Don't Be Sad Girl Quotes & Sayings

She frowned. "God, that's sad. You want to be with her but the sex part - " I shuddered. "Ewg. You are far too young to say that word." The girl's eyes shone. "What word? Sex?" I put my hands over my ears. "Gah." Molly grinned and enunciated. "But the bleep part would make her lose control." I coughed uncomfortably, lowering my hands. "Basically. Yeah." "Why don't you tie her up? — Jim Butcher

I was grinding away to the climactic moan backtrack when I caught my reflection in the club's mirror, hips rotating, booty shaking. Years later, Grace described my smooth moves as a sad epileptic white girl's imitation of a twerk. Harsh. Could anyone look sexy dancing to lyrics that include "Sucky, sucky. Me sucky, sucky"? I don't think so. — Leah Marie Brown

Come on, girl. Don't cry," whispered Frank.
"Why not? I can be miserable if I want to. You don't need to try and make it go away. It shouldn't go away. It's just as sad as it ought to be and I'm not going to hide from what's true just because it hurts." Cee wasn't sobbing anymore, but the tears were still running down her cheeks. — Toni Morrison

Then the girl spoke to the child. She told him she'd rather it remain this way between them.
That she'd rather their story not move from this place, even if the child didn't understand her; that it remain in this desire, even if that meant she put herself to death. Not a real death, mind you, but a dead death, where you don't hurt, where you're never sad, you're never punished, nothing.
She said, 'It should be completely impossible.'
She said, 'It should be desperate. — Marguerite Duras

First, it's okay to be sad. It's okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly" - her eyes glossed over - "and you and your brothers take care of each other, and your father. Even when you grow up and move away, it's important to come home. Okay?"
My head bobbed up and down, desperate to please her.
"One of these days you're going to fall in love, son. Don't settle for just anyone. Choose the girl that doesn't come easy, the one you have to fight for, and then never stop fighting. Never" - she took a deep breath - "stop fighting for what you want. And never" - her eyebrows pulled in - "forget that Mommy loves you. Even if you can't see me." A tear fell down her cheek. "I will always, always love you. — Jamie McGuire

I definitely think there's a lot of pressure for teenaged girls and guys to hook up on prom. I think it comes with the belief that you have to lose your virginity before you go to college. It's a coming of age thing. I think it's really sad because it has nothing to do with what you want and everything to do with peer pressure. But it comes with the territory of prom. Thankfully more and more kids are knowing their limits, and I think we're raising kids to be really good people, and they're realizing that they don't need to do it just because. — Brittany Snow

This is how I feel, every day, and people don't want to know that. They want to know that I'm feeling what Tom Jones makes you feel. Or that Australian girl who used to be in Neighbours. But I feel like this, and they won't play what I feel on the radio, because people that are sad don't fit in. — Nick Hornby

I don't believe consumers want to see fuller-figured girls in ads. Because if they did they would refuse to buy the things they are seeing, and want to buy a different product. If people really want to see a change, they have to speak up on a daily basis to see that change. And I think that models who are suffering from an eating disorder, it is as sad to look at them as the person who is suffering from obesity or who is smoking outside their office or person who is drinking too much at the bar - everybody is suffering from something pretty much. — Kelly Cutrone

Ohh,' said the girl with a sad tilt of her head.
It was a response Sejal would hear a lot in the following weeks and which she would eventully come to understand meant, 'Ohh, India, that must be so hard for you, and I know because I read this book over the summer called The Fig Tree (which is actually set in Pakistan but I don't realize there's a difference) about a girl whose parents sell her to a sandal maker because everyone's poor and they don't care about girls there, and I bet that's why you're in our country even, and now everyone's probably being mean to you just because of 9/11, but not me although I'll still be watching you a little too closely on the bus later because what if you're just here to kill Americans?'
There was a lot of information encoded in that one vowel sound, so Sejal missed most of it at first. — Adam Rex

Madge did the honors. "Are you ... keeping company with Doc Piney?"
Jesse answered carefully. "We are not dating, but we are seeing a lot of each other." Factually true. Revealing nothing.
The three women sat silently for a long moment, sharing glances with each other.
"You know he has a sad history," Walter Lou said finally.
"Of course she knows," Madge said immediately.
"Everybody knows. The question is are you planning on breaking that man's heart again?"
The suggestion was not at all what Jesse expected.
She stuttered out an answer.
"I ... I don't ... I don't think Piney knows me well enough to get his heart broken," she managed finally.
"Oh, Lord, girl," Madge said. "He's a Baxley. A more lovelorn line of men never graced the earth."
"That's the truth of that," Walter Lou agreed. "Those men dote on their women something fierce. — Pamela Morsi

The Marquess shrugged. "I'm a shadow. I do know I am a shadow, Iago. I know most of the time. It's only when I cannot bear how everyone looks at me down here that I make myself forget it. Shadows are the other side of yourself. I had longings to be good, even then. I was just stronger than my wanting. I'm stronger than anything, really, when I want to be." The Marquess's hair turned white as the snow. "Do you know, we're right underneath Springtime Parish? This place is the opposite of springtime. Everything past prime, boarded up for the season. Just above us, the light shines golden on daffodils full of rainwine and heartgrass and a terrible, wicked, sad girl I can't get back to. I don't even know if I want to. Do I want to be her again? Or do I want to be free? I come here to think about that. To be near her and consider it. I think I shall never be free. I think I traded my freedom for a better story. It was a better story, even if the ending needed work. — Catherynne M Valente

You don't like me talking to other girls?"
"I don't like you grinning at them."Teagan admitted
"Then tame me with your fine Irish eyes, girl."
"Humph."
"You have nothing to worry about. You've had my heart since ... "
"When?"
"I was just trying to sort it, " Fin said. "It could have been the time you explained how its cockles were related to a shellfish." he paused. "No, it was when you flat refused to kiss me
and me thinking I'd never see you agina, risking my kife to lead the goblins away into the night. It was heroic. And sad."
Teagan punched his arm.
"All right." He smiled. "It was the first time I set eyes on you. My heart stopped beating, and that's a fact."
"I know," Teagan said. "The first time I met you, it made me throw up."
Finn knit his brows. "I'll never get over how romantic you are. It's like you've stepped right out of one of those fairy movies Aiden's making Roisin watch. — Kersten Hamilton

I loved playing (Aaron Echols on 'Veronica Mars.') I was really sad when I got my head blown off, but ... that seems to happen to me. I seem to be murdered on all of these shows. But, okay, as long as the checks don't bounce, I'm all right with that. Besides, when Aaron Echols was killed, as I recall, he'd just had sex with a beautiful young girl, he was smoking a Cuban cigar and drinking a rare, 18-year-old brandy, and watching himself on television. If you gotta go, I think that's probably the way to go. — Harry Hamlin

Every morning I sit at the kitchen table over a tall glass of water swallowing pills. (So my hands won't shake.) (So my heart won't race.) (So my face won't thaw.) (So my blood won't mold.) (So the voices won't scream.) (So I don't reach for knives.) (So I keep out of the oven.) (So I eat every morsel.) (So the wine goes bitter.) (So I remember the laundry.) (So I remember to call.) (So I remember the name of each pill.) (So I remember the name of each sickness.) (So I keep my hands inside my hands.) (So the city won't rattle.) (So I don't weep on the bus.) (So I don't wander the guardrail.) (So the flashbacks go quiet.) (So the insomnia sleeps.) (So I don't jump at car horns.) (So I don't jump at cat-calls.) (So I don't jump a bridge.) (So I don't twitch.) (So I don't riot.) (So I don't slit a strange man's throat.) — Jeanann Verlee

They don't know I only speak in runaway train stations
and everybody is always a few minutes too late to the platform.
No one has ever gotten the chance to get too close
because it is never romantic to fuck the girl who makes love to her own sadness every single night. — Katelin Wagner

It isn't just Wally. It could be a girl, for goodness' sake. I mean if he were a girl - somebody in my dorm, for example, - he'd have been painting scenery in some stock company all summer. Or bicycled through wales. Or taken an apartment in New York and worked for a magazine or an advertising company. It's everybody, I mean. Everything everybody does is so - I don't know, not wrong, or even mean, or even stupid, necessarily. But just so tiny and meaningless and - sad-making.
And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much as everybody else, only in a different way. — J.D. Salinger

John Lennon brought his wife Cynthia, a nice blonde girl and she was horribly put out of sight and stayed home. I know it broke John's heart John wasn't happy about it and she was
because we spoke on the plane. I photographed her and them on the plane coming over. And you know photographs don't lie. They tried putting on a black wig on her for a couple of days and that was the sad part that kept quiet because they wanted them to be like, you know, fresh- which they were — Harry Benson

Americans want beauties, not me. I'm not the Parisian bombshell they expected. Can you see me as a chorus girl? Where's my feather up the ass? They think I'm sad, they're dumb. I don't connect to them. — Edith Piaf

Lily slumped, putting her shaking hands on his shoulders. "But you will, won't you?" Pansy's voice broke into a sob.
"Yes, Pan," Galen said quietly.
"I don't like that," Pansy said. Galen stood and put his arms around the fine-boned girl, while Rose continued to comfort Lily. Oliver looked away. It was such a private moment; he hated to intrude on it. Galen was beloved by all of the sisters, but the love between him and Rose was so clear and shining that it hurt to look at them, spending their last hours together caring for the other girls. — Jessica Day George

Like, if I suggested to a school friend we do something, she could say, 'Sorry, I don't have any money'. Which is something I could never say if the situation was reversed. If I said "I don't have any money', it would really mean "I don't have any money'. It's sad. Like, if a pretty girl says "I look
terrible today, I don't want to go out,' that's OK, but if an ugly girl says the same thing people laugh at her. That's what the world was like for
me. — Haruki Murakami

I get so sad that sad gets to be.
So scared that all my feelings they up and leave me. I got so city girl on you. I go so crazy I don't know what to do. — Tegan Quin

That's what you like in a girl: cute and sad, with enough disorders that you could count them to fall asleep. The kind you can show off at parties as the latest broken thing you fixed. Where will you hang your awards for loving someone who can't walk in a straight line without being supported? Is there room next to your collection of glasses you shattered by holding them too tightly? The blood on your hands does not make you a martyr. Do not curse when your hammers do nothing but scar her. Do not use your words to remind her that everybody else would have left by now. If she could speak, she would tell you: you think it's beautiful to love somebody as light as me but you don't know how heavy I had to be to become this empty. — Lora Mathis

P.P.P.S. Twenty-four hours later. I have reread this letter and I can see where somebody might get the impression that I don't do anything but sit around and remember sad things and pity myself. Actually, I am a very lucky person and I know it. I am about to marry a wonderful little girl. There is love enough in this world for everybody, if people will just look. I am proof of that. — Kurt Vonnegut

Don't act like I didn't for you.
I did. Hard. And for a long time.
So please, forgive me if now that we're over, I'm exhausted. — Cecily Von Ziegesar

Well, now there is a very excellent, necessary, and womanly accomplishment that my girl should not be without, for it is a help to rich and poor, and the comfort of families depends upon it. This fine talent is neglected nowadays and considered old-fashioned, which is a sad mistake and one that I don't mean to make in bringing up my girl. It should be part of every girl's eductation, and I know of a most accomplished lady who will teach you in the best and pleasantest manner."
"Oh, what is it?" cried Rose eagerly, charmed to be met in this helpful and cordial way.
"Housekeeping!"
"Is that an accomplsihment?" asked Rose, while her face fell, for she had indulged in all sorts of vague, delightful daydreams. — Louisa May Alcott

I crouched to look at the almond bark on the bottom shelf in the counter. I wasn't quite bold enough to look at either of them when I admitted, "Well, it was love at first sight."
The girl sighed. "That is just so romantic. Do me a favor, and don't you two ever change. The world needs more love at first sight."
Sam's voice was husky. "Do you want some of those, Grace?"
Something in his voice, a catch, made me realize that my words had more of an effect on him than I'd intended. I wondered when the last time someone had told him they loved him was.
That was a really sad thing to think about. — Maggie Stiefvater

So if this were a normal book about a girl with leukemia, I would probably talk a shitload about all the meaningful things Rachel had to say as she got sicker and sicker, and also probably we would fall in love and have some incredibly fulfilling romantic thing and she would die in my arms. But I don't feel like lying to you. She didn't have meaningful things to say, and we definitely didn't fall in love. She seemed less pissed with me after my stupid outburst, but she basically just went from irritable to quiet. — Jesse Andrews

I have to admit, I have a little sad addiction. I love watching on the E Channel that stupid show, The Girls Next Door. It's a very sad thing to say and I don't know how to explain it but I am addicted to Hugh Hefner's girlfriends and The Girls Next Door. — Julie Halston

I kept going deeper and deeper into this world of repetition ... The sad thing is, people don't want to believe that the person they're in love with is out of his mind, drinking and using, so if you give them even half an excuse, they're going to want to believe it. A girl with no prior exposure to the disease had to be blissfully unaware of the nefarious tricks of the dope fiend. That's how I was able to get high all summer and autumn and pretend like it wasn't happening. I was saying, 'I'm sick.' I was deteriorating physically and emotionally. Jaime was tolerant, and it did speak well of her character, because she was not the type to abandon ship during a crisis. She didn't consider backing off or bowing out, she was just there, which I can't say about everybody. I don't know if I could say it even about myself. — Anthony Kiedis

I took her dress over to the closet and hung it up. It was funny. It made me feel sort of sad when I hung it up. I thought of her going in a store and buying it, and nobody in the store knowing she was a prostitute and all. The salesman probably just thought she was a regular girl when she bought it. It made me feel sad as hell- I don't know why exactly. — J.D. Salinger

THE MYTH OF THE GOOD OL BOY AND THE NICE GAL
The good of boy myth and the nice gal are a kind of social conformity myth. They create a real paradox when put together with the "rugged individual" part of the Success Myth. How can I be a rugged individual, be my own man and conform at the same time? Conforming means "Don't make a wave", "Don't rock the boat". Be a nice gal or a good ol' boy. This means that we have to pretend a lot.
"We are taught to be nice and polite. We are taught that these behaviors (most often lies) are better than telling the truth. Our churches, schools, and politics are rampant with teaching dishonesty (saying things we don't mean and pretending to feel ways we don't feel). We smile when we feel sad; laugh nervously when dealing with grief; laugh at jokes we don't think are funny; tell people things to be polite that we surely don't mean."
- Bradshaw On: The Family — John Bradshaw