Best Charlie Scene Quotes & Sayings
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Top Best Charlie Scene Quotes
I didn't shoot any guns then or when we did the scene with Uncle Charlie [Matthew Goode] and Evie [Nicole Kidman] in the hall. I sort of pressed the button but there were no blanks or anything in there because I think it was always going to cut. — Mia Wasikowska
Katherine Anne [Porter] treated them like favored nephews; she even cooked meals for them. Unfortunately, however, beneath Christopher's deference and flattery, there was a steadily growing aggression. By her implicit claim to be the equal of Katherine Mansfield and even Virginia Woolf, Katherine Anne had stirred up Christopher's basic literary snobbery. How dare she, he began to mutter to himself, this vain old frump, this dressed-up cook in her arty finery, how dare she presume like this! And he imagined a grotesque scene in which he had to introduce her and somehow explain her to Virginia, Morgan [Forster] and the others . . . [t]hus Katherine Anne became the first of an oddly assorted collection of people who, for various reasons, made up their minds that they would never see Christopher again. The others: Charlie Chaplin, Benjamin Britten, Cole Porter, Lincoln Kirstein. — Christopher Isherwood
When it comes to the whole debate today over evolution versus creation, Jesus affirmed the early chapters of Genesis were accurate when He said, "Have you not read, that He who created them from the beginning made them male and female" (Matthew 19:4). Adam and Eve didn't come on the scene after billions of years of mutations and evolution. No. God created them all the way back in the beginning-just like Moses reported in the Book of Genesis. — Charlie Campbell
The scene we shot with Charlie Rose was actually the last piece that was ever shot for 'Breaking Bad.' My daughter and I flew to New York; we got to shoot in the 'Charlie Rose' studio. Adam Godley and Jessica Hecht are such expert performers that we were able to get it very beautifully and very quickly. — Peter Gould
I want to give just a slight indication of the influence the book has had. I knew that George Orwell, in his second novel, A Clergyman's Daughter , published in 1935, had borrowed from Joyce for his nighttime scene in Trafalgar Square, where Deafie and Charlie and Snouter and Mr. Tallboys and The Kike and Mrs. Bendigo and the rest of the bums and losers keep up a barrage of song snatches, fractured prayers, curses, and crackpot reminiscences. But only on my most recent reading of Ulysses did I discover, in the middle of the long and intricate mock-Shakespeare scene at the National Library, the line 'Go to! You spent most of it in Georgina Johnson's bed, clergyman's daughter.' So now I think Orwell quarried his title from there, too. — Christopher Hitchens
I also want to raise the possibility that there are, in the very long term, "virtue effects" in economics- for instance that widespread corrupt accounting will eventually create bad long term consequences as a sort of obverse effect from the virtue-based boost double-entry book-keeping gave to the heyday of Venice. I suggest that when the financial scene starts reminding you of Sodomand Gomorrah, you should fear practical consequences even if you like to participate in what is going on. — Charlie Munger
I couldn't really relate to the fraternity or party scene, to the people out in the mall every day protesting one thing or another. I felt like there was no one I could relate to. — Charlie Trotter
I love Charlie, Billy Burke's character. Writing for him is so spectacular, he's so funny and wry and every scene he's in he just takes. There's a scene in 'Eclipse' where Bella tells him she's a virgin, and it's the funniest, most awkward scene I've ever seen on film. — Melissa Rosenberg
All this "confusion" came to an end twenty years after the Royal Visit, when two Bohemian brothers, claiming to be the illegitimate grandsons of Prince Charlie himself, appeared on the scene with their own tartan pattern book, portentously titled Vestiarum Scoticum. James and Charles Sobieski Stuart, as they called themselves, had selected seventy-five different setts, each linked to a specific clan, from a sixteenth-century manuscript they claimed had once belonged to Mary Queen of Scots's father confessor - although they could never quite produce the manuscript when others asked to see it. — Arthur Herman
The only thoroughly beat Negro scene is the Maracanda, where most of the clientele are junkies and Charlie Parker is the squarest thing on the jukebox. — Ned Polsky
I realise few people get to live the life they always wanted, but I'm so neurotic, I don't really think about it. I'm too busy thinking, 'I hope I don't screw up my next scene.' — Charlie Hunnam
Fifteen years ago, before we met, Daniela was a comer to Chicago's art scene. She had a studio in Bucktown, showed her work in half-dozen galleries, and had just lined up her first solo exhibition in New York. Then came life. Me. Charlie. A bout of crippling postpartum depression. Derailment. Now she teaches private art lessons to middle-grade students. — Blake Crouch
There's a heart-wrenching scene in Rudolph, the Red-Nosed Reindeer, the old stop-motion Christmas TV special, that has always resonated with me. After his run-in with the Abominable Snowman, Rudolph and his buddies seek asylum on the Island of Misfit Toys, a haven for crappy, deformed, and unwanted toys presumably built by an elf with substance abuse issues. There's the choo-choo train with square wheels, the water pistol that shoots jelly, the cowboy riding an ostrich, the white elephant with pink polka dots, the infelicitously named Charlie-in-the-Box. "Hey we're all misfits, too!" Rudolph squeals to his newfound friends, and everyone breaks into song. I cry every time I see it. — Anonymous
He'd expected her to feel like heaven, plus nirvana, plus that scene in Willy Wonka where Charlie starts to fly. — Rainbow Rowell
Belson came into the apartment with some crime-scene people and two homicide detectives.
"This guy," Charlie said, and looked at his notebook, "Spenser. He was impersonating a police officer."
Belson glanced at him. "We all thought that," Belson said, "when he was a cop. — Robert B. Parker