Broken Movie Quotes & Sayings

In psychology, there's something called the broken-leg problem. A statistical formula may be highly successful in predicting whether or not a person will go to a movie in the next week. But someone who knows that this person is laid up with a broken leg will beat the formula. No formula can take into account the infinite range of such exceptional events. — Atul Gawande

He looks pretty broken up about the fact he won't see me tonight."
"Absolutely crushed," Sarah agreed with a nod.
"We were supposed to rent a movie together, you know."
Sarah shrugged. "It must be terrible to be forgotten so easily."
Miles laughed. He was smitten about her, no doubt about it. — Nicholas Sparks

Fans decide what pop culture is. We can define ourselves. Music and the presentation of art nowadays is totally in our control, with the Internet specifically. You no longer need record labels. You no longer need movie distribution companies. You can just make it and put it online, and it will distribute itself to millions of people. The borders and everything have been broken down. It really is in the hands of the people. — Laura Jane Grace

It must be hard to be a female in a David Mackenzie movie. I feel like women in his films are portrayed a certain way - like broken people. — Jamie Bell

Their excessive consumption of fiction was an essential distraction from their broken home. — Michael Ebner

The way that I look at it is that, when we film for eight months straight for a new 'Jackass' movie, I know that I'm going to wind up with at least two broken bones. I don't know when it's going to happen, but you can't contemplate how you're going to fall and what's going to happen. — Bam Margera

I used to come down from New Rochelle and go to Radio City. They'd have a floor show and a movie. I'm showing my age, but I saw 'Cat on a Hot Tin Roof' and 'Broken Arrow' with Jimmy Stewart. It was a great way for a kid to see a movie. — Vincent Pastore

It was strange how in that moment of tragedy, it had seemed so unreal, like an old-fashioned movie reel playing on a screen for my eyes only. The pain and broken heart were blocked off for a little while, leaving me numb with disbelief. Shock is what Dad called it. But after a while, the cruel reality started to seep into my tissues, and my body became a sponge, just sucking it all up until, finally, there was so much grief inside, I couldn't help feeling it.
That's how it happened for me. First, the numbness right after she died, next the agonising pain and then the place I was at now - the land of perpetual depression. — Karen Ann Hopkins

I could just as easily have taken the train.
He shut his eyes, just long enough for a movie of a Tess-induced train riot to screen on the backs of his eyelids. Fists flying, teeth broken, friendships destroyed as men vied to get closer to her lush body barely covered in that incendiary French maid outfit.
And now he was turning hard again. — Kate Meader

Music makes everything more romantic, doesn't it? One second you're walking your dog in the suburbs, and then you put on Adele, and it's like you're in a movie and you've just had your heart brutally broken. — Jenny Han

I squeezed her hand. "He's not coming back, Carlee"
When I said her name, her whole body stiffened, her eyes opening wide and clearing, as though a veil over them had lifted. "Carlee," she whispered.
I nodded and waited for her to freak out, to start screaming or crying, bracing myself and getting ready to hug her or carry her back to the village, whatever it took. For a few impossibly long moments she didn't say anything, didn't move, and I wondered if the shock had broken her brain. Then her brown eyes locked on mine again, narrowing into slits.
"I'm gonna kill that effing creep."
I laughed, relief flooding through me, and threw my arms around her neck.
"No, seriously. I'm going to kill him! I can't believe I bought his stupid lines! I don't care how pretty he was, I mean, have you seen what I'm wearing?"
Laughing, I nodded into her shoulder. "So not the style."
"I know, right? I look like an extra in some fantasy movie. Some stupid fantasy movie. — Kiersten White

One second you're walking your dog in the suburbs, and then you put on Adele, and it's like you're in a movie and you've just had your heart brutally broken." Margot — Jenny Han

You make a movie, and if there's a red light flashing in the distance, everyone thinks that the director had a whole lot of money and a great idea that the red light means something. Then you say, 'Yeah, we couldn't afford to shut the red light off that was broken two blocks away.' — Dito Montiel

Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe ... it's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is ... just ... moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope. — Greg Behrendt

Look, sometimes it's OK with girls like this, they wanna have fun, and sometimes it's not because they've got a broken wing and they're hurt and they're an easy target. In this case, this particular case, I think that wing is being fixed, my friend, and you gotta make sure that it's mended and you're getting in the way of that right now, okay, because she's sensitive and she's smart, she's artistic. This is a great girl, you gotta be respectful to that. Come on, let me walk you to your car, you're a better guy than this. — Matthew Quick

And that is also what the movie's about, going beyond success, what is success 'cause I think success is misperceived as just a cake and it isn't. There is many things inside that success. There's a maturity and a heartbreak and sadness and broken glass. — David O. Russell

How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together. — Kiran Desai

I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat
patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well
the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."
Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot
death, lives destroyed or the horror of the settings
a crazy, chaotic, emotional house, the sinister movie theater. — Arundhati Roy

My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots. — Will Arnett

Everyone looked like a broken-down movie extra, a withered starlet; disenchanted stunt-men, midget auto-racers, poignant California characters with their end-of-the-continent sadness, handsome, decadent, Casanova-ish men, puffy-eyed motel blondes, hustlers, pimps, whores, masseurs, bellhops
a lemon lot, and how's a man going to make a living with a gang like that? — Jack Kerouac

I thought of Al in his dream, looking nothing like this, more like an elegant bat. Broken? Perhaps, but I had put his butterfly back together with my blood. "I never liked the movie Titanic," I said, and he grunted, his gaze sharpening on me. "They both could have gotten on that damn door. — Kim Harrison

I want to point the way to something that should forever lure them, when the TV set is broken and the movie is over and the school bell has rung for the last time. — Bel Kaufman

Dean's California
wild, sweaty, important, the land of lonely and exiled and eccentric lovers come to forgather like birds, and the land where everybody somehow looked like broken-down, handsome, decadent movie actors. — Jack Kerouac