Best Readers Quotes & Sayings

My #1 job as a thriller author is to give readers the best white-knuckle thrill ride I am capable of. I am first and foremost in the entertainment business. If that suspenseful ride is also terrifying because it hits really close to home, then I am once again doing what I am supposed to do as a thriller author. — Brad Thor

There's a unique bond of trust between readers and authors that I don't believe exists in any other art form; as a reader, I trust a novelist to give me his or her best effort, however flawed. — Dan Simmons

Experts in literacy and child development have discovered that if children know eight nursery rhymes by heart by the time they're four years old, they're usually among the best readers by the time they're eight. — Mem Fox

Christopher Lynch has made the best and the first careful translation of Machiavelli's Art of War. With useful notes, an excellent introduction, an interpretive essay, glossary, and index, it is a treasure for readers of military history and Renaissance thought as well as for lovers of Machiavelli. — Harvey Mansfield

I think a lot of what the iPad app is going to be used for is just reading the best content on Quora. It really helps the whole system run because people who are writing answers can get this very wide distribution to a large audience of readers. — Adam D'Angelo

I believe the best reviews are any of those wherein readers share their true opinion, no matter how many stars they rate my work. When I receive responses from appreciative people thanking for useful and amusing reading, it feels like my wings stretch up and blood carries the highest happiness circulating in my veins. I think many writers will understand what I mean by that. — Sahara Sanders

What this means is that it is entirely possible these days for someone to have been raised in a religion and to have taken philosophy courses in college but still to be lacking a philosophy of life. (Indeed, this is the situation in which most of my students find themselves.) What, then, should those seeking a philosophy of life do? Perhaps their best option is to create for themselves a virtual school of philosophy by reading the works of the philosophers who ran the ancient schools. This, at any rate, is what, in the following pages, I will be encouraging readers to do. I — William B. Irvine

The poet's first rule must be never to bore his readers; and his best way of keeping this rule is never to bore himself-which, of course, means to write only when he has something urgent to say. — Robert Graves

You are your own best teacher. ~Jimmy Buffett — Jimmy Buffett

I have tried to be a generous narrator and care for my girl as best I can. I cannot help that readers will always insist on adventures ... — Catherynne M Valente

A writer is someone who analyses the society, people and the world around him or her. Simply a writer is someone who pays attention to the utmost simple things happening around him or her. I believe the best things about being a writer is, you are going to live forever through your work, in your books, in the hearts of your readers, in your characters. — Ama H. Vanniarachchy

The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work. — Robert Frost

Writers don't often say anything that readers don't already know, unless its a news story. A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do. — Andy Rooney

The English major is, first of all, a reader. She's got a book pup-tented in front of her nose many hours a day; her Kindle glows softly late into the night. But there are readers and there are readers. There are people who read to anesthetize themselves - they read to induce a vivid, continuous, and risk-free daydream. They read for the same reason that people grab a glass of chardonnay - to put a light buzz on. The English major reads because, as rich as the one life he has may be, one life is not enough. He reads not to see the world through the eyes of other people but effectively to become other people. What is it like to be John Milton, Jane Austen, Chinua Achebe? What is it like to be them at their best, at the top of their games? — Mark Edmundson

I wasn't trying to write a corrective novel - that would just end up tasting like medicine, and I tried to stay away from polemics as best I could. I think that, if anything, Fobbit is my way of showing readers there's another side to war - the backstage of combat, if you will. If you play a word association game with Americans and say "war," what's the first thing that comes to mind? Soldiers running across a battlefield through a hail of bullets, right? Rambo, smoke, explosions. In Fobbit, I hope readers will see something a little different — Dave Abrams

Everybody else is working to change, persuade, tempt and control them. The best readers come to fiction to be free of all that noise. — Philip Roth

What readers ask nowadays in a book is that it should improve, instruct and elevate. This book wouldn't elevate a cow. I cannot conscientiously recommend it for any useful purposes whatever. All I can suggest is that when you get tired of reading "the best hundred books," you may take this for half an hour. It will be a change. — Jerome K. Jerome

Finally I do like best of all stories whose necessity is in the implied recognition that someplace out there there exists an urgency - a chaos - , an insanity, a misrule of some dire sort which can end life as we know it but for the fact that this very story is written, this order found, this style determined, the worst averted, and we are beneficiaries of that order by being readers. — Richard Ford

Wrong' is why we have this office. 'Wrong' is why we both have the bank accounts we do. 'Wrong' is what our readers, our viewers, our subscribers ... what the public wants to see. 'Wrong' is why you and I are rich.

For the next two or three weeks, until you turn in that winning ticket, I will be the one person in the world you will need to trust. I will be the architect of the new life the two of you are about to embark on. I know your best case scenarios and a whole lot of the worst case scenarios you might run into.

Any publicity for you is publicity for us too. You might not understand it, but as far as the world is concerned, Celebrity Bounty owns you and your family. — Michael Vraa

Big money, big Liberal Party politics and big media are trying to get rid of us, of course, by letting Packer take over Fairfax - a media-only company. But we're hanging in there and doing the best job we can for our readers while we can. — Margo Kingston

You can do the best research and be making the strongest intellectual argument, but if readers don't get past the third paragraph you've wasted your energy and valuable ink. — Carl Hiaasen

The government's view is that the best time to announce bad news, news that it doesn't want the public to dwell on is late on a Friday, when it will wind up in the Saturday papers, which if you were readers, then the week day editions. A holiday weekend is even better. — Bob Schieffer

Readers often tell me after they've read the books, they find it difficult to sum up the plot in a simple way. My response is, "It's a story about the love a father shares for his daughter. All the rest is just filler."
- MJ Mancini, on his best-selling trilogy, "Revelation". — M.J. Mancini

My readers often say to me, 'If we lived next door to each other, we'd be best friends.' That is precisely what I wanted to say to smart, funny, self-effacing Ellen McCarthy after I finished reading The Real Thing. I loved every lesson laid out in a book that wouldn't dare to call itself a field guide to marriage but amounts to as much on every page. This is a deeply useful little book. — Kelly Corrigan

One of the best cures for a reluctant reader, after all, is a tale they cannot stop themselves from reading. — Neil Gaiman

In the worst memoirs, you can feel the author justifying himself - forgiving himself - in every paragraph. In the best memoirs, the author is tougher on him- or herself than his or her readers will ever be. — Darin Strauss

David Levithan lives in the best of times and the worst of times, the age of wisdom and the age of foolishness, the epoch of belief and the epoch of incredulity, the season of Light, and the season of Darkness. He has endeavored in this Ghostly little book to raise the Ghost of an Idea which shall not put his readers out of humor with themselves, with each other, with the season, or with him. Whether he shall turn out to the be hero of his own life, or whether that station will be held by anybody else, time must show. — David Levithan

We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write. — Neil Gaiman

Don't hire anyone - no matter what they offer - who promises you they'll sell 'X' copies of your book. Every book is different. The best any marketing company or PR firm can do for your book is make potential readers aware of it. — M.J. Rose

Critics at their best are independent voices; people take seriously their responsibility to see as many things as they can see, put them in the widest possible perspective, educate their readers. I really do think of myself as a teacher. — Terry Teachout

I always want readers to lose themselves completely in a story and feel something, whatever the book invites them to feel. That experience is the best takeaway any book can offer. — Julie Berry

I get wonderful letters from kids and teachers. I must have the best readers in the world. — Andrew Clements

Americans are curious about the texture of everyday life in the Middle East because they rarely get to see it. I wanted readers to feel like they were sitting around the dinner table with me and my friends, hearing what average people really say and really think, [where] the dinner table is the best place to find out. — Annia Ciezadlo

Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It's like network television. I'm your local cable access station. — Thomas Ligotti

This book is dedicated to the many readers in this and in other countries who write to me asking: 'What has happened to Tommy and Tuppence? What are they doing now?' My best wishes to you all, and I hope you will enjoy meeting Tommy and Tuppence again, years older, but with spirit unquenched! — Agatha Christie

The best readers come to fiction to be free of ... all that isn't fiction. — Philip Roth

Especially on Broadway, composers and lyricists fretted over their creations, obsessed over every rhyme, every critical chord or interval. The stakes were so high. On Broadway, people were watching and judging, especially newspaper critics who knew a thousand ways to slice and dice a songwriter for the entertainment of hundreds of thousands of faithful readers. There was no anonymity for the Broadway songwriter. Even the best could find themselves stripped naked the morning after by the tastemakers and their readers. — Michael Kosser

There are many challenges I face while working on a book. Working within deadlines and schedules is certainly one of the bigger ones for me. I want to create the best possible book I can for my readers with words and pictures - and that takes time to get it just right. — Tony DiTerlizzi

If I'm going to be a pessimist, then I should just stop writing for young people because that's too heavy a burden to put on young readers. But also, I get to meet with people who have waded through horrible things, and they get up every morning, and they try to do their best. — Deborah Ellis

The best gift you can give me is a book. — Lailah Gifty Akita

I tell my students that when you write, you should pretend you're writing the best letter you ever wrote to the smartest friend you have. That way, you'll never dumb things down. You won't have to explain things that don't need explaining. You'll assume an intimacy and a natural shorthand, which is good because readers are smart and don't wish to be condescended to. I think about the reader. I care about the reader. Not "audience." Not "readership." Just the reader. — Jeffrey Eugenides

No other serial publications carry a number on them that is of any weight to their readership. The number is there to serve a function, but it has no intrinsic value in and of itself. It's comfort food and nostalgia at best. On this, we follow what you and your fellow readers do more than what you say. We hear complaints about renumbering every time we do it, but every time we do it it results in higher sales, which is the whole ballgame - so if it were your time and your effort, what would you do? — Tom Brevoort

I want to thank you, first, Person Who Bought This Book. Because of you, I have a job I love. Because of you, the people in my head get to live outside of it. When I meet you, you talk about my characters as if they are old friends (or enemies) we have in common; I cannot explain how miraculous this feels. If you are one of those people who have put my books into the hands of other readers - either professionally as a god-called lunatic who loves books so much you hand-sell them or as a reader who picked one for book club or gave it to your best friend for a birthday - well. This book exists because of you. I hope you are happy about this. I am - happy and grateful and a little bit in love with you. — Joshilyn Jackson

Among my books, the ones that sell best are for readers between the ages of 8 and 12. According to a study by the Association of American Publishers, the largest area of industry growth in 2014 was in the children and young adult category. — Kate Klise

Jay Wexler is my kind of writer
a weird one, and a wry one, and one who isnt afraid to act silly in a sort of bait-and-switch that, to the readers surprise, moves him as much as it makes him laugh. Like all the best comedians, Wexler is clearly nursing a heart that the world broke a long time ago. Ed Tuttle is a book that cant decide what it wants to be when it grows up, but as with most cases of arrested development, theres something very serious going on behind all the antics. Plus, there are pictures. — Ron Currie Jr.

In the United States in 1907, a book entitled Three Acres and Liberty seized the imagination of the reading public. The author, Bolton Hall, began by taking for granted the awkwardness of having to work for someone else, and so advised his readers that they could win their freedom by leaving their offices and factories and buying three acres apiece of inexpensive farmland in middle America. This acreage would soon enable them to grow enough food for a family of four and to build a simple but comfortable home, and best of all, relieve them of any need ever again to flatter or negotiate with colleagues and superiors. — Alain De Botton

Black newspapers and their readers wasted no time in making the link between America's inadequacy in space and the dreadful conditions facing many black students in the South. "While we were forming mobs to drive an Autherine Lucy [the black woman who integrated the University of Alabama in 1956] from an Alabama campus, the Russians were compelling ALL children to attend the best possible schools," opined the Chicago Defender. Until the United States cured its "Mississippiitis" - that disease of segregation, violence, and oppression that plagued America like a chronic bout of consumption - the paper declared, it would never merit the position of world leadership. An editorial in the Cleveland Call and Post — Margot Lee Shetterly

[When asked for her advice to aspiring writers] Run! Just kidding. Sort of. Really, I think the best advice I can give is to wait for the book that compels you to write it-- the one that you eat, sleep, and breathe.

If you try to force yourself to create an epic story, you will feel the ensuing drudgery quite acutely-- and worse, your readers will feel it too.

Conversely, if you wait for the book that won't leave you alone until you finish it, your readers will feel that energy and it will make it difficult for them to put the book down until they have finished it! — Kealohilani

If you have a story to tell, put it out there. Get the thing done. No excuses. No procrastinating. No apologies. It will never be as good as you want it to be, so forget about perfection. Just be satisfied that you've done the best work you can do at this stage in your life as an author. Then roll the rocket onto the launch pad and fire it off. After that, write another story. Always keep going. Move fast. Stay one step ahead of the forces of distraction and self-doubt. Love your characters enough to give them a good home. Love your readers enough to give them a place of refuge from life's tragedies, big and small. And love the world you live in enough to make it the world of your dreams. — James Hampton

Vladimir Nabokov, contemning readers who "identified" with characters in fiction, remarked that the best readers identify with the artist. — Joseph Epstein

A questionnaire! Such an obvious solution. A purpose-built, scientifically valid instrument incorporating current best practice to filter out the time wasters, the disorganised, the ice-cream discriminators, the visual-harassment complainers, the crystal gazers, the horoscope readers, the fashion obsessives, the religious fanatics, the vegans, the sports watchers, the creationists, the smokers, the scientifically illiterate, the homeopaths, leaving, ideally, the perfect partner, or realistically, a manageable shortlist of candidates. — Graeme Simsion

Most best-sellers are written for readers who are willing to be passive consumers. The blurbs on their covers often highlight the coercive, aggressive power of the text - compulsive page-turner, gut-wrenching, jolting, mind-searing, heart-stopping - what is this, electroshock torture? — Ursula K. Le Guin

Trade book publishing is by nature a cottage industry, decentralized, improvisational, personal; best performed by small groups of like-minded people, devoted to their craft, jealous of their autonomy, sensitive to the needs of writers and to the diverse interests of readers. If money were their primary goal, these people would probably have chosen other careers. — Jason Epstein

For a writer, readers are the best collaborators. — Mark Rubinstein

It is noteworthy that few works of fiction make marriage their central concern. As Northrup Frye puts it, with his accustomed clarity: 'The heroine who becomes a bride, and eventually, one assumes, a mother, on the last page of a romance, has accommodated herself to the cyclical movement: by her marriage ... she completes the cycle and passes out of the story. We are usually given to understand that a happy and well-adjusted sexual life does not concern us as readers.' Fiction has largely rejected marriage as a subject, except in those instances where it is presented as a history of betrayal
at worst an Updike hell, at best when Auden speaks of it as a game calling for 'patience, foresight, maneuver, like war, like marriage.' Marriage is very different than fiction presents it as being. We rarely examine its unromantic aspects. — Carolyn G. Heilbrun

Very often, or perhaps more often, and even in very good collections - even in some of the best collections ever written, I would argue - it's because our "voicier" writers hew so closely to one given set of dictional tics that we as readers can't read the books all the way through in a single sitting, because if we did, the stories and their narrators would all start to bleed together. — Roy Kesey

In THE INHERITANCE readers will see the dangers associated with counterfeit spiritual experience; but they'll also see the beauty of a personal relationship with Jesus Christ, and what it means to walk in His resurrection power, which is the inheritance of all believers. The resurrection of Jesus Christ is genuine, which means authentic and real. Occult power is counterfeit, which is best defined as 'made in imitation of something else with intent to deceive'. — Brian Williams

LOUIS SACHAR is the author of the New York Times #1 bestseller Holes, winner of the Newbery Medal, the National Book Award, and the Christopher Award. He is also the author of Stanley Yelnats' Survival Guide to Camp Green Lake; Small Steps, winner of the Schneider Family Book Award; and The Cardturner, a Publishers Weekly Best Book, a Parents' Choice Gold Award recipient, and an ALA-YALSA Best Fiction for Young Adults book. His books for younger readers include There's a Boy in the Girls' Bathroom, The Boy Who Lost His Face, Dogs Don't Tell Jokes, and the Marvin Redpost series, among many others. — Louis Sachar

My platform has been to reach reluctant readers. And one of the best ways I found to motivate them is to connect them with reading that interests them, to expand the definition of reading to include humor, science fiction/fantasy, nonfiction, graphic novels, wordless books, audio books and comic books. — Jon Scieszka

Girls are the best readers in the world. Reading is really a way of kind of escaping so deeply into yourself and pursuing your own thoughts within the construct of a story. — Caitlin Flanagan

Which Country Has the Best Readers? One of the most comprehensive international reading studies was conducted by Warwick Elley for the International Association for the Evaluation of Educational Achievement (IEA) in 1990 and 1991. Involving thirty-two countries, it assessed 210,000 nine- and fourteen-year-olds.22 Of all those children, which ones read best? For nine-year-olds, the four top nations were: Finland (569), the United States (547), Sweden (539), and France (531). But the U.S. position dropped to a tie for eighth when fourteen-year-olds were evaluated. This demonstrates that American children begin reading at a level that is among the best in the world, but since reading is an accrued skill and U.S. children appear to do less of it as they grow older, their scores decline when compared with countries where children read more as they mature. — Jim Trelease

A philosophical thought is not supposed to be impervious to all criticism; this is the error Whitehead describes of turning philosophy into geometry, and it is useful primarily as a way of gaining short-term triumphs in personal arguments that no one else cares (or even knows) about anyway. A good philosophical thought will always be subject to criticisms (as Heidegger's or Whitehead's best insights all are) but they are of such elegance and depth that they change the terms of debate, and function as a sort of "obligatory passage point" (Latour's term) in the discussions that follow.
Or in other words, the reason Being and Time is still such a classic, with hundreds of thousands or millions of readers almost a century later, is not because Heidegger made "fewer mistakes" than others of his generation. Mistakes need to be cleaned up, but that is not the primary engine of personal or collective intellectual progress. — Graham Harman

The easiest-to-read Bibles are called paraphrases. These can be very helpful, especially for young or first-time readers of the Bible. The best known of this type is The Living Bible. — Jeffrey Geoghegan

Will "trigger warnings" simply be a way of establishing a new secular index, a cautionary list of books and other works dangerous not for religious reasons but because they may offend or upset certain groups or individuals or that contain material which can be viewed as insensitive or inappropriate? Would Grapes of Wrath be upsetting to someone with bad memories of rural poverty? Will the near future necessitate warning labels in front of all published material? Will future editions of The Best American Essays, for example, include a trigger warning in front of each selection so readers can avoid material that might upset them? And will trigger warnings in themselves eventually cause upsetting reactions, just the words and images sufficing to evoke unpleasant memories or anxious responses? — John Jeremiah Sullivan

My feeling of the whole genre, of the terror tale, is this: The best thing that you can do for the readers in this field is to terrify them. It is something that is intellectual, it happens in your mind. — Stephen King

The best books come from someplace deep inside ... Become emotionally involved. If you don't care about your characters, your readers won't either. — Judy Blume

You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book
if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them. The best readers come to fiction to be free of all that noise, to have set loose in them the consciousness that's otherwise conditioned and hemmed in by all that isn't fiction. This is something that every child, smitten by books, understands immediately, though it's not at all a childish idea about the importance of reading. — Philip Roth

In this article we begin to address the subject of vaccinosis, the general name for chronic dis-ease caused by vaccines. For some readers the very idea that vaccines are anything but wonderful and life-saving may come as a surprise, and it's not a very pleasant one. After all, the general population pictures vaccines as one of modern medicine's best and brightest moments, saving literally millions from the scourge of diseases like poliomyelitis and smallpox. — Richard Pitcairn

A form wherein we can enjoy simultaneously what is best in both the novel and the short story form. My plan was to create a book that affords readers some of the novel's long-form pleasures but that also contains the short story's ability to capture what is so difficult about being human - the brevity of our moments, their cruel irrevocability. — Junot Diaz

As readers, we are seldom interested in the fine sentiments of a lesson learnt; we seldom care about the good manners of morals. Repentance puts an end to conversation; forgiveness becomes the stuff of moralistic tracts. Revenge - bloodthirsty, justice-hungry revenge - is the very essence of romance, lying at the heart of much of the best fiction. — Alberto Manguel

My books are primarily plot driven but the best plot in the world is useless if you don't populate them with characters that readers can care about. — Jeffery Deaver

Many readers simply can't stomach fantasy. They immediately picture elves with broadswords or mighty-thewed barbarians with battle axes, seeking the bejeweled Coronet of Obeisance ... (But) the best fantasies pull aside the velvet curtain of mere appearance ... In most instances, fantasy ultimately returns us to our own now re-enchanted world, reminding us that it is neither prosaic nor meaningless, and that how we live and what we do truly matters. — Michael Dirda

Writing, at its best and truest, can offer solace and salvation for both readers and writers. — Roxane Gay

If you look at the heritage of the best advertising, you can make stuff that is great for both readers and advertisers. I don't think Don Draper would have loved banner ads. — Jonah Peretti

Honestly, I don't think I'm a good promoter. I spend almost zero time or effort asking new readers to sample or purchase my work. That's not the job of the author. We should write our best material and leave it up to readers to spread the word. — Hugh Howey

If you're a writer, your first duty, a duty you owe to yourself and your readers, and to your writing itself, is to become wonderful. To become the best writer you can possibly be. — Theodora Goss

Truth, like beauty, varies its fashions, and is best recommended by different dresses to different minds; and he that recalls the attention of mankind to any part of learning which time has left behind it, may be truly said to advance the literatures of his own age. As the manners of nations vary, new topicks of persuasion become necessary, and new combinations of imagery are produced; and he that can accommodate himself to the reigning taste, may always have readers who perhaps would not have looked upon better performances. — Samuel Johnson

You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell. — Orson Scott Card

Park your ego and listen to your readers. They can be your best friend or your worst enemy. But chances are you'll learn something from them. — Eliza Green

Which is probably one of the reasons those of us who love contemporary fiction love it as we do. We're alone with it. It arrives without references, without credentials we can trust. Givers of prizes (not to mention critics) do the best they can, but they may - they probably will - be scoffed at by their children's children. We, the living readers, whether or not we're members of juries, decide, all on our own, if we suspect ourselves to be in the presence of greatness. We're compelled to let future generations make the more final decisions, which will, in all likelihood, seem to them so clear as to produce a sense of bafflement over what was valued by their ancestors; what was garlanded and paraded, what carried to the temple on the shoulders of the wise. — Michael Cunningham

I want to say before I go on that I have never previously told anyone my sordid past in detail. I haven't done it now to sound as though I might be proud of how bad, how evil, I was.
But people are always speculating-why am I as I am? To understand that of any person, his whole life, from birth, must be reviewed. All of our experiences fuse into our personality. Everything that ever happened to us is an ingredient.
Today, when everything that I do has an urgency, I would not spend one hour in the preparation of a book which had the ambition to perhaps titillate some readers. But I am spending many hours
because the full story is the best way that I know to have it seen, and understood, that I had sunk to the very bottom of the American white man's society when-soon now, in prison-I found Allah and the religion of Islam and it completely transformed my life. — Malcolm X

You have to expose part of yourself to create a character deep enough for readers to care about. You try not to because it's hard and at times shameful, but then when you read those pages over and you see they have no life to them so you throw them away and force yourself to be more honest. So I suppose the answer is I see myself in all my characters, in their best moments and in their worst. — Adam Haslett

It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost. — Wilfrid Sheed

The single best piece of advice I give to aspiring writers is to always write about things that they know. I suggest that they write about people and places and events and conflicts they are familiar with. That way their writing will be real and hopefully readers will respond to it. I try to take my own advice. — D.J. MacHale

All of us introverts aspire to be more outgoing, but it's not in our nature. When I was nearly 50, I discovered that the best thing to do was to tell everyone I worked with that I'm just shy. People are not mind readers - you need to let them know. — Douglas Conant

I just try to write the best story I can, a story I would love to read, and hope that readers feel the same. — Jennifer McMahon

Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century. — Terri Windling

Richard subtly slipped in the fact that he is thriller writer Richard Renwick, creator of MI5 hero Jackman Tripp. Unfortunately none of them had ever heard of Richard or his hero, which led to a prickly first day on safari. But now he's back in form, doing what he does best: charming his audience. Laying it on too thick, I think. Far too thick. But if I complain about it later, I know exactly what he'll say. It's what writers have to do, Millie. We have to be sociable and bring in new readers. Funny how Richard never wastes his time being sociable with — Tess Gerritsen

As writers, we do our best to conjure a world so vivid that the reader can practically walk through it - but we're still only using words and relying on readers to do a lot of work of imagining. Providing pictures as well as words offers a whole new dimension to the experience of consuming a story. — Sharon Shinn

Literature offers us all, writers and readers, the best method of discovering and retelling the changing story of ourselves. The story is both journey and surprise. And as everyone knows, even the past is altered, depending on, not the facts, but the interpretation. — Jeanette Winterson

It was you readers who really came through, proving once again that when the American people decide to "get involved" in a problem, it is best not to let them have any sharp implements. — Dave Barry

Gary Shteyngart has written a memoir for the ages. I spat laughter on the first page and closed the last with wet eyes. Un-put-down-able in the day and a half I spent reading it, Little Failure is a window into immigrant agony and ambition, Jewish angst, and anybody's desperate need for a tribe. Readers who've fallen for Shteyngart's antics on the page will relish the trademark humor. But here it's laden and leavened with a deep, consequential, psychological journey. Brave and unflinching, Little Failure is his best book to date — Mary Karr

I sincerely believe that the best criticism is the criticism that is entertaining and poetic; not a cold analytical type of criticism, which, claiming to explain everything, is devoid of hatred and love, and deliberately rids itself of any trace of feeling, but, since a fine painting is nature reflected by an artist, the best critical study, I repeat, will be the one that is that painting reflected by an intelligent and sensitive mind. Thus the best accounts of a picture may well be a sonnet or an elegy ... But that type of criticism is destined for books of poetry and for readers of poetry. As to criticism proper, I hope philosophers will understand what I am about to say: to be in focus, in other words to justify itself, criticism must be partial, passionate, political, that is to say it must adopt an exclusive point of view, provided always the one adopted opens up the widest horizons. — Charles Baudelaire

"Best in the world," "lowest price in existence, " etc are at best claiming the expected. But superlative of that sort are usually damaging. They suggestion looseness of expression, a tendency to exaggerate, a careless truth. They lead readers to discount all the statements that you make — Claude C. Hopkins

But the real life of a writer resides in showing up at the keyboard every day, with the necessary patience and mercy, and making the best decisions you can on behalf of your people. It's a slow process. It often feels hopeless, more like an affliction than an art form.
Most of us will have to find our readers one by one, in other words, and against considerable resistance. If anything qualifies us as heroic, it's that private perpetual struggle.
Put down the magazine, soldier. Forget about the other guy. Remember who you are. — Steve Almond

We don't claim perfection; even the best journalism is but a first draft of history. But we bring to the challenge certain basic beliefs that aren't much in fashion these days. We believe facts are facts and that they are ascertainable through honest, open-minded and diligent reporting. We thus believe that truth is attainable by laying fact upon fact, much like the construction of a cathedral. News, in short, is not merely a matter of views. And truth is not merely in the eye of the beholder.
[Letter From the Publisher: A Report to The Wall Street Journal's Readers, 12 January, 1993] — Peter R. Kann

Writing about sex is a challenge for the same reason sex is a challenge. Because it's complicated. Because it doesn't always make sense and it isn't always perfect and it's sometimes awful and it's sometimes hilarious. But underneath all the clever wordplay, it's about hope. Hope that someone will see us, and accept us, and perhaps - after all that - choose us. It's the barest we will ever be. The barest a character will ever be. That's why it's difficult.
As for what makes a good sex scene, a romance novelist would have told you that when done well and with a skilled hand, the best sex scenes can at once arouse and empower. Sex on the page gives readers the freedom to explore their own sexuality, their own pleasures, their own identities. With hope. And without judgment. — Sarah MacLean

I am trying to give the best performance possible in 400 pages. I want readers to be scared; I want them to be moved. Entertainment doesn't necessarily mean something trivial, but it does mean people wanting to get to the end of a book. — Mark Billingham

It has been the practice of all Christian commentators on the Bible, and of all Christian priests and preachers, to impose the Bible on the world as a mass of truth, and as the word of God; they have disputed and wrangled, and have anathematized each other about the supposable meaning of particular parts and passages therein; one has said and insisted that such a passage meant such a thing, another that it meant directly the contrary, and a third, that it meant neither one nor the other, but something different from both; and this they have called understanding the Bible.
It has happened, that all the answers that I have seen to the former part of 'The Age of Reason' have been written by priests: and these pious men, like their predecessors, contend and wrangle, and understand the Bible; each understands it differently, but each understands it best; and they have agreed in nothing but in telling their readers that Thomas Paine understands it not. — Thomas Paine

In my opinion, trying to guess what readers want is the wrong approach. You have to tell your story as best you can and as true to yourself as possible. You have to be honest and fair and vulnerable and foolish and brave, and not care what anyone thinks of it. — Jeannette Walls