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Despair Movie Quotes & Sayings

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Top Despair Movie Quotes

Despair Movie Quotes By Charles W. Colson

Many people - particularly the young - have been persuaded that such a search is futile. They have been told from their preschool days on that one person's opinion is as good as another's, that each person can pick his or her own truth from a multicultural smorgasbord. If one choice proves unsavory, pick another, and so on, until, in a consumerist fashion, we pick the truth we like best. I think the despair of Generations X, Y, and now E comes from this fundamental notion that there's no such thing as reality or the capital-T truth. Almost every new movie I see these days features a bright, good-looking, talented young man who is so downright sad, he can barely lift his head. I want to scream, "What's wrong with this guy?" Then I feel a profound compassion because his generation has been forbidden the one thing that makes life such a breathtaking challenge: truth. — Charles W. Colson

Despair Movie Quotes By Jon Bernthal

People have different goals, when you start out making a movie. If the goal is darkness and destruction and despair, it's not like, "Hey, let's go to set, and then let's hit the bar afterwards. Let's jaunt into London and pick up some Chinese food." No, you go home from set and you go fight at the gym, and then you go to sleep. You stay in it. You never excuse yourself, you never take it easy on yourself, you never eat good food. — Jon Bernthal

Despair Movie Quotes By Roger Ebert

While I am usually in despair when a movie abandons its plot for a third act given over entirely to action, I have no problem with the way Harry Potter and the Chamber of Secrets ends, because it has been pointing toward this ending, hinting about it, preparing us for it, all the way through. What a glorious movie. — Roger Ebert

Despair Movie Quotes By Francis M. Nevins Jr.

The hallmarks of the noir style are fear, guilt and loneliness, breakdown and despair, sexual obsession and social corruption, a sense that the world is controlled by, malignant forces preying on us, a rejection of happy endings and a preference for resolutions heavy with doom, but always redeemed by a breathtakingly vivid poetry of word (if the work was a novel or story) or image (if it was a movie). ("Introduction") — Francis M. Nevins Jr.