City Of Ghosts Quotes & Sayings
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Top City Of Ghosts Quotes
Every city is a ghost.
New buildings rise upon the bones of the old so that each shiny steel bean, each tower of brick carries within it the memories of what has gone before, an architectural haunting. Sometimes you can catch a glimpse of these former incarnations in the awkward angle of a street or filigreed gate, an old oak door peeking out from a new facade, the plaque commemorating the spot that was once a battleground, which became a saloon and is now a park. — Libba Bray
Mercer looked around. There was no way anyone could hear. But the walls could, and the earth, and the ghosts of horses, and the state of Georgia. — Garth Risk Hallberg
They're too tired for bathing, but they're not too tired for dreams. For dreams, too, are ghosts, desires chased in sleep, gone by morning. The longing of dreams draws the dead, and the city hall to many dreams. — Libba Bray
Or a ghost is a knot in the otherwise smooth flow of time, an electrical storm in a jewelry box, grief perfectly aligned. And sometimes a ghost is a shared thing; sometimes the entire population of a city or country will just happen to look in the mirror at the same time, and from then on there was a city in the sky, as all cities are if we consider that the sky reaches to the ground, and this city, too, thought it was alive, and the candles walked off by themselves. — Cole Swensen
Edinburgh is a great big black bastard of a city where there are ghosts of all kinds. — Sara Sheridan
The streets were full of destruction and rubble, and this town I'd never liked, with its stupid people, stupid streets, and stupid houses, was now unrecognisable, now it had a truly unique beauty, and scantily-clad women traversed it like ghosts. A twelve-storey building in the city centre had totally collapsed. Caught up in her bed sheets, a woman who had fallen from the top floor found herself alive and alone on the pavement. Her husband had been thrown out of bed. From now on she would sleep forever, since reality was now as extraordinary as dreams. — Gherasim Luca
Nice is a city of ghosts and specters, but I hope not to become one of them right away. — Patrick Modiano
A city obsessed by its ghosts seems to be weighted down by a conflicted view of the past. Something close to melancholy: a weight it can't quite let go of, a lingering sadness. And though we don't often think of the United States in these terms, this melancholy is as much a part of our history as our triumphs. — Colin Dickey
It was not a purer realm that loomed vastly over the city. Smokestacks punctured the membrane between the land and the air and disgorged tons of poisonous smog into that upper world as if out of spite. In a thicker, stinking haze just above the rooftops, the detritus from a million low chimneys eddied together. Crematoria vented into the airborne ashes of wills burnt by jealous executors, which mixed with coaldust burnt to keep dying lovers warm. Thousands of sordid smoke-ghosts wrapped New Crobuzon in a stench that suffocated like guilt. — China Mieville
Think of what it must have been like in the Scholomance for all those years it was closed," said Dru, her eyes gleaming with horror-movie delight. "All the way up in the mountains, totally abandoned and dark, full of spiders and ghosts and shadows ... "
"If you want to think about somewhere scary, think about the Bone City," said Livvy. The City of Bones was where the Silent Brothers lived: It was an underground place of networked tunnels built out of the ashes of dead Shadowhunters.
"I'd like to go to the Scholomance," interrupted Ty.
"I wouldn't," said Livvy. "Centurions aren't allowed to have parabatai."
"I'd like to go anyway," said Ty. "You could come too if you wanted."
"I don't want to go to the Scholomance," said Livvy. "It's in the middle of the Carpathian Mountains. It's freezing there, and there are bears."
Ty's face lit up as it often did at the mention of animals. "There are bears?"
"Enough chatter," said Diana. — Cassandra Clare
GHOSTBUSTERS I always wanted the reboot of Ghostbusters to be four girl-ghostbusters. Like, four normal, plucky women living in New York City searching for Mr. Right and trying to find jobs - but who also bust ghosts. I'm not an idiot, though. I know the demographic for Ghostbusters is teenage boys, and I know they would kill themselves if two ghostbusters had a makeover at Sephora. I just have always wanted to see a cool girl having her first kiss with a guy she's had a crush on, and then have to excuse herself to go trap the pissed-off ghosts of the Triangle Shirtwaist Factory fire or something. In my imagination, I am, of course, one of the ghostbusters, with the likes of say, Emily Blunt, Taraji Henson, and Natalie Portman. Even if I'm not the ringleader, I'm definitely the one who gets to say "I ain't afraid a no ghost." At least the first time. — Mindy Kaling
Like electricity running through her body or the thick velvet of magic making everything tingle; she was hot and cold and shivering from both, her sense in total overload.
- City of Ghosts — Stacia Kane
Abandoned lovers were often lured into the false embrace of faithless mistresses and this caused the Minister the gravest concern for he feared that one day a man would impregnate an illusion and then a generation of half-breed ghosts would befoul the city — Angela Carter
Outside, the city is changing. While we have been talking of God's laws and seacrets of the earth, a cold fog has come rolling off the sea, pushing through the allys, sliding over the water, rubbing up agienst the cold stone. As I walk the street falls away behind me, the shop's blue awning lost within seconds. People move like ghosts, their voices disconnected from their bodies; as fast as they loom up they dissapear agien. The fog is so dense that by the time I have crossed toward the Merceria, I can barely see the ground under my feet or tell if the gloom is weather of the beginning of dusk. — Sarah Dunant
Violence never settles anything should be debated by the ghosts of Hitler and Stalin, with the city fathers of Carthage as referees. — Robert A. Heinlein
Behind every door in London there are stories, behind every one ghosts. The greatest writers in the history of the written word have given them substance, given them life.
And so we readers walk, and dream, and imagine, in the city where imagination found its great home. — Anna Quindlen
and isn't it the curse of the drifter, the desolation of heart we feel each evening at sundown, with the slow loop of the river out there just for a half a minute, catching the last light, pregnant with the city in all its density and wonder, the possibilities never to be counted, much less lived into, by the likes of us, don't you see, for we're only passing through, we're already ghosts. — Thomas Pynchon
I loved the abandoned subway stations, rushing past the darkened platforms, the sprawl of graffiti like old letters. Letters left by ghosts. — Hannah Lillith Assadi
Living in New York City is one constant, ongoing literary pilgrimage. For 20 years, I lived among the ghosts of great writers and walked where they had walked. — Kate Christensen
A city finds its life through the humans who inhabit it. When they go, what is truly left? Just silent stones, witnesses to the history but mute in its telling, remaining thus while slowly turning to rubble. It saddens me that life's moments are thus lost, that one cannot experience the past in the same rich vibrancy as the present. You live the moments and then relegate them to memory, now just two-dimensional shadows, pictures without depth, stripped of their purest emotion, their tactile connections no longer accessible. You try to recall, but can bring back only a fraction of the event lived. The rest is gone, never to be as full and complete as it was in that one place at that one time. That was what I thought as I studied these stone remains; that all the tangible things experienced here abide somewhere in time, but can never again be wholly re-animated, now just ghosts imbedded in the crumbling walls and in the fading memories of those who once lived here. — Michael Puttonen
London was a city of ghosts, some deader than others.
Thorne knew that in this respect, it wasn't unlike any other major city - New York or Paris or Sydney - but he felt instinctively that London was ... at the extreme. The darker side of that history, as opposed to the parks, palaces and pearly kings' side that made busloads of Japanese and American tourists gawk and jabber. The hidden history of a city where the lonely, the dispossessed, the homeless, wandered the streets, brushing shoulders with the shadows of those that had come before them. A city in which the poor and the plague-ridden, those long-since hanged for stealing a loaf or murdered for a shilling, jostled for position with those seeking a meal, or a score, or a bed for the night.
A city where the dead could stay lost a long time — Mark Billingham
So I returned to the northern strip of Miami Beach, the valley just far enough north to muffle the piercing South Beach celebratory voices, and just far enough south to dull the glittering lights of the Sunny Isles high rises, and I went to sleep in the city where exhausted people lived exhausted lives, but never stopped once to even ponder sleep--to even dream sleep an option, in the country that breeds ghosts, where the people can't understand why everything real always passes right through their arms. There was so much life out there for all of us, but so few would ever touch it. God, how I wanted to feel. — Jonathan LaPoma
There was the sun, letting down great glowing masses of heat; there was life, active and snarling, moving about them like a fly swarm - the dark pants of smoke from the engine, a crisp "all aboard!" and a bell ringing. Confusedly Maury saw eyes in the milk train staring curiously up at him, heard Gloria and Anthony in quick controversy as to whether he should go to the city with her, then another clamor and she was gone and the three men, pale as ghosts, were standing alone upon the platform while a grimy coal-heaver went down the road on top of a motor truck, carolling hoarsely at the summer morning. CHAPTER — F Scott Fitzgerald
Seven Cities was an ancient civilization, steeped in the power of antiquity, where Ascendants once walked on every trader track, every footpath, every lost road between forgotten places. It was said the sands hoarded power within their sussurating currents, that every stone had soaked up sorcery like blood, and that beneath every city lay the ruins of countless other cities, older cities, cities that went back to the First Empire itself. It was said each city rose on the backs of ghosts, the substance of spirits thick like layers of crushed bone; that each city forever wept beneath the streets, forever laughed, shouted, hawked wares and bartered and prayed and drew first breaths that brought life and the last breaths that announced death. Beneath the streets there were dreams, wisdom, foolishness, fears, rage, grief, lust and love and bitter hatred. — Steven Erikson
All this belongs to the language of ghosts. There are many other possible kinds of talks in this language. Most of them begin when one person says to another: I wish. What they wish for might be anything at all, as long as it is something that cannot happen. I wish the sun would never set. I wish money would grow in my pockets. I wish the city would be like it was in the old days. You get the idea. — Paul Auster
A strange thing happened to me as I walked away from Jane's house
I was finally thinking clearly. I could see what Charlotte meant. Jane knew how to fix people. Now that I'd talked through some of my issues, I'd blown out the dust and garbage out of my brain and I could think for once. I could smell the rain, heavy with iron. The cold woke me, but it didn't sting. My breath puffed out in front of me in a great white plume, and I laughed. It was like I was breathing ghosts. I wasn't in the land of long highways and big box stores and humid, endless summers. I was in London, a city of stone and rain and magic. I understood, for instance, why they liked red so much. The red buses, telephone booths, and postboxes were a violent shock against the grays of the sky and stone. Red was blood and beating hearts.
And I was strong. — Maureen Johnson
Descending south into St. Augustine's Historic District along A1A, visitors are immediately confronted by an edifice which serves as a stark reminder that the city was originally founded as a military outpost, deep in hostile territory. Jutting up like a molar from the defensive teeth of the Ancient City is the forbidding fortress of Castillo de San Marcos, a coquina fortification which has served many roles it its nearly three hundred fifty year history. — James Caskey
There was a huge moon over the western mountains, and it made the city seem even more mysterious and old, and the great black castle on the ridge stood out in front of the moon. And if there are ghosts anyplace in the world, they must be here, and if there is a ghost of Queen Tamara, she must have been walking the ridge in the moonlight that night. — John Steinbeck
Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin. — James Caskey
But what if time worked the other way around?
What if what his adolescent self had felt then was the ghost of his present one, sitting here on a sagging bench, beckoning him into his future? — Garth Risk Hallberg
There is a unique bond between the land and the people in the Crescent City. Everyone here came from somewhere else, the muddy brown current of life prying them loose from their homeland and sweeping them downstream, bumping and scraping, until they got caught by the horseshoe bend that is New Orleans. Not so much as a single pebble 'came' from New Orleans, any more than any of the people did. Every grain of sand, every rock, every drip of brown mud, and every single person walking, living and loving in the city is a refugee from somewhere else. But they made something unique, the people and the land, when they came together in that cohesive, magnetic, magical spot; this sediment of society made something that is not French, not Spanish, and incontrovertibly not American. — James Caskey
The ghosts of Manhattan are not the spirits of the propertied classes; these are entombed in their names, their works, their constructions. New York's ghosts are the unresting souls of the poor, the marginal, the dispossessed, the depraved, the defective, the recalcitrant. They are the guardian spirits of the urban wilderness in which they lived and died. Unrecognized by the history that is common knowledge, they push invisibly behind it to erect their memorials in the collective unconscious. — Luc Sante