Artistic Memory Quotes & Sayings

For, what is a family without a steward, a ship without a pilot, a flock without a shepherd, a body without a head, the same, I think, is a kingdom without the health and safety of a good monarch. — Elizabeth I

Facing future I see hope, hope that we will survive, hope that we will
prosper, hope that once again we will reap the blessings of this
magical land, for without hope I cannot live, remember the past but
do not dwell there, face the future where all our hopes stand. — Israel Kamakawiwo'ole

Cultures are never merely intellectual constructs. They take form through the collective intelligence and memory, through a commonly held psychology and emotions, through spiritual and artistic communion. — Tariq Ramadan

Coming to the end of spring / my grandmother kicks off her shoes / steps out of her faltering body. — Betsy Sholl

A building does not have to be an important work of architecture to become a first-rate landmark. Landmarks are not created by architects. They are fashioned by those who encounter them after they are built. The essential feature of a landmark is not its design, but the place it holds in a city's memory. Compared to the place it occupies in social history, a landmark's artistic qualities are incidental. — Herbert Muschamp

Movies I remember in impressions. No matter how many times I see a film, my memory of it is like a Monet painting...or a Cezanne, depending on the genre. Sometimes all I can muster is a Jackson Pollock. My memory of experience is usually the same: I carry with me only the sensations it gave me, the general outline of its content, the essential colors that strained my sensibility in the moments I took it in. I don't remember dialogue or specific action. Only shapes and impressions. — Kim Cope Tait

An emigres artistic problem: the numerically equal blocks of a lifetime are unequal in weight, depending on whether they comprise young or adult years. The adult years may be richer and more important for life and for creative activity both, but the subconscious, memory, language, all the understructure of creativity, are formed very early; for a doctor, that won't make problems, but for a novelist or a composer, leaving the place to which his imagination, his obsessions, and thus his fundamental themes are bound could make for a kind of ripping apart. He must mobilize all his powers, all his artists wiles, to turn the disadvantages of that situation to benefits.
[ ... ] Only returning to the native land after a long absence can reveal the substantial strangeness of the world and of existence. — Milan Kundera

When someone can fill such words with the depth of meaning that they are intended to have, it's like hearing them for the first time. — Orville Schell

Because IQ tests favor memory skills and logic, overlooking artistic creativity, insight, resiliency, emotional reserves, sensory gifts, and life experience, they can't really predict success, let alone satisfaction. — Diane Ackerman

Time, memory, loss and love are my main artistic concerns, but time, among all of them, becomes the determinant. — Sally Mann

Making art requires a degree of intentionality. All works of art require a contemplative individual drawing from their bank of knowledge and immersion into the realms of memory and imagination in order to make an outward, communicative expression. Only human beings can draw upon the dialectical tension between memory and imagination to create artistic renderings. — Kilroy J. Oldster

I believe in some sense much akin to the belief of faith, that I noticed, felt, or underwent what I describe - but it may be that the only reason childhood memories act on us so strongly is that, being the most remote we possess, they are the worst remembered and so offer the least resistance to that process by which we mold them nearer and nearer to an ideal which is fundamentally artistic, or at least nonfactual; so it may be that some of these events I describe never occurred at all, but only should have, and that others had not the shades and flavors - for example, of jealousy or antiquity or shame - that I have later unconsciously chosen to give them ... — Gene Wolfe

I have always been a person who is extremely comfortable in my skin. I have always just been myself in all these years on the public platform. — Aishwarya Rai Bachchan

Come here, woman," he growled. I laughed and rushed the short distance between us. I almost fell when my feet hit something foreign. "Tell me you noticed," he said, dry. His eyes twinkled with humor. I looked down and giggled. I hadn't noticed. "How am I supposed to notice anything when you're standing there without a shirt?" "You're forgiven."
-Braeden & Ivy — Cambria Hebert

Their exhibits include movements of social transformation and resistance to war and to structural and other violence; individuals working for peace and social justice; legal and international initiatives for disarmament, cooperation, and prevention; handiwork and artistic representations; and nonviolent alternatives and peaceful visions. Such museums often include peace stories and artifacts such as banners used in protests, conscientious objectors' diaries, and reconciliation ceremonies between former enemies. Such peace museums/centers write in histories about war and peace that may be denied, minimized, or distorted by official accounts and in public memory. There — Joyce Apsel