Behind Those Blue Eyes Quotes & Sayings

Kulp saw something crumbling into ruins behind the lad's light-blue eyes. — Steven Erikson

There is a town in north Ontario,
With dream comfort memory to spare,
And in my mind
I still need a place to go,
All my changes were there.

Blue, blue windows behind the stars,
Yellow moon on the rise,
Big birds flying across the sky,
Throwing shadows on our eyes. — Neil Young

But around her, the air was sad, somehow. And behind the smile in her eyes, the Grief was a fresh, shining blue. Because of a calamitous car crash. Because of a Joe-shaped hole in the universe. — Arundhati Roy

Olga came home, but she never came back to life behind those blue eyes. They tried, of course, but the more they tried, the more tenuous she became, and, in their hunger to know, they spread her thinner and thinner until she came, in her martyrdom, to fill whole libraries with frozen aisles of precious relics. No saint was ever pared so fine. (Hinterlands) — William Gibson

Here, let me help." Owen grabbed a slice of toast with butter and jelly and held it up to her mouth.
She took a big bite. She looked up and found his eyes blazing, that odd light flickering faintly behind the blue and brown. "What could possibly be turning you on about this situation? — Laura Kaye

When they reached her she stood on the path holding a pair of moths. Her eyes were wide with excitement , her cheeks pink, her red lips parted, and on the hand she held out to them clung a pair of delicate blue-green moths, with white bodies, and touches of lavender and straw colour. All about her lay flower-brocaded grasses, behind a deep green background of the forest, while the sun slowly sifted gold from heaven to burnish her hair. Mrs. Comstock heard a sharp breath behind her.
Oh, what a picture!" Exulted Ammon over sher shoulder. "She is absolutely and altogether lovely! Id give a small fortune for that faithfully set on canvas! — Gene Stratton-Porter

BEANNACHT For Josie On the day when the weight deadens on your shoulders and you stumble, may the clay dance to balance you. And when your eyes freeze behind the gray window and the ghost of loss gets in to you, may a flock of colors, indigo, red, green and azure blue come to awaken in you a meadow of delight. When the canvas frays in the curach of thought and a stain of ocean blackens beneath you, may there come across the waters a path of yellow moonlight to bring you safely home. May the nourishment of the earth be yours, may the clarity of light be yours, may the fluency of the ocean be yours, may the protection of the ancestors be yours. And so may a slow wind work these words of love around you, an invisible cloak to mind your life. — John O'Donohue

Owens, our minister, would get up from his seat and stop the song. He'd sit behind his pulpit in a spiritual trance, his eyes closed, clad in a long blue robe with a white scarf and billowed sleeves, as if he were prepared to float away to heaven himself, until one of Mommy's clunker notes roused him. One eye would pop open with a jolt, as if someone had just poured cold water down his back. He'd coolly run the eye in a circle, gazing around at the congregation of forty-odd parishioners to see where the whirring noise was coming from. When his eye landed on Mommy, he'd nod as if to say, "Oh, it's just Sister Jordan"; then he'd slip back into his spiritual trance. — James McBride

Sure enough, a few moments later, an enormous blue-green SeaWing emerged from the water, shaking her wings vigorously. She was powerfully built, as big as Morrowseer, with broad shoulders and gleaming teeth and a healing burn scar on her neck, and she had a trident longer than Deathbringer strapped to her back. Holy mother of lava, Deathbringer thought. I'm supposed to kill THAT? Commander Tempest was followed by two more SeaWings: a big green male dragon with dark green eyes and gold bands around his ankles, and a wiry female with small eyes and dark gray-blue scales. Behind them, keeping their scales in the water as they eyed the troops on the beach, were about twenty other SeaWing soldiers. "Blister!" Commander Tempest shouted, stamping one foot in the sand. "We're here! Let's get this over with!" The — Tui T. Sutherland

But if I had to choose between where I live and you, I'd rip up everything I own because the only landscape worth looking is the landscape of the human body. I kiss your Blue Ridge Mountains of Virginia. I kiss your Missouri and Monongahela and Susquehanna and Shenandoah and Rio Grande. I kiss the confluence of all those rivers. I kiss your amber waves of grain. I kiss your spacious skies, your rocket's red glare, your hand I love, your purple mountain'd majesty. But most of all I kiss your head. I kiss the place where we make our decisions. I kiss the place where we keep our resolves. The place where we do our dreams. I kiss the place behind the eyes where we store up secrets and knowledge to save us if we're caught in a corridor on a dark, wintry evening. — John Guare

Tommy looked blank. "What's a flashlight?"
"You don't have flashlights?" Jessup said. "Jeeze! A cylinder, like, with batteries inside it, and a light bulb behind glass at one end
"
Tommy's blue eyes glinted dangerously. "We have a thing in Scotland that's a cylinder too. Very thin, made of wood, with graphite in the center. We call it a pencil."
Jessup hooted. "You think we don't have pencils?"
"You think we don't have flashlights?" Tommy snapped. "That's just American dialect. In the English language they're called torches."
Emily said mildly, "Actually we're Canadians. — Susan Cooper

His instincts told him he should stay the hell away from her. That he was on a road paved to hell, but he couldn't stay away. He'd watched her every night for a month, played a silent game with her of pretending the other didn't exist, and it never worked. He wanted to know the secret behind her eyes. He wanted to know why she carried a gun at night, ordered a glass of Johnny Walker Blue she never drank, and why she carried so much pain inside. — Nina D'Angelo

She tore through the wrapping and took out a blue velvet box. She glanced back at me as though unable to believe her eyes. After pulling her bottom lip between her teeth, she lifted the lid. Two rolls of cushioned velvet sat inside. The slit that those cushions made should have held a ring, but it didn't.
Sucked to be her.
She gaped at me. "What is this?" she asked, appalled.
"It's a simple yes/no question," I said, trying to keep a straight face. I lay back, crossing my arms behind my head. "When I get an answer, you get the rest of your gift. — Darynda Jones

He has a gentle voice and a quiet manner, but behind his twinkling blue eyes there lurks a capacity for furious wrath and implacable resolution, the more dangerous because they are held in leash. — Arthur Conan Doyle

Paco Fuentes, Mrs. Peterson says, pointing to the table behind Mary. The handsome young man with pale blue eyes like his mother's and smoky black hair like his father's takes his assigned seat. — Simone Elkeles

Tessa craned her head back to look at Will. "You know that feeling," she said, "when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside." His blue eyes were dark with understanding - of course Will would understand - and she hurried on. "I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done."
"You fear for Jem," Will said.
"Yes," she said. "And I fear for you, too."
"No," Will said, hoarsely. "Don't waste that on me, Tess. — Cassandra Clare

An attractive man of the dark, messy hair variety came around a corner and stopped short. He stared intently at her, his dark blue eyes mesmerizing. "Can I help you?" He slid behind the desk and — Cleo Peitsche

And she could clearly remember how the first time she met him, he was like a sketch paper filled with grey and blue and black, all mixed up together forming a confusing storm, the second time she met him was like red and orange and everything that burned, the third time it was raining and it felt like the storm would never end.
And she felt right now that the storm is ending. When he took his glasses off and she saw the sadness in his eyes, and she could clearly see how the storm is going to leave soon, but yet leaving behind it broken pieces and shattered glasses. — Basma Salem

His gaze slid toward the back of the sanctuary and collided with Joanna, standing silently in the doorway. You ... Crockett's voice tapered off.
For a moment, all he could do was stare. Her rapt attention, the tiny smile that brought into relief the freckles dusting her cheekbones, the way the light passed through the doorway behind her to see her hair ablaze beneath the prim straw bonnet she wore. Yet it was her inner light that captured him the most. The serenity of her features. The glow in her blue eyes. This was a woman of authentic spirituality. No wonder the Master Weaver had chosen her to be the central thread to anchor his new tapestry. — Karen Witemeyer

For a moment they stood looking at each other in the firelight, while the old harper still fingered the shining strings and the other man looked on with a gleam of amusement lurking in his watery blue eyes. But Aquila was not looking at him. He was looking only at the dark young man, seeing that he was darker even than he had thought at first, and slightly built in a way that went with the darkness, as though maybe the old blood, the blood of the People of the Hills, ran strong in him. But his eyes, under brows as straight as a raven's flight-pinions, were not the eyes of the little Dark People, which were black and unstable and full of dreams, but a pale clear grey, lit with gold, that gave the effect of flame behind them. — Rosemary Sutcliff

Somewhere," he told her, "somewhere else lived a boy and a girl beside the sea and as they grew older they grew more transparent. At first blue blood vessels and then bones bloomed beneath the skin but soon they could see the shapes of the world behind their bodies, the shudder of leaves like shadows in the brain, a butterfly's flutter in the mutter of the heart, beetles in the coils of the bowels. They watched wine whirl down each other's throats and the sun rise up each other's spines, stepping vertically vertebra to vertebra. Soon the only substance they obtained was when their bodies overlapped and so they clasped each other, peering for the vestiges of eyes, teeth, ears, smears against the landscape. And one day they kissed and disappeared. — Keith Miller

I put both hands on his chest and backed him up a pace. The black sky behind him was filled with color. I said, "Go. Hurry. You can still help. You're missing it."
He pulled me close again and gazed down at me, tracing one finger so tenderly along my cheekbone. His finger was black, and he might be leaving an attractive black
streak across my skin. I didn't mind. The way he was looking at me with those light blue eyes, I had never felt more beautiful.
He bent his head close to my ear again so I could hear him whisper, "I'm not missing anything — Jennifer Echols

While the darkness of the interior concealed her body, the streetlight behind them illuminated the pale oval of her face, gilding her cheeks in shades of amber and ghostly blue. The effect was . . . arresting. Vermeer had used natural light to paint women in this way, faces emerging from the shadows, forcing the viewer's eye to focus on what was most important: the look of grace. The mouth firmed in determination. The eyes poised to behold a revelation. — Meredith Duran

You really need better spatial awareness." A familiar, deep voice from behind her made her jump out of her skin.
Feeling almost numb, she turned to find Graysen West standing there - and looking way too sexy for his own good. Or for her own good. She'd thought she was completely alone in the elevator.
She blinked once. Yep, he was still there. Well over six feet of raw masculinity, bright blue eyes she could drown in, and a disapproving frown that somehow made him look sexy.
Isa felt almost possessed as she lashed out. A year of built-up anger and hurt came bursting to the surface. Her arm was moving before she'd processed what she was doing but when her fist connected with his nose, she cursed at the pain that jolted through her hand. Punching someone hurt. — Katie Reus

Who were all these people, so many of them so brown? What was this ritual unfolding around him? I've never seen a German look as German as Clark did when he assessed his likely assessors. His eyes were like small blue coins behind his glasses. — Walter Kirn

Some instantaneous connection had occurred between them. The very air in the room seemed to crackle with the awareness of it. A wave of heat suffused her body to centre between her legs, suddenly she felt breathless and hyper aware of him. There was no way this man could remain unaffected by the sheer magnitude of the invisible bonds that had just linked them irretrievably together. She wondered what he was thinking behind those beautiful navy blue eyes. Okay so she didn't really expect him to open his mouth and spout poetry or declare his undying love but she certainly wasn't prepared for his next words.
"You aren't going to throw up are you? This is one of my favourite suits. — Jane Cousins

The Ferryman will transport us across the moat," Chris informed.
"Yeah. This seems legit," Gabriella quipped as Chris helped her onto the boat. Andrew followed behind.
"Are you sure this isn't a trick?" Egnatious asked.
Again, uncertainty filtered into Chris's blue eyes, but he nodded anyway. "This is the only way. — Laura Kreitzer

He gripped her hips, and standing up, slowly pushed volumes of silk with him. Blue fabric puffed and pillowed between them. His hand traced a slow caress the length of her from knee to hip. Edward's nostrils flared, as did his eyes, when his roving hand slipped behind her, grappling bare skin. She quivered from tantalizing male touch exploring forbidden flesh. Lydia read Edward's face, the flush of tanned skin and mouth unable to close, as knowledge seeped into his brain: she'd said her vows, eaten dinner with the utmost decorum, and chattered politely with all and sundry in this secret state of undress. Edward groaned and jammed her body hard against his. "You're naked under your skirt. — Gina Conkle

Phoebe stared into his blue eyes. "What would you do if you ran away from a wedding in a car that didn't belong to you and discovered a body in the trunk about the time a sheriff's deputy rolled up behind you?" She flung her hand in the air, and assumed a high-pitched, sarcastic tone. "Hi, I'm a rich man's daughter with a dead man in my trunk. Could you help me get him out so I can be on my merry way? — Elle James

I sit down and say, and I run all my friends and relatives and enemies one by one in this, without entertaining any angers or gratitudes or anything, and I say, like 'Japhy Ryder, equally empty, equally to be loved, equally a coming Buddha,' then I run on, say to 'David O. Selznick, equally empty, equally to be loved, equally a coming Buddha' though I don't use names like David O. Selznick, just people I know because when I say the words 'equally a coming Buddha' I want to be thinking of their eyes, like you take Morley, his blue eyes behind those glasses, when you think 'equally a coming Buddha' you think of those eyes and you really do suddenly see the true secret serenity and the truth of his coming Buddhahood. Then you think of your enemy's eyes. — Jack Kerouac

With a little cry, I slid my hand behind his neck and pulled him to me for a real kiss. The assembled people cheered, and I closed my eyes as the sound of pixy wings wreathed us. Give up? Leave? echoed in my thoughts as his lips met mine, holding both a promise and a desire. Never, I answered myself as we parted and, hands still connected, turned to those who meant most to us and were welcomed in between the pixy dust and the blue butterflies. THE BEGINNING — Kim Harrison

Anyone could buy a green Jaguar, find beauty in a Japanese screen two thousand years old. I would rather be a connoisseur of neglected rivers and flowering mustard and the flush of iridescent pink on an intersection pigeon's charcoal neck. I thought of the vet, warming dinner over a can, and the old woman feeding her pigeons in the intersection behind the Kentucky Fried Chicken. And what about the ladybug man, the blue of his eyes over gray threaded black? There were me and Yvonne, Niki and Paul Trout, maybe even Sergei or Susan D. Valeris, why not? What were any of us but a handful of weeds. Who was to say what our value was? What was the value of four Vietnam vets playing poker every afternoon in front of the Spanish market on Glendale Boulevard, making their moves with a greasy deck missing a queen and a five? Maybe the world depended on them, maybe they were the Fates, or the Graces. Cezanne would have drawn them in charcoal. Van Gogh would have painted himself among them. — Janet Fitch

In the center of the sofa were two oblong companion pillows, shouldered so closely together that they looked like the Decalogue tablets. They were white, or had been white, and painfully stitched upon them with blue thread were companion mottoes, companion pictures. In the left pillow lies a girl, her long blue hair asprawl about her face, her eyes innocently shut, asleep. The motto: I SLEPT AND DREAMED THAT LIFE WAS BEAUTY. But the story continued, and on the next pillow her innocence is all torn away: there she stands, gripping a round broom; her hair now is pinned up severely and behind her sits a disheartening barrel churn. I WOKE AND FOUND THAT LIFE WAS DUTY. The pillows sat, stuffed and stiff as disapproving bishops; they could, he thought, serve as twin tombstones for whole gray generations. — Fred Chappell

Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me."
"I promise," I say.
Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her. — Lauren Oliver

... I suddenly discerned at my feet, crouching among the rocks for protection against the heat, the marine goddesses for whom Elstir had lain in wait and whom he had surprised there, beneath the dark glaze as lovely as Leonardo would have painted, the marvelous Shadows, sheltering furtively, nimble and silent, ready at the first glimmer of light to slip behind the stone, to hide in a cranny, and prompt, once the menacing ray had passed, to return to the rock or the seaweed over whose torpid slumbers they seemed to be keeping vigil, beneath the sun that crumbled the cliffs and the etiolated ocean, motionless lightfoot guardians darkening the water's surface with their viscous bodies and the attentive gaze of their deep blue eyes. — Marcel Proust

Clara Morrow had painted Ruth as the elderly, forgotten Virgin Mary. Angry, demented, the Ruth in the portrait was full of despair, of bitterness. Of a life left behind, of opportunities squandered, of loss and betrayals real and imagined and created and caused. She clutched at a rough blue shawl with emaciated hands. The shawl had slipped off one bony shoulder and the skin was sagging, like something nailed up and empty.
And yet the portrait was radiant, filling the room from one tiny point of light. In her eyes. Embittered, mad Ruth stared into the distance, at something very far off, approaching. More imagined than real.
Hope.
Clara had captured the moment despair turned to hope. The moment life began. She'd somehow captured Grace. — Louise Penny

Three people stood close behind him, but all Cress could see were the blue eyes staring back at her, directly back at her, beginning to fill with the same breathless awe she felt.

The same wonder.

The same enchantment.

Though they were separated by two screens and vast amounts of empty space, she could feel the link being forged between them in that look. A bond that couldn't be broken. Their eyes had met for the first time, and by the look of pure amazement on his face, she knew he felt it too. — Marissa Meyer

When your eyes freeze behind the grey window and the ghost of loss gets in to you, may a flock of colours, indigo, red, green and azure blue come to awaken in you a meadow of delight. — John O'Donohue

For so long I hid behind the blonde hair and the blue eyes. Now I feel like I've done it, I've done what I set out to achieve, now I can just go back to being me. — Jodie Marsh

No one knows what it's like to be the bad man. - Peter Townsend, "Behind Blue Eyes — Stephen Hunter

Scared of storms?"
She jumped. The voice had come from behind her, and she forced her hands to her sides, ready to feign nonchalance. "No," she lied, starting to turn. "I'm just - "
Face-to-face with hotness.
Her tongue stumbled for a minute. She'd seen the Merrick twins around school, of course. But catching a glimpse down the hall wasn't the same as being six inches away from one of them, getting an eyeful of the way his long-sleeve tee clung to muscled shoulders, or of the faint shadow of stubble along his jaw, or the depth of blue in his eyes.
Eyes that studied her a little too closely just now, a spark of amusement there. — Brigid Kemmerer

She realized she'd been staring only when he said, his voice lower and huskier, "Who are you looking for?"
His words snapped her out of her terrible trance. "I ... I ... " she thought furiously and said the only thing that came to mind. "For you. I was looking for you."
Suspicion flashed in his sea-blue eyes. "In the rigging?"
"Yes. Why not?"
"Either you're very ignorant about what a captain does, or you're lying. Why is it?"
Ignoring the plummeting sensation in her stomach, she forced a smile to her face. "Really, Gideon, you are so suspicious. Last night you accused me of plotting behind your back, and this morning you accuse me of lying. Who else would I be looking for but you? — Sabrina Jeffries

I'm in love with you, Trip. I love you. I always have."
It looked as though he'd been slapped in the face by my words. Pain drifted across his features as he dropped his head and shook it. "I know."
Not the words I was imagining, and the unexpectedness made me laugh.
"You know? Oh my God. Did you just Han Solo me?"
...
"I know you love me. I know, and it's incredible." He looked down at me, his eyes a shifting pool of blue, the corner of his lip quirked into a lopsided smile as he gently swiped my hair behind my ear. He buried his face against my neck, his breath tickling against my skin as he whispered softly, "Because I am completely in love with you right back. — T. Torrest

This time I saw. In a blue heaven was coiled an infinite snake of gold and green, with four eyes of fire, black fire and red, that darted rays in every direction; held within its coils was a great multitude of laughing children. And even as I looked, all this was blotted out. Crawling rivers of blood spread over the heaven, of blood purulent with nameless forms - mangy dogs with their bowels dragging behind them; creatures half elephant, half beetle; things that were but a ghastly bloodshot eye, set about with leathery tentacles; women whose skins heaved and bubbled like boiling sulphur, giving off clouds that condensed into a thousand other shapes, more hideous than their mother; these were the least of the denizens of these hateful rivers. — Aleister Crowley

Some time later, after Noah had discreetly disappeared, Declan's Volvo glided up, as quiet as the Pig was loud. Ronan said, "Move up, move up" to Blue until she scooted the passenger seat far enough for him to clamber behind it into the backseat. He hurriedly sprawled back in the seat, throwing one jean-covered leg over the top of Adam's and laying his head in a posture of thoughtless abandon. By the time Declan arrived at the driver's side window, Ronan looked as if he had been asleep for days.

"Lucky I was able to get away," Declan said. He peered into the car, eyes passing over Blue and snagging on Ronan in the backseat. His gaze followed his brother's leg to where it rested on top of Adam's, and his expression tightened.

"Thanks, D," Gansey said easily. With no effort, he pushed open the door, forcing Declan back without seeming to. He moved the conversation to the region of the front fender. It became a battle of genial smiles and deliberate hand gestures. — Maggie Stiefvater

The whole glittering nebula of shapes was framed by midnight colors - black, bruised blue, indigo, all textured into intricacy by clouds and the reachless vaults between them. Here, darkness was not simple; it hinted at structures and meanings, hidden activity and watchful eyes. Beacons flickered, miles away, then disappeared behind fog banks. Half-glimpsed ropes twisted and contorted their way up, down, and to every side, synapses reaching to contact the outlier towns and factories of Sere's hinterland. One or two of those ropes, if you followed them far enough, would emerge into sunlight at other nations' borders. — Karl Schroeder