boy in the portrait was as lovely as a dying poet, with the fragile beauty of a candle about to gutter out. — Cassandra Clare

I always think back to the original movies and to those quieter moments where Luke is out in A New Hope, and there are the two suns setting. It is the equivalent, basically, of a farm boy dying to get out of his small town and do something bigger. It's those kinds of universal themes that ground this whole thing in space. — Adam Driver

Dying ain't much of a living, boy — Clint Eastwood

Frankly, out in America, you get the feeling that America is dying. And along its highways and byways, the country seems less ready to leap into the future than it is already clinging to a sepia-toned past when America stood as the unencumbered Big Boy in a Manichean world of good and evil, capitalists and Commies. Even the neon oasis-pods of the interstate - the perpetual clusters of Wendy's, McDonald's, Denny's, and Burger King - are crowded with people strangely reclaiming bygone days, connecting themselves to some prior eating experience, reveling in the familiar. We gas — Michael Paterniti

I can see her. Come close to me, Floy, and tell them," whispered the dying boy, "that the face of the picture of Christ on the staircase at school is not divine enough; the light from it is shining on me now, and the water is shining too, and rippling so fast, so fast." The evening light shone — Charles Dickens

When I was a young boy, during the aftermath of World War II, Germany was broken and in ruins. Many people were hungry, sick, and dying. I remember well the humanitarian shipments of food and clothing that came from the Church in Salt Lake City. — Dieter F. Uchtdorf

She said, "It's not life or death, the labyrinth."
"Um, okay. So what is it?"
"Suffering," she said. "Doing wrong and having wrong things happen to you. That's the problem. Bolivar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering? ... Nothing's wrong. But there's always suffering, Pudge. Homework or malaria or having a boyfriend who lives far away when there's a good-looking boy lying next to you. Suffering is universal. It's the one thing Buddhists, Christians, and Muslims are all worried about. — John Green

When I was a boy of seven or eight I read a novel untitled "Abafi" - The Son of Aba - a Servian translation from the Hungarian of Josika, a writer of renown. The lessons it teaches are much like those of "Ben Hur," and in this respect it might be viewed as anticipatory of the work of Wallace. The possibilities of will-power and self-control appealed tremendously to my vivid imagination, and I began to discipline myself. Had I a sweet cake or a juicy apple which I was dying to eat I would give it to another boy and go through the tortures of Tantalus, pained but satisfied. Had I some difficult task before me which was exhausting I would attack it again and again until it was done. So I practiced day by day from morning till night. At first it called for a vigorous mental effort directed against disposition and desire, but as years went by the conflict lessened and finally my will and wish became identical. — Nikola Tesla

Miss Annie, is it wrong for me to believe it was Jesus who asked my forgiveness?" I asked her.
She frowned and shook her head, "Lord, what do they teach you at that school?" she said. Then she faced me head-on. "Did God humble himself by becoming a man?" she asked, every word spoken more loudly than the one before.
"Yes, ma'am," I said. I'd never used the word ma'am before, but it seemed an excellent time to start.
"Did he humble himself by dying on the cross to show us how much he loved us? she asked, waving her spatula at me.
My eyes widened and I nodded, yes.
Miss Annie's body relaxed, and she put her hand on her hip. "So why wouldn't Jesus humble himself and tell a boy he was sorry for letting him down if he knew it would heal his heart?" she asked.
"But if Jesus is perfect
"
Miss Annie ambled the five or six feet that separated us and took my hand. "Son," she said, rubbing my knuckles with her thumb, "love always stoops. — Ian Morgan Cron

PAHA SAPA PULLS HIS HAND BACK SHARPLY BUT NOT BEFORE HE feels the rattlesnake-strike shock of the dying Wasicun's ghost leaping into his fingers and flowing up his arm and into his chest. The boy lurches back in horror as the ghost burns its way up through his veins and bones like so much surging venom. — Dan Simmons

The main paused only a moment, then pulled the boy around so he could look the lad in the eye. There's doing what's right, and there's doing what's safe. Most of the time you do what's safe because doing different will get you dead for no good reason, but there are times when doing what's safe will kill you too. Only it'll be a different kind of death. They dying will be slow, the sort that eats from the inside until breathing becomes a curse. Understand? — Michael J. Sullivan

When Jo's conservative sister Meg says she must turn up her hair now that she is a "young lady," Jo shouts, "I'm not! and if turning up my hair makes me one, I'll wear it in two tails till I'm twenty ... I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman. — Louisa May Alcott

I hate my left hand. I hate to look at it. I hate it when it stutters and trembles and reminds me that my identity is gone. But I look at it anyway; because it also reminds me that I'm going to find the boy who took everything away from me. I'm going to kill the boy who killed me, and when I kill him, I'm going to do it with my left hand. — Katja Millay

This was the boy who now kissed her without reservation, as if he were dying and she was air itself. — Morgan Rhodes

Whenever my colleagues and I encounter a boy who acts "normal" - not explosively violent, not oppositional to every word, not obsessed with killing and dying, not focused on sexual objectification - we are overjoyed with his potential. Here is one who has a stronger foundation on which to build, one who will not knock down his every success like a child with a brick castle to see if the adults will keep helping him rebuild. — Thomm Quackenbush

American boys should not be seen dying on the nightly news. Wars should be over in three days or less, or before Congress invokes the War Powers Resolution. — Evan Thomas

Tatiana knew she had been born too late into the family. She and Pasha. She should have been born in 1917, like Dasha. After her there were other children, but not for long: two brothers, one born in 1919 and one in 1921, died of typhus. A girl, born in 1922, died of scarlet fever in 1923. Then in 1924, as Lenin was dying and the New Economic Plan - that short-lived return to free enterprise - was coming to an end, while Stalin was scheming to enlarge his power base in the presidium through the firing squad, Pasha and Tatiana were born seven minutes apart to a very tired twenty-five-year-old Irina Fedorovna. The family wanted Pasha, their boy, but Tatiana was a stunning surprise. No one had twins. Who had twins? Twins were almost unheard of. And there was no room for her. She and Pasha had to share a crib for the first three years of their life. Since then Tatiana slept with Dasha. — Paullina Simons

A dying girl.
A pining boy.
And a whole lot of robbed years. — A.A. Gupte

It look like the lord just work for wite folks cause ever sens i wasn nothin but a litle boy i been on my on haulin water to the fiel on that ol water cart wit all them dime bukets an that dipper just hittin an old dorthy just trottin and trottin an me up their hittin her wit that rope ... — Thomas Jefferson

All the dying that summer began with the death of a child, a boy with golden hair and thick glasses, killed on the railroad tracks outside New Bremen, Minnesota, sliced into pieces by a thousand tons of steel speeding across the prairie toward South Dakota. His name was Bobby Cole. He was a sweet-looking kid and by that I mean he had eyes that seemed full of dreaming and he wore a half smile as if he was just about to understand something you'd spent an hour trying to explain. I should have known him better, been a better friend. He lived not far from my house and we were the same age. But he was two years behind me in school and might have been held back even more except for the kindness of certain teachers. He was a small kid, a simple child, no match at all for the diesel-fed drive of a Union Pacific locomotive. It — William Kent Krueger

I'm not some invincible super-soldier
I'm a dying boy who's about to be stuck, helpless, in the hospital while an enemy takes over our country. — Marie Lu

When I was a boy, I choked on a piece of candy outside the kitchen window for a few minutes while watching my parents making dinner. I thought I was going to die, but I didn't want to scare them. Our existence was so separate, a dying and a doing well, an outside and an inside. Trey Moody's poems hover in that cold, wet, refrigerator-lit place between the dying and the doing well, the outside and the inside. His poems are the thoughts of the person you love who is always standing behind you, slowly and silently suffocating. But they're not afraid to say hello, and please, and I'm scared. — Zachary Schomburg

You've come all the way from London just for a joke, then?" I asked. "I guess I shouldn't be surprised."

"No, no, my reason is of much greater importance. The entire city is in chaos. Buildings collapsing, streets flooding, the population plague-stricken, the Thames ablaze. But it was when an orphan boy I rescued from the rubble asked me, with his dying breath, 'Why did this all have to happen, sir? Why did Miss Wyndham leave?' that I solemnly promised to bring you back and restore peace. — Tarun Shanker

Am I more than you bargained for yet?
I've been dying to tell you anything you want to hear
Cause that's just who I am this week — Fall Out Boy

My most fervent prayer is to be a President who can make it possible for every boy in this land to grow to manhood by loving his country
instead of dying for it. — Lyndon B. Johnson

The boy became a man and left home and became a dying figure on a cross. I want to be able to imagine that what happened to him will not come, it will see us and decide - not now, not them. And we will be left in peace to grow old. — Colm Toibin

What's the point anyway - Of suffering, dying? It teaches us to live, boy. A man who does not struggle does not live, he survives. — Oriana Fallaci

The photos I took in Afghanistan are lying in front of me. I peer into the faces of those who were with me there and who are so far away from me now, into the faces of those who were dying right next to me and those who were hiding behind my back. I can make these photos larger or smaller, darker or lighter. But what I can't do is bring back those who are gone forever. — Vladislav Tamarov

The dying boy said: "Father, don't you weep for me; when I get to heaven I will go straight to Jesus and tell Him that ever since I can remember you have tried to lead me to Him." I would rather have my children say that of me after I am gone; or if they die before me, I would rather they should take that message to the Master than to have a monument over me reaching to the skies. — Dwight L. Moody

You share the same destiny as everyone else, the same history, the same hardship, the same rot, the same Tram beer, the same dog kebabs, the same narrative as soon as you come into the world. You start out baby-chick or slim-jim or child-soldier. You graduate to endlessly striking student or desperado. If you've got a family on the trains, then you work on the trains; otherwise like a ship you wash up on the edge of hope - a suicidal, a carjacker, a digger with dirty teeth, a mechanic, a street sleeper, a commission agent, an errand boy employed by for-profit tourists, a hawker of secondhand coffins. Your fate is already sealed like that of the locomotives carrying spoiled merchandise and the dying. — Fiston Mwanza Mujila

How can the boy who stirred an entire nation be dying? — Marie Lu

We come from seed," he told his son, smiling. "We grow up, blossom, and produce fruit. Then the fruit dries and goes into the ground to make the next crop. The old plant doesn't die so much as it gives itself to the soil to nurture the new plant. Since energy is neither created nor destroyed, only altered, dying is the other face on the coin of life. Nothing to be afraid of, really. After all, my boy, we all pass from this plane into another. It's inevitable, like the rainbow after the storm. — Diana Palmer

Right now in this world, a child is dying from an ailment because its family cannot afford to buy charcoal for boiling water.
Right now in this world, a girl is striving to find firewood from trees that no more exist, and water from sources that are poisonous.
Right now in this world, a boy is out fishing in a lake rich with inedible species.
Right now in this world, a mother is drowning in heavy rainfall, to save her belongings.
Right now in this world, a man has lost his dignity because all his eff orts to save have been wiped away to poverty by unforeseen calamities.
Right now in this world, a family is starving because drought has invaded their once fertile land.
Right now in this world, a nation is planning for refugee status due to adverse climate conditions.
Right now in this world, you have a choice to help alleviate environmental problems caused by humankind. — Gloria D. Gonsalves

You sent Shahrzad away with a boy I would not trust with a dying snake. — Renee Ahdieh

The harassed look is that of a desperately tired swimmer or runner; yet there is no question of stopping. The creature we are watching will struggle on and on until it drops. Not because it is heroic. It can imagine no alternative.
Staring and staring into the mirror, it sees many faces within its face - the face of the child, the boy, the young man, the not-so-young-man - all present still, preserved as fossils, dead. Their message to this live dying creature is: Look at us - we have died -what is there to be afraid of?
It answers them: But it happened so gradually, so easily. I am afraid of being rushed. — Christopher Isherwood

Doctor controlled his anger. "Tom," he said, "Tom, boy. Pull yourself together. Go back and lay cold cloths - cold as you can get them. I don't suppose you have any ice. Well, keep changing the cloths. I'll be out as fast as I can. Do you hear me? Tom, do you hear me?" He hung the receiver up and dressed. In angry weariness he opened the wall cabinet and collected scalpels and clamps, sponges and tubes of sutures, to put in his bag. He shook his gasoline pressure lantern to make sure it was full and arranged ether can and mask beside it on his bureau. His wife in boudoir cap and nightgown looked in. Dr. Tilson said, "I'm walking over to the garage. Call Will Hamilton. Tell him I want him to drive me to his father's place. If he argues tell him his sister is - dying. — John Steinbeck

Turn around, and the people you thought you knew might change. Your little boy might now live half a world away. Your beautiful daughter might be sneaking out at night. Your ex-husband might by dying by degrees. This is the reason that dancers learn, early on, how to spot while doing pirouettes: we all want to be able to find the place where we started. — Jodi Picoult

But when ye come, and all the flowers are dying,
If I am dead, as dead I well may be,
You'll come and find the place where I am lying,
And kneel and say Ave there for me,
And I shall hear, though soft you tread above me,
And all my grave will warmer, sweeter be,
For you will bend and tell me that you love me,
And I shall sleep in peace until you come to me — Frederick Weatherly

But Amanda ... " Jadina said, looking past Maylin at the young Fate. "She doesn't ask for anything. She doesn't even try to read the future, it's just there. She ends up blurting things out. Starts talking about the car accident you're going to have in three years, or your baby boy dying in child birth in a few months, or your grandmother's funeral next year. Thing's you can't change even if you know about them. Things you're happier not knowing about. People go through life, happily oblivious. If you start telling them all the horrible things that are coming, they get upset. When those horrible things start coming true, they get scared and blame you. They say you caused it. Label you witch. Even burn you at the stake. She's safer in there. — Crissy Moss

It is all about perspective. To healthy people, I seem very sick. But to dying people, I seem healthy. — Sean Waller

In Fall Out Boy, I noticed that I wasn't putting all that much soul into it. It was just kind of screaming, I guess. I was just dying to get out of there! — Patrick Stump

In the next hour, as he lay dying, he thought only of that moment of serenity, kneeling next to the church where he had been a boy before he grew into a man and realized the clarity of strength, his knees damp in the wet ground and in his palm the blue and red and purple glass.

As he lay dying, his flesh ripped like fabric, his blood flowing freely like the rain that came so often, he thought only of those beautiful shards of glass and the weight that they carried, and he found it difficult to comprehend that while he held those small holy things, how something so big and so powerful and so violent could have been so silent as it crept up behind him. — Michael Farris Smith

Staring and staring into the mirror, it sees many faces within its face - the face of the child, the boy, the young man, the not-so-young man - all present still, preserved like fossils on superimposed layers, and, like fossils, dead. Their message to this live dying creature is: Look at us - we have died - what is there to be afraid of?
It answers them: But that happened so gradually, so easily. I'm afraid of being rushed. — Christopher Isherwood

Oh Danny boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side
The summer's gone, and all the flowers are dying
'Tis you, 'tis you must go and I must bide.
But come ye back when summer's in the meadow
Or when the valley's hushed and white with snow
'Tis I'll be here in sunshine or in shadow
Oh Danny boy, oh Danny boy, I love you so.
And if you come, when all the flowers are dying
And I am dead, as dead I well may be
You'll come and find the place where I am lying
And kneel and say an "Ave" there for me.
And I shall hear, tho' soft you tread above me
And all my dreams will warm and sweeter be
If you'll not fail to tell me that you love me
I'll simply sleep in peace until you come to me.
I'll simply sleep in peace until you come to me. — Fred E. Weatherly

In the artifacts that are conscious, memories of vanished lives still flicker. Tissues that were changed without dying hold the moment that a boy heard his sister was leaving home. They hold multiplication tables. They hold images of sexuality and violence and beauty. They hold the memories of flesh that no longer exists. They hold metaphors: mitochondria, starfish, Hitler's-brain-in-a-jar, hell realm. They dream. Structures that were neurons twitch and loop and burn and dream. Images and words and pain and fear, endless. — James S.A. Corey

The last dying days of summer, fall coming on fast. A cold night, the first of the season, a change from the usual bland Maryland climate. Cold, thought the boy; his mind felt numb. The trees he could see through his bedroom window were tall charcoal sticks, shivering, afraid of the wind or only trying to stand against it. Every tree was alone out there. The animals were alone, each in its hole, in its thin fur, and anything that got hit on the road tonight would die alone. Before morning, he thought, its blood would freeze in the cracks of the asphalt. — Poppy Z. Brite

God is a God of galaxies, of storms, of roaring seas and boiling thunder, but He is also the God of bread baking, of a child's smile, of dust motes in the sun. He is who He is, and always shall be. Look around you now. He is speaking always and everywhere. His personality can be seen and known and leaned upon. The sun is belching flares while mountains scrape our sky while ants are milking aphids on their colonial leaves and dolphins are laughing in the surf and wheat is rippling and wind is whipping and a boy is looking into the eyes of a girl and mortals are dying. — N.D. Wilson

Kalmar nodded. "I'm sorry, Papa. I wasn't strong enough."
"None of us are, lad. Me least of all." Esben smiled and took a rattling breath. "But it's weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds." Esben pulled Kalmar closer and kissed him on the head. "And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You're more fit to be the king than I ever was. Do you understand?"
Kalmar shook his head.
Esben smiled and shuddered with pain. "A good answer, my boy. Then do you believe that I love you?"
"Yes, sir. I believe you." Kalmar buried his face in his father's fur.
"Remember that in the days to come. Nia, Janner, Leeli - help him to remember. — Andrew Peterson

I got a smile that'll make the mirror crack,
And I seem to stay under clouds that's pitch black.
So when it rains, it pours, and when it pours, I'm soaked.
I contracted lung cancer from third hand smoke,
And I'm like the frog that's dying to be a prince,
The boy who cried wolf and no one was convinced.
The man who hit lotto and lost his ticket,
In a rainstorm ... and struck by lightning trying to get it. — GZA

As a boy, he had been moved by those words of the dying Socrates, suggesting that if death were just one long, unbroken, dreamless sleep, then a greater boon could hardly be bestowed upon mankind. — Colin Dexter

I had come to Charleston as a young boy, a lonely visitor slouching through its well-tended streets, a young boy, lean and grassy, who grew fluent in his devotion and appreciation of that city's inestimable charm. I was a boy there and saw things through the eyes of a boy for the last time. The boy was dying and I wanted to leave him in the silent lanes South of Broad.I would leave him with no regrets except that I had not stopped to honor his passing. I had not thanked the boy for his capacity for astonishment, for curiosity, and for survival. I was indebted to that boy. I owed him my respect and my thanks. I owed him my remembrance of the lessons he learned so keenly and so ominously. — Pat Conroy

Magnus exhaled - for a moment he no longer felt ill, or afraid of dying, or even angry or bitter. Relief washed over him, as profound as sorrow, and he reached up to brush the cheek of the boy leaning over him with the back of his bruised knuckles. Alec's eyes were huge and blue and full of anguish.
"Oh, my Alec," he said. "You've been so sad. I didn't know. — Cassandra Clare

I kept reading.
I miss you already, bro.
I love you, Augustus. God bless and keep you.
You'll live forever in our hearts, big man.
(That particularly galled me, because it implied the immortality of those left behind:
You will live forever in my memory, becauuse I will live forever! I AM YOUR GOD NOW, DEAD BOY! I OWN YOU! Thinking you won't die is yet another side effect of dying.)
You were always such a great friend I'm sorry I didn't see more of you after you left school, bro. I bet you're already playing ball in heaven. — John Green

And yet here he was, looking at Jem Carstairs, a boy so fragile-looking that he appeared to be made out of glass, with the hardness of his expression slowly dissolving into tentative uncertainty. "You are not really dying," he said, the oddest tone to his voice, "are you?"
Jem nodded. "So they tell me."
"I am sorry," Will said.
"No", Jem said softly. He drew his jacket aside and took a knife from the belt at his waist. "Don't be ordinary like that. Don't say you're sorry. Say you'll train with me."
He held the knife to Will, hilt first. Charlotte held her breath, afraid to move. She felt as if she were watching something very important happen, though she could not have said what.
Will reached out and took the knife, his eyes never leaving Jem's face. His fingers brushed the other boy's as he took the weapon from him. It was the first time, Charlotte thought that she had ever seen him touch any other person willingly.
"I'll train with you," he said. — Cassandra Clare

The next time that boy pursues you, he better do it like a dying man looking for water in a desert. When it's the right guy, you'll know, because he'll cherish you. — Karen Kingsbury

I'm a hoax, a dying boy who's grown wings. — Maria Dahvana Headley

The problems of today's youth were no longer a Sunday supplement, or a news broadcast, or anything so remote and intangible. They were suddenly become a dirty, shivering boy, who told us that in this world we had built for him with our sweat and our blood, he was not only tired of living, but so unscared of dying that he did it daily, sometimes for recreation. — Spider Robinson

In the midst of a hive of customers and clerks, a small boy with blond hair neatly parted on one side stares up into the face of a bronze sculpture. It is Cuchulainn himself---the warrior light. The Hound of Coolan lashed to a boulder with spear drawn. But The Hound is leaning to one side and dying in a public hall of the Dublin Post Office. — Laura Treacy Bentley

Poems 1959-2009_

I turn into the man they photograph.
I think I'll ask him for his autograph.
He's older than I am and more distinguished.
The beauty of the boy has been extinguished.
He smiles a lot and then not.
Hauteur is the new hot.
He tilts his nose up and looks imperious.
He wants to make sure he looks serious.
He smiles at the photographer but not
The camera. He thinks cold is the look that's hot.
You know the poems. It's an experience.
The way that Shylock is a Shakespearience.
A Jew found frozen on the mountain at the howling summit,
Immortally preserved singing to the dying planet from it. — Frederick Seidel

And when the creature spoke, it used Harry's mouth, so that in his agony he felt his jaw move ...
"Kill me now Dumbledore ... "
Blinded and dying, every part of him screaming for release, Harry felt the creature use him again ...
"If death is nothing, Dumbledore, kill the boy ... — J.K. Rowling

Here is The Boy with the Thorn in His Side, dying in your world. A man made monster with every human emotion, overdosed on worthlessness in a world that could never wrap it's head around him (so don't even try).
When it's all over just remember every single word you ever said was always just a bullet to his head. Bury him underground between friends and love - the only things that are gonna make it to the end with him. Look for his body buried beneath where the yellow weeds are growing and know he's still living in his nightmares. — Pete Wentz

Okay, you're right; she's so hot I could walk on three legs every time I see her."
"Now you're talkin'."
"I'll break your back and chop off your legs if you call her."
"That's my boy! — Linda Howard

I come from the South and I know what war is, for I have seen its terrible wreckage and ruin. It is easy for me as President to declare war. I do not have to fight, and neither do the gentlemen on the Hill who now clamor for it. It is some poor farmer's boy, or the son of some poor widow - who will have to do the fighting and dying. — Woodrow Wilson

From high Meonia's rocky shores I came, Of poor decsent, Acoetes is my name, My sire was measly born: no oxen ploughed, His fruitful fields, nor in his pastures lowed, His whole estate within the waters lay' With lines and hooks he caught the finny prey; His art was all his livelehood, which he Thus with his dying lips bequeathed to me: In streams, my boy, and rivers take thy chance; There swims', said he, Thy whole inheritance. — Ovid

Boy to his dying grampa: I am a century wide. I think that I have my literal age but am surrounded in a radius of years. I think that these years of days, this near century of years, is a gift from you. — P. Harding

The woman dying of cancer in The Barracks facing the raw fear of everything in her life disintegrating. The abused adolescent boy in The Dark whose life is torn open for us. They are such raw books of individuals facing the terrors of life. But then these individuals began to merge more into group portraits. That's not to say he's not still searching for a balance and equilibrium in the face of those horrors - the horrors are always there in McGahern. But the celebration of wonder and of love in the face of fear and terror, the beauty in simple things, become his central preoccupation. He starts to celebrate communal bonds in a way he didn't do at all in the beginning. — John McGahern

When you reach the stars, boy, yes, and live there forever, all the fears will go, and Death himself will die. — Ray Bradbury