Blotches Quotes & Sayings

We feel that to reveal embarrassing or private things, we have given someone something, that, like a primitive person fearing that a photographer will steal his soul, we identify our secrets, our past and their blotches, with our identity, that revealing our habits or losses or deeds somehow makes one less of oneself. — Dave Eggers

Tanka
Black-and-white Holsteins
Crowd downfield at feeding time,
Mingling their blotches.
It is like ice breaking up
In a dark, swollen river. — Richard Wilbur

I colour my hair mousy brown and I wear makeup only on stage. I use Laura Mercier - something called Biscuit, I think. I run one tiny sponge over my face and cover the red blotches. If I've got some rouge, I'll bung it on my mouth and cheeks. — Jane Birkin

Capitalism undoubtedly has certain boils and blotches upon it, but has it as many as government? Has it as many as marriage? Has it as many as religion? I doubt it. It is the only basic institution of modern man that shows any genuine health and vigor. — H.L. Mencken

I created a successful outdoor youth festival - the Liverd festival - against all good advice. It was a great way to explore and investigate social sculptures. Having that as my kind of studio, outside of a museum or precious white-cube gallery, that was a kind of education. — Natalie Jeremijenko

The truth that writers secretly harbor is that all books are failures. We try to do something that can't be done. Words. Is that all we rely on? Smudgy ink marks on a page? Pallid wisps and blotches? Text as scaffolding trying to hold up worlds? Actually, no, it's not all we rely on. What's worse is our reliance on the reader. A writer is forever locked in an interdependent relationship. It's like building a bridge from opposite sides of a river - our flimsy words and their frail, overreaching imaginations. The bridge will never meet in the middle. It's not possible. Sometimes you haven't even decided on the same river. The Gateway Arch in Saint Louis missed in the middle by a matter of inches the first time around. They tried again and made it. Writers know we never will. — Julianna Baggott

I got so sick of my face and the flaws. — Linda Evangelista

When she thinks of the toxins built up inside of her from so many years of eating carelessly, of the resentment that has grown steadily over fifteen years of marriage, of the stretch marks and the varicose veins that came from two pregnancies, only one of them fulfilled, she thinks the inside of her body must tell a story like a tree. Were she to break open a bone, perhaps it would look like the inside of a coffee mug - riddled with lines, stained with brown blotches. — Benjamin Percy

Do not be bitter over the past. Believe in a brighter future. — Lailah Gifty Akita

Michael came home and asked, Would you like to write a song with me? I got this idea for a title called A Kiss at the End of a Rainbow. So we had a couple glasses of wine and wrote it. — Annette O'Toole

Regardless of the subject of my films ... I am looking for a way of evoking in audiences feelings similar to my own: the physically painful impotence and sorrow that assail me when I see a man weeping at the bus stop, when I observe people struggling vainly to get close to others, when I see someone eating up the left-overs in a cheap restaurant, when I see the first blotches on a woman's hand and know that she too is bitterly aware of them, when I see the kind of appalling and irreparable injustice that so visibly scars the human face. I want this pain to come across to my audience, to see this physical agony, which I think I am beginning to fathom, to seep into my work. — Krzysztof Kieslowski

Black vomit came gushing out Samantha's mouth, adding to the puddle already on the floor. Samantha was covered in a sheen of sweat, crouched on all fours on the wooden hallway floor, like an animal. Her thick yellow fingernails made deep scratches in the wood as her body convulsed with each new expulsion of the black vomit. Her hair was long and thick and full; thicker and fuller than he had ever seen it. It reminded him of a lion's mane. Her skin was a sickly pale grey with disturbing red boils the size of grapefruit and weeping puss-filled black blotches where others had burst. Spider webs of blue veins were visible under the skin all over her body. — Joseph M. Chiron

Poetry is telling something to someone. — Marie Howe

People in Sweden talk a lot about the weather - how much we hate it. But Finns get more depressed. — Camilla Lackberg

Time thins the cloth of memory. As the ages pass, its rich colors fade. Strong wool is beaten by the elements until the pattern of its lesson disintegrates, leaving holes in the truth it was meant to carry on. Even the stains of blood bend and bleed, leaving but faded blotches without meaning, mere shadows of lessons that came before, their warnings lost within the obscure impression that remains. — Melissa McPhail

There weren't many weapons in Egypt in the 1990s. Police controls on guns were very strict back then. That is no longer the case in Egypt today. — Richard Engel

Then, amid a constant coming in, and going out, and running about, and a clatter of crockery, and a rumbling up and down of the machine which brings the nice cuts from the kitchen, and a shrill crying for more nice cuts down the speaking-pipe, and a shrill reckoning of the cost of nice cuts that have been disposed of, and a general flush and steam of hot joints, cut and uncut, and a considerably heated atmosphere in which the soiled knives and tablecloths seem to break out spontaneously into eruptions of grease and blotches of beer, the legal triumvirate appease their appetites. — Charles Dickens

We identify our secrets, our pasts and their blotches, with our identity, that revealing our habits or losses or deeds somehow makes us one less of oneself. But it's just the opposite, more is more is more
more bleeding, more giving. These things, details, stories, whatever are like the skin shed by snakes, who leave theirs for anyone to see. What does he care where it is, who sees it, this snake, and his skin? He leaves it where it molts. Hours, days or months later, we come across a snake's long-shed skin and we know something of the snake, we know that it's of this approximate girth and that approximate length, but we know very little else. Do we know where the snake is now? What the snake is thinking now? No. By now the snake could be wearing fur; the snake could be selling pencils in Hanoi. The skinks no longer his, he wore it because it grew from him, but then it dried and slipped off and he and everyone could look at it. — Dave Eggers

2. Men like women without make-up. They don't. They like extremely well and carefully made-up women whose skin has that expensive cultured look which comes from three hours at the dressing table. A woman who is really without make-up would frighten them to death. They regard blotches as eczema, and uneven colouring as a sign of tertiary syphilis. — Maeve Binchy

They rolled all over the pastel crayons scattered on the sheets so her back was variegated with patches and blotches all the colours of the rainbow and Lee was also marked everywhere with brilliant dusts, both here and there also darkly spotted with blood, each a canvas involuntarily patterned by those workings of random chance so much prized by the surrealists. — Angela Carter

Sacha's complexion was ashen but for the bruised blotches on her jaw. Her eyes were still open, — Marissa Meyer

Go hide," Jonas said softly. "Stay safe. You're free now. When this is over, no matter what happens, find someone loyal to Cato and say you need Nathanial's tracker off of you. I have plenty of money and everything you could possibly need. Find someone from-" Emmy slapped him across the face. Red blotches appeared on her cheeks. "Don't be daft. I'm going to kill that sonuvabitch Nathanial and earn my place among your people. Lead the way to this Sasha." "You don't know how to-" Another slap cut Jonas off. "Fair enough."

-Jonas & Emmy — K.F. Breene

Sefalin coddled his father's head in his lap. The old man's eyes were becoming glassy. Reminded of the elves, Lozane said, "Have you done as they say, my boy? Have you dredged up the Coda Uma and let it go to that blackheart Helix?"
Tears burst from Prince Sefalin's eyes. He couldn't speak, just nodded. His lips flushed a deeper purple. His hair was matted to his reddened forehead by blood. From head to toe he wore spatters and blotches of cadaverous slime and melting snowflakes. A vein in his temple throbbed hotly while mucus dripped from his nose. — Leonard Mokos

Kant, as we all know, compared moral law to the starry heavens, and found them both sublime. On the naturalistic hypothesis we should rather compare it to the protective blotches on a beetle's back, and find them both ingenious. — Arthur Balfour

Blotches of blood looked more like a soupspoon than an R. Several people told him angrily to be quiet. — Jeanne DuPrau

A typical plague victim developed large, tumorlike buboes on the skin; they started the size of almonds and grew to the size of eggs. They were painful to the touch and brought on hideous deformities when they grew large. A bubo under the arm would force the arm to lurch uncontrollably out to the side; sited on the neck, it would force the head into a permanently cocked position. The buboes were frequently accompanied by dark blotches, known as God's tokens, an unmistakable sign that the sufferer had been touched by the angel of death. Accompanying these violent deformities, the victim often developed a hacking cough that brought up blood and developed into incessant vomiting. He gave off a disgusting stench, which seemed to leak from every part of his body - his saliva, breath, sweat, and excrement stank overpoweringly - and eventually he began to lose his mind, wandering around screaming and collapsing in pain. — Dan Jones

I pressed forward, pushing my body along hers, and wrapped my arms around her waist. Some of the intensity of my anger dissipated and drained away. After a very long, steamy kiss, I broke away, breathing hard.
Rimmel's head collapsed against the wall and she stared up at me with unfocused hazel eyes. The flecks of color in the center were green today. "Romeo," she gasped.
I pulled back enough so I could lift her arm and grasp her fingers. She made a sound of protest when I pushed back the material of the shirt once more and stared down at the dark blotches marring her skin.
"How were you going to explain this to me?" I rumbled.
"I wasn't going to lie, it that's what you're implying," she snapped.
"Ah, baby." I groaned and lifted her wrist to press my lips to the marks. "I'm being a jerk."
"You said it ... " She agreed, letting the rest of her sentence fall away.
I smiled against her skin and then kissed her inner wrist once more. — Cambria Hebert

I am a great soft jelly thing. Smoothly rounded, with no mouth, with pulsing white holes filled by fog where my eyes used to be. Rubbery appendages that were once my arms; bulks rounding down into legless humps of soft slippery matter. I leave a moist trail when I move. Blotches of diseased, evil gray come and go on my surface, as though light is being beamed from within. Outwardly: dumbly, I shamble about, a thing that could never have been known as human, a thing whose shape is so alien a travesty that humanity becomes more obscene for the vague resemblance. Inwardly: alone. Here. Living under the land, under the sea, in the belly of AM, whom we created because our time was badly spent and we must have known unconsciously that he could do it better. At least the four of them are safe at last. AM will be all the madder for that. It makes me a little happier. And yet ... AM has won, simply ... he has taken his revenge ...
I have no mouth. And I must scream. — Harlan Ellison

I read somewhere that if you're going through Hell, keep going. It's the only way past it. — Belle Aurora

I am alone in possessing a key to this barbarous sideshow. — Arthur Rimbaud

They are the city scavengers, these pigs. Ugly brutes they are; having, for the most part, scanty brown backs, like the lids of old horsehair trunks: spotted with unwholesome black blotches. They have long, gaunt legs, too, and such peaked snouts, that if one of them could be persuaded to sit for his profile, nobody would recognise it for a pig's likeness. They are never attended upon, or fed, or driven, or caught, but are thrown upon their own resources in early life, and become preternaturally knowing in consequence. Every pig knows where he lives, much better than anybody could tell him. At this hour, just as evening is closing in, you will see them roaming towards bed by scores, eating their way to the last. Occasionally, some youth among them who has over-eaten himself, or has been worried by dogs, trots shrinkingly homeward, like a prodigal son: but this is a rare case: perfect self-possession and self-reliance, and immovable composure, being their foremost attributes. — Charles Dickens

The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert. — Ernest Hemingway,

All our good is more apparently from God, because we are first naked and wholly without any good, and afterwards enrich with all good. — Jonathan Edwards

Language is what we use to tell stories, transmit knowledge, and build social bonds. It comforts, tickles, excites, and destroys. Every society has language, and somehow we all learn a language in the first few years of our lives, a process that has been repeated for as long as humans have been around. Unlike swimming, using Microsoft Windows, or making the perfect lemon souffle - which some of us never manage to do - learning a language is a task we can all take for granted. — Charles Yang