Name That Film Quotes & Sayings

My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name. — Sidney Poitier

As if Hollywood were the name of the enchanted forest where you loose yourself and find yourself, again; the wood that changes you; the wood where you go mad; the wood where the shadows life longer than you do. — Angela Carter

Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps and tend not to engage in social media. I do use Instagram under my production company's name, but that's it. — Marc Forster

The race film had confirmed a dead heat. That was great. But even better, most of the New York press finally learned to spell my name correctly. — Louis Zamperini

One feature film that I am most proud of is Forrest Gump which starred Tom Hanks. Once you are called out to work in film, yes it is a small industry and your name gets around pretty fast. — Leland Sklar

Diane Coffee is just the part of me that has always been a performer. It's something that's always been there and Diane Coffee is just the name I've given her for this project. But I was always the one who would raid mom's closet and get all dressed up and put on crazy weird shows in the living room or film little movies. — Shaun Fleming

I'll be honest with you. My kids don't watch my movies and never have. I can maybe name a film one hand that they've seen, actually, all the way through. — Kevin Bacon

I have just been working with Maggie Gyllenhaal, who is also a mum, on a movie called 'Hysteria.' She is everywhere because of the nature of film work. Not that I'm name dropping or anything like that. I have to pinch myself when I remember who I've been working with. — Ashley Jensen

-Of course movies today no longer require film. They are recorded and held in digital suspension as ones and zeroes. And so at the moment the last remaining piece of the world is lit and shot for a movie, there will be another Big Bang ... and the multitudes of ones and zeroes will be strewn through the universe as particles that act like waves ... until, shaken by borealic winds or ignited by solar flares or otherwise galvanized by this or that heavenly signal, they compose themselves into brilliant constellations that shine in full color across the night sky of a remote planet ... where a reverent, unrecognizable form of life will look up from its rooftops at the faces of Randolph Scott, Gail Russell, George Brent, Linda Darnell ... to name just a few of the stars. — E.L. Doctorow

Looking back on that time it seems to me that such rapture over Tarkovsky by an audience most of whom would not have known how to spell his name, and who would under normal circumstances have ignored or even disliked his work, arose from our intense sensory deprivation. We were thirsty for some form of beauty, even in an incomprehensible, overintellectual, abstract film with no subtitles and censored out of recognition. There was a sense of wonder at being in a public place for the first time in years without fear or anger, being in a place with a crowd of strangers that was not a demonstration, a protest rally, a breadline or a public execution. — Azar Nafisi

Before 1975, if you knew the name Howard Sackler it was because he was the author behind the 1969 Broadway play The Great White Hope, which won Sackler the Tony and New York Drama Critics Circle award as the year's Best Play as well as the Pulitzer Prize for Drama. A friend of film producer David Brown, Sackler accepted the offer to do a re-write on Jaws author Peter Benchley's script for the film version of his novel. Sackler's main contribution to the story was the back story that the shark fisherman, Quint, derived his hatred for sharks from having survived the sinking of the U.S.S. Indianapolis in July of 1945 (in the film, Quint errantly states the date as "June the 29th, 1945"). — Louis R. Pisano

Though I remember, sharply, last things. The last book she read. The last play (and film, and concert, and opera, and art exhibition) that we went to together. The last wine she drank, the last clothes she bought. The last weekend away. The last bed we slept in that wasn't ours. The last this, the last that. The last piece of my writing that made her laugh. The last words she wrote herself; the last time she signed her name. The last piece of music I played her when she came home. Her last complete sentence. Her last spoken word. — Julian Barnes

The film 'The Diving Bell and the Butterfly,' based the book of the same name, has a line that enlightens and comforts me. The protagonist, who has lost all ability to move except one eye, discusses his role as a father. He notes, 'Even a fraction of a father is still a father.' — Steve Gleason

Ast year's Best-Sex-Scene-in-a-film winner Vince Voyeur's real name turns out to be John LaForme. Rhetorical Q.: How, if one's real name was John LaForme, could that person possibly feel the need for a nom de guerre? — David Foster Wallace

Sprocket fiend is the name I have for the subterranean dimension to my film addiction. The subtle, beneath-the-sound-track sound of the clattering projector in those old rep theaters, especially the New Beverly. The defiant, twenty-four-frames-per-second mechanical heartbeat that says, at least for the duration of whatever movie you're watching, the world's time doesn't apply to you. You're safe in whatever chronal flow the director chooses to take you through. Real time, or a span of months or years, or backward and forward through a life. You are given the space of a film to steal time. And the projector is your only clock. And the need for that subtle, clicking sprocket time makes you - made me - a sprocket fiend. — Patton Oswalt

I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it [Into the Forest] all started. — Ellen Page

A "name" no longer carries a film. People used to go to the cinema to see a "John Wayne film." And you don't have that thing happening now except in the rock world, which has taken the event out of movies. — Elizabeth Taylor

Usually we look at it like, "Oh, black people couldn't vote in Mississippi because they had to take a literacy test." But one of the things you learn in the film is that there were major consequences for even trying to vote. You could be killed for trying to vote. You could definitely be fired from your job and many were, which is why so few black Mississippians even attempted to register early on. They put your name in the newspaper if you tried to register to vote. — Stanley Nelson Jr.

So it is fair enough that you are paying me what I ask for, because it is my name you are using to sell the film. If the producer gives me a guarantee that he will sell the film at a lower price to the distributors, fair enough, then I will charge less! — Ajay Devgan

In 1916, Universal Studios released the first filmed adaptation of Jules Verne's novel '20,000 Leagues Under the Sea.' Georges Melies made a film by that name in 1907, but, unlike his earlier adaptations of Verne, Melies' version bears no resemblance to the book. — Kage Baker

We all grew up in that era. I'm a little younger than these guys [Will Forte and John Solomon], but I would say all of us are huge fans of the original "MacGyver" series, and obviously we found that inspiration for the original pitch for MacGruber. We took his name and made it stupid. In terms of the inspiration for the movie, that really came from our love for late '80s/early '90s action movies - the whole "Lethal Weapon" series and "Rambo" and "Die Hard," every single [Arnold] Schwarzenegger and [Sylvester] Stallone film. — Will Forte

The traveling salesmen fed me pills that made the lining of my veins feel scraped out, my jaw ached ... I knew every raindrop by its name, I sensed everything before it happened. Like I knew a certain oldsmobile would stop even before it slowed, and by the sweet voices of the family inside, I knew we'd have an accident in the rain. I didn't care. They said they'd take me all the way. — Denis Johnson

I could start this review by stating that Dumb and Dumberer lives up to its name, or by calling it stupid, moronic, and idiotic, but I believe that approach is a trap, since a movie like this might relish being the object of such bland invectives. Instead, let me try a few that can't possibly be misconstrued as twisted praise: unfunny, boring, torturous, and unwatchable ... [N]o movie could be more aptly compared to raw sewage than this film - Directed By Troy Miller. — James Berardinelli

I'm happy to say that I have not been fired off a film. The score is usually the last thing to be done. So a lot lands on the scores shoulders. A lot of problems that seem to have nothing to do with the music gets blamed on the music , because it's relatively cheap to change, where as a reshoot etc is not. Music is often expected to help or fix bad cuts, bad acting, bad filming, bad timing, you name it. — Trevor Rabin

For me the journey of making a film is a journey of discovery as to what that film is. I mean what I do is what other artists do, painters, novelists, people that make music, poets, sculptors, you name it. It's about starting out and working with the material and discovering through making, working with the material the artifact. — Mike Leigh

I had a terrible motorcycle accident, in San Francisco as matter of fact. Doing a picture called ... oh, this is terrible. It's a very well-known film and I can't remember the name. That's what happens when you get older ... I fell off a bridge in San Francisco and was laid up for two years. — William Lucking

His name was Anderson and he had little gift for communication. Like most technicians, he had a
terror and a contempt for speculation. The inductive leap was not for him. He dug a step and pulled himself up one single step, the way a man climbs the last shoulder of a mountain. He had great contempt, born of fear, for the Hamiltons, for they all half believed they had wings - and they got some bad falls that way.
Anderson never fell, never slipped back, never flew. His steps moved slowly, slowly upward, and in the end, it is said, he found what he wanted - color film. He married Una, perhaps, because she had little humor, and this reassured him. Una wrote bleak letters without joy but also without self-pity. She was well and she hoped her family was well. — John Steinbeck

When my film went to the Venice Film Festival and won the best script writing, the jury [prize], it didn't go to my head. I know how many black filmmakers that I am operating with whose name will never be mentioned. But I'm part of them in that silent existence. — Haile Gerima

My whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door. — Dree Hemingway

Broadway producers are happy to have a big Hollywood name they can post on the marquee, but most of them assume that television and film stars really can't handle stage work. Too often, they're right. — Rue McClanahan

No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Willomena Frankenburger. — Jane Seymour

Soros and the Tides Foundation have been trying to indoctrinate our kids. Do you remember that stupid what was the name of that film that they did? [clip comes up on monitor] There it is, The Story of Stuff . — Glenn Beck

All those adorable towheaded kids in the promotional film are going to turn thirteen. Once a family member hits puberty, odds are that everybody is not going to have the same ideals. Unless everybody gets together and agrees that the new ideals involve turning the front yard into a skate ramp and officially changing Dad's name to Fuckhead. — Sarah Vowell

Dan had some questions about Chris-R. We all did. Why the name "Chris-R," for instance? What's with that hyphen? Tommy's explanation: "He is gangster." What about this drug business, which never comes up either before or after Chris-R's only scene in the film? "We have big problem in society with the drugs. — Greg Sestero

Two weeks ago we couldn't pronounce your name, but you were in the lead in a film that made millions, so we're sending you all these scripts. — Cillian Murphy

Had there not been the film, my name would not represent somebody that's out there fighting for the environment. — Erin Brockovich

We write for actors and even down to the smallest character in the film, they all have their moment. You take that and you put it in a story that's in your face and there's tons of hardcore R action, nudity and you name it, but at the same time there really is a story there. It's got heart and at the end of the movie people will feel it. So I hope they'll their friends and want to see more. — Todd Farmer

Keep it in mind, every second I
live, is only for you. Every
breath I take has your name on it.
And every moment I spend, is so
that I can be with you forever.
The day you cease to exist in my
life, my life will cease to exist
at all. #LIFE OF LOVE (Film) — Santonu Kumar Dhar

I have writer friends who go to the premiere of a film with their name listed as the writer, but they are shocked: 'That's not what I wrote!' — Graham Moore

It would be a dream to do a film with Pedro Almodovar and that whole crew of Spaniards. There's this Argentinian actor who's one of my favorite actors in the whole wide world. His name is Ricardo Darin, and he's a brilliant actor. He does a lot of Argentinian films, and I know he does a lot of European films, as a Spanish actor. — Julie Gonzalo

I don't think you can name a good picture where the production or the possible promotion isn't "cast-contingent." That means the film needs not just star power but star box office power. — Larry Gelbart

I quite like that people tend not to know my name. I remember being at the Cannes film festival for 'All or Nothing.' I looked very different in the film - I had a little greasy bob and no makeup. I went to a dinner after the screening, and everyone completely ignored me. I got a real buzz out of that. — Lesley Manville