Quotes & Sayings About Drawing What You See

You know when somebody really knows what they're drawing from and you can feel it when you see the movie. — Edward Norton

People know that Mr. Ellison had a tough beginning, they are aware of a little boy who strived for acceptance, who wished to be like all the other little boys on the block, but found himself always falling short. Unlike majority of children who are carried in the arms and guidance of a father; that separate the dark skies to let you see the light of encouragement and a future glimpse of what they believe you can be. He rather grew up drawing in the sands his own image of what he thought he should be. People are determined to make him into a motivational speech, but remove the essence that still remains of the tragedy that brought everything into play. — Avra Amar Filion

Be clear in your mind why learning to draw well is important. Drawing enables you to see in that special, epiphanous way that artists see, no matter what style you use to express your special insight. Your goal in drawing should be to encounter the reality of experience ... to see ever more clearly, ever more deeply. — Betty Edwards

Imagine 100 book bags, each of which contains 1,000 poker chips. Forty-five bags contain 700 black chips and 300 red chips. The other 55 bags contain 300 black chips and 700 red chips. You cannot see inside any of the bags. One of the bags is selected at random by means of a coin toss. Consider the following two questions about the selected book bag. 1. What probability would you assign to the event that the selected bag contains predominantly black chips? 2. Now imagine that 12 chips are drawn, with replacement, from the selected bag. These twelve draws produce 8 blacks and 4 reds. Would you use the new information about the drawing of chips to revise your probability that the selected bag contains predominantly black chips? If so, what new probability would you assign? — Hersh Shefrin

I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see. — J.J. Abrams

I know from doing portraits that you have to look at someone a really long time to see what they're covering up, to see their inside face, and when you do see it, and get it down, that's the thing that makes people freak out about how much a drawing looks like them. — Jandy Nelson

I couldn't possibly tell you. But I would say be very careful with your suppositions. People are so quick to jump. That's what I love about playing the character. People are so quick to draw conclusions about who he is. The whole thing about Loki is that he's dancing on this liminal line between redemption and destruction. Just be very careful about drawing conclusions based on what you see. — Tom Hiddleston

Freedom isn't an illusion; it's perfectly real in the context of sequential consciousness. Within the context of simultaneous consciousness, freedom is not meaningful, but neither is coercion; it's simply a different context, no more or less valid than the other. It's like that famous optical illusion, the drawing of either an elegant young woman, face turned away from the viewer, or a wart-nosed crone, chin tucked down on her chest. There's no "correct" interpretation; both are equally valid. But you can't see both at the same time.
"Similarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future don't talk about it. Those who've read the Book of Ages never admit to it. — Ted Chiang

He was saved from having to reply by Philippa, turning to face them. "What on earth? Do you see this?"
He had not been paying attention, but Olivia was now alternately pantomiming cracking a whip, and screwing up her face, eyes tightly closed, teeth bared, with her fingers splayed out at either edge of her mouth.
"Driving a squid! Whipping the sunshine!" the marchioness called out, pride in her tone, drawing laughter from the rest of the room.
"Driving a Squid is a play I would dearly love to read," Philippa said on a giggle, turning back to Penelope. "Penny, really. We could use your help. — Sarah MacLean

When I have not rage or sorrow, and you depart from me, then I am most afraid. When the belly is full, and the mind has its sayings, then I fear for my soul; I rush to you as a child at night breaks into its parents' room. Do not forget me in my satisfaction. When the heart grins at itself, the world is destroyed. And I am found alone with the husks and the shells. Then the dangerous moment comes: I am too great to ask for help. I have other hopes. I legislate from the fortress of my disappointments, with a set jaw. Overthrow this even terror with a sweet remembrance: when I was with you, when my soul delighted you, when I was what you wanted. My heart sings of your longing for me, and my thoughts climb down to marvel at your mercy. I do not fear as you gather up my days. Your name is the sweetness of time, and you carry me close into the night, speaking consolations, drawing down lights from the sky, saying, See how the night has no terror for one who remembers the Name. — Leonard Cohen

If the point of drawing was to bring your work into the world so that other people could see it and sense what you'd meant to convey, then, no, Gil should not keep giving it a whirl: he should never draw anything again. No whirls. It should be illegal for Gil Wolf to possess charcoal sticks. But if the point was something else, expression or release, or a way to give private meaning to the loss of your son, your child, your boy, then yes, he should draw and draw. — Meg Wolitzer

He said that doubt provided contour to faith, like shading in a drawing, that it allowed you to see what was really there. At the time we were learning how to sketch in art class, I felt like it was the one thing he said that I actually understood. — Anna Jarzab

What do you think of it?" Claire had asked her then. "It's a dump." Claire had smiled. "Exactly, thank you. Just watch." Maya had no creativity for such things. She could not see the potential. Claire could. She had that kind of touch. Soon the two words that came to mind when you pulled up to the home were "cheerful" and "homey." The whole place ended up looking like a happy kid's crayon drawing somehow, with the sun always shining and the flowers taller than the front door. That — Harlan Coben

A genuine work of art must mean many things; the truer its art, the more things it will mean. If my drawing, on the other hand, is so far from being a work of art that it needs THIS IS A HORSE written under it, what can it matter that neither you nor your child should know what it means? It is there not so much to convey a meaning as to wake a meaning. If it do not even wake an interest, throw it aside. A meaning may be there, but it is not for you. If, again, you do not know a horse when you see it, the name written under it will not serve you much. At all events, the business of the painter is not to teach zoology. — George MacDonald

Drawing is what you see of the world, truly see ... And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are ... that's the world, isn't it? You have to keep looking to find the truth. — Patricia Reilly Giff

Explaining God to Children
Draw a rapid river clockwise, flowing in a circle.
Draw a mountain in the middle, with heaven at the tip.
Tell a child,
'God is the top of the mountain.
Man is the river.
Only God's sees we're in a big hurry going nowhere.'
The clever child will ask,
'What does man see?'
Tell the child,
'Well, man sees there's a light side to God ~ and maybe a dark side too,
depending on where he's at.
Man sometimes doesn't see God at all because there are clouds.'
(Quickly draw some clouds.)
The clever child will ask,
'How do i know it's God on top of the mountain in heaven and it's not the Devil in hell?'
'Hmm...How old did you say you were?'

Back to the drawing board. — Beryl Dov

Ali and the woman whose baby crawled out on the roof


A woman comes to Ali. My baby has crawled out on the roof near

the water drain, where I cannot go. He won't listen to me. I talk, but he doesn't understand

language. I make gestures. I show him my breast, but he turns away. What can I do?

Take another baby his age up to the roof. The woman does, and the child sees his friend and

crawls away from the edge. The prophets are human for this reason, that we may see them

and delight in their friendly presence, and crawl away from the downspout. Muhammad calls himself

a man like you. Likeness is a great drawing force. Those of mean dispositions learn hatred

from each other, and they try to draw others in. Anyone whose haystack has burned

does not enjoy seeing someone else's candle lit. — Jalaluddin Rumi

My God, I have missed you!" he whispered. "You can't imagine what it's been like. In every drawing room where I have been a guest I've listened to the sound of rustling silk, and I've prayed that I could turn and see you there. And every damned night I've lain awake and thought of you, and even when I've slept, my dreams have been plagued by you. Every time I touched a woman's hair, it seemed coarse in my hands because it was not yours, it wasn't the color of fire, and it did not have the sheen of satin and the feel of velvet and silk. Words whispered have never been the same, you witch! Damn you. Damn you a thousand times over! — Heather Graham

You see, what I really want, and what I'm getting with Stephen, is the opportunity to rebuild myself from scratch. David's picture of me is complete now, and I'm pretty sure neither of us likes it much; I want to rip the page out and start again on a fresh sheet, just like I used to do when I was a kid and had messed a drawing up. It doesn't even matter who the fresh sheet is, really, so its beside the point whether I like Stephen, or whether he knows what to do with me in bed, or anything like that. I just want his rapt attention when I tell him that my favorite book is Middlemarch, and i just want that feeling, the feeling I get with him, of having not gone wrong yet — Nick Hornby

He thought that maybe when you're making your way forward into your life, it just looks higgledy-piggledy, the way, if you were a fly walking across one of Beautiful Girl's drawings all you'd be able to see was green, then blue, then yellow. Only if you got in the air before the swat came down would you see the colors belonged to a big drawing, with the green for this part of the picture, the blue and yellow for others, every color being just where if was meant to be. Could that be what life was? — Rachel Simon

Look up, you whose gaze is fixed on this earth, who are spellbound by the little events and changes on the face of the earth. Look up to these words, you who have turned away from heaven disappointed. Look up, you whose eyes are heavy with tears and who are heavy and who are crying over the fact that the earth has gracelessly torn us away. Look up, you who, burdened with guilt, cannot lift your eyes. Look up, your redemption is drawing near. something different from what you see daily will happen. Just be aware, be watchful, wait just another short moment. Wait and something quite new will break over you: God will come. — Dietrich Bonhoeffer

We've taken everything from her, brother," Maven murmurs, drawing close. "Surely we can give her this?"
And then slowly, reluctantly, Cal nods and waves me into his room. Dizzy with excitement, I hurry inside, almost hopping from foot to foot.
I'm going home.
Maven lingers at the door, his smile fading a little when I leave his side. "You're not coming." It isn't a question.
He shakes his head. "You'll have enough to worry about without me tagging along."
I don't have to be a genius to see the truth in his words. But just because he isn't coming doesn't mean I will forget what he's done for me already. Without thinking, I throw my arms around Maven. He doesn't respond for a second, but slowly lets an arm drop around my shoulders. When I pull back, a silver blush paints his cheeks. I can feel my own blood run hot beneath my skin, pounding in my ears. — Victoria Aveyard

"I can see nothing," said I, handing it back to my friend. "On the contrary, Watson, you can see everything. You fail, however, to reason from what you see. You are too timid in drawing your inferences." — Arthur Conan Doyle

want you, it's their loss," Grandma said. "Why don't we just wait and see what they say?" Ms. Donatello told me. "I have to go to the bathroom," Georgia said. I didn't want to talk anymore, so I just made like Leonardo the Silent and kept my mouth shut after that. Finally, the office door opened, and Mr. Crawley, the director of the school, came over to talk to us. I tried not to look like I wanted to disappear. Or self-destruct. Or both. "First of all, Rafe," he said, "you should know there are three things we look for in an applicant. One of those is experience. A lot of the students at Cathedral have been studying art since before they could write." "Sure," I said. "I get it. No problem." But he wasn't done yet. "The other two things we look for are talent and persistence," he said. "Not only is that portfolio of yours full of artistic promise, it's also just full. When I see that, I see a boy who would probably keep drawing whether anyone was paying attention or not. — James Patterson

If you are not drawing fire from both Pharisees and Sadducees, you are probably saying something other than what Jesus said. And if your message is not drawing both tax collectors (Roman collaborators) and zealots (anti-Roman insurrectionists) to repentance, you are probably speaking with a different voice than does he. Jesus wasn't inconsistent. He saw the Roman Empire, despite all its pretensions to preeminence both in its own mind and in the mind of its opponents, as a temporary obstacle, not the defining point of his agenda. We stand and we speak, with reconciliation in view. We see, therefore, even our most passionate critic not as an argument to be vaporized but as a neighbor to be evangelized. This doesn't mean that we back down one iota from the truth. But we proclaim the whole gospel of truth and grace, never backing down from either. That means taking seriously the arguments of our opponents, not merely caricatures of those arguments. — Russell D. Moore

Drawing makes you look at the world more closely. It helps you see what you're looking at more clearly. Did you know that? — David Almond

Create a Chocolate Factory There may be as many different types of playrooms as there are families, but every one of them should have the following design element: lots of choices. A place for drawing. A place for painting. Musical instruments. A wardrobe hanging with costumes. Blocks. Picture books. Tubes and gears. Anything where a child can be safely let loose, joyously free to explore whatever catches her fancy. Did you see the movie Willy Wonka and the Chocolate Factory? If so, you may have been filled with wonder at the chocolate plant, complete with trees, lawns, and waterfalls - a totally explorable, nonlinear ecology. That's what I mean. I am focusing on artistic pursuits because kids who are trained in the arts — John Medina

It's much easier to teach writing, because people are less shy about writing. If they're in a group, nobody can see what they're writing. When you're drawing, people get a little more nervous. — Lynda Barry

Stalking?" Brad made a face, drawing back as if he'd been asked to host a Pampered Chef party. "I didn't say anything about stalking. All I want you to do is stick close to her and check out who she talks to ... see where she goes ... maybe find out what kind of guys are approaching her. That sort of thing. Then report it all back to me. — Jennifer Shirk

I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven. — Adam Savage

I ask, if I shall never see you again and fix my eyes on that solidity, what form will our communication take? You have gone across the court, further and further, drawing finer and finer the thread between us. But you exist somewhere. Something of you remains. A judge. That is, if I discover a new vein in myself I shall submit it to you privately. I shall ask, What is your verdict? You shall remain the arbiter. But for how long? Things will become too difficult to explain: there will be new things; already my son. — Virginia Woolf

I'm too old for change," she explained. "I'm too old to pursue good health and new relationships. The past breathes for me. It is my life. You are young, Dr. Scarpetta. Someday you will see what it is like to look back. You will find it inescapable. You will find your personal history drawing you back into familiar rooms where, ironically, events occurred that set into motion your eventual estrangement from life. You will find the hard furniture of heartbreak more comfortable and the people who failed you friendlier with time. You will find yourself running back into the arms of the pain you once ran away from. It is easier. That's all I can say. It is easier." "Do — Patricia Cornwell

So you don't think I'm crazy because I see patterns all around me?" Airiana asked, drawing her knees up to rest her chin on top of them.
"No, I think you're perfectly sane," Blythe said. "A little mixed up, but that's to be expected given what you've been through."
"Let's not go that far," Lissa teased. "She's got it in her head that we're all going to find ourselves with a Prakenskii man in our laps."
Lexi nearly spewed her tea across the room. "Don't say that. Good grief, Lissa. This is Sea Haven. You can't put something like that out into the universe and not expect repercussions."
"It wasn't me," Lissa denied, holding up both hands. "Airiana said it first, and I told her the exact same thing."

-Airiana, Blythe, Lissa, & Lexi — Christine Feehan

She says I shall now have one mouth the more to fill and two feet the more to shoe, more disturbed nights, more laborious days, and less leisure or visiting, reading, music, and drawing.
Well! This is one side of the story, to be sure, but I look at the other. Here is a sweet, fragrant mouth to kiss; here are two more feet to make music with their pattering about my nursery. Here is a soul to train for God; and the body in which it dwells is worth all it will cost, since it is the abode of a kingly tenant. I may see less of friends, but I have gained one dearer than them all, to whom, while I minister in Christ's name, I make a willing sacrifice of what little leisure for my own recreation my other darlings had left me. Yes, my precious baby, you are welcome to your mother's heart, welcome to her time, her strength, her health, her tenderest cares, to her lifelong prayers! Oh, how rich I am, how truly, how wondrously blest! — Elizabeth Payson Prentiss

Cold men destroy women," my mother wrote me years later. "They woo them with something personable that they bring out for show, something annexed to their souls like a fake greenhouse, lead you in, and you think you see life and vitality and sun and greenness, and then when you love them, they lead you out into their real soul, a drafty, cavernous, empty ballroom, inexorably arched and vaulted and mocking you with its echoes - you hear all you have sacrificed, all you have given, landing with a loud clunk. They lock the greenhouse and you are as tiny as a figure in an architect's drawing, a faceless splotch, a blur of stick limbs abandoned in some voluminous desert of stone. — Lorrie Moore

Where are you going?"
"To get my Bible."
"Right now? You can't get your Bible out right now! I'm, I'm, we're just about to ... "
She'd never be able to go through with this if he got out his Bible. She wiped all humor from her face.
"I believe you. Proverbs 5:18. Rejoice, relish, and romp with your husband."
He chuckled. "I'm serious, Connie, and I won't have you feeling ashamed or unclean over anything we do in that bed, tonight or any other night."
"I won't. I feel unashamed and very clean. I promise. But please don't get out that Bible."
"What? Think you that God can't see us right now?"
Groaning, she slid off his lap and covered her face with her hands. He sunk to his knees in front of her, drawing her hands down.
"I love you. You love me. We are man and wife. God is watching, Connie, and He is very, very pleased. — Deeanne Gist

When difficulties seem insurmountable, optimists react in a more constructive and creative way. They accept the facts with realism, know how to rapidly identify the positive in adversity, draw lessons from it, and come up with an alternative solution or turn to a new project. Pessimists would rather turn away from the problem or adopt escapist strategies - sleep, isolation, drug or alcohol abuse - that diminish their focus on the problem.9 Instead of confronting them with resolve, they prefer to brood over their misfortunes, nurture illusions, dream up "magic" solutions, and accuse the whole world of being against them. They have a hard time drawing lessons from the past, which often leads to the repetition of their problems. They are more fatalistic ("I told you it wouldn't work. It's always the same, no matter what I do") and are quick to see themselves as "mere pawns in the game of life. — Matthieu Ricard

She'd been taught that pants were inappropriate for girls because they were immodest [ ... ] If women's pants were suggestive, men's were equally so, and they revealed a great deal more of what was underneath them. There was almost always a bulge
you couldn't help but notice it
and if the pants were tight, you could see practically everything. And the way men were always drawing attention to it! Touching and scratching themselves with total unselfconsciousness, as if they were alone and not in public. She'd even seen Aidan do it a few times, absent-mindedly. And yet no one accused men of being improper or of encouraging sin by reminding women of what hung between their legs. She looked at herself in the mirror, irritated suddenly by the double standard. This was how her body was made. The fact that it was well made and encased in a pair of blue jeans didn't mean she was inviting anything. — Hillary Jordan

What excuses have you to offer, my heart, for so many shortcomings? Such constancy on the part of the Beloved, such unfaithfulness on your own!
So much generosity on his side, on yours such niggling contrariness! So many graces from him, so many faults committed by you!
Such envy, such evil imaginings and dark thoughts in your heart, such drawing, such tasting, such munificence by him!
Why all this tasting? That your bitter soul may become sweet. Why all this drawing? That you may join the company of the saints.
You are repentant of your sins, you have the name of God on your lips; in that moment he draws you on, so that he may deliver you alive.
You are fearful at last of your wrongdoings, you seek desperately a way to salvation; in that instant why do you not see by your side him who is putting such fear into your heart? — Jalaluddin Rumi

I suddenly see the world
as no longer viable:
you are out there burning the crops
with some new sublimate
This morning you left the bed
we still share
and went out to spread impotence
upon the world

I hate you.
I hate the mask you wear, your eyes
assuming a depth
they do not possess, drawing me
into the grotto of your skull
the landscape of bone
I hate your words
they make you think of fake
revolutionary bills
crisp imitation parchment
they sell at battlefields.

Last night, in this room, weeping
I asked you: what are you feeling?
do you feel anything?
Now in the torsion of your body
as you defoliate the fields we lived from
I have your answer. — Adrienne Rich

A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning.
"What bird are you calling?" I asked finally, when I couldn't stand it any longer.
The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth.
"You. — Karen Russell