Quotes & Sayings About Door Stops

He stops in his tracks, face expressing major disappointment. Wait - seriously? That's it? We don't get to do a stealthy tiptoe as we slip around back? No sneaking through a cracked window, or arguing over who gets to crawl through the dogie door to let the other one in? — Alyson Noel

He said, 'If the torture were to stop now, I might still recover - if never my looks, then at least my strength - '" "'My kes,'" Jake said, and although he'd never heard the word before he pronounced it correctly, almost as if it were kiss. "' - and my kes. But another week . . . or maybe five days . . . or even three . . . and it will be too late. Even if the torture stops, I'll die. And you'll die too, for when love leaves the world, all hearts are still. Tell them of my love and tell them of my pain and tell them of my hope, which still lives. For this is all I have and all I am and all I ask.' Then the boy turned and went out. The batwing door made its same sound. Skree-eek. — Stephen King

Every time you look up at the stars, it's like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize you're the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and you're eleven again. Chasing cats in a tiny town, you're eleven again, you're sixteen again. You're in a rowboat. You're staring out the back of a car. Out here where the world begins and ends, it's like nothing ever stops happening. — Bryan Lee O'Malley

Pigpen pulls off the gravel road near the house and severs the engine. I go to open the door and he stops me. "Talk to me a second, and I don't mean me talking and you nodding your head like that's acceptable conversation. — Katie McGarry

Yeah," Easton says, coming up on Ella's other side. "Your room's a mess."
"Because you keep watching football in there," she mutters as we lead her away. "I expect you to clean it the moment we get back."
Easton stops at the penthouse door and looks at her incredulously. "I'm Easton Royal. I don't clean shit."
Dad sighs. The twins snicker. Even the cops look like they're trying not to laugh. — Erin Watt

Without warning, Packard reaches out
I think he's going to touch my cheek, but he slides his hand around the nape of my neck and pulls me to him, kissing me warm and strong, lips soft, breath like coffee. The kiss takes me by surprise. My whole body wants to follow deeper into him, but he pulls away, and we're looking into each other's eyes, and the moment stops. And everything seems to fall out beneath me.
"Good luck," he whispers.
"Packard
"
He opens the door. "It's okay."
I stare at the open door. It feels like a closed door. And I leave. — Carolyn Crane

Jim: Green and red. (pulls on green lever which closes a door)
Artie: Very impressive. (stops Jim from pulling the red lever). Uh ... did it ever occur to you that red might mean danger?
Jim: For instance?
Artie: For instance, red for fire. Fire of explosion.
Jim: What would they want to explode?
Artie: Those who fool around with their levers.
Wild Wild West Season 4
Night of the Big Blackmail — Wild Wild West TV TV

Something that he wants to do. And when I answer his peremptory scratch at the door and hold the door open for him to walk through, he stops in the middle and lights a cigarette, just to hold me up. — E.B. White

Simon appeared at the doorway behind Tori and Derek. He waved to me and mouthed "run while you can."
Not a bad idea. I snuck around them and zipped out the door to where Simon waited. Then I glanced back at Tori.
"Don't worry about her," he said. "Probably the most fun she's had in days." He led me into the next room. "Sadly, I can't say the same for Derek, and as soon as he stops arguing long enough to notice you're gone - "
"Hey!" Derek called. "Where are you two going?"
Simon took my elbow and steered me at a jog through the house as Derek's footsteps pounded behind us. — Kelley Armstrong

You could have knocked ... Or, you know, announced your entrance like they do on Downton Abbey".
He steps out of his drawstring pants, now completely naked. He walks towards the glass shower door and stops. And then he knocks on it.
I have petrified by the tiled wall.
"It's Loren Hale," he says, a smile spreading across his lips. "May I come in? — Krista Ritchie

And when she's at the door, Mark stops her and he says, "I like you, very much. Just as you are."
It's ridiculous that I love this so much. It's so simple. It's not a witty, perfectly phrased, Ephron-y declaration by our charming, neurotic hero. It's so ... plain. But the idea is the most beautiful thing in the world. So, obviously, it makes me cry. — Mindy Kaling

History is admirably dangerous. It is not the soft option. Teachers need to be grown up and brave. Sensitivity is fine, but it stops at the door of honest narrative. — Simon Schama

When one is sitting in his bedroom and, happening to glance out the window, sees his little brother walking slowly down the driveway, he immediately jumps up, knocks over a stack of magazines piled up beside him, and runs through the doorway and down the hall. He throws open the front door, slams his body, against the screen, and hearing the tap tap tap behind him, jumps over the porch steps and down to the driveway. He stands several yards in front of his brother. He considers running, but doesn't. His arms and legs are shaking. His bottom lip between his teeth, he walks slowly and carefully, making not a sound. He stops, reaches one arm out, and pokes Gabriel Witter on the left shoulder with his index finger. He smiles the slightest of smiles.
Book Title #89: Where Things Come Back — John Corey Whaley

Will you call me before Christmas?' she asks.
Maybe.' I pull on my vest, wondering why I even came here in the first place.
You've still got my number, don't you?' She reaches for a pad and begins to write it down.
Yeah, Blair. I've got your number. I'll get in touch.'
I button up my jeans and turn to leave.
Clay?'
Yeah, Blair.'
If I don't see you before Christmas,' she stops. 'Have a good one.'
I look at her a moment. 'Hey, you too.'
She picks up the stuffed black cat and strokes its head.
I step out the door and start to close it.
Clay?' she whispers loudly.
I stop but don't turn around.'Yeah?'
Nothing. — Bret Easton Ellis

That's the real excellent scary part, that feeling, and that feeling won't come if the lady from next door is there and your mom won't ride the ride, because what brings on that feeling most is when your mom rides wedged in tight with you and your brother on nights like this, when your mom will scream the excellent scream, the scream that people you see in snatches on the boardwalk stop and stare for, the scream that stops the ride next door, the scream that tells us to our hearts the bolts have finally broken. — Mark Richard

It is in the home that we form our attitudes, our deeply held beliefs. It is in the home that hope is fostered or destroyed. Our homes are to be more than sanctuaries; they should also be places where God's Spirit can dwell, where the storm stops at the door, where love reigns and peace dwells — Thomas S. Monson

Sami and I had exactly one day together in the old world. On Tuesday the jihadists came to our front door and knocked down our buildings. Our new world was hijacked planes, anthrax, and Afghanistan. Then we had snipers inside the Beltway. Then came Iraq. With every military action we were told reprisals were not just probable, but a foregone conclusion. An intelligence officer with a fancy PowerPoint briefed teachers on 'our new reality.' He called us 'targets.' He said 'get used to it.' He told our Webmaster 'get off your ass' and remove bus routes/stops from the school's website. Johnny Jihad would find that information especially helpful if he decided to plow through our kids one morning as they stood half-asleep waiting for the school bus. — Tucker Elliot

Takeda stops at the vehicle. 'There is a difference between revenge and redemption.'

"What's the difference?"

Takeda opens the door for him. 'Revenge is an act. Redemption lives solely in the heart. Only when you forgive yourself for what happened will you be able to truly focus. — Jesse Lasky

When he had shown me all he led me to his door. "Why do you collect such things?" I asked hime before I ventured out upon the Strand.
"When a child is born, he looks first only to his mother. As he grows he learns he has an entire household around him, filled with servants and sweets. Still later he ventures into the streets, and hears the ragman cry, or sees the cocks fight. He learns his letters, his Latin, his arithmetic. Always he is looking beyond himself, and learning. But one day, if he is like most men, he stops. He thinks he has learned all."

He smiled at me.

"I did not choose to stop, that is all. — Katherine Sturtevant

Boxer, feeling that his attentions were due to the family in general, and must be impartially distributed, dashed in and out with bewildering inconstancy; now, describing a circle of short barks round the horse, where he was being rubbed down at the stable-door; now feigning to make savage rushes at his mistress, and facetiously bringing himself to sudden stops; now, eliciting a shriek from Tilly Slowboy, in the low nursing-chair near the fire, by the unexpected application of his moist nose to her countenance; now, exhibiting an obtrusive interest in the baby; now, going round and round upon the hearth, and lying down as if he had established himself for the night; now, getting up again, and taking that nothing of a fag-end of a tail of his, out into the weather, as if he had just remembered an appointment, and was off, at a round trot, to keep it. — Charles Dickens

But then he stops at the door frame and says, It's 9:24. Telling me the time is a small act of betrayal-and therefore an ordinary act of bravery. It is maybe the first time I've seen Peter be truly Dauntless. — Veronica Roth

I could have forgiven you, you know, " I say. "For trying to kill me during initiation. I probably could have."
We are both quiet for a while. I don't know why I told him that. Maybe just because it's true, and tonight, of all nights, is the time for honesty. Tonight I will be honest, and selfless, and brave. Divergent.
"I never asked you to, he says, and turns to leave. But then he stops at the door frame and says, "It's 9:24. — Veronica Roth

If you go door to door in our nation and talk to citizens about domestic violence, almost everyone will insist that they do not support male violence against women, that they believe it to be morally and ethically wrong. However, if you then explain that we cannot end male violence against women by challenging patriarchy, and that means no longer accepting the notion that men should have more rights and privileges than women because of biological difference or that men should have the power to rule over women, that is when the agreement stops. There is a gap between the values they claim to hold and their willingness to do the work of connecting thought and action, theory and practice to realize these values and thus create a more just society. — Bell Hooks

The storm stops at the door. Love reigns, peace dwells. — Thomas S. Monson

The NYPD began collecting data on pedestrian stops following the shooting of Amadou Diallo, an African immigrant who died in a hail of police bullets on the front steps of his own home in February 1999. Diallo was followed to his apartment building by four white police officers - members of the elite Street Crime Unit - who viewed him as suspicious and wanted to interrogate him. They ordered him to stop, but, according to the officers, Diallo did not respond immediately. He walked a bit farther to his apartment building, opened the door, and retrieved his wallet - probably to produce identification. The officers said they thought the wallet was a gun, and fired forty-one times. Amadou Diallo died at the age of twenty-two. He was unarmed and had no criminal record. — Michelle Alexander

K.T. stops dead in her tracks, her eyes locked on Horace's car.
"Holy crap," she mutters, eyes wide. "Is that a '69 Camaro SS?"
I glance back at her as I unlock the door. "Yeah. You know cars?"
She shakes her head, her lips trembling. "Just this one."
Her reaction is too strong to be normal. People don't usually get choked up at the sight of a car. There's something about this car specifically that freaks her out.
It takes a second for her to smile, but she forces the expression onto her face. "It's my sister's favorite car. — Erica Cameron

She opens the door to her grandfather's bedroom and stops. Below her, the man pauses again. Has he heard her? Is he climbing more quietly? Out in the world waits a multitude of sanctuaries - gardens full of bright green wind; kingdoms of hedges; deep pools of forest shade through which butterflies float thinking only of nectar. She can get to none of them. — Anthony Doerr

I don't remember getting out of the elevator and going through the lobby. Everything is becoming increasingly foggy. I just find myself standing in front of the hotel all of a sudden.
A Blue and white car stops in front of me. Numbly, I open the back door and slide into the seat.
"Can I help you" the dark haired driver asks, swiveling his head to look at me.
"I need to get home to Hidden Cove."
"Lady, this isn't a cab"
Oh. Great.
"Sorry', I mutter, quickly sliding back out.
This time I make sure the car says cab on it before I get in. — Nicole Christie

When Rosencrantz asks Hamlet, "Good my lord, what is your cause of distemper? You do surely bar the door upon your own liberty, if you deny your grief to your friends"(III, ii, 844-846), Hamlet responds, "Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me." (III,ii, 371-380) — William Shakespeare

Here's the thing about New York, the thing I love most: there is no such substance as silence. If you ever stop talking, and he stops talking, the city takes over for you. A siren forms a distant parabola of sound. A door slams. The old couple in 4A argues over who will answer the telephone. The young lovers in 2C reach an animalistic climax. A million other lives play out on your doorstep, and not one of them gives a damn about your little problems. Life goes on and on and on. — Beatriz Williams

I've heard that sound near every night for twenty-odd years and never heeded it. How much she does, I mean. But this last week I've sat here and heard the sound of her; the sound of her chopping up food, the posher banging in the wash tub, the oven door opening and closing. She never stops. I hear it now. The sound of her loving. — Davina Blake

God is not needed to create guilt or to punish. Our fellow men suffice, aided by ourselves. You were speaking of the Last Judgement. Allow me to laugh respectfully. I shall wait for it resolutely, for I have known what is worse, the judgement of men. For them, no extenuating circumstances; even the good intention is ascribed to crime. Have you at least heard of the spitting cell, which a nation recently thought up to prove itself the greatest on earth? A walled-up box in which the prisoner can stand without moving. The solid door that locks him in the cement shell stops at chin level. Hence only his face is visible, and every passing jailer spits copiously on it. The prisoner, wedged into his cell, cannot wipe his face, though he is allowed, it is true. to close his eyes. Well, that, mon cher, is a human invention. They didn't need God for that little masterpiece. — Albert Camus

THE WAIT: It is life in slow motion,
it's the heart in reverse,
it's a hope-and-a-half:
too much and too little at once.
It's a train that suddenly
stops with no station around,
and we can hear the cricket,
and, leaning out the carriage
door, we vainly contemplate
a wind we feel that stirs
the blooming meadows, the meadows
made imaginary by this stop. — Rainer Maria Rilke

Hey, bodyguard. You better get down to the gymnasium. This jumbo pixie guy is killing your sister." "Really?" said Butler, unconvinced. "Really. Juliet just does not seem to be herself. She can't put two moves together. It's pathetic, really. Everybody is betting against her." "I see," said Butler, straightening. Mulch held the door. "It's going to make things really interesting when you show up to help." Butler grinned. "I'm not coming to help. I just want to be there when she stops faking." "Ah," said Mulch, comprehension dawning on his face. "So I should switch my bet to Juliet?" "You certainly should" said Butler. — Eoin Colfer

A builder looks for the rotten hole where the roof caved in. A water carrier picks the empty pot. A carpenter stops at the house with no door. Workers rush toward some hint of emptiness, which they then start to fill. Their hope, though, is for emptiness, so don't think you must avoid it. It contains what you need! Dear soul, if you were not friends with the vast nothing inside, why would you always be casting your net into it, and waiting so patiently? This — Jalaluddin Rumi