Quotes & Sayings About Character Of Girl

And there were sort of three toys for boys and three toys for girls. And the boys I can remember was, well, there was a Dan Dare Ray Gun. Dan Dare was a sort of a cartoon character. He was just sort of a - he was like a Battle of Britain fighter pilot, only in space. — Nick Lowe

There's no doubt that I really have a feeling for the theater. These past few days it has occurred to me to do a comedy whose chief characters are photographic enlargements. Those people we see in doorways. Newlyweds, sergeants, dead girls, an anonymous crowd full of mustaches and wrinkles. It should be terrible. If I focus it well, it will possess pathos without consolation. In the midst of those people I will place an authentic fairy. — Federico Garcia Lorca

Yeah i thought about making the character of JD gay ... But then i thought, but what about all the poor girls dreams you'll be crushing — Zach Braff

Everybody thinks because of my character that I'm this wild girl and I am, I'm an actor, and I have that in me - but I'm actually very calm and mellow. — Taryn Manning

Women of the Gallagher Academy, who comes here?" she asked.
Just then, every girl at every table (even the newbies) stood and said in unison, "We are the sisters of Gillian."
"Why do you come?" my mother asked.
"To learn her skills. Honor her sword. And keep her secrets."
"To what end do you work?"
"To the cause of justice and light."
"How long will you strive?"
"For all the days of our lives," we finished and I felt a little like a character in one of my grandma's soap operas. — Ally Carter

I love becoming a character outside of who I am. Even when I was a little girl, I loved make believe, so I like it. — NeNe Leakes

Grace is in a great measure a natural gift; elegance implies cultivation; or something of more artificial character. A rustic, uneducated girl may be graceful, but an elegant woman must be accomplished and well trained. It is the same with things as with persons; we talk of a graceful tree, but of an elegant house or other building. Animals may be graceful, but they cannot be elegant. The movements of a kitten or a young fawn are full of grace; but to call them "elegant" animals would be absurd. — Richard Whately

I think right after 'Up in the Air' everyone wanted me to play the girl from 'Up in the Air,' and it took a little while for people to think of me as an actress from a film that they liked instead of just that character. — Anna Kendrick

The Blood She Betrayed is unique, and Shahkara, the character, is one of the most engaging strong female role models I've seen in a long time. This girl can handle herself! The plot is full of ingenious twists, turns and surprises, and I look forward to reading the next book in the series. — L.J.Smith

At the end, what I like is that it's the girl's decision to go back in the room. She needs a hug, she wants a hug, she asks for a hug and he gives it to her. For me, it's like an act of resistance to go there and to transgress the taboo and to do what started the whole thing in the beginning. It was supposedly a hug that started this whole drama between the character of Simon and the teacher. — Philippe Falardeau

Because she had always been happy, she wanted everyone about her to be happy or, at least, pleased with themselves. To this end, she always saw the best in everyone and remarked kindly upon it. There was no servant so stupid that she did not find some redeeming trait of loyalty and kind-heartedness, no girl so ugly and disagreeable that she could not discover grace of form or nobility of character in her, and no man so worthless or so boring that she did not view him in the light of his possibilities rather than his actualities. Because of these qualities that came sincerely and spontaneously from a generous heart, everyone flocked about her, for who can resist the charm of one who discovers in others admirable qualities undreamed of even by himself? — Margaret Mitchell

She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering. She — William Goldman

Psychologically, I'll always be a fat girl because that's what my character is built on. I always got a buzz out of people telling me I was ugly. I went out of my way to un-beautify myself. I didn't want anyone's approval. — Alison Moyet

You're walking into the garden little girl with your belly just rumblin' for an apple."
"My belief happen to be other than your own but I've always thought the Garden of Eden story would have been much better if Eve wasn't portrayed as such a mindless character manipulated by suggestion. I mean if she were a little bolder more resourceful and confident she and Adam might've had snake for dinner instead. — Linda Robertson

Liessa comes to see me sometimes. She still comes to see her old dad, my little girl. She was the only one with the strength of character to murder me. A chip off the old block. — Terry Pratchett

Even the most beautiful girl in the world becomes unsightly without depth of character. — Ken Poirot

If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting. — Louis Leterrier

I think a few of my most visible roles are crazy or peppy girls, but I've played a lot of characters who are soldiers, or fighters, or meditative characters, and a lot of this stuff hasn't come out. — Ashly Burch

Across all Cinderella versions it was clear that the 21st century was not very much in evidence, particularly in the character of Cinderella so it seemed, it felt actually as though it hadn't been done for quite some time, not with the kind of lushness that we could do it with, with an absolute removal of the passivity of Cinderella and finding an amusing way, a lighthearted but significant way of making her proactive and not a girl who's life is about waiting for a bloke. — Kenneth Branagh

He had never met a girl like this before - she would never seem quite the same again. He didn't at all feel like a character in a play, the appropriate feeling in an unconventional situation - instead, he had a sense of coming home. — F Scott Fitzgerald

Christianity is not a political theory. It is not even a cultural theory. It is, at its root, all about changing the heart of each man and woman, boy and girl, so that we begin to think God's thoughts and act in accordance with his character. — Ravi Zacharias

I lick my lips as I take her in; she's an enigma. Earlier as I watched her I was sure I had her pegged; pretty, rich, party girl, slightly shy but up for some fun. With my profile of her character in mind I had felt in control. Now that she's surprised me my grasp on control feels looser. I don't know what to expect from her and it leaves me feeling off kilter. — Hanleigh Bradley

'Firelight' is a beautiful story about a lot of young women. My character, Caroline, is a girl who has a bad boyfriend, and he ends up getting her locked up and incarcerated. — Q'orianka Kilcher

My definition of a character actor is - they never get the girl. — James Cromwell

I filmed 'Albatross' before I got 'Downton.' It's a coming-of-age movie about this girl who leaps into this family's life, like a whirlwind. She's ballsy and brash and wonderful, it was such an amazing character to play. — Jessica Brown Findlay

Every character sees the world through a framework of education and experience that they're proud experts about. To write a character, find out what they know best, and THEN you'll know how they'll describe a "hot day." Or a "pretty girl." — Chuck Palahniuk

A woman sees the strength and potentials in a man and pushes him through support to be the very best. A girl sees him as less than he is capable of achieving. — Kemi Sogunle

And when she at last came out, her eyes were dry. Her parents stared up from their silent breakfast at her. They both started to rise but she put a hand out, stopped them. 'I can care for myself, please,' and she set about getting some food. They watched her closely.
In point of fact, she had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, and an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering.
She was eighteen. She was the most beautiful woman in a hundred years. She didn't seem to care.
'You're all right?' her mother asked.
Buttercup sipped her cocoa. 'Fine,' she said.
'You're sure?' her father wondered.
'Yes,' Buttercup replied. There was a very long pause. 'But I must never love again.'

She never did. — William Goldman

The Girl Scouts allow homosexuals and atheists to join their ranks, and they have become a pro-abortion feminist training corps. If the Girl Scouts of America can't get back to teaching real character, perhaps it will be time to look for our cookies elsewhere. — Hans Zeiger

I grew up on Bond, and it is part of my culture, especially in Britain. Just to be known as a Bond girl is an incredible thing for me, because some of my favorite actresses have been Bond girls, like Diana Rigg and Honor Blackman, and they have continued to work and be brilliant. I am honored and flattered to be called that, even though I don't really think my character is Bond-girly, but I'm still going to be labeled as a Bond girl, which is completely brilliant. — Gemma Arterton

A girl who sacrifices self-respect for social popularity debases true womanhood. A spotless character, founded upon the ability to say "no" in the presence of those who mock and jeer, wins the respect and love of men and women whose opinion is most worthwhile.. — David O. McKay

If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character. — Justin Vernon

It's like what those cheesy action-movie heros always say before they finish taking out the bad guys: I started this, and I'm going to finish it. Except even in the movie of my own life, I've never been the heroine. I've never been Action Girl. I've only ever been Kristen's supporting character. — Hannah Harrington

As Elsie showered, she realized she had learned something. She was attracted to the kind of man Denver was. He drove fast and was dangerous and handsome but, she reflected, he was also, in his own way, needy. If he wasn't showing off to a pretty girl, it was Elsie's guess he was fairly miserable. Elsie was happy she didn't have to put up with such a man all the way to Florida. Homer, despite all his many flaws - mostly, she had to concede, having to do with his good character - well, he would do just fine for that chore. — Homer Hickam

I did what a lot of character actors do: I did it to get girls. — Kurt Fuller

I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds. — Cecily Von Ziegesar

Her first really great role, the one that cemented the "Jean Arthur character," was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). "Jean Arthur is my favorite actress," said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. " ... push that neurotic girl ... in front of the camera ... and that whining mop would magically blossom into a warm, lovely, poised and confident actress." Capra obviously recognized that Jean was often frustrated in her career choice. — Eve Golden

From a timid shy girl I had become a woman of resolute character, who could no longer be frightened by the struggle with troubles. — Anna Dostoyevskaya

I just loved playing the mean girl. When you're not like a character, it's kind of fun to play. — Ashley Tisdale

One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and, if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character. We can't criticize it, because it is criticizing us. But I must give you one word of warning. When you sit down to it, don't be so ridiculous as to suppose that you are sitting in judgment on my taste, or on the art of Kenneth Grahame. You are merely sitting in judgment on yourself. You may be worthy: I don't know, But it is you who are on trial. — A.A. Milne

But that's done now," Jason said, shaking his head. "No girl who plays the role of a hero dates a guy who uses her. She knows who she is. She just forgot for a little while." Part Two A Character — Donald Miller

There is a general notion that playing a bubbly girl is undemanding and less challenging. But that's not the case. You need oodles of energy to bring out the spirit of a lively character. Besides, no two bubbly girls are the same. Every character I have played is different from the other. I love being chosen for such lively roles. — Genelia D'Souza

It's fun being one of the boys. It's fun to have a character that's rough and gets down and dirty and not to be this precious girl who just sits in the corner and just sort of stands by the action. — Diane Kruger

When people think girl adventurers, they tend to think of a spunky, plucky tom-boy with a chip on her shoulder. I'm not saying that this makes for a dull character, but I think other types of adventurous girls exist. It's easy to fall into well-established tropes, believing that the tropes of a genre define the genre itself. — Ted Naifeh

The invisibility factor of women in this industry is not unlike the invisibility of girl geeks. We know we exist, but everyone else seems to think we're an enigma every time they get the notion to write about us and what we apparently want. What we want isn't any different than what anyone wants. Good stories. With characters we can relate to or identify with or that are interesting to read about. And we'd like to feel welcome, not the perpetual other. We don't want to feel excluded or like props in every narrative. We don't want or need every story to be about a girl character. But we'd like them to be treated with the same care and attention male characters are. And it is possible, even in male dominated narratives. — Mariah Huehner

As a comedian I don't think they look at me as a sexual person but I can see where with actors it would be a little difficult for them because its part of their mystique, it gives them an easier time to change characters and people aren't going oh we have a gay actor, their gay so I don't know if I'm gunna buy this guy with this girl, its weird, I don't think it's fair; it's only done with us, it seems, like they just accept everyone as straight and go along with it and then its oh their gay and make a big deal out of it. — Wanda Sykes

My friends once told me I remind them of the main character from the American comedy series 'Curb Your Enthusiasm.' I thought they must mean a sunny, affable girl-next-door, but instead I was confronted with Larry David! Crabby, moody, perversely neurotic Larry David. And the thing is, my friends were right. — Anushka Sharma

Growing up as a girl is always traumatizing, especially when you have the deadly combination of greasy skin and getting your boobs at ten. But I think it's good to grow up that way. It builds character. — Tina Fey

There have been a few times when I've read a script and it's really cool but the girl character's just kind of pathetic. It's not going to do me any favours just being 'the girl' in a cool movie. — Emily Browning

It was only when I started making short films in college and I was looking for girls to play the me-ish parts that I thought, Well, maybe I'm just going to try doing this myself before somebody else comes in and handles it. For a long time my acting was just a marriage of convenience between me and these characters that I was writing. — Lena Dunham

I've always like Medieval literature. As a young girl I read mythologies and Norse legends, that sort of thing. I loved Sir Gawain and the Green Knight. While I was studying at Middle Tennessee State University for doctoral program I came in contact with more ancient literature. I examined older literature more seriously which intrigued and fascinated me very much; I was drawn to it.
For the book I used all my own translations of Beowulf from my doctorate. Culture is contained in language, if you study a language you'll see bits of culture, because the words are different and you see into the lives of the people. The Anglo-Saxon language touched me very deeply. Some of it is the heroic. Some of it is the melancholy. But there is also honor. You uphold, you fight to the death. Even if you watch movies, like Marvel comic book movies, like Thor: you want the great ones to win. Its even better if they have a fault. But you want the heroic character to win. — Deborah A. Higgens

It is one of those problems of human nature, which may be noted down, but not solved; - although Ralph felt no remorse at that moment for his conduct towards the innocent, true-hearted girl; although his libertine clients had done precisely what he had expected, precisely what he most wished, and precisely what would tend most to his advantage, still he hated them for doing it, from the very bottom of his soul. — Charles Dickens

The [character] that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where [I] almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me. — Andreas Deja

I was so sensitive and touchy in a way that my character would never be. I was so protective and defensive of young girls, and sex in general. — Kristen Stewart

When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she'd gone and I'd felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving. — Roman Payne

He's wearing a T-shirt for the first time, answering thatquestion I had when we met. It's not muscle filling out Max's clothes; he's just chubby. It looks good on him either way. The thought feels bizarrely out of place after everything that happened today.
I've rehearsed what to tell him. Last year, a friend of my aunt's died, and Iris and Dad coached me on what to say. I copy it almost word for word. "Max, I didn't know your sister well. But she was nice to me. I'm very sorry for your loss." I hold his gaze for a second. — Corinne Duyvis

I want a future where women and girls get to be the subject of their own sexuality, not the object of somebody else's. That we are the main characters in our own play, not props in somebody else's - which is how women's sexuality is treated now. Whatever the outside attitudes about sexuality it's always about somebody's agenda for us, and I want a world where we can have our own. — Jaclyn Friedman

I feel really proud of my work on 'Sullivan & Son.' It's a really different character for me. I was excited to play this really tough, sweet smart, quirky girl because that's who I am at my core, but that's never who I was playing. The show is like my pride and joy. — Valerie Azlynn

An Emraan Hashmi film has come to guarantee certain ingredients: An intense, grey central character, a beautiful girl - if he gets lucky, then two - couple of kisses, a few bold scenes, fabulous music and a climatic twist. — Emraan Hashmi

Every phase of our life belongs to us. The moon does not, except in appearance, lose her first thin, luminous curve, nor her silvery crescent, in rounding to her full. The woman is still both child and girl, in the completeness of womanly character. — Lucy Larcom

As an actor I'm part of a long line of character people you can take back to the silent movies. There's always the little guy who's the sidekick to the tall, good-looking guy who gets the girl. — Curtis Armstrong

A girl must have an indefinable magic, real character, a strong sense of self. Her role is to respond to the brief of a photographer or communicate the vision of a designer - while making whatever she does look utterly effortless and whatever she wears utterly seamless. — Erin O'Connor

Avdotya Romanovna's beauty and education had impressed him; her helpless situation had excited him beyond all measure. Here there was even more than he had dreamed of: the girl who had appeared was proud, full of character, virtuous, superior to him in education and upbringing (he sensed this), and yet this creature would view him with servile gratitude all her life for his noble deed, reverentially effacing herself before him, and he would have unlimited and exclusive power over her! — Fyodor Dostoyevsky

If!" protested Mercy. "I am marrying you, Kit Turner, and there's an end to it!"
Tobias nudged James. "I told you she'd produce a landslide when she got rolling."
Kit, however, was not yet fully aware of the character of the girl whom he had just pledged himself. He put his finger to her lips. "Hush, now, this is between your father and me, Mercy. Let me deal with it."
"Oh, dear, oh, dear," muttered James, shaking his head. "Our brother has a lot to learn about the fairer sex. You never, ever do that."
Kit was suddenly sitting in a chair, a sharp elbow having found a tender spot. Mercy stood before her father, looking defiant, if somewhat bedraggled after her night in prison. — Eve Edwards

I believe being a 'gentleman' goes well beyond holding the door for a girl and letting her go before you. It's about being vulnerable for her. I think that when it comes to the way we treat women, it's a good idea to look to the way Jesus treated women.

He laid His life down for His bride,

He sacrificed for her,

He lowered Himself for her,

He was vulnerable for her.

We must love women vulnerably in the same way that Jesus loved His bride vulnerably. Being a gentleman is far more than being caring and thoughtful, it's about possessing sacrificial and vulnerable Christ-like characteristics. I don't know if it's possible to be a gentleman without knowing and representing the character of Jesus. — Cole Ryan

What am I to call it? Diffidence? The fear of ridicule? Inverted vanity? What matters names, if it has brought me to this? I could never bear to be bustling about nothing; I was ashamed of this toy kingdom from the first; I could not tolerate that people should fancy I believed in a thing so patently absurd! I would do nothing that cannot be done smiling. I have a sense of humour, forsooth! I must know better than my Maker. And it was the same thing in my marriage," he added more hoarsely. "I did not believe this girl could care for me; I must not intrude; I must preserve the foppery of my indifference. What an impotent picture!"
"Ay, we have the same blood," moralised Gotthold. "You are drawing, with fine strokes, the character of the born sceptic."
"Sceptic? - coward!" cried Otto. "Coward is the word. A springless, putty-hearted, cowering coward! — Robert Louis Stevenson

Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be. I'm able to step into these other parts of myself. I feel like, as long as I keep doing that in my career, and I keep tapping into different parts of the human condition, that's all I ask for. — Rose McIver

Dionysus snorted. "Oh, I didn't want you particularly. Any of you silly heroes would do. That Annie girl - " "Annabeth." "The point is," he said, "I pulled you into party time to deliver a warning. We are in danger." "Gee," I said. "Never would've figured that out. Thanks." He glared at me and momentarily forgot his game. Pac-Man got eaten by the red ghost dude. "Erre es korakas, Blinky!" Dionysus cursed. "I will have your soul!" "Um, he's a video game character," I said. "That's no excuse! And you're ruining my game, Jorgenson!" "Jackson." "Whichever! — Rick Riordan

That's stupid," Luke says sharply, totally out of character, and shoots Laura a look that makes her flush red. "First of all, she's not ugly-pretty, she's just normal pretty. What a dumb thing to say. And second, she's different from the average girl 'cause she doesn't even need makeup."
Silence. Luke looks down at his arm and twirls the leather strap around his wrist. I nudge him, and when he looks up at me, I mouth Thank you, not trusting my voice since an unexpected lump has found its way to my throat. — Alecia Whitaker

TRUST took as its starting point the question, What would happen if a movie took the character of a teen-age girl seriously?. — Hal Hartley

She had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering. — William Goldman

I'm definitely more of a 'think game' kind of girl. I'll read every single dialogue and codex entry and lore entry. I really do love projecting myself and creating my character. — Felicia Day

I try to bring elements of my own personality to every character I've played, but I think I'm pretty similar to the character I'm playing now. The biggest departure would have to have been Freaks and Geeks Sara, who was this sort of subordinate and shy girl. — Lizzy Caplan

So long as a novelist works selfishly for the pleasure of creating character and situation corresponding to his own illusions, ideals and intuitions, he will always produce something worth while and natural. Directly he takes himself too seriously and begins for the alleged benefit of humanity an elaborate dissection of complexes, he evolves a book that is more ridiculous and tiresome than the most conventional cold cream girl novel of yesterday. — Willa Cather

I kept going deeper and deeper into this world of repetition ... The sad thing is, people don't want to believe that the person they're in love with is out of his mind, drinking and using, so if you give them even half an excuse, they're going to want to believe it. A girl with no prior exposure to the disease had to be blissfully unaware of the nefarious tricks of the dope fiend. That's how I was able to get high all summer and autumn and pretend like it wasn't happening. I was saying, 'I'm sick.' I was deteriorating physically and emotionally. Jaime was tolerant, and it did speak well of her character, because she was not the type to abandon ship during a crisis. She didn't consider backing off or bowing out, she was just there, which I can't say about everybody. I don't know if I could say it even about myself. — Anthony Kiedis

The little girl's sense of secrecy that developed at prepuberty only grows in importance. She closes herself up in fierce solitude: she refuses to reveal to those around her the hidden self that she considers to be her real self and that is in fact an imaginary character: she plays at being a dancer like Tolstoy's Natasha, or a saint like Marie Leneru, or simply the singular wonder that is herself. There is still an enormous difference between this heroine and the objective face that her parents and friends recognise in her. She is also convinced that she is misunderstood: her relationship with herself becomes even more passionate: she becomes intoxicated with her isolation, feels different, superior, exceptional: she promises that the future will take revenge on the mediocrity of her present life. From this narrow and petty existence she escapes by dreams. — Simone De Beauvoir

Part of the challenge of being a girl living in the 21st Century, looking back, the danger is to not judge your character by your own standards. — Zoe Kazan

You need a boyfriend. Well sure, who doesn't need a boyfriend? But ealistically, those exotic creatures are hard to come by. At least a quality one. I go to an all- girls school, and meaning no disrespect to my sapphic sisters, but I have no interest in nding a romantic companion there. The rare boy creatures I do meet who aren't either related to me or who aren't gay are usually too at ached to their Xboxes to notice me, or their idea of how a teenage girl should look and act comes directly from the pages of Maxim magazine or from the tarty look of a video game character. — Rachel Cohn

For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in. — Ali Larter

It was a compound of self-reliance, hard knocks, heart hunger, unceasing work, and generosity. There was no form of suffering with which the girl could not sympathize, no work she was afraid to attempt, no subject she had investigated she did not understand. These things combined to produce a breadth and depth of character altogether unusual. — Gene Stratton-Porter

I don't want to be the funny girl or the serious girl. I would hope to touch on all different genres and all different types of characters, which I think I've been lucky enough to do, so far. — Yvonne Strahovski

When you look at Steven Meisel's pictures and you see girls rolling around in mud or cars are blowing up? It takes a tremendous amount of courage to be able to do that. I think you have to be malleable, and that's what makes a truly great model. It's not the perfect lip or the perfect face, it's your own ability to take on a character and that's, I think, something there's a misconception about. — Michael Flutie

So odd. Most women of his acquaintance relied on physical beauty and charm to mask their less-pleasant traits. This girl did the opposite, hiding everything interesting about herself behind a prim, plain facade.
What other surprises was she concealing? — Tessa Dare

I think most people don't really understand all that it takes to stand on your toes, and to be able to jump and land without any noise, or for a male dancer to be able to lift a girl. All of these things look so effortless, but there's an attention to detail and years of training, as well as being able to transform into a character and being able to meld all of those things together. — Misty Copeland

When I first read Anne Frank's 'Diary of a Young Girl,' I saw for the first time that a girl could be a writer and that it had something to do with survival and with ethics and fighting against evil. I admired her, though her diary remained terrifying and mysterious to me. She was a character in a real fairy tale - fairy tales are brutal. — Kate Bernheimer

I wasn't into fairytales when I was little. I was of the generation of the earlier Disney films where many of the female characters, with the exception of the Maleficent's, were not little girls that I admired ... the little princesses. They weren't characters that I identified with. I think that's very different now for my girls and more recent films. — Angelina Jolie

So my character on 'Tyrant' is a chap called Barry Al Fayeed, and he is the second son of a fictional Middle Eastern dictator. But, he has grown up since he was young in America. He's trained as a doctor. He's married a beautiful American girl, had two kids, so he's very much an American. — Adam Rayner

Bell holsters his pistol as Chain drops to one knee, begins searching bodies and bags. Lilac is watching him warily, the boy and girl clinging to her. "You with me? Lilac? Are you with me?"
Lilac nods, hesitantly at first, then again, with resolve, and maybe it's calling her by her character name that does it, but she takes a breath, stands a little straighter. She is Lilac the meerkat, the heart of the Flower Sisters. Fierce and loyal, yet kind at heart, and she will do what must be done. — Greg Rucka

A minister friend of mine once said that as he carries his little girl around, she never has to say, "I confess with my mouth and believe in my heart that my dad will not drop me. And I confess with my mouth and believe in my heart that my dad's going to feed me." For that daughter, there is no striving to believe her father is going to be good to her. She just rests and relaxes in her loving relationship with him. She knows he is going to take care of her, because she knows him and his character. — Andrew Wommack

Yes, I like that - loyalty, I mean. It's out of fashion nowadays. She's an odd character, that girl - proud, reserved, stubborn, and terribly warm-hearted underneath, I fancy. — Agatha Christie

He felt a little lost, after that experience. Lost as the girls on their knees. It was a never-ending story of young girls losing themselves, such that they were no longer humans with any souls or characters, but pretty girls with fat asses and nice tits. — Jess C. Scott

In addition to what has been already said of Catherine Morland's personal and mental endowments, when about to be launched into all the difficulties and dangers of a six weeks' residence in Bath, it may be stated, for the reader's more certain information, lest the following pages should otherwise fail of giving any idea of what her character is meant to be; that her heart was affectionate, her disposition cheerful and open, without conceit or affectation of any kind - her manners just removed from the awkwardness and shyness of a girl; her person pleasing, and, when in good looks, pretty - and her mind about as ignorant and uninformed as the female mind at seventeen usually is. — Jane Austen

I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do. — Amy Smart

One of those strange things that happens in movies is that you need someone to actually say people's names, or else you have no idea who those kids are. This was a way for her to introduce who the important boys were in the story, but then it just was so funny that it became a centerpiece to it. When you look at the character design that Tim did for Weird Girl, and what Catherine [O'Hara] did with the voice, and it's gonna kill. — John August

An actress reading a part for the first time tries many ways to say the same line before she settles into the one she believes suits the character and situation best. There's an aspect of the rehearsing actress about the girl on the verge of her teens. Playfully, she is starting to try out ways to be a grown-up person. — Stella Chess

On the page, 'Gone Girl' was a literary game: a tennis match of alternating chapters from Nick and Amy, with the reader offering to take each character's side every few pages. — Richard Corliss

I was shocked and astonished when a daring little girl
a cousin I think
having waited under a group of trees in the avenue, where she knew [my grandfather] would pass near four o'clock on the way to his dinner, said to him, 'If I were you and you were a little girl, I would give you a doll. — W.B.Yeats

It is the task of several months and it is a fact that a girl, either while rehearsing or actually playing, may be training for some character or feature in some future production not yet definitely fixed even in my own mind. — Florenz Ziegfeld

I was cut out of The Doors. I was Okie Girl, a groupie. The powers that be thought that my character made Jim Morrison look too sleazy, if you can imagine. I saw the movie-it was so loud I had a headache for three days. — Jennifer Tilly

She was no longer the fair-haired, colourless girl whom I had seen at the church fifteen years before, but a stout, over-dressed lady, one of those ladies with no age, no character, no elegance, no wit, nor any of the attributes that constitute a woman. She was merely a mother, a fat, commonplace mother, the breeder, the human brood-mare, the procreating machine made of flesh, with no interests but her children and her cookery-book. — Guy De Maupassant